Lee D Van AntwerpBiblio.com
38 résultats
1993100121-15Picton Press 1993. hardcover. Very Good. 0x0x0. 8vo in cloth. 774 pp. VG. Minimal wear. Foxing to top edge. Interior is pristine. No writing or markings of any kind. Ships wrapped in bubble wrap and packed securely in a box. Picton Press hardcover
197281416Milano: M Comunicazione 1972. Brossura wrappers. Ottimo Fine. Libro d'artista composto da immagini e aforismi. Traduzione dal francese di <strong>Sergio Dangelo</strong>. Cm 19x14. pp. 64. Ottimo Fine. Prima edizione First Edition. M Comunicazione, unknown
1995ATWeANTW0Ghent: Ludion 1995. 1995. 4to. pp. 278 2. many illus. most colour. biblio. index. bds. dw. Exhib. Cat. Second Edition Revised. Hardcover. [Ghent]: Ludion, [1995]. Hardcover
1913007594Garden City: Doubleday Page & Co. 1913. Lower edge rubbed; two tiny tears at spine bottom spine lettering faded. Inscribed on front flyleaf: "Compliments/of the Author.". Signed by Author. First Edition. Original Cloth. About Very Good. Doubleday, Page & Co. Hardcover
19321241751932. San Francisco: The Book Club of California 1932. <br /> <br /> 8vo vi 27 pp. Fold-out facsimile of one of Scott's letters as frontispiece and 3 illustrations. Quarter red leather and green paper-covered boards. Backstrip faded and spotted rust-shadow of paperclip to preliminaries otherwise fine.<br /> <br /> § One of 300 copies printed by Johnck & Seeger. Introduction by Oscar Lewis. The first essay "A Centenary Address" is by John Buchan the novelist historian and politician the second essay "A Forgotten Antiquary" is by William C. Van Antwerp who wrote elsewhere on Wall Street and on his collection of Scott. unknown
19321078811932. San Francisco: The Book Club of California 1932. <br /> <br /> 8vo vi 27 pp. Fold-out facsimile of one of Scott's letters as frontispiece and 3 illustrations. Quarter red leather and green paper-covered boards. Backstrip faded and worn in places internally fine.<br /> <br /> § One of 300 copies printed by Johnck & Seeger. Introduction by Oscar Lewis. The first essay "A Centenary Address" is by John Buchan the novelist historian and politician the second essay "A Forgotten Antiquary" is by William C. Van Antwerp who wrote elsewhere on Wall Street and on his collection of Scott. unknown
197465145Milano: Grafica Uno 1974. Ottimo Fine. Acquaforte appartenente al volume ''Ora di noi'' testo di Franco Passoni e sei incisioni originali di Seuphor stampato in 150 XXX esemplari Milano Grafica Uno 1974. Cm 162x15 Foglio 312x312. . Ottimo Fine. Tiratura 150 XXX. Upiglio Upiglio 1975 Marras Piero a cura di Giorgio Upiglio stampatore in Milano. L'opera grafica. Milano Cordani S.p.a. 1975. Grafica Uno, unknown
196458799Antwerp Belgium: Rubenshuis. As New. 1964. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in English. 32 pp. With 12 ills. 22 x 15 cm. -- with a bonus offer-- . Rubenshuis paperback
1998x-0824701534Marcel Dekker Inc 1998. Paperback. New. 1st edition. 352 pages. 10.25x7.25x0.75 inches. Marcel Dekker Inc paperback
1938527345San Mateo California: The Quercus Press 1938. Softcover. Fine. First edition. Foreword by Edith Van Antwerp. Quarto. 4pp. printed rectos only. Sewn yellow-gold wrappers printed in black on front cover. The title page is printed in black type with 'modern horse character' in Chinese framed in bright yellow thick line rule and the colophon prints the 'Archaic horse character' and the 'heiroglyphic horse character 500 B.C.' in Chinese and thanks 'Mr. Patrick Pichi Sun Vice-Consul in San Francisco for the Republic of China for writing the modern horse character that appears on the title page of this book' presumably this statement was by Edith Van Antwerp.<br /> <br /> Beautifully designed and printed in a small edition "a very few copies have been printed." with a printed calling card and handwritten note from Edith Van Antwerp presenting this copy to Melba Berry Bennett. The engraved card measures 2 7/8 by 2 inches and stating "Mrs. William Clarkson Van Antwerp' with a twelve-line holograph note on recto and verso of card from Edith Van Antwerp to 'Dear Melba' Melba Berry Bennett presenting this book and stating: "Dear Melba - At long last-- here it is! It goes to you with Frances' i.e. Mrs. Theodore Max Lilienthal and my love and thanks for your amiable forbearance when we were in the throes of production. We really think it is pretty good. we hope it will find favor in your eyes. Best Christmas wishes E. V. P."<br /> <br /> Theodore Max Lilienthal and Leon Gelber established the Gelber-Lilienthal Book Shop in San Francisco in 1924 and a publishing company under the imprint Lantern Press. Mr. and Mrs. Theodore Max Lilienthal along with Edith Van Antwerp later established The Quercus Press in San Mateo California. In 1940 they began using the Albion Press that once belonged to William Morris the press was acquired from the estate of Dr. J. W. Bartlett of New York. Melba Berry Bennett poet bibliophile and Robinson Jeffers family friend wrote the authorized biography of Jeffers The Stone Mason of Tor House: The Life and Times of Robinson Jeffers which was awarded the California Commonwealth Club's Silver Medal in 1966. She was also associated with The Quercus Press. On April 1 1940 she was one of the supporters of The Quercus Press who pulled the first page that was printed by The Quercus Press on their newly acquired Albion Press that was once owned by Morris and the Kelmscott Press. <br /> <br /> Edith Van Antwerp's Foreword concludes: ". a very few copies have been printed for a very few people in whose hearts today is this very same ancient love of the horse." A fine copy of a rare publication. OCLC lists a two holdings Huntington Library and Mills College. The Quercus Press unknown
197566074Roma: Carucci Poesia visiva 1975. Brossura wrappers. Molto buono Very Good. Prefazioni di Aldo Rossi e Henri Floris Jespers. Traduzioni di Lydia Astengo. Testo in italiano e inglese. Con 64 tavole in nero. Cm 21x16. pp. XXIX 64. Molto buono Very Good. Prima edizione First Edition. <em>Nel dopoguerra è"; fra i primi ad interessarsi alla <strong>poesia visiva e sonora</strong>. È stato autore di numerosi poemi sonori la maggior parte dei quali realizzati nel laboratorio di musica elettronica di Utrecht fondatore e editore delle seguenti riviste: Vormen 1936-1940 Golfslag 1946-1950 De Tafelronde 1953-1982 Vers Univers 1966-1967 Lotta Poetica 1971-1975 and Factotum-Art 1977-1979. A fianco del poeta francese Henri Chopin ha organizzato ad Anversa nel 1963 l'esposizione Objectieve poë"zie. Fin dal 1964 ha tenuto mostre in numerosi paesi europei negli Stati Uniti e in Giappone. Nel 1974 entra a far parte del Gruppo internazionale di Poesia visiva.</em> Carucci, Poesia visiva unknown
197731714Anvers: Musee Royal Des Beaux-Arts. As New. 1977. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE & UNMARKED CRISP TIGHT TO THE SPINE - 388 pages; text in French. -- with a bonus offer-- . Musee Royal Des Beaux-Arts paperback
195958781Antwerp Belgium: Musee Royal Des Beaux-Arts. As New. 1959. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in Dutch and French. 176 pp. With 116 ills. 20 x 15 cm. -- with a bonus offer-- . Musee Royal Des Beaux-Arts paperback
1928R148New York: P.J. Kenedy & Sons 1928. Hardcover. First Edition First Printing. 8vo. 268pp. Bound in the original cloth with blind-stamped and gilt decoration. Top edge is gold gilt. VERY GOOD. Shows some shelf rubbing of the edges and corners otherwise the binding is strong and tight the text is clean and unmarked and the boards are bright and distinct. As pictured. P.J. Kenedy & Sons hardcover
195858766Antwerp Belgium: Musee Royal Des Beaux-Arts. As New. 1958. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French and Dutch. 150 pp. With 82 ills. 19 x 13 cm. -- with a bonus offer-- . Musee Royal Des Beaux-Arts paperback
198372756Oakland Ca. Very Good. 1983. stapled/soft Cover. G1711-3 . paperback
198843770General Society of Mayflower Descendants. 1988. First Edition; Fourth Printing. Hardcover. Near Fine in No DJ As Issued dust jacket. Clean and tight with light scuffing to the silver-gray boards but no markings or signs of use in the text. This is the fourth printing dating to 1988. Fast shipping careful packing. ; 6.5 X 1.25 X 9.5 inches; 277 pages . 0930270002 . General Society of Mayflower Descendants hardcover
195058750Antwerp Belgium: Musee Royal Des Beaux-Arts. As New. 1950. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 184 pp. 22 x 14 cm. -- with a bonus offer-- . Musee Royal Des Beaux-Arts paperback
196472725Oakland Ca. Very Good. 1964. stapled/soft Cover. G1611 . paperback
1999230386Ostenda: Ronny Van De Velde 1999. Brossura wrappers. Perfetto Mint. <em><strong>Foto's Assemblages en Collages. Photos Assemblages et Collages. Photographs Assemblages and Collages. </strong></em>Volume pubblicato in occasione della mostra tenutasi presso la galleria Ronny Van De Velde Anversa 16 ottobre - 11 dicembre 1999. Un testo di Jan Ceuleers. Fotografie in bianco e nero. Edizione in inglese francese e olandese. Cm 255x21. pp. 150 ca. Perfetto Mint. . <em><strong>Leo Dohmen </strong>was with Raoul Ubac and Marcel Lefrancq one of the few representatives of the <strong>surrealist photography</strong> in Belgium. He was a legendary figure in the post-war Antwerp artistic circle. Because of his tumultuous and flamboyant lifestyle he was his friends gave him the nickname &lsquo";the Pirate'. Dohmen was a man of seven crafts: chemist and engineer at Agfa Gevaert and Esso a bartender from an illegal nightclub an art dealer and a gallery owner and - especially - photographer. In his surrealist photographs collages and assemblages he was always looking for a shock effect that he reached through the combination of strange elements.</em> <em><strong>Leo Dohmen</strong> è" stato con Raoul Ubac e Marcel Lefrancq uno dei pochi rappresentanti della <strong>fotografia surrealista</strong> in Belgio. Era una figura leggendaria nel circolo artistico di Anversa del dopoguerra. A causa del suo stile di vita tumultuoso e sgargiante i suoi amici gli diedero il soprannome di "Pirata". Dohmen era un uomo dai sette mestieri: chimico e ingegnere presso Agfa Gevaert ed Esso barista in un nightclub illegale mercante d'arte e gallerista e soprattutto fotografo. Nelle sue fotografie surrealiste nei collage e negli assemblaggi era sempre alla ricerca di un effetto shock che raggiungeva attraverso la combinazione di elementi strani.</em> Ronny Van De Velde, unknown
1988ATWseANT12Antwerp: 1988. 1988. oblong 4to. pp. 56. many colour illus. bds. Exhib. Cat. Limited Edition of 500 copies. Antwerp: [1988]. unknown
1993ATWanANT50Antwerp: 1993. 1993. 4to. wrs. regular edition of the exhibition catalogue. 33 facsimile reprints of past Picabia publications. loosely laid in folio cloth clam-shell box with cloth slipcase. Deluxe Edition of 1200. Hardcover. Antwerp: 1993. Hardcover
1905200925036Royal Museum of Fine Arts Antwerp 1905. Paperback. Acceptable. 0x0x0. please read Book is well worn but fully intact with just a few pencil markings on text pages - pencil note on half-title page - 185 pages - inside a mylar sleeve - my shelf location - 32-a-27 Royal Museum of Fine Arts, Antwerp paperback
1999236822Charleroi: Editions Musée de la Photographie 1999. Rilegato hardback. Perfetto Mint. Testi di Jan Ceuleers Xavier Canonne Mireille Sprengers-Dohmen. Fotografie in bianco e nero. Edizione in inglese e francese. Cm 255x21. pp. 152. Perfetto Mint. . <em><strong>Leo Dohmen</strong> è";" stato con Raoul Ubac e Marcel Lefrancq uno dei pochi rappresentanti della <strong>fotografia surrealista</strong> in Belgio. Era una figura leggendaria nel circolo artistico di Anversa del dopoguerra. A causa del suo stile di vita tumultuoso e sgargiante i suoi amici gli diedero il soprannome di "Pirata". Dohmen era un uomo dai sette mestieri: chimico e ingegnere presso Agfa Gevaert ed Esso barista in un nightclub illegale mercante d'arte e gallerista e soprattutto fotografo. Nelle sue <strong>fotografie surrealiste</strong> nei <strong>collage </strong>e negli <strong>assemblaggi </strong>era sempre alla ricerca di un effetto shock che raggiungeva attraverso la combinazione di elementi strani.</em> Editions Musée de la Photographie, hardcover
1996mon0003490525Mouton de Gruyter 1996-02. Hardcover. New. 1.0000 9.2000 6.3000. Mouton de Gruyter hardcover
