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1846mon0003506240Palermo Stamperia di Francesco S 1846. Hardcover. Good. . Original printing very scarce. Quarter bound in black leather with marbled boards. Rubbing to edges scuffing to boards. Pages/boards clean binding sturdy. Protected in removable archival plastic sleeve.rnrn Stampa originale. RARE. Quarter bound in pelle nera con pannelli marmorizzati. Sfregamento ai bordi abrasione sulle tavole. Pagine / schede pulite rilegate robuste. Protetto in una custodia di plastica rimovibile da archivio. Palermo Stamperia di Francesco S hardcover
188425436BARCELONA: Luis Tasso 1884. Gran 8º.- Media piel de época lomera con texto y florones dorados.- 192 páginas.- 1 mapa y 5 estados plegados fuera de texto. . Palau 54097 Luis Tasso unknown
1856I14FWQ4I6CYWMünchen: Johann Palm 1856. Half light brown buckram marbled boards gilt-lettered title on spine. Large 8vo. With the royal coat-of-arms of Bavaria on the title-page. First edition of a new Pharmacopeia for the Kingdom of Bavaria ordered by the liberal King Maximilian II 1811-1864 who succeeded his father in the revolutionary year 1848 to replace the obsolete Bavarian Pharmacopeia of 1822. The compilers of the new work were a.o. Prof. Max Pettenkofer Hofapotheker and first German Hygienist 1818-1901 and Dr. Ernst Aug. Buchner. Library stamp on title. Some stains especially on the first leaves otherwise in good condition.l The afterword by Wolgang Schneider in the reprint of the Pharmakopoe of 1988; Neues Repertorium für die Pharmacie vol. 9 1859 3. Abschnitt pp. 39-43. Johann Palm, hardcover
1848Cat360New York: Atwill 201 Broadway 1848. Folio. Complete at 9 pages. Two songs with lithographic portrait of Lola Montez by Sarony & Major. Soft rag paper. Light foxing else very good. A likely very early American printing of two pieces tied directly to the upheavals of 1848 issued just as news and personalities of the European revolutions were electrifying American audiences. The first “Der Lieben Warnun†Love’s Warning is attributed to Ludwig I King of Bavaria whose abdication in March 1848 followed the political scandal surrounding his relationship with Lola Montez. The second “Les Girondins: Mourir pour la Patrie†with text by Alexandre Dumas and music by Alphonse Varney is one of the most popular revolutionary hymns of the period here presented in English and French. At center is the finely printed lithographic portrait of Lola Montez born Eliza Rosanna Gilbert 1821–1861 identified as “Countess of Landsfeld.†Produced by Sarony & Major the image reflects her brief but consequential position in Bavaria where Ludwig elevated her to the nobility and granted her influence at court. Her presence became politically explosive; student unrest and ministerial crisis forced both her exile and the King’s abdication making her a widely discussed celebrity at the time. <br /> <br /> Montez arrived in the United States in late 1848 quickly converting this notoriety into a touring career. She performed her “Spanish dances†including the sensational “Spider Dance†on stages from New York to New Orleans and later turned to lecturing advertising appearances on “Heroines of History†beauty and personal independence. During the early 1850s she followed the western circuit appearing in San Francisco during the Gold Rush where she commanded high fees and played to packed houses of miners and merchants. She toured through Australia in 1855–56 before returning to the United States where she settled in New York and shifted increasingly toward writing and reform-minded lectures before her death in 1861 possibly of syphilis. The piece was published by Joseph Atwill at his 201 Broadway location which he would abandon soon after to board the steamer Crescent City to Chagres eventually making his way to San Francisco and opening Atwill’s Music Store on Washington St. possibly San Francisco’s first music store before heading off to the mines and then returning to San Francisco a year later to open another music store. OCLC #904564957 locating a single copy at Goucher College. Atwill, 201 Broadway unknown
1845123684Munich: George Franz 1845. First edition in English of Walhalla's Genossen which was first published in German in 1842 written to accompany the opening of the Walhalla memorial in the same year. Located near Regensburg Bavaria Walhalla was built to celebrate notable Germans and act as a symbol of nationalism at a time when there was increasing support for the unification of the German states. The gift inscription on the front free endpaper "Thomas P. Rossiter Valhalla June 18 1845 from his friend C. Parker" shows that this monument attracted tourists from abroad as well as from Germany itself. Large duodecimo in half-sheets. Engraved frontispiece folding list of tablets to rear. Original green quarter cloth spine lettered in gilt brown boards. Spine faded and a touch cocked extremities worn and a little bumped a few marks to front board lightly foxed. A very good copy. hardcover
188535678PRIMERA EDICION UNICA.- Munich: Verlagsanstalt für Kunst und Wissenschaft 1885.- 14 p.: La parte del texto va ilustrada con bonitas xilografías intercaladas más 19 preciosas Láminas monocromas incluso la ilustración de la cubierta; Gran Folio 435 x 31 cm.; Cuidada impresión sobre papel de calidad y gruesa textura; Texto en francés;Tela Ed. Tapas con plancha en negro recuadrando y en la anterior bonita ilustración de Taberner cortes dorados.- CONTIENE LAMINAS DE: Mas y Fondevila Aquarelle; R. Monleón Peinture à l'huile. ESTA LAMINA NO ESTA; M. Fortuny Aquarelle; M. de Garay Aquarelle; F. Pradilla Pastel; M. García Hispaleto Aquarelle; H. Lengo Peinture à l'huile; R. de Villodas Dessin au crayon; E. Rumoroso Aquarelle; A. Muñóz-Degrain Tableau à l'huile; J. Pallares Dessin au crayon; J. Giménez Aquarelle; J. Nicolau Aquarelle; F. Díaz Carreño Aquarelle; F. Francés Peinture à l'huile; F. Domingo Aquarelle; J. Manresa Aquarelle; F. Díaz Carreño aquarelle; todas van precedidas de una hoja con una artística viñeta con el nombre del artista y el frontispicio en la cubierta anterior por L. Taberner. Bonito y raro ejemplar de esta edición única para beneficio de las víctimas del terremoto habido en España. FALTO DE LA LAMINA DE "R. MONLEON" Tiene el pie del lomo con pequeños deterioros así como las esquinas aunque todo ha sido reparado. PINTURA DIBUJO Y GRABADO ESPAÑOLES Livre en français Verlagsanstalt für Kunst und Wissenschaft hardcover