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Stuart, VilliersBiblio.com

NILE GLEANINGS; Concerning the Ethnology History and Art of Ancient Egypt As Revealed by Paintings and Bas-Reliefs with Descriptions of Nubia and its Great Rock Temples to the Second Cataract

Capart, JeanBiblio.com

Esquisse d'une histoire du droit pénal égyptien Extraits. Extrait de la Revue de l'Université de Bruxelles.

19009773Bruxelles Lefèvre 1900. 1st Edition . Offprint. . Royal octavo. Pp. 38 1. Original printed stiff wrappers bit thumbed. In a very good condition. ~ FIRST EDITION thus. Extrait de la Revue de l'Université de Bruxelles 1899-1900. Jean Capart 1877-1947. One of his very first contributions on Egyptology apparently his second written at the age of 22. At the time of publication he was already a Doctor of Laws and was just appointed assistant Conservator in the Egyptian collections at the Musées Royaux. The article was published in February 1900 and is comprising of extracts from his doctoral dissertation which apparently was never published. There is a record of only one article that was published earlier "Notes sur les origines de l'Égypte d'après les fouilles recentes" which appeared in 1899 also in Revue de l'université de Bruxelles. Provenance: Presentation copy signed 1900 and dedicated by the author to Egyptologist Prof. Baudouin van de Walle 1901-1988 from whose library this item comes. Very rare. Not in Beinlich-Seeber. WorldCat locates a single copy that in Bibliothèque de Genève. ~Librarium of The Hague offers the largest and finest collection of Egyptological offprint monographs in the rare book market. With the acquisition in recent years of multiple Egyptological libraries those of Prof. Herman te Velde; Prof. Mathieu Heerma van Voss Prof. Baudouin van de Walle; Prof. Michel Malaise; Prof. Herman De Meulenaere; Egyptologist Jacobus Visser and former Trustee of the Egypt Exploration Society Stewart Dale White we now hold several thousands of rare offprint monographs which were collected over many years by these scholars. Very limited in number when originally issued and fragile by nature most are by now practically extinct and the scarce survivors are much sought after. We took upon ourselves to collate catalogue and identify each item in accordance with Beinlich-Seeber or Annual Egyptological Bibliography in the hope that this collection will prove useful for scholars and collectors alike. Your queries are most welcome OFP-12 Bruxelles, Lefèvre unknown

Librarium of The Hague · Pays-Bas219,90 €

Roberts David; [Egypt]Biblio.com

Christian and Mahometan Chapels on the summit of Mt. Sinai An Original Hand-Coloured Lithograph From THE HOLY LAND SYRIA IDUMEA ARABIA EGYPT AND NUBIA

184526622London: F.G. Moon and Co. 1845. From the Standard Folio First Edition limited to 500 sets only. A single original hand-coloured lithographic plate drawn on stone by Louis Haghe after David Roberts' paintings done on location in 1839. Printed on a half folio sheet 17" x 11" the captioned image is 14" x 10" now presented in cream mounting boards 20" x 18" glazed behind clear mylar. Beautifully hand-coloured to the highest standards of the time. An example in excellent condition clean fresh beautifully preserved. FROM One of the most desirable of all travel and COLOURplate books. This is an excellent plate with the impressive content of one of the world's great holy sites according to Jewish Christian and Islamic tradition the biblical Mount Sinai was the place where Moses received the Ten Commandments. An excellent plate with exceptional detail and depth of colour. We have a good number of impressive images from the Standard Folio Edition of this classic work available for purchase. As well as many other views of Petra and Sinai there are also available views of EgyptTyre Nubia the Jordan Sidon and Baalbec. Please inquire for further details. Roberts set sail for Egypt on 31 August 1838 a few years after Owen Jones. His intent was to produce drawings that he could later use as the basis for the paintings and lithographs to sell to the public. Egypt was much in vogue at this time and travellers collectors and lovers of antiquities were keen to buy works inspired by the East or depicting the great monuments of ancient Egypt. Roberts made a long tour in Egypt Nubia the Sinai the Holy Land Jordan and Lebanon. Throughout he produced a vast collection of drawings and watercolour sketches. On his return to Britain Roberts worked with lithographer Louis Haghe from 1842 to 1849 to produce these lavishly illustrated plates. He funded the work through advance subscriptions which he solicited directly. The scenery and monuments of Egypt and Holy Land were fashionable but had hitherto been hardly touched by British artists and so Roberts quickly accumulated 400 subscription commitments with Queen Victoria being subscriber No. 1. F.G. Moon and Co. hardcover

Buddenbrooks, Inc. · États-Unis440,00 $US≈ 372,28 €

[Egypt]; Madden R RBiblio.com

EGYPT AND MOHAMMED ALI Illustrative of the Condition of His Slaves and Subjects &c. &c.

184134772London: Hamilton Adams & Co. 1841. First Edition. Illustrated with an engraved portrait frontispiece of Mohammed Ali. 8vo publisher's original brown cloth the spine lettered in gilt the covers decorated and blocked in blind with fillet rules and inner decorations at the borders the upper cover with gilt pictorial device showing a camel being led by a tender and with palms and pyramid in the background. xvi 280 pp. A handsome copy in unusually pleasing condition the binding in good order even as age is observable the gilt bright the text block clean the hinges sound a bit of offset to the plate very well preserved and rare thus. SCARCE FIRST EDITION. An important and primary work on man who would Muhammad Alia 1769 – 1849 was the Ottoman viceroy and governor who became the de facto ruler of Egypt from 1805 to 1848 widely considered the founder of modern Egypt. At the height of his rule in 1840 he controlled Egypt Sudan Hejaz the Levant Crete and parts of Greece and transformed Cairo from a mere Ottoman provincial capital to the center of an expansive empire. Ali was a military commander in an Albanian Ottoman force sent to recover Egypt from French occupation following Napoleon's withdrawal. He rose to power through a series of political maneuvers and in 1805 he was named W li of Egypt and gained the rank of Pasha. As W li Ali attempted to modernize Egypt by instituting dramatic reforms in the military economic and cultural spheres. He also initiated a violent purge of the Mamluks consolidating his rule and permanently ending the Mamluk hold over Egypt. Militarily Ali recaptured the Arabian territories for the sultan and conquered Sudan of his own accord. In 1831 Ali waged war against the sultan capturing Syria crossing into Anatolia and directly threatening Constantinople. After defeating the Ottomans multiple times he accepted a peace brokered by European powers in 1842 and withdrew from the Levant; in return he and his descendants were granted hereditary rule over Egypt and Sudan. His dynasty would rule Egypt for over a century until the revolution of 1952 when King Farouk was overthrown by the Free Officers Movement led by Mohamed Naguib and Gamal Abdel Nasser establishing the Republic of Egypt. Hamilton, Adams & Co. hardcover

Buddenbrooks, Inc. · États-Unis605,00 $US≈ 511,89 €

Roberts David; [Egypt]Biblio.com

RUINED TEMPLE ON THE ISLAND OF BIGGE NUBIA Being an Original Hand-Coloured Lithograph From THE HOLY LAND SYRIA IDUMEA ARABIA EGYPT AND NUBIA

184726629London: F.G. Moon and Co. 1847. From the Standard Folio First Edition limited to 500 sets only. A single original hand-coloured lithographic plate drawn on stone by Louis Haghe after David Roberts' paintings done on location in 1838. Printed on a half folio sheet 17" x 13.55" the captioned image is 14" x 10" now presented in cream mounting boards 17" x 21" glazed behind clear mylar. Beautifully hand-coloured to the highest standards of the time. An example in excellent condition clean fresh beautifully preserved. FROM One of the most desirable of all travel and COLOURplate books. AN especially pretty image the ruins beautifully rendered with colorfully dressed people scattered about them. The island of Bigge adjacent to Philae was part of the site of the tomb of Osiris. Only the priests from Philae were permited to even set foot on the island let along enter the temples. We have a good number of impressive images from the Standard Folio Edition of this classic work available for purchase. As well as many views of Egypt we also have available views of Nubia Petra Sinai the Jordan Tyre Sidon and Baalbec. Please inquire for further details. In the course of two and a half months in 1838 traveling some 800 miles south from Cairo Roberts recorded the monumental temple sites along the Nile in more than a hundred sketches. As the first British artist to sketch the monuments of Ancient Egypt set on "Plains so vast.that until you come near them you have no idea of their magnificence" Roberts was well aware of the stir his drawings would create in London. According to John Ruskin writing in PRAETERITA Roberts's drawings "were the first studies ever made conscientiously by an English painter not to exhibit his own skill but to give true portraiture of scenes of historical and religious interest. F.G. Moon and Co. hardcover

Buddenbrooks, Inc. · États-Unis660,00 $US≈ 558,43 €

[EGYPT - PHOTOGRAPHY] ZANGAKI BROTHERSBiblio.com

Photographic prints of the Nile with pyramids in the background and of the Al-Azhar Mosque in Cairo. No. 827 Cour de la Mosquee El-Azhar reunion des theologiens Caire; No. 901 Nil et Pyramides.

1875ABC_46596Egypt 1875. A single oblong board 30 x 40 cm. Zangaki brothers 2 albumen photographic prints mounted on one board 1 on each side approx. 225 x 28 cm. 2 albumen photographic prints of a view of the Nile with pyramids in the background and the Al-Azhar mosque in Cairo by the Zangaki brothers "Adelphoi Zangaki" who were two photographers of Greek origin active in Egypt from ca. 1870 until the beginning of the 20th century. They can be grouped together with other commercial photographers who worked in Egypt during the second half of the 19th century. These photographers such as Félix Bonfils Gustave le Gray and others who were mostly of French origin were able to capitalise on the rising demand for photographic prints as souvenirs. Photographers like the Zangaki brothers often sold the albumen prints from their studios located in cities like Port Said Cairo and Suez but produced the actual photographs using the collodion process in a portable darkroom - a cart or sometimes even a boat - in the field.The brothers were quite prolific producing at least 1500 photographs of Egypt and other regions of the Middle East during the span of a few decades around the turn of the 20th century. Since these photographs were taken with the purpose of creating prints for tourists the subjects are often "quintessentially Egyptian" and sights such as the pyramids along the Nile river are captured. However they also provide a glimpse into Egyptian daily life or occasionally one can sneak a peek at one the photographers and their portable darkroom. Not much is known about the Zangaki brothers and until quite recently people thought that the photographic prints signed "Zangaki" were produced by one single person. With a tear in the lower margin not affecting the photographs some foxing remnants of white tape to one of the side margins of the board with a small blue ink mark below an inscription "Mosque of El Azhar." in the margin below the photograph of said mosque. Overall in good condition.l cf. Erdem Views of Egypt by Georgios and Constantinos Zangaki . 2009; Hannavy in: Encyclopedia of Nineteenth-Century Photography p. 1521; Perez Focus east p. 233. ABE CAT Art History ABE CAT Middle East Arabian Peninsula unknown

Asher Rare Books · Pays-Bas600,00 €

Roberts David; [Egypt]Biblio.com

Island of PHILAE on the nile Showing the Temple Compound at Sunset Being an Original Hand-Coloured Lithograph From THE HOLY LAND SYRIA IDUMEA ARABIA EGYPT AND NUBIA

184626628London: F.G. Moon and Co. 1846. From the Standard Folio First Edition limited to 500 sets only. A single original hand-coloured lithographic plate drawn on stone by Louis Haghe after David Roberts' paintings done on location in 1838. Printed on a half folio sheet 17" x 15" the captioned image is 14" x 10" now presented in cream mounting boards 21" x 17" glazed behind clear mylar. Beautifully hand-coloured to the highest standards of the time. An example in excellent condition clean fresh beautifully preserved. FROM One of the most desirable of all travel and COLOURplate books. A very beautiful image of the the Island of Philae from the Nile at Sunset. In the foreground are reeds and a sailboat behind which can be seen in near silhouette the Temple of Isis on the island. Philae was accounted to be one of the burying-places of Osiris and was held in high reverence both by the Egyptians to the north and the Nubians to the south. It was deemed profane for any but priests to dwell there and was accordingly sequestered and denominated "the Unapproachable." This is a view now un-viewable to modern eyes. Due to decades of constant flooding of Philae after the construction of the Aswan Low Dam every building was dismantled into about 40000 units and then transported to higher ground on the nearby island of Agilkia. The project was completed in time for the 1970 construction of the the Aswan High Dam. We have a good number of impressive images from the Standard Folio Edition of this classic work available for purchase. As well as many views of Egypt we also have available views of Nubia Petra Sinai the Jordan Tyre Sidon and Baalbec. Please inquire for further details. In the course of two and a half months in 1838 traveling some 800 miles south from Cairo Roberts recorded the monumental temple sites along the Nile in more than a hundred sketches. As the first British artist to sketch the monuments of Ancient Egypt set on "Plains so vast.that until you come near them you have no idea of their magnificence" Roberts was well aware of the stir his drawings would create in London. According to John Ruskin writing in PRAETERITA Roberts's drawings "were the first studies ever made conscientiously by an English painter not to exhibit his own skill but to give true portraiture of scenes of historical and religious interest. F.G. Moon and Co. hardcover

Buddenbrooks, Inc. · États-Unis715,00 $US≈ 604,96 €

Roberts David; [Egypt]Biblio.com

PHILAE Showing the Temple of Isis Being an Original Hand-Coloured Lithograph From THE HOLY LAND SYRIA IDUMEA ARABIA EGYPT AND NUBIA

184626627London: F.G. Moon and Co. 1846. From the Standard Folio First Edition limited to 500 sets only. A single original hand-coloured lithographic plate drawn on stone by Louis Haghe after David Roberts' paintings done on location in 1838. Printed on a half folio sheet 17" x 13.5" the captioned image is 13.75" x 10" now presented in cream mounting boards 21" x 17" glazed behind clear mylar. Beautifully hand-coloured to the highest standards of the time. An example in excellent condition clean fresh beautifully preserved. FROM One of the most desirable of all travel and COLOURplate books. A very beautiful image of the Temple of Isis on the Island of Philae looking down the Nile. Philae was accounted to be one of the burying-places of Osiris and was held in high reverence both by the Egyptians to the north and the Nubians to the south. It was deemed profane for any but priests to dwell there and was accordingly sequestered and denominated "the Unapproachable." This is a view now un-viewable to modern eyes. Due to decades of constant flooding of Philae after the construction of the Aswan Low Dam every building was dismantled into about 40000 units and then transported to higher ground on the nearby island of Agilkia. The project was completed in time for the 1970 construction of the the Aswan High Dam. We have a good number of impressive images from the Standard Folio Edition of this classic work available for purchase. As well as many views of Egypt we also have available views of Nubia Petra Sinai the Jordan Tyre Sidon and Baalbec. Please inquire for further details. In the course of two and a half months in 1838 traveling some 800 miles south from Cairo Roberts recorded the monumental temple sites along the Nile in more than a hundred sketches. As the first British artist to sketch the monuments of Ancient Egypt set on "Plains so vast.that until you come near them you have no idea of their magnificence" Roberts was well aware of the stir his drawings would create in London. According to John Ruskin writing in PRAETERITA Roberts's drawings "were the first studies ever made conscientiously by an English painter not to exhibit his own skill but to give true portraiture of scenes of historical and religious interest. F.G. Moon and Co. hardcover

Buddenbrooks, Inc. · États-Unis715,00 $US≈ 604,96 €