7 résultats
189417189AB1894. Dresden Römmler & Jonas 1894. 17 : 12 cm. 20 montierte Phtographien. Illustrierte Original Leinenmappe. Die Aufnahmen zeigen die wichtigestn Gebäude Pl#tze Strassen und Grachten in Amsterdam und Haag. unknown
183380293Hosford & Wait Albany New York 1833. Pamphlet. Used - Acceptable. Albany: Printed by Hosford & Wait 1833. & S.W. Benedict & Co. New-York 1834. 64 & 8 pages. 6 engravings. 6.5 x 4.25" printed paper boards. American Imprints 22719; second title not located. Oversewn worn soiled damped foxed may lack frontispiece fair. Hosford & Wait, Albany, New York unknown
1807357181-XI25Amsterdam : Johannes van der Hey 1807. Softcover. Good. Kartonnen omslag; frontispice van J.E. Marcus naar J. Smies opgeplakte geschreven titel op rug VIII199 pagina's 8vo. Naar het Hoogduitsch gevolgd: vertaling van Entdeckung und Strafe geheimer Verbrechen 1804. Amsterdam : Johannes van der Hey paperback
182559188Amsterdam Wed. Gerard Hulst van Keulen 1825. 50 x 100. Large engraved map over North Holland also with inset of "Profils van het Groot Kanaal". A small closed tear to lower margin not affecting image. Lower right corner with a faint dampstain. With Compass-rose and scale. unknown
183494336Haarlem; Bohn 1834. First Edition. Hardback. Finely and sumptuously bound in modern aniline calf over marble boards. Raised bands with gilt cross-bands and a contrasting morocco gilt-blocked label. An exceptional copy; of presentation quality- scans and additional detail on request. ; 640 pages; Subject: Netherlands - Civilization. Impressively illustrated with a series of folding etched plates and a large folding hand-coloured map to the rear. Haarlem; Bohn hardcover
1860ABC_50131Amsterdam: printed by R. de Vries for François Buffa & Sons 1860. Original brown blind-stamped wave-grained cloth with the title and imprint information lettered in gold on the front board in a rococo frame yellow endpapers. Oblong ca.16.4 x 24.6 cm. per leaf. The panorama is made up of 8 numbered lithographed views printed in monochrome with beige tone block. The viewer looks southward from the IJ over the city from the Oosterdok eastern dock and the Oosterkerk eastern church along the docks and wharfs via the recognisable towers of several churches and the view of the Royal Palace to the Westerdok western dock a large factory and the Blauwhoofd the northwestern-most bulwark of the city. Extremely rare leporello-style bound copy of a lithographic panorama of Amsterdam printed in monochrome with a beige tone block after drawings by Johan Conrad Greive 1837-1891 and lithographed by Ruurt de Vries Jr. 1813-1874.A remarkably precise and atmospheric profile of Amsterdams IJ waterfront extending from the Lijnbanen to beyond the Blaauwhoofd. The principal buildings are identified beneath each plate. The panorama captures in extraordinary detail the eastern docks the Oosterdok and Westerdok areas and numerous landmarks including the Zeemagazijn Admiraliteitsmagazijn Oosterkerk Zuiderkerk Oude Kerk the Dam with the Royal Palace and Nieuwe Kerk Westerkerk Noorderkerk and the bustling shipping of the IJ. A distant suggestion of Haarlems St Bavos Church may be discerned on the horizon.Greives meticulous urban draughtsmanship is akin to painting with the precision of photography. He later became chairman of Arti et Amicitiae and was celebrated for his highly detailed views of cities and rivers.The present example is preserved in a true leporello concertina binding: the front and back boards are not joined at the spine but are attached only to the first and last leaves of the accordion-folded sheets.This work is extremely rare: we have located only two other bound copies both held at the University of Groningen. Curiously of the related publication Panorama de Rotterdam likewise illustrated by J.C. Greive and published by François Buffa & Sons only a single surviving copy is recorded also at the University of Groningen. We have traced another copy of the Rotterdam panorama at the House of European History.The work has been cut slightly short touching the plate numbering and is slightly foxed throughout. Otherwise in very good condition.l d'Ailly Repertorium 278; Rijksmuseum object no. RP-P-1905-1045 RP-P-1905-1043 RP-P-1905-1039; WorldCat 64777818 2 copies; cf. for the Panorama De Rotterdam WorldCat 64777862 1 copy; more about the Buffa company: Landwehr Studies in Dutch books with Coloured Plates published 1662-1875 1976 pp. 62-66. [printed by R. de Vries for] François Buffa & Sons, hardcover
181523646Amsterdam 1815. In this etching Rembrandt has depicted his wife Saskia surrounded by six other subjects of different ages including his mother. The etching is reminiscent of a sketchbook page in which the artist practices different facial expressions and the fall of drapery on his subjects. Saskia receives the most detailed study with very fine lines used to draw her curls and a thin headdress. Each figure looks out in a different direction. <br /> <br /> There are approximately 125-225 known impressions of this work many posthumous. Nowell-Usticke B365. This impression is pre-1815 signed by the french printseller Naudet in 1801. This impression predates the 1815 restrike.<br /> <br /> Signed on the verso by the early Parisian print seller Naudet - "Chez Naudet Md au Louvre 1801". The "Md" is an abbreviation for 'Marchand" merchant. See Maberley Joseph "The Print Collector: An Introduction to the Knowledge Necessary for Forming." 1880 p.84 and Fagan Louis "Collectors' Marks" 1883 p. 73. There are several prints held in the Fitzwilliam Museum Cambridge with Naudet inscriptions one being "Two boys blowing bubbles. Bartsch 365; Hollstein White and Boon 365. 5 x 6 1/16". Usticke's second state of 2 with the horizontal scratches between the head of Saskia and the turbaned head in profile upper left. With slight loss on three corners and a small closed tear. Signed in the plate "Rembrandt f 1636" in the bottom left the "f" somewhat faint. unknown