188 résultats
1994D14138New York: The Metropolitan Museum of Art 1994. Second edition. Hardcover. Fine/Fine. Blue cloth lettering stamped in silver on spine; complete set of 2 volumes 4to; pp. 381; 223; profusely illustrated in b/w. Appearing new. <br/><br/> The Metropolitan Museum of Art hardcover books
1975147518N.p.: N.p. 1975. Draft script for the 1975 play which premiered on April 20 at the Theatre de Lys in New York.<br/><br/>A southern melodrama focusing on the toxic relationship between a former heavyweight boxing champion and a young teacher.<br/><br/>Set in rural Georgia.<br/><br/>Blue titled wrappers with credits for playwright Larry Ketron. Title page present dated 1975 with credits for playwright Larry Ketron. 98 leaves with last page of text numbered 2-3-36. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown books
1953137487Universal City CA: Universal Pictures 1953. Revised final script for the 1953 film "The Great Sioux Uprising" seen here as "Sioux Uprising." <br/><br/>Though very loosely based on true events surrounding the two-year Red Cloud's War during which a Cheyenne Native American chief repeatedly attacked US forces in an effort to stem the flow of White settlers this film centers around a white man who attempts to help a Sioux tribe retrieve a large number of stolen horses white attempting to convince them to join up with the Union soldiers instead of the Confederates. Shot on location in Oregon with a cast partly comprised of local Native Americans. <br/><br/>Tan titled wrappers noted as REVISED FINAL SCREENPLAY on the front wrapper dated September 3 1952. Title page present with credits for screenwriters Levy and Gill. 138 leaves with last page of text numbered 125. Mimeograph duplication with pink and blue revision pages throughout dated 9/22/52 and 9/15/52. Pages Near Fine wrapper Near Fine bound with three gold brads. Universal Pictures unknown books
1960243682New York: Metropolitan Museum of Art 1960. hardcover. near fine. 2 volumes. Profusely illustrated in black and white. 4to black cloth spines are slightly faded but internally clean; red board slipcase. New York: Metropolitan Museum of Art 1960. A near fine set.<br/><br/> This exhibition of 17th-19th century French silver was held at the Met and then donated to the museum at a later time. It includes a photograph and description of each piece and a full set of marks for each in volume two. This book is considered a comprehensive work on French silversmiths of both Paris and provincial regions. 585 pieces of silver are included.<br/><br/> Metropolitan Museum of Art unknown books
1960249184New York: Metropolitan Museum of Art 1960. First edition. Illus. 367; 201 pp. 2 vols. 4to. Cloth. Fine in slipcase. First edition. Illus. 367; 201 pp. 2 vols. 4to. Metropolitan Museum of Art unknown books
191533162Washington 1915. 1st edition described on the limitation page as a "Facsimile of Author's Manuscript." Copy #16 of an unstated limitation. SIGNED by the author at the base of the limitation page. Original publisher's green cloth binding with gilt stamping to spine & front board. Ex-lib with pockets stamps & call letters to spine though the check-out card shows absolutely no interest from the library patrons since accession. Ex-libris label of Charles Mason Remey. A VG copy. 111 ll. Illustrated with half-tone reproductions of photographic images. 4to. <br/><br/>Remey born in the US trained as an architect at Cornell University though subsequent contact with the Baha'i faith and more specifically Abdul Baha & Shoghi Effendi sent him on a different path working on behalf of the Baha'i Faith & eventually becoming a prominent leader thereof. Scarce title in the marketplace that is if you want the real book not a Print-on-Demand piece of crp. hardcover books
1946242N.p. 1946. Near fine. Poster 18 x 24 inches. Minor wear. A handsome poster advertising travel on the Santa Fe Railroad featuring several Navajo Indians in the foreground and a pueblo in the background. One of the men in the foreground stands drumming while the others are seated behind him chatting. The vibrant colors are washed out slightly by the fierce New Mexican sun softening the view. The railroad produced numerous promotional posters in the 1940s many of them -- such as this one -- quite striking. No artist is identified on this work. unknown books
1948240N.p. 1948. Near fine. Poster 18 x 24 inches. Minor wear. Advertising poster for the Santa Fe Railroad featuring a Native American child etching the slogan "Santa Fe All the Way" in the sand with a stick. The stylish Santa Fe locomotive is barreling past in the background its engine a sleek red. The railroad produced numerous promotional posters in the 1940s many of them -- such as this one -- quite striking. No artist is identified on this work. unknown books
1946243N.p. 1946. Very good. Poster 18 x 24 inches. Minor wear a few minor chips and tears at edges. A handsome poster advertising travel on the Santa Fe Railroad painted in the bold teals and earth tones associated with the Southwest. The poster features a Hopi dancer performing the Buffalo Dance. He fills almost the entirety of the image with a crowd of people gathered around the pueblo in the far background. The poster was designed by Don Perceval who did several such works for the railroad. Born in Britain Perceval 1908-1979 whose mother was also an artist moved to Los Angeles as a child and became enamored of the Southwest. He specialized in images of Hopi and Navajo Indians a subject he began sketching in the 1920s. That knowledge and interest is certainly applied here in the inclusion of culturally correct costuming for the event. In addition to his art he also did commercial work for the Santa Fe Railroad such as the present piece bringing his vibrant style to the company's advertising. unknown books
1974144121Los Angeles: Zenith Productions 1974. Draft script for the 1974 film "Psycho Sisters" also known by the alternate title "Sibling" seen here under the working title "So Evil My Sister." <br/><br/>A low budget suspense film from "Diary of a Madman" director Reginald LeBorg in which a recent widow Susan Strasberg and her emotionally unstable sister Faith Domergue engage in escalating psychological warfare-with predictably dire results. <br/><br/>Goldenrod titled wrappers. Title page integral with the first page of the text. 93 leaves with last page of text numbered 93. Mimeograph duplication. Pages about Fine wrapper about Fine bound with two gold brads. <br/><br/>Thrower Nightmare USA. Zenith Productions unknown books
1980WRCLIT57902London: Omlette Press 1980. Quarto 33 x 26.2 cm. Loose signatures laid into printed wrappers. Fine in cloth chemise and slipcase. First edition. Illustrated with ten original etchings two colored and a title-page decoration by Major. One of a total edition of forty-two numbered copies printed on French handmade paper in Centaur types and signed by the poet and the artist. The first publication of the press combining the talents of a Canadian artist and an American poet working in London. The press later relocated to Calgary. Omlette Press hardcover books
1938133673Burbank CA: Warner Brothers 1938. Final Draft script for the 1938 film. From the library of producer Mark Hellinger who wrote the film's screenplay bound in red three-quarter leather with gilt titles and designs marbled endpapers raised bands trimmed edges and Hellinger's name in gilt on the front board. Also included is a typescript on onionskin stock with the title and credits for Hellinger and story writer Faith Baldwin on the front wrapper in holograph ink. Finally laid in is a typed letter signed by Bette Davis dated March 31 1939 on Davis' stationery thanking Hellinger for kind words regarding her film "Dark Victory" 1939 and discussing her dismay with the script for "Comet Over Broadway" and her resulting decision to part ways with the film. <br/><br/>Mark Hellinger's first screenplay for Warner Brothers. His other credits include the noir antecedent "The Roaring Twenties" 1939 screenwriter "It All Came True" 1940 producer and his notable series of foundation noir films "High Sierra" 1941 associate producer "The Killers" 1946 producer and "The Naked City" 1948 producer. <br/><br/>Based on a story by Faith Baldwin published in "Cosmopolitan" in 1937 about Eve Appleton Francis wife of garage owner Bill Appleton Litel and aspiring actress. Bill gets into an argument with an actor over Eve and accidentally kills him. Eve takes her infant daughter and tries to make her way on Broadway while Bill is imprisoned. Set in New York. <br/><br/>Bound script:<br/><br/>Noted as FINAL on the distribution page dated 3/28/38 with credits for Hellinger Robert Buckner N. Brewster Morse Fritz Falkenstein and Frank Cavett on the following page flatsigned by Walter MacEwen. Distribution page present with receipt intact. 155 leaves mimeograph duplication dated August 19 1938 and August 22 1938 screenwriters' credit page. Pages and binding Near Fine. <br/><br/>Typescript:<br/><br/>Blue wrappers. "Comet Over Broadway by Mark Hellinger / after a story by Faith Baldwin" in holograph ink on the front wrapper. Title page present with credits for screenwriter Hellinger and story writer Baldwin. 78 leaves typed watermarked "MILLERS FALLS." Pages Near Fine wrapper Very Good plus bound with two gold brads. <br/><br/>Bette Davis letter and envelope: <br/><br/>Light soil and a closed tear to the envelope. Letter folded horizontally else Near Fine. Warner Brothers unknown books
193211531Palm Beach: Davies Publishing Co 1932. Original wraps. Very Good. Uncommon 1932 study of the recent Florida work of New York and Palm Beach architecture firm Treanor & Fatio. Tight well-preserved and VG in its dark-gray wrappers with light soiling to the rear panel and foxing at the preliminaries --especially the title page. Still though attractive and very presentable. Folio crisp high-quality black-and-white photos thruout by F.E. Geisler. <br/><br/> Davies Publishing Co paperback books