Livius, TirusBiblio.com
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163315692Amsterdam: Apud Guihelm Blaeu 1633. Hardcover. Good-/None. Vellum-covered boards chipped and worn at three corners toned and soiled with age. 'Tirus Livius' on spine. Binding is solid. Interior is unmarked except for tidy script names on ffep. Tiny ink stain on the edge which doesn't affect text. Text is arranged in two columns per page. 3 x 5.25 ins. BOOK INFO: Patavinus History Books. Rome first decade. Beautiful black and white illustrated title page. Please see photo. Apud Guihelm Blaeu hardcover
169049140Con Privilegio de Su Magestad y las licencias necesarias. Madrid: En la Imprenta de Bernardo de Villa-Diego Impressor de Su Magestad 1690 Vendese en la Tienda de Andrès Blanco Mercader de Libros en la Puerta del Sol à la entrada de la Calle de las Carretas.- P 37-48 en total 12 páginas; 8º 188 x 128 cm; Cubiertas provisionales. HISTORIA DEL SIGLO DE ORO ESPAÑOL Libro en español Imprenta de Bernardo de Villa-Diego paperback
169149135Con Privilegio. En Madrid: PorSebastián de Armendariz Libreo de su Magestad y Curial de Roma. En la imprenta de Antonio Román 1691.- P. 293-304 en total son 12 páginas; 8º 19 x 135 cm; Cubiertas provisionales.- MUY RARO. Excelente estado. HISTORIA DEL SIGLO DE ORO ESPAÑOL Libro en español Sebastián de Armendariz paperback
169149138Con Privilegio. Por Sebastian de Armendariz Librero de Camara de su Magestad y Curial de Roma. En la Imprenta de Antonio Román 1691.- P 37-48 en total son 12 páginas; 8º mayor 198 x148 cm; Cubiertas provisionales.- MUY RARO. HISTORIA DEL SIGLO DE ORO ESPAÑOL Libro en español Sebastian de Armendariz paperback
165517381Rome Italy romae: Typis Angeli Bernabo Haeredis Manelsi Manelsij. Very Good. 1655. First Edition. Hardcover. Bound in contemporary full vellum with bright gilt title on spine. Pagination: 10 1-50 2 51-102 2 103-292 2 p. Text tight bright clean & intact. Illustration by copperplate engravings: 8 plates 5 fold-out ; title page has copper engraved coat of arms of the dedicatee Maffeo Barberini; initials head and tail pieces; the plates showing the views of the Temple of Fortune Ichnographia Spelling Sciographia are engraved by William Castelli; the Sciographiais drawn by Pietro da Cortona. Text in Latin. 1/4" separation on hinges both sides of spine head a few pencil markings on fixed rear endpaper. Italy Antiques Exploration/Travel. ; Engravings; 8vo; 292 pages . Typis Angeli Bernabo Haeredis Manelsi Manelsij hardcover
168052196Venezia 1680 ca. Incisione di cm 125 x 125 con piccolissimi margini all'origine. Raffigura l'Italia ad immagine intera. Ben conservata Venezia unknown
167717771Paris Ratisbonne: Frederic Leonard Jean Aubry. Very Good. 1677. First Edition. Hardcover. Clean contemporary vellum over paste-board with yap edges: lightly faded hand lettered spine. Text & hinges tight & intact. Interior is clean with light age toning & a rare spot. The author's "Histoire du gouvernement de Venise" was published in 3 parts. Lacks Part 1 with only title page bound in. Parts #2 & #3 are complete by themselves Part #2: 2 237pp 3 Table . Part #3: 12 211pp 39. Venice Italy. ; 8vo 8" - 9" tall; 448 pages . Frederic Leonard, Jean Aubry hardcover
16801269191680. Rome: G. Iac. Rossi n.d. c.1680. <br /> <br /> Copperplate engraving plate mark 289 x 210 mm on a watermarked laid sheet 330 x 244 mm watermark with a ring or circle design with initial A above and N below. Narrow mounting strip to left margin a faint toning in margins; very good.<br /> <br /> § Designed and engraved by the Italian architect and artist Giovannia Battista Falda 1643-1678 and printed by Giovanni Giacomo de'Rossi 1627-1691 proprietor of the most important printing presses in Rome in the 17th century which was founded by his father and continued after his death by his son. These prints were popular with tourists on the Grand Tour who wished to take home accurate images of the sights they had seen. unknown
1669001031Amsterdam: Giovanni Buaeu 1669. Full Vellum. Very Good. 12mo - over 6¾ - 7¾" tall. 16 471 57; 415 41 139 23 pp. 3 parts in two volumes. Including etched additional title and 2 blanks. Popular political and literary satires in the form of news reports from Parnassus. Brunet 1019 singles this edition out as the prettiest. Also Graesse 456. Eighteenth century Italian vellum with morocco lettering pieces. Armorial bookplates of Wilmopt Earl of Lisburne. Some scattered foxing. Binding is tight vellum is attractive and healthy. Very good or better! Giovanni Buaeu unknown
168449131Con Licencia. En Madrid: Por Lucas Antonio de Badmar y Bardivia Impressor de los Reynos de Castilla y León 1684.- P. 19-24 en total 6 páginas; 8º 184 x 144 cm; Cubiertas Provisionales.- RARO. Excelente estado. HISTORIA DEL SIGLO DE ORO ESPAÑOL Libro en español Lucas Antonio de Badmar y Bardivia paperback
168449133Con Licencia. En Madrid: Por Lucas Antonio de Badmar y Bardivia Impressor de los Reynos de Castilla y León 1684.- Folios 74 a 81 que en conjunto suman 8 folios que son 16 página; 8º mayor 195 x 143 cm; Cubiertas Provisionales.- MUY RARO. Algo corto de margen superior que toca al número de foliación de la primera hoja. Por lo demás en muy buen estado. HISTORIA DEL SIGLO DE ORO ESPAÑOL Libro en español Lucas Antonio de Badmar y Bardivia paperback
168449132Con Licencia. En Madrid: Por Lucas Antonio de Bedmar y Bardivia Impressor de los Reynos de Castilla y Leon 1684.- 8 hojas sin numerar; 8º 184 x 142 cm; Cubiertas provisionales.- MUY RARO. Margen superior muy recortado afectando al texto en 2 hojas. Por lo demá en buen estado. HISTORIA DEL SIGLO DE ORO ESPAÑOL Libro en español Por Lucas Antonio de Bedmar y Bardivia paperback
1700ABC_49518Italy 1700. Probably early 18th-century gold-tooled red morocco with the elaborate coat of arms of King Philip V of Spain as a centre piece on both boards within a double frame with floral corner pieces in the inside corners of the inner frame; gold-tooled board edges marbled endpapers. Oblong folio ca. 54 x 39 cm. With 72 drawings on paper in pen ink and ink wash. Remarkable collection of 72 drawings of the scenes on Trajan's Column in Rome. They were made by at least two different Italian artists from slightly different periods but in a cohesive style. The drawings have been mounted into an album bearing the coat of arms of King Philip V of Spain 1683-1746. Trajan's Column proved to be endlessly inspiring in the time period the present drawings were made as similar collections of studies are known from artists such as Amico Aspertini 1474-1552 Giovanni Battista Cipriani 1727-1785 and Nicolas Poussin 1594-1665. The drawings show a selection of scenes from both the first and second Dacian Wars as depicted on the friezes of the Trajan Column. They are made on different types of paper which are easily distinguished by their colour. The later drawings on the light cream coloured paper depict the very first scenes found at the base of the column. They have been mounted in the album in the right order. The earlier drawings on the darker paper depict the later scenes including the battles. They appear to have been mounted at least partly in reverse order as the first few drawings in the album show the victory scenes at the end of the first Dacian War. The cohesive style of the different sets of drawings strongly suggests that the artists used the same model. This was most likely Alfonso Chacón's Historia utriusque belli Dacici a Traiano Caesare gesti 1576 with engravings by Francesco Villamena ca. 1565-1624 or one of the 17th-century editions with engravings by Giovanni Pietro Bellori 1613-1696 and Pietro Santi Bartoli 1635-1700. The drawings especially the later ones fit together perfectly side by side suggesting they were made on a very long strip of paper and cut into smaller pieces at a later date. They may even have formed a scroll or rotulus which was not uncommon for studies of Trajan's Column. The condition of especially the earlier drawings implies that the collection was handled often in the past and possibly served as a reference for either scholars or artists. The binding shows clear signs of wear the boards are scuffed and rubbed the leather around the edges and joints is shaved the work has been re-backed with the original back strip laid down the album contains 19th-century leaves on which the illustrations are mounted. The marbled endpapers are slightly faded and browned along the edges the illustrations are somewhat browned and creased/ folded in the middle the earlier drawings with losses and extensive repairs some laid onto a support heavy toning and surface dirt throughout some slight offsetting on the blank versos of the album leaves probably lacking the illustration which was mounted on leaf 73. Otherwise in good condition.l Cf. Heenes Volker "On sixteenth-century copies of the reliefs from the Column of Trajan - Two new drawings from an unknown rotulus" in: RIHA Journal 0094 July 2014. hardcover
