1 035 résultats
190332985London: Adam and Charles Black 1903. LIMITED DE LUXE FIRST EDITION one of only 750 hand-numbered copies SIGNED by the illustrator artist Helen Allingham. With portrait frontispiece of the artist from a black and white photograph and 80 beautifully produced colour plates from her paintings each with a captioned tissue guard. 4to large paper very handsomely bound by Bumpus in polished strong mellow-red cloth. The spine with gilt ruling and gilt lettering the upper cover blocked in gilt with double gilt fillet rules at the borders creating a double ruled frame lettered in gilt at the center all edges gilt. xi 204 pp. A very pleasing and handsome copy some spotting to the two free-flies as is typical otherwise the text-block and illustrations are all in bright and very fine condition some minor cosmetic wear at the back join of the free-fly and paste-down. A very well preserved copy of this iconic work. IN THE MOST RARE OF THE BINDINGS THE LIMITED SIGNED FIRST EDITION OF THIS SCARCE AND LOVELY WORK. The artist who previously worked under the name Helen Mary Elizabeth Patersonstarted to paint the beautiful countryside around her in watercolours after retiring from a career illustrating periodicals. She particularly loved the picturesque farmhouses and cottages of Surrey and Sussex for which she became famous. She went on to paint rural scenes in other parts of the country – Middlesex Kent the Isle of Wight and the West Country – and abroad in Venice Italy. It is notable that other then a handful of paintings from Venice she never painted outside of England never in Scotland never in Wales. Many years of her paintings were collected into this publication appropriately named HAPPY ENGLAND.<br> While Vincent Van Gogh was developing as an artist by studying English illustrated journals he was struck by her work in 'The Graphic'. Adam and Charles Black hardcover
1937201961937. Very good condition. Vintage cross stitched sampler commemorating the coronation of George VI May 12 1937. Embellished with four flags of the British dominions including Australia and New Zealand and the branches of the military. The military branches illustrated include the Royal Navy the Yeoman Warders Beefeaters Royal Scots Guards and Royal Air Force. With the initials GR VI at the center of the sampler flanked by crests. The background cross stitched in tan inside a border of flowers. Approximately 11 x 15" in a frame 18 x 20 1/2". Framed in a brown and gilt serviceable wood frame. Will not ship with glass. unknown
190933952London: Adam and Charles Black 1909. First Edition. With 75 exquisite colourplates reproduced from paintings by Wilfred Ball. Large thick 8vo publisher's original green cloth the upper cover lettered in gilt within gilt rules surrounding the borders and with a lovely arrangement of pink roses and leaves in the central panel the spine gilt lettered with matching flower pattern below. xi 316 pp folding map4 ads. A very fresh and attractive copy in its elaborately decorated cloth binding the textblock tight and clean and bright the colorful plates fresh and clean the cloth unfaded and clean with only the lightest of age to the tips or extremities. FIRST EDITION AND A CHARMING A. & C. BLACK ILLUSTRATED PUBLICATION. This book conjures up English country life and architecture perfectly. Wilfred Ball was one of the most respected Edwardian painters of landscape and marine subjects especially in the counties of Buckinghamshire Surrey Norfolk Sussex Wiltshire and Hampshire. He exhibited frequently at the Royal Academy. This and another A. & C. Black title called SUSSEX were the only two books he illustrated. They are both part of Black's "20 Shilling" series the publisher's most lavish. Adam and Charles Black hardcover
192028408London: The Gresham Publishing Company LTD. circa 1920. First Edition of the combined four titles. With 48 colourplates including 12 for each section from the paintings of Ernest W. Haslehust R.B.A. Also with pictorial headpieces at the start of each of the four sections. 8vo publisher's original white cloth lettered and decorated in an English rose motif on both upper cover and spine in dark green and red gray endpapers printed in a similar motif in dark green. 56; 56; 64; 64 pp. A fine and handsome copy the white cloth is clean with only very minimal mellowing and the text likewise with some of the occasional foxing as often the case. The fine colourplates are all in excellent condition. FIRST EDITION OF THE FOUR AND A VERY BRIGHT AND ATTRACTIVE COPY. IT IS UNUSUAL TO FIND THE BOOK IN SUCH NICE CONDITION. Four of England's most scenic districts are described by leading authors and given a full complement of 12 wonderful colourplates each. A watercolourist best known for his impressive landscapes Haslehust was a member of the Royal Institute of Painters in Water Colours RI Royal Society of British Artists RBA Royal West of England Academy RWA and Royal British Colonial Society of Artists RBC and exhibited regularly at many venues including the Royal Academy in London. His beautiful paintings of British towns and country-sides were featured in travel posters for both the LNER and LMS railways. The Gresham Publishing Company LTD. hardcover
193833201London: Frederick Warne and Co. Ltd. 1938. First Edition. Beautifully illustrated with 16 plates in colour 36 plates in monochrome and two maps all by the author. 4to publisher's original blue cloth the upper cover blocked and lettered in black the spine lettered in gilt. xviii 126 pp. An excellent copy fine clean and essentially pristine. FIRST EDITION OF THIS BEAUTIFULLY ILLUSTRATED BOOK ON THE FELLS THE MOUNTAINS OF THE LAKE DISTRICT IN NORTHERN ENGLAND. A beautiful telling of the land and environs of the fells and their attraction to the climber and hiker and of experiences had over a lifetime from childhood to adulthood. The hills become linked in the mind to thoughts of freedom. One can lose oneself in astonishment at the purpose and reason behind the interplay of sky and water and rock and one can be at one with the surroundings to affirm accept and enjoy. A lovely book beautifully rendered and beautifully illustrated. Frederick Warne and Co., Ltd. hardcover
190833189London: Adam & Charles Black 1908. First Edition. Beautifully Illustrated with 24 Full-Page Plates in Colours by W. Biscombe Gardner. 8vo publisher's original navy blue polished cloth the covers and spine beautifully and richly decorated with overall designs and decorations in gilt t.e.g. xii 182 2 ads. pp. A fine and very bright copy beautifully preserved. FIRST EDITION WITH THE FULL COUNT OF TWENTY-FOUR PLATES OF SOME OF ENGLAND'S MOST BEAUTIFUL COUNTRYSIDE. The author and artist have joined forces to create here a fine and beautifully illustrated work on the uplands forming the High and Low Peak that southern vertebra of the rocky backbone that runs through the upper half of England with ribs stretched out along its lateral river-valleys. There are depicted here in the beautiful paintings by Mr. Biscombe Gardner the moors and tablelands and rugged ridges hollowed by deep glens the dales and cloughs which with their rich show of crag wood and torrent make its most striking scenery. Adam & Charles Black hardcover
190632940London: Chapmand & Hall Limited 1906. 2 volumes. First Edition. Profusely illustrated throughout both volumes with many full-page plates and a plethora of illustrations within the text. 8vo publisher's original red cloth the spines lettered and decorated in gilt the upper covers lettered and decorated pictorially in black top edges gilt. xv 1 327; xi 1 316 pp. A fine set very well preserved the bindings strong and tight the text-blocks clean and bright a lovely set with only minimal evidence of age. FIRST EDITION AND A VERY PLEASING SET ESPECIALLY WELL PRESERVED. The author notes that this is the first book to be produced which addresses itself to the Old Inns and their story. The author took great delight in planning the work and executing it over a ten year period. He addresses himself to the last of the London Inns most of which were long gone by the time the work was published. The journey seems to have been delightful for the author the mapping out of England into tours with inns strung like beads upon the itinerary and after five thousand miles of travel two volumes written and published into being. A very pleasing and fascinating look at a world partially gone by. Chapmand & Hall, Limited hardcover
190830608London: Adam & Charles Black 1908. First Edition. With 16 beautiful full-page colour illustrations by Mrs. Rawnsley. 8vo publisher's original olive green cloth lettered and pictorially decorated with floral decorations in gilt and dark-green on the spine and upper cover t.e.g. ix 166 2 pages of ads. A very pleasing and well preserved copy internally lovely the binding in quite attractive condition and showing only minimal mellowing or evidence of age. FIRST EDITION. A PICTURESQUE JOURNEY THROUGH THE COUNTRY TOWNS OF ENGLAND. The reader enjoys delightful accounts and pictures of many areas such as Surrey Rydal and Bolton Abbey.<br><br>'Buy my English posies!<br>Kent and Surrey may;<br>Violets from the undercliff<br>Wet with Channel spray;<br>Cowslips from a Devon combe;<br>Midland furze a-fire;<br>Buy my English posies-<br>And I'll sell your heart's desire!'<br><br>by Rudyard Kipling. Adam & Charles Black hardcover
191138955New York: Frederick A. Stokes Co. 1911. Tall 8vo. xiv 427 1 pp. Frntsp. numerous plates text illusts. & historiated initials in pen & ink. Decorated & illust. white cloth blk & yellow fleur-de-lis & rose patterns on frnt cvr & spine cover art plate of the two princes in the Tower gilt lettrng t.e.g. mnr shlfwr slght rubbng still a VG bright copy w/ bkplate of young girl in pinafore reading w/ heart motif Frances Wilson Sept. 1914. First edition of this scarce and fascinating historical fiction work which recounts the bittersweet imprisonment and fates of the many Royal personages during the British Middle Ages including Henry V the murdered princes in the Tower Lady Jane Grey Llewellyn ap Griffith Elizabeth Mary Tudor Mary Stuart and others. Of interest are the reconstructed historical details and the author’s presentation from the children’s viewpoint. In addition the pen & ink text illustrations historiated initials and plates are very nicely executed by Arthur George Walker 1861-1939 best known for his scupture of Florence Nightingale. Frederick A. Stokes Co., hardcover
1967List2885Sheffield United Kingdom 1967. 20 x 30 inch poster on heavy cardstock. Some staining and scuffing pinholes and some tears at edges fine contrast; overall excellent. A poster advertising Stevie Wonder at Sheffield’s Mojo Club in October 1967. Wonder would have been just seventeen at the time though he had already dropped “Little†from his stage name. The Mojo Club in working-class Sheffield was the project of brothers Peter and Geoff Stringfellow; the pair had previously worked as promoters and were preternaturally talented having booked the Beatles for April of 1962 shortly before the release of “Love Me Doâ€.1 Stevie Wonder would be the last live act at the Mojo as it was shut down by the city three days later on October 10.<br /> <br /> 1 Steve Walker “The King Mojo Club†2020 https://www.kingmojostory.com. unknown
1904SKU1044049M. Walter Dunne 1904-01-01. hardcover. Very Good. 0x0x0. M. Walter Dunne and The Essex House Press; New York and Camden 1904. Hardcover. American Edition. 8-page supplement laid in. A Very Good purple cloth binding with ornate design on front board gilt lettering on spine TEG with some blemishes deckle fore-edge some handling/scuffing and bit of soiling to boards sunned spine with few small soiled spots rubbing along board edges age toning to text block scattered foxing to text block edges spine buckram starting to separate from backing material without Dust wrapper. A nice overall clean and unmarked copy. 4toquarto or approx. 11 x 14.5 inches 386pp. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scans are available for any item please inquire. [M. Walter Dunne] hardcover
19022197"Thumb Prayer Book" in gilt on front cover. One of the smallest BCP ever printed and a true rarity. Griffiths' bibliography notes a single Bryce printing of the Scottish BCP in a slightly larger format and with slightly different pagination. Text block measures 1 1/2 x 1 7/8 inches. Covers extend over text block and measure 1.75 x 2.5". Unpaginated approx. 770 pages. Pages bright and clean and free from marking or staining. All page edges rouged. Bound in later flexible maroon suede with a single blind ruled border to both covers. New endpapers. Not in Griffiths. David Bryce and Son
1901913Oxford: Printed at the University Press 1901. Leather Bound. Fine. 3 1/2 x 6 inches. 24mo. "long primer 24mo thin". 632 pages. Collates as: A 20 leaves B - T in 16s U 8 leaves. Printed in single column with headpiece within rules. Griffiths 1901/7. Bound with: Hymns Ancient and Modern for use in the Services of the Church. London: Printed for the Proprietors by William Clowes and Sons Limited. c. 1900. 588 pages. Marbled endpapers. Contemporary ink gift inscription to ffep else fine with all pages bright and clean. All page edges brightly gilt. Bound in contemporary full dark green crushed morocco Spine with six compartments one containing gilt titles and the others with simple gilt ornaments. Covers with double fillet borders and a central panel formed by gilt floral garlands. A lovely Edwardian BCP in a fine contemporary binding. Printed at the University Press unknown
1901919London: Sir Isaac Pitman & Sons Ltd. 1901. Leather Bound. Very Good. 4 1/4 x 6 3/8 inches. 296 pages. Each page printed within rules with ruled headpiece. Lithographed with typeset headings and italic rubrics. Preliminaries in Roman type. Ffep with ownership inscription of Henry L. Nelson dated Jany 1902. Matching black endpapers. Bound in contemporary full black flexible morocco with blind ruled covers and gilt "The Book of Common Prayer in Phonography King Edward Edition" to front cover. Head and tail of spine repaired with Japanese tissue. A very nice copy of this scarce curiosity. Sir Isaac Pitman & Sons, Ltd. unknown
19051037Oxford: Printed at the University Press 1905. First edition. 1 7/8 x 2 3/16 inches. 688 pages with black endpapers ffep lacking and illustrated frontispiece. Bound in full maroon calf with gilt "Common Prayer" to front cover. Edges worn with slight chipping loss at head of spine. The first printing of this miniature edition. Griffiths 1905/5. A very good Edwardian first miniature printing of the Book of Common Prayer which replaced the "Finger Prayer Book." Printed at the University Press unknown
19051260Oxford: Printed at the University Press 1905. First edition. Leather_bound. Near Fine. 1 7/8 x 2 3/16 inches. 688 pages with black endpapers and illustrated frontispiece. Old ownership inscriptions to rfep. One ffep and one rfep excised. All pages edges rouged and gilt. Gilt very lightly worn with small spot on bottom edge. Bound in full flexible black green morocco with gilt title to spine. Very light shelf wear to lower edges. The first printing of this miniature edition. Griffiths 1905/5. A near fine Edwardian first miniature printing of the Book of Common Prayer which replaced the "Finger Prayer Book." Printed at the University Press unknown
19051275Oxford: Printed at the University Press 1905. First edition. Leather_bound. Near Fine. 1 7/8 x 2 3/16 inches. 576 pages with black endpapers. All pages edges gilt. Gilt still bright. Bound in full flexible black morocco with gilt title to spine and front cover. Very light wear to extremities. An unusual variant of this miniature edition listed as Griffiths 1894/4. A near fine example of this unusual Victorian miniature printing of the "thumb edition" of the Book of Common Prayer which competed with the "Finger Prayer Book." Printed at the University Press unknown
19051305Oxford: Printed at the University Press 1905. First edition. Leather_bound. Near Fine. 1 7/8 x 2 3/16 inches. 688 pages with black endpapers and illustrated frontispiece of "The Light of the World" by William Holman Hunt with inscription "By permission of Arthur Ackerman". Also bound with Hymns Ancient and Modern for Use in the Services of the Church c. 1905. London: Printed for the Proprietors of William Clowes & Sons Ltd. Illustrated frontispiece. 861 pages. All pages edges gilt. One leaf of BCP and one leaf of hymnal slightly extended and cropped during binding. Black endpapers. Pages clean and free from marking soiling or staining. Very clean. No marks or ownership inscriptions. Gilt lightly worn in places but still bright. Bound in full flexible green morocco with gilt "Common Prayer Hymns A & M" to front cover and gilt titles and "Oxford" to spine. Very light shelf wear to edges. The first printing of this miniature edition. Griffiths 1905/5. A near fine Edwardian first miniature printing of the Book of Common Prayer which replaced the "Finger Prayer Book." Printed at the University Press unknown
19051549Oxford: Printed at the University Press 1905. First edition. Leather_bound. Near Fine. 1 7/8 x 2 3/16 inches. 688 pages with black endpapers and illustrated frontispiece. All pages edges rouged and gilt. Black endpapers. Pages clean and free from marking soiling or staining. Very clean. No marks or ownership inscriptions. Gilt lightly worn in places but still bright. Bound in full black straight grained morocco with gilt "Common Prayer" to spine and hallmarked silver front cover. Hallmark .925 sterling Charles Penny Brown Birmingham dated 1899. The first printing of this miniature edition. Griffiths 1905/5. A near fine Edwardian first miniature printing of the Book of Common Prayer which replaced the "Finger Prayer Book". Unusual with an earlier hallmarked sterling silver cover. Printed at the University Press unknown
19101550Oxford: Printed at the University Press 1910. First edition. Leather_bound. Very Good. 1 7/8 x 2 3/16 inches. 702 pages. All pages edges gilt. Black endpapers. Pages clean and free from marking soiling or staining. Very clean. No marks or ownership inscriptions. Gilt lightly worn in places but still bright. Bound in full dark green pebble grained morocco with gilt "Common Prayer" to spine and hallmarked silver front cover with unusual variant cherub design. Hallmark .925 sterling "G & C Ltd Birmingham dated 1910 likely mark of Green & Cadbury manufacturers of silver fancy goods. First Georgian printing of this miniature edition. See Griffiths 1905/5. A very good Georgian first miniature printing of the Book of Common Prayer which replaced the "Finger Prayer Book" with a hallmarked sterling silver cover. Printed at the University Press unknown
19051954Oxford: Printed at the University Press 1905. First edition. Leather_bound. Very Good. 1 7/8 x 2 3/16 inches. 2 matching volumes. 688 pages with black endpapers. BCP begins at page 5. Accompanied by Hymns Ancient and Modern for Use in the Services of the Church c. 1905. London: Printed for the Proprietors of William Clowes & Sons Ltd. 861 pages. All pages edges rouged and gilt. A few leaves slightly extended. Black endpapers. Pages clean and free from marking soiling or staining. Old ownership inscriptions to ffep. Gilt lightly worn in places. Bound in matching full flexible black morocco with gilt "Common Prayer" and "Hymns A & M" to front covers and gilt titles to spine. Very light shelf wear to edges. The first printing of this miniature edition. Griffiths 1905/5. A very good matching pair of this Edwardian first miniature printing of the Book of Common Prayer which replaced the "Finger Prayer Book." Printed at the University Press unknown
192257601Boston MA: New England Hotel Assoc. 1922. 8vo. 4.1 x 9 in. which opens into travel map sized 16.5 x 18 in. printed in blue black & red numerous photo illustrations travel info and self-printed cover art of 1920’s touring sedan w/ artist’s initials of C.V.W. slight shelfwear dustsoiling still VG bright copy. First edition of this beautifully printed “Good Roads†movement brochure touting “thousands of miles of broad white roads. . . glorious reels of rutless roads unwind into myriad scenes of natural loveliness. Where Cape Cod holds forth the Atlantic curls its lazy edges. Lazy Newport and Narrangansett. . . vie with the quite seductive attractions of the Berkshire Hills.†Founded originally in 1907 the New England Hotel Assoc. has continued to push for expanded options for travelers and now operates as the New England Inns & Resorts Association. No copies located in Worldcat. New England Hotel Assoc., unknown
191862957New York Chicago & San Francisco: Automobile Blue Book Publishing Co. Inc. 1918. Thick tall 8vo. 1324 pp i.e. 1342. including the colour-tinted inserts including 1 large folding w/ map. Large folding double-sized frontisp. maps many maps strip maps illustrated ads text illustrations. Flexible Navy-Blue cloth gilt lettering front cover & spine colour ads on pastedowns minor creasing to spine still a VG bright copy. First edition thus of this surprisingly uncommon automobile travel guide for New England New York eastern Canada and the Maritime Provinces during World War I marking the end of the Brass Era. The Blue Books offered complete maps of every motoring road running directions at every fork and turn as signage was still rare and often incorrect mileages points of interest and tips for motorists. The illustrated insert for New York includes maps and illustrated ads for the Hotels Biltmore Manhattan Woodstock Chatham and others; the Hotel Lenox Puritan and Bellevue for Boston along with sights to see along with the splendid folding 1918 New England Tours colour brochure with map. Worldcat locates only 2 copies Newberry Vermont Hist. Soc. Automobile Blue Book Publishing Co., Inc., hardcover
19243492040 Stationary Hospital Harfluer France/ Ward 8 St. John Military Hosp. Woking Surrey England: n.p. 1924. Autograph Album. Good. Oblong autograph album. Approx. 9" x 7.5". Album has dark colored soft padded leather covers with "Autographs" signed in gilt on the front cover. Leather dentelles inside. Decorative end sheets. The right front end sheet was mostly removed. Repaired. New dark blue mulberry paper spine added. Front and rear hinges repaired with tissue. The owner worked as a Nurse in the hospital ward at 40 Stationary Hospital Harfluer France and at Ward 8 St. John Military Hosp. Woking Surrey. Her inscription is written on the front paste down - "Miss Ethel E. J. Clarke "The Grove" 41 Moore St. Worcester." 56 pages of this album were used for original art inscriptions autographs and verse. 27 of the pages have illustrated with original art. One page has a cut out racist cartoon character of black children. Another page has a photograph of a soldier in uniform. The majority of the inscriptions and art work are dated 1918 and 1919. A handful of 1924 inscriptions located towards the back. No other dates recorded. Several inscriptions from soldiers include their home place and regimental unit inside. Some of the names regiments inscribed include: <br /> "L.C. Tearae "Tank Corps"; <br /> "Pte. R.C.J. Hervey 21035 23. Batt. Bisley Camp; <br /> Pte. B. Anderson South African Scottish Barracks Woking Surrey"; <br /> "Pte R. Patience 3rd South African Reft."; <br /> autographs from the 4th 38th 25th 42nd 50th Canadians in Ward 8 St. Johns Military Hospital Woking;<br /> "WE Ryan 22nd Australians"; <br /> "R.F.A. R.H.A. R.C.A. Sons of Guns" drawn by Dr. T. Stretton; <br /> "Best Wishes "From" Guardsman Duncan McVey 1st Batt. Grenadier Guards" with a photograph;<br /> a drawing titled "A Medical Armistice" at 40th Stationary Hospital. Harfluer France by Henry G. Bredle 324 Siege Battery R.G.A.;<br /> <br /> Several more names and places are recorded inside. Several of the original sketches are very good. The interior of the Album is in very good condition. This is a nice example of exceedingly scarce collection of autographs and art work from the World War I era. n.p. unknown
1970CAT0131New England 1970. Two plastic albums 10 ½ x 11 inches. A lovingly arranged and annotated product of someone’s obsession with New England’s churches. Nearly all photos 3 ½ square. A few of the churches have multiple photos. Most photos are shot from a similar three quarters frontal view though some are frontal. The repeated perspective shows a respect for the vernacular forms though it is unclear if the photographer’s interests were architectural or historical in nature. The photographer travelled throughout New England with the breakdown of churches as follows: 206 in Massachusetts forty-six in Connecticut forty-eight in Maine eighty-six in New Hampshire sixteen in Rhode Island and six in other states. <br /> <br /> A fine collection impeccably preserved in the original albums which read “Memories†on the front. unknown