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2013PMV503702ELens Paris: Louvre-Lens ; Somogy éd. d'art 2013. Trade paperback. Good/Not issued. 232 x 290 x 26 cm. Paperback • Illustrations en noir et en couleurs cartes couverture illustrée en couleurs • <b><i>French text original</i></b> • Printed 2013. Louvre-Lens ; Somogy, éd. d'art paperback
2002146488Adelaide: Axiom Publishing in association with the John Bray Law Chapter of the Alumni Association of the University of Adelaide 2002. First Edition. Hardcover. Very Good/Fine. Adelaide Axiom Publishing in association with the John Bray Law Chapter of the Alumni Association of the University of Adelaide 2002. Small quarto 366 pages with numerous illustrations from photographs. Papered boards; front cover slightly marked; front free endpaper slightly stained from the adhesive used to mount two signed cards see below; overall an excellent copy with the near-fine dustwrapper slightly rubbed in the pictorial slipcase with the original laminate bubbled with slight loss on one side. The deluxe edition being number 220 of 275 copies with the limitation stated on the first of two cards mounted facing each other on two early blanks. The cards are personally signed by the editor and 13 prominent members of the South Australian legal and political fraternities above their printed names. The signatories are Sir William Deane Sir Harry Gibbs Len King Elizabeth Evatt Ted Mullighan Marcus Einfeld Amanda Vanstone Geoff Muecke Clyde Cameron Kevin Marjoribanks Noni Farwell Peter Bassett Susan Magarey and Helena Jasinski. <p>The cards are now loosely inserted as the paste is ineffective as well as decidedly inferior. A contemporary personalised presentation plate is mounted on the half-title. Axiom Publishing in association with the John Bray Law Chapter of the Alumni Association of the University of Adelaide hardcover
2004132996Los Angeles: Pandemonium Theatre Company 2004. An archive of 10 original posters for productions staged by Ray Bradbury's Pandemonium Theatre Company from 1988 to 2004. The plays were performed in Southern California predominantly at The Court Theatre Falcon Theatre Theatre West The Raven Playhouse and Melrose Theatre. <br /> <br /> The archive includes posters from 10 productions including "Fahrenheit 451" "The October Country" "Past Present & Future" "The Time of Going Away" and "Drunk and In Charge of a Bicycle." and his Irish play "Falling Upward!" "Falling Upward!" was one of Bradbury's favorite plays and especially as he advanced in age he was know to encourage its frequent production simply for the joy of being able to see it again. <br /> <br /> Bradbury was an avid playwright and a familiar and enthusiastic presence in the Southern California theatre circuit near his home. In 1963 he and director Charles Rome Smith founded Pandemonium Theatre Company. The two friends would go on to work with the company together for the next four decades until Rome's death in 2004. This archive is a solid representation of the company's latter half before Smith's passing and Bradbury's hearing loss which would necessitate that he stop attending performances. <br /> <br /> Posters approximately 11 x 17 inches. About Fine condition. Pandemonium Theatre Company unknown
2013S8217<p>Athens: National Hellenic Research Foundation 2013. <em>Meletemata Series</em> No. 68. Conference Proceedings. Papers mostly in Greek. Soft cover 28 cm 816 pp. ill.; net weight 3220 gr. ISBN: 978-960-9538-19-0</p><p>As that of other provinces of the Empire the rural economy of Greece underwent many changes as well with important implications for the strategies and organization of the production as well as for the distribution and consumption of goods. Thanks to the extraordinary mass of archaeological data collected in Greece in the last decades and to the possibility of applying both more sophisticated research instruments and more profitable methods of approach and analysis of these data a re-examination of a regional case study such as Roman Greece is now more feasible. The publication in this volume of material remains -remarkable both for number and quality from various in size productive complexes- and the synthetic studies on the other hand will provide students of the ancient world with an invaluable material which will greatly contribute to a better understanding of the economic organization of this part of the Roman Empire. It will also represent a point of reference for the study of both the rural world and more specific the economy of the cities of a small but not insignificant Roman administrative unit.</p><p><strong>CONTENTS:</strong></p><p>Annalisa MARZANO<br />Le "villae rusticae" romane e la loro dimensione economica: uno sguardo alla penisola italiana<br />Athanasios RIZAKIS<br />Rural structures and agrarian strategies in Greece under the Roman Empire<br />Sofia ZOUMBAKI<br />In Search of the Horn of Plenty: Roman entrepreneurs in the agricultural economy of the province of Achaia<br />Francesco CAMIA & Athanasios RIZAKIS<br />Notes on the imperial estates and valorisation of public lands in the province of Achaia<br />ΜαÏία ΣΤΑΥΡΟΠΟΥΛΟΥ-ΓΑΤΣΗ & ΓεωÏγία ΑΛΕΞΟΠΟΥΛΟΥ<br />ΑγÏοικίες της ΠάτÏας και της χώÏας της<br />Μιχάλης ΠΕΤΡΟΠΟΥΛΟΣ<br />Μόνιμες εγκαταστάσεις και κινητά σκεÏη για την αγÏοτική παÏαγωγή στις ÏωμαϊκÎÏ‚ αγÏοικίες της ΠάτÏας<br />Ζωή ΑΣΛΑΜΑΤΖΙΔΟΥ-ΚΩΣΤΟΥΡΟΥ<br />ΡωμαϊκÎÏ‚ αγÏοικίες στην ΚοÏινθία: η πεÏίπτωση του ΛουτÏακίου<br />Ζωή ΑΣΛΑΜΑΤΖΙΔΟΥ-ΚΩΣΤΟΥΡΟΥ<br />ΡωμαϊκÎÏ‚ αγÏοικίες στο νομό ΚοÏινθίας<br />ΕλÎνη ΣΑΡΡΗ<br />Λείψανα αγÏοτικής εγκατάστασης στη θÎση "Αγ. Παντελεήμων-Βίλλα" ΚÏανιδίου<br />ΕλÎνη ΣΑΡΡΗ<br />ΑγÏοτικÎÏ‚ εγκαταστάσεις της Ïωμαϊκής εποχής στην ΑÏγολίδα<br />Όλγα ΨΥΧΟΓΙΟΥ<br />Ίχνη Ïωμαϊκών αγÏοικιών στην ΕÏμιονίδα<br />Μιχάλης ΠΕΤΡΟΠΟΥΛΟΣ<br />Γενική θεώÏηση της αγÏοτικής παÏαγωγής στην ΑÏκαδία των Ïωμαϊκών χÏόνων<br />Σταμάτης ΦΡΙΤΖΙΛΑΣ<br />ΑγÏοικία στη θÎση Βελιγοστή ΑÏκαδίας<br />Λεωνίδας ΣΟΥΧΛΕΡΗΣ<br />ΑγÏοτικÎÏ‚ και βιοτεχνικÎÏ‚ εγκαταστάσεις στην Ασεατική ΧώÏα της νότιας ΑÏκαδίας και στη Βελμινάτιδα ΧώÏα της βοÏειοδυτικής Λακεδαίμονος<br />ΕλÎνη ΖΑΒΒΟΥ<br />ΑγÏοικίες και εÏγαστηÏιακÎÏ‚ εγκαταστάσεις στη Λακωνία των Ïωμαϊκών χÏόνων 1ος αι. Ï€.Χ.-6ος αι. μ.Χ.<br />ΔημοσθÎνης ΚΟΣΜΟΠΟΥΛΟΣ<br />Η Μεσσηνιακή γη και οι αγÏοτικÎÏ‚ εγκαταστάσεις κατά τη Ïωμαϊκή πεÏίοδο<br />Ολυμπία ΒΙΚΑΤΟΥ<br />ΡωμαϊκÎÏ‚ αγÏοικίες στην Ηλεία<br />Domenico D'ACO<br />L'Attica in eta romana: le fattorie dal I sec. A.C. al V sec. D.C.<br />ΓεώÏγιος ΣΤΑΪÎΧΑΟΥΕΡ<br />ΡωμαϊκÎÏ‚ αγÏοικίες της Αττικής<br />Έλενα ΒΛΑΧΟΓΙΑÎÎΗ<br />ΑγÏοικία Ïωμαϊκών χÏόνων στην αÏχαία ΑκÏαιφία ΑκÏαίφνιο Βοιωτίας<br />Έλενα ΒΛΑΧΟΓΙΑÎÎΗ<br />Βοιωτία. ΑγÏοικίες και εÏγαστηÏιακÎÏ‚ εγκαταστάσεις στη βοιωτική ÏπαιθÏο των<br />Ïωμαϊκών χÏόνων 2ος αι. Ï€.Χ.-6ος αι. μ.Χ.<br />Έλενα ΚΟΥÎΤΟΥΡΗ & Îίκος ΠΕΤΡΟΧΕΙΛΟΣ<br />ΑγÏοτικÎÏ‚ εγκαταστάσεις και εκμετάλλευση της γης στην πεÏιοχή της ΧαιÏώνειας<br />ΦανουÏία ΔΑΚΟΡΩÎΙΑ & ΠολυξÎνη ΜΠΟΓΓΙΑ<br />Η ΟποÏντια εκδοχή της αγÏοικίας κατά την ΎστεÏη ΑÏχαιότητα<br />ΑÏιστÎα ΠΑΠΑΣΤΑΘΟΠΟΥΛΟΥ<br />ΤÏίλοφο Ρεγγινίου Φθιώτιδας: η αποκάλυψη των υπολειμμάτων μιας Ïωμαϊκής αγÏοικίας<br />Φιλίτσα ΤΙΛΕΛΗ & Κωνσταντίνα ΨΑΡΟΓΙΑÎÎΗ<br />ΑγÏοικία υστεÏοÏωμαϊκών χÏόνων στη θÎση "Αγ. ΤÏιάδα" του Δ.Δ. ΘεÏμοπυλών Δήμου ΛαμιÎων Î. Φθιώτιδας<br />Λεωνίδας ΧΑΤΖΗΑΓΓΕΛΑΚΗΣ<br />ΑγÏοτική εγκατάσταση Ïωμαϊκών χÏόνων στη "χώÏα του αÏχαίου ΚιεÏίου" στον ΟÏγόζινο ΜαταÏάγκας Î. ΚαÏδίτσας<br />ΑÏγυÏοÏλα ΔΟΥΛΓΕΡΗ-ΙÎΤΖΕΣΙΛΟΓΛΟΥ & ΠολυξÎνη ΑΡΑΧΩΒΙΤΗ<br />ΑγÏοικία αυτοκÏατοÏικών χÏόνων στην πεÏιοχή των αÏχαίων ΦεÏών<br />ΑÏγυÏοÏλα ΔΟΥΛΓΕΡΗ-ΙÎΤΖΕΣΙΛΟΓΛΟΥ<br />ΑγÏοτικÎÏ‚ εγκαταστάσεις Ïωμαϊκής εποχής στη Θεσσαλία και στα νησιά των Î’ÏŒÏειων ΣποÏάδων<br />ΑÏγυÏοÏλα ΔΟΥΛΓΕΡΗ-ΙÎΤΖΕΣΙΛΟΓΛΟΥ & ΕλÎνη ΧΡΥΣΟΠΟΥΛΟΥ<br />Έπαυλις ; αυτοκÏατοÏικών χÏόνων εκτός της πόλεως της Σκιάθου<br />ΓεώÏγιος ΖΑΧΟΣ<br />ΔωÏίδα Φωκίδα δυτική ΛοκÏίδα<br />ΜαÏία ΣΤΑΥΡΟΠΟΥΛΟΥ-ΓΑΤΣΗ & Φωτεινή ΣΑΡΑÎΤΗ<br />Εγκαταστάσεις στην ÏπαιθÏο της ΑιτωλοακαÏνανίας κατά τη Ïωμαϊκή πεÏίοδο<br />ΒικτωÏία ΓΕΡΟΛΥΜΟΥ<br />ΑγÏοικία στα ΣιταÏάλωνα ΑιτωλοακαÏνανίας: αγÏοτική και εÏγαστηÏιακή παÏαγωγή<br />Βίβιαν ΣΤΑΪΚΟΥ & ΚατεÏίνα ΛΕΟÎΤΑΡΙΤΗ<br />ΡωμαϊκÎÏ‚ αγÏοικίες στην ευÏÏτεÏη πεÏιοχή του ΑγÏινίου<br />Φωτεινή ΣΑΡΑÎΤΗ & Βίβιαν ΣΤΑΪΚΟΥ<br />ΑγÏοικίες Ïωμαϊκών χÏόνων στην πεÏιοχή δυτικά της Îαυπάκτου<br />ΓεωÏγία ΠΛΙΑΚΟΥ & ΒαÏβάÏα ΓΚΙΖΑ<br />Μία Ïωμαϊκή αγÏοικία στη χώÏα της αÏχαίας Λευκάδας<br />Mantha ZARMAKOUPI<br />The villa culture of Roman Greece<br />Dimitris GRIGOROPOULOS<br />Roman Pottery in the Greek Countryside: votes on the evidence from rural sites<br />Ιωάννης ΤΟΥΡΑΤΣΟΓΛΟΥ<br />Τα νομισματικά Ï€Ïάγματα στις αγÏεπαÏλεις villae rusticae της ΕπαÏχίας "ΑχαÎα"</p><p><strong>IMPORTANT: The shipping cost is an important parameter of this order; it is NOT included in the price and depends on the actual weight and destination; you will have to approve it after the confirmation of the order. You may ask for an estimate before placing the order at: dem.siatras@gmail.com</strong></p> National Hellenic Research Foundation paperback
2007233029Milano: Photology 2007. Rilegato hardback. Ottimo Fine. Volume pubblicato in occasione della mostra tenutasi presso il Museo di Arte Moderna e Contemporanea MART Trento 23 giugno - 7 ottobre 2007. A cura di Achille Bonito Oliva. Direzione scientifica di Gabriella Belli. Intervista di Mario Codognato all'artista. Fotografie a colori e in bianco e nero di Claudio Abate. Elenco delle opere Bibliografia. Edizione in italiano e inglese. Cm 285x245. pp. 240. Ottimo Fine. Prima edizione First Edition. <em>Claudio Abate nel suo lungo itinerario precoce partenza e sistematica prossimità"; al mondo dell'arte ha partecipato e partecipa tuttora alla fondazione del fotografo fuori da ogni neutralità e tutto esposto sulla dichiarata parzialità. Fin dall'inizio della sua avventura fotografica ha scelto come campo di osservazione sempre gli ambiti più estremi dell'<strong>avanguardia</strong> senza mai assestarsi entro il recinto rassicurante della storia e inseguire così" le traiettorie autorevoli di un'arte consolidata" dal testo di Bonito Oliva.</em> Photology, hardcover
2002237863Roma: Edizioni VOLUME! 2002. Rilegato ad anelli ring-bound wrappers. Ottimo Fine. Volume pubblicato in occasione della mostra presso Ateliers del Muro Torto Villa Medici Roma 6 dicembre 2001 - 11 gennaio 2002. Testo di Laura Cherubini. Schede a cura di Daniela Lancioni. Fotografie in b/n di Claudio Abate<strong> </strong>che documentano per la maggior parte<strong><em> </em>azioni o installazioni</strong> tra gli artisti Pino Pascali Gino Marotta Eliseo Mattiacci Aldo Mondino Mario Merz Jannis Kounellis Vettor Pisani Emilio Prini Luigi Ontani Vito Acconci Maurizio Mochetti Giuseppe Penone Fabio Mauri et al. Cm 30x24. pp. 140 c.ca n.n. Ottimo Fine. Prima edizione First Edition. <em><strong>Claudio Abate </strong>Roma 1943 - Roma2017 è"; considerato uno dei più grandi fotografi del Novecento. Ha immortalato con le sue immagini le avanguardie teatrali e artistiche contemporanee soprattutto nella Roma degli anni Sessanta e Settanta <strong>dall'arte povera al minimalismo</strong> cercando di cogliere nei suoi scatti il rapporto tra l'opera d'arte e l'artista. Ha iniziato a lavorare giovanissimo al Press Service Agency ed è stato assistente di <strong>E. Lessing</strong>. Per undici anni è stato fotografo di scena collaborando soprattutto con Carmelo Bene. Tra gli artisti con cui ha lavorato si ricordano: <strong>J. Kounellis M. Merz P. Pascali</strong>. Tra le mostre più" recenti: alla Maison de la Photographie nel 2006 al Mart di Rovereto e all'Accademia di Francia di Villa Medici 2007 The artist's eye alla Glucksmann Gallery di Cork 2013 e l'ampia retrospettiva "Superficie sensibile" allestita nel 2023 al MAXXI di Roma. Enciclopedia Treccani on line.<br /><br /></em> <em>"Forse per questo un fotografo 'eclettico' che non ha fotografato solo gli artisti e le opere ma si è"; occupato anche molto attivamente di giornalismo architettura teatro ricordiamo la mole di lavoro svolta con Carmelo Bene è stato tanto spesso chiamato dagli autori a documetare fatti azioni oggetti d'arte. Secondo Achille Bonito Oliva che presenta la mostra del 1979 Cladio Abate si riappropria di una visione affettiva rispetto all'apparente neutralità" della fotografia. Tutti gli artisti con cui ho parlato hanno sottolineato l'aspetto dell'amicizia: "Si è"; preso la libertà" di vivere in mezzo a noi e questo </em><em>gli ha permesso di capire come noi intendevamo il lavoro" dice Mattiacci". dal testo di Cherubini.</em> Edizioni VOLUME!, unknown
2017S7095<p>Athens: National Hellenic Research Foundation 2017. <em>Meletemata Series</em> No. 74. Soft cover 24 cm 448 pp.; net weight 955 gr. ISBN: 978-960-9538-63-3.</p><p>Proceedings of a Conference Held at the French School of Athens 30-31 May 2014.</p><p>Social mobility is a multi-faceted phenomenon which affected different social strata from elites to lower classes and involved several factors both general historical context demographic trends and more 'personal' legal and family status wealth personal relationships professional skills culture. The analysis of this subject in the Roman world shows a multiplicity of situations highlighting different modes and degrees of social change depending both on the local contexts and on major political transformations. In Achaia and Macedonia which constitute the geographical nucleus of this volume examples of social ascent or descent are analysed in the various contributions which focus on a specific geographic area region city or social category 'intellectuals' priests freedmen and deal with a particular aspect of the more general topic mechanisms of social advancement or 'regression' or analyse single case studies individual or family cases of social advancement from the second century BC to the third century AD.</p> National Hellenic Research Foundation paperback
2010165799<p><em>Meletemata </em>Series No. 63. Hard coverjacket 30 cm 450 pp.; net weight 1930 gr.</p><p>The twenty-six contributors to this volume discuss various aspects of the political social an economic life of the cities during Roman rule thereby filing a large lacuna in this important period of Greek history. They also shed light on the development of Greece's relationship with Rome and its progressive integration into the Roman System. This regional approach to the relationship with central authority confirms the wide range of intervention on the part of Rome in the various provinces and its adaptation to local conditions. This policy facilitated interaction between Greek and Roman words and the values which each professed and served.</p><p><strong>Contributors:</strong> <em>Marcel Piérart P. Marchetti J. Roy G. Steinhauer P. Themelis S. B. Zoumbaki D. G. Romano Chr. Hoët-van Cauwenberghe O. Solomies N. M. Kennell D. Stewart I. Touratsoglou V. Di Napoli M. Vitti P. Vitti M. Jost A. Lo Monaco M. Melfi J.-S. Balzat M. E. Hoskins Walbank F. Camia M. Kantiréa Y. Lafond A. Farrington O. Palagia.</em></p><p>============================================================</p><p><em>The shipping cost estimated by the system covers books weighing up to 750 gr.; a surcharge depending on the actual weight and destination applies for heavier books. </em></p> Institute of Greek and Roman Antiquity hardcover
2004108236<p>Meletemata series No. 36. In english. Hard cover 30 cm 686 pp.; net weight 2480 gr.</p><p><strong>CONTENTS:</strong></p><p><em><strong>A. GENERAL INTRODUCTION</strong></em></p><p>I. ROMAN PERSONAL NAMES: THE SOURCE MATERIAL</p><ul><li>1. Provenance of the inscriptions</li><li>2. Ethnic minorities and the language of the inscriptions</li><li>3. Epigraphic publications</li><li>4. Problems of dating</li></ul><p>II. PROSOPOGRAPHIES AND ROMAN NAMES</p><ul><li>1. Prosopographies and prosopographical studies</li><li>2. Adaptation of names and irregularities in names</li></ul><p>III. METHOD OF PRESENTATION AND CONVENTIONS</p><ul><li>1. Method and presentation of entries</li><li>2. Transcription cross-references signs and symbols</li></ul><p><em><strong>B. CATALOGUE OF ROMAN PERSONAL NAMES</strong></em></p><ul><li>CHAPTER I: ROMAN PERSONAL NAMES IN LACONIA</li><li>CHAPTER II: ROMAN PERSONAL NAMES IN MESSENIA</li><li><em>APPENDIX: </em>STEMMATA</li></ul><p>C. SELECT BIBLIOGRAPHY</p><p>D. INDICES</p><ul><li>ROMAN PERSONAL NAMES OF MEN AND WOMEN</li><li>NOMINA GENTILIZIA</li><li>SURNAMES: COGNOMINA SIGNA AND NOMINA SIMPLICIA</li><li>GEOGRAPHICAL NAMES ETHNICS CIVIC AND TRIBAL SUBDIVISIONS</li><li>SELECT INDEX OF GREEK AND LATIN TERMS</li></ul><p><em>The shipping cost estimated by the system covers books weighing up to 750 gr.; a surcharge depending on the actual weight and destination applies for heavier books. </em></p> Institute of Greek and Roman Antiquity hardcover
2017BIBSD0034271322017. Full Leather Bound. NEW. Size: 22.22x 29.21 cms A Unique Premium Leather-Bound book for elite readers/collectors of old rare books. An Original Leather is being used for binding this book with Golden Leaf Printing and designing on Spine front and Back of the book with edge gilding. WE HAVE MULTIPLE OPTIONS IN COLOR OF LEATHER RED GREEN BLUE MAGENTA TAN PURPLE DEEP BROWN BLACK AND WITH DIFFERENT COLOR LABELS. YOU MAY CHOOSE ANY COLOR OF YOUR CHOICE AND MAIL US. This service is chargeable. Original edition was published in and this unique edition is Reprinted in 2017 with the help of original edition. Black & white printing on high quality natural shade paper with sewing binding for longer life professionally processed without changing its contents. As these are old books we processed each page manually on computer and make them readable. We give our best to give you the best book but in some cases we have to adjust few pages which are blur or missing or black spots. We hope that you understand these issues in these old treasure. This is an important book for the readers who want to know more about our old treasure. Our dedicated team is trying to bring these rare books back to the shelves. We are also giving service of printing the hard-to-find books which are not listed in our store. Hope you will like it and give your comments and suggestions. Lang: - Italian Vol: - Volume.11:1-5 AP-AG1916 Pages 205. Product Disclaimer: Please be aware that because leather is a natural material slight discoloration or change in texture may be visible. FOLIO EDITION Size 12x19 Inches IS ALSO AVAILABLE ON REQUEST. hardcover
2023x-9819909376Springer Nature 2023. Hardcover. New. 424 pages. 9.25x6.10x1.10 inches. Springer Nature hardcover
20131-363970049XScholar's Press 2013. Paperback. New. 132 pages. 8.66x5.91x0.30 inches. Scholar's Press paperback
2013__363970049XScholar's Press 2013. Paperback. New. 132 pages. 8.66x5.91x0.30 inches. Scholar's Press paperback
2013x-1107025729Cambridge Univ Pr 2013. Hardcover. New. 200 pages. 9.10x6.10x0.80 inches. Cambridge Univ Pr hardcover
2013x-1107663083Cambridge Univ Pr 2013. Paperback. New. 200 pages. 8.98x5.98x0.91 inches. Cambridge Univ Pr paperback
2012DADAX365913886XLAP Lambert Academic Publishing 2012-06-15. paperback. New. 5.91x0.19x8.66. Buy with confidence. Excellent Customer Service & Return policy. LAP Lambert Academic Publishing paperback
20219788417421199-2025Titania 2021. Paperback. New. <p><strong>Author:</strong> ALEXANDRA ROMA</p><p><strong>Publisher:</strong> Titania</p><p><strong>Binding:</strong> Paperback</p><p><strong>ISBN:</strong> 9788417421199</p><p><strong>Release Date:</strong> 2021</p><p><strong>Number Of Pages:</strong> 347</p><p><strong>Details:</strong> Sofia and Ambrose were doomed to collide in Cudillero. They challenged each other pretended not to be in love and let themselves be carried away without knowing that they were going towards a destination that would separate them. Five years later Sofia returns to break any bond that ties her to Ambrose.</p> Titania paperback
20219788417421199-2025Titania 2021. Paperback. New. <p><strong>Author:</strong> ALEXANDRA ROMA</p><p><strong>Publisher:</strong> Titania</p><p><strong>Binding:</strong> Paperback</p><p><strong>ISBN:</strong> 9788417421199</p><p><strong>Release Date:</strong> 2021</p><p><strong>Number Of Pages:</strong> 347</p><p><strong>Details:</strong> Sofia and Ambrose were doomed to collide in Cudillero. They challenged each other pretended not to be in love and let themselves be carried away without knowing that they were going towards a destination that would separate them. Five years later Sofia returns to break any bond that ties her to Ambrose.</p> Titania paperback
2012232971Milano: Electa 2012. Rilegato hardback. Ottimo Fine. Il volume è firmato alla prima pagina bianca da Antonio Amaduzzi Cesare Colombo Gianni Berengo Gardin Ernesto Fantozzi The volume is signed on the first blank page by Antonio Amaduzzi Cesare Colombo Gianni Berengo Gardin Ernesto Fantozzi. A cura e con un testo di Cesare Colombo. Fotografie in bianco e nero di Antonio Amaduzzi. Autobiografia cronologia delle esposizioni e delle pubblicazioni di e su A. Amaduzzi. Cm 255x26. pp. 144. Il volume è firmato alla prima pagina bianca da Antonio Amaduzzi Cesare Colombo Gianni Berengo Gardin Ernesto Fantozzi The volume is signed on the first blank page by Antonio Amaduzzi Cesare Colombo Gianni Berengo Gardin Ernesto Fantozzi. Ottimo Fine. Prima edizione First Edition. <em>400 ASA/27 DIN. La formula con cui Amaduzzi offre un titolo al corpus delle sue opere resterebbe un enigma per molti se non la spiegassimo. Si tratta dei valori di sensibilità"; alla luce che distinguevano le pellicole negli anni del dopoguerra. La pellicola contraddistinta dalla sigla 400/27 è stata quella prediletta dal nostro autore lungo più di mezzo secolo di attività".</em> Electa, hardcover
20171-3659837520Scholars' Press 2017. Paperback. New. 252 pages. 8.66x5.91x0.57 inches. Scholars' Press paperback
2007143886<p>Proceedings of the 10th International Congress of Thracology.</p><p>Papers in Greek English French. Soft cover 28 cm XIV754 pp.</p><p><strong>IMPORTANT: The shipping cost is an important parameter of this order; it is in NOT included in the price and depends on the actual weight and destination; you will have to approve it after the confirmation of the order. You may ask for an estimate before placing the order at: dem.siatras@gmail.com</strong></p> Centre for Greek and Roman Antiquity paperback
2010119728Roma - Paris: Postcart - Trans Photographic Press 2010. Perfetto Mint. Una delle copie dell'edizione speciale accompagnata da una <strong>fotografia originale</strong> a colori firmata titolata numerata e datata al verso di Marco Barbon ''Cronotopie hors sé";rie n.1'' 2007 cm 16x16 es. 10/30. Volume con testi di Marco Barbon e Alain Jouffroy in italiano e francese. 47 fotografie a colori di Marco Barbon. Cm 22x18. pp. 48. Perfetto Mint. Prima edizione di 500 esemplari numerati First edition of 500 numbered copies. <em>''Cronotopie nasce da una riflessione sul rapporto tra fotografia tempo e spazio. Fotografando con una polaroid uno spazio anonimo in cui si materializzano piume e palloncini colorati Marco Barbon s'interroga sull'effimero puntando il suo obiettivo su tutto ciò che può svanire ad ogni momento e scomparire chissà" dove come se il segreto della vita si dissimulasse nel furtivo''.</em> Postcart - Trans Photographic Press, unknown
2011119702Roma: Postcart 2011. Rilegato hardback. Ottimo Fine. 95 fotografie in bianco e nero anche a piena e doppia pagina e un testo di Sandro Becchetti in italiano e inglese. 4to. pp. 208. Ottimo Fine. Prima edizione First Edition. <em>"<strong>San Francesco</strong> in fondo ribalta quasi mille anni fa il pregiudizio del lupo cattivo quello di Cappuccetto Rosso per intenderci. Lui parla con il lupo perchè"; è lupo lui stesso.Il lupo uccide per fame una fame che gli umbri si sono portati addosso per secoli come una protesta inascoltata scritta sulla loro pelle. San Francesco uccide anche lui: uccide il veccio mondo dei privilegi e dei pregiudizi seglie come compagna di avventura prima fra i suoi seguaci una donna Chiara. Stabilisce modernità assoluta un legame tra pauperismo - rifiuto del superfluo - e la gioia. Sulla celata dei capitani di ventura dei mercenari che guadagnavano da vivere per sè e per la propria gente combattendo le guerre altrui spesso campeggia il lupo. Così il 'mestiere delle armi' diventa in un dato periodo storico il lavoro deglu umbri: io ti servo perchè ho fame perchè i miei soldati e le loro famiglie hanno fame . <strong>Bartolomeo di Alviano</strong> <strong>Braccio da Montone</strong> <strong>Gattamelata da Narni</strong> <strong>Bordo Michelotti</strong> <strong>Niccolò Piccinino</strong> <strong>Malatesta Baglioni</strong>.sono quei lupi vaganti per spazi e secoli insieme ai loro branchi domestici. Nomi dispersi in archivi polverosi che stanno ad indicare i padri dei padri dei nostri padri fino al <strong>LUPO</strong> quello che <strong>Francesco di Bernardone</strong> ammonisce a non più uccidere e che morrà" di vecchiaia pianto e rimpianto dalle genti che l'hanno adottato. Quel lupo siamo tutti noi".</em> Postcart, hardcover
2011SONG1934857858Catalyst Game Labs 2011-08-31. toy. Used: Good. 8.38x0.50x10.81. Buy with confidence. Excellent Customer Service & Return policy. Catalyst Game Labs unknown
2005205774Bologna: Galleria de' Foscherari 2005. Legatura con punto metallico stapled binding. Ottimo Fine. Catalogo della Galleria de' Foscherari di Bologna n. 175/2005 ottobre/novembre. Aforismi e testimonianze di autori vari che hanno accompagnato l'Artista nell'anno 2004. Con 16 tavole a colori. Nota biografica e bibliografia essenziale. Una delle 100 copie del catalogo con una<strong> litografia</strong> <strong>originale a colori dell'artista</strong> firmata e numerata a matita esemplare n. 3/100. Cm 30x21. 4to. pp. 44. Ottimo Fine. . Galleria de' Foscherari, unknown
