Alaska

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AlaskaABAA

1954 Telephone Directory. Seward Alaska. Owned and Operated by Alaska Telephone Corporation cover title

AlaskaABAA

Album of Aerial and Cultural Photographs

194714430Alaska various: np nd ca. 1947. Very good. Oblong folio commercial hardcover album made by The Burkhardt Company Detroit model X 89500 13.5Â” x 10.75Â” x 2.5Â”. Screw binding 74 black paper pages with a single black and white gelatin print mounted recto only to each most measuring approximately 7.5" x 9Â” with brief typed captions mounted below. Additional print mounted to front cover; 75 photographs total. Album exterior moderately worn cloth dry and flaking. Three sections of material loss at outer edge of covers and to upper rear likely mouse-bitten similar loss to edges of final two pages not effecting photos. Two images missing captions. Photographs well preserved occasional mild wear. About very good. An impressive collection of 75 well-annotated predominantly aerial photographs of pre-statehood Alaska likely compiled by a U.S. Army Officer stationed at Fort Richardson near Anchorage just after WWII. 49 images captured from aircraft of some of the most spectacular unspoiled environments anywhere. Cities settlements and geographical locations include Galena Ketchikan Port Alexander Sitka Port Althrop Skagway Juneau Fort Seward Valdez Anchorage Barrow Nome the Taku Glacier Mount McKinley Mount St. Elias and Mt. Moffet. The remaining 26 prints equally as beautiful though taken at ground level display the cultural and trade aspects present around 1947. Highlights include an Eskimo mother and daughter on Nelson Island fishing boats in Ketchikan totem poles on Wrangell Island a midnight baseball game and a full salmon scowl at a cannery in southeast Alaska. Five prints with lettering in the negative though none with clear evidence as to the purpose behind their creation. Clearly the work of a skilled photographer an immediately engaging collection of images. NOTE: High resolution scans of this complete album are available. np hardcover books

Brian Cassidy Bookseller at Type Punch Matrix · États-Unis1 750,00 $US≈ 1 480,68 €

AlaskaABAA

C. 1933 16mm Film Regarding Alaska: Natural History Inuit Life and Customs Fishing Hunting Travel & Exploration and Missionary Activities Community History & More

193321317Alaska: No Publisher 1933. The movie can be loosely interpreted as the history of a journey up the Alaska coastline with some land interior footage beginning in the more southern tier and ending in the bleak far northern ice lands with 'stops' along the way; the movie has a semi-professional 'feel' - for several reasons some of which are that editing between segments is smooth and uninterrupted there are occasional professional 'titles' interspersed in the film and perhaps most importantly the quality of the imagery and the 'narrative' progression of scenes speaks to a professional behind the lens; subjects are diverse: at the beginning of the film we view the vast panoramas of the Alaskan lands mountains and rivers treated to a Robert Service quote - ".there's a land where the mountains are nameless and the rivers run God knows where." with men and a lively dog standing aboard a rapidly-moving raft poling down a river - the same men seemingly very closely for comfort observe bears fishing a stream during a salmon spawn and climbing nearby trees; the men demonstrate salmon bow-fishing and bring the catch home; the camera eventually moves on to the coastal trip being on board small steamers and sailing craft; we observe the "Wrangell Branch" of the A & P Packaging Co. with cannery scenes; visiting an outpost medical clinic seemingly obstetric; on to footage of the massive caribou movements across the tundra lands and natives hunting them; Inuit trade polar bear & other skins at a 'trading post' for goods; heavy-duty tractors used on icy surfaces to transport entire houses & populations; the stamina and strength of sled-dogs pulling up what looks like a 45-degree angle hillside at speed and in deep snow; ice-chopping for massive slabs used to build a home igloo; a costume parade of little children in a town which also shows mission children and schools young men and women in activities around sturdily-constructed multi-story brick buildings probably related to missionary work in the Territory; native carvings totem poles and other crafts; ski-planes at a small wintry airport runway - identified as "Pacific-Alaska Airways"; perhaps most exciting and interesting is the film's showing of an Inuit whale-hunt the bringing in of the great creature - hauled by hand the hunters seated on the ice in rows and strongly pulling at tremendous rope hawsers - the flensing of the blubber and an extremely lively victory party afterward obvious happiness and exhilaration of the people dances and chanting of women and men after the great capture - the fun includes being tossed in the air trampoline style done standing up the local people all dressed in the available skins and hides hunted there; various little stops are made along the way by the boat as it moves up the Alaskan fiord-scape - at one point we are treated to an exhibition of the Inuit kayak with a native spinning under the cool waters in his boat; the kayaks push offshore to greet the supply ship in this case a 4-masted schooner - we see this vessel at anchor and also magnificently under full-rigged sail - and retrieve goods in their longboat; eventually the coasting brings us to a dramatic close with a sunset silhouetting the schooner with only icebergs on the horizon; there are 'human' moments as well this is not simply an amateur travelogue - young women coquette a bit for the camera town worthies and ancient native people sit in dignity graveyard views which linger over readable headstones; people at work and play with vigor and without a 'staged' feeling -cute and very strong & skilled little kids in a wood-chopping contest and more; there is approximately 1600 feet of 16mm film run time about ½ hour; we speculate this is the original or master since there are several safety film types used here: Kodak safety positive Dupont Pathe Gevaert safety film and perhaps others - seemingly a copy of the master would have been using all one film type; these sections are professionally spliced together and viewable as we have watched this production on film a desk-type film editor as well as a through a projector; occasionally and unexplainably by checking the film types at the change there is a yellowish cast to the scene which does not obscure detail and which shifts abruptly back to clear black and white footage; on an old reel; no credits are given for the photography or direction production of the film; a possible clue is offered in an accompanying item a large sepia & black chalk portrait heightened in white on Canson & Montgolfier France watermark paper of what appears to be a reverend or Protestant cleric who bears a close resemblance to one of the characters seen several times in the film and who may have been a missionary in Alaska or perhaps ended up as the recipient of this master film; pastel portrait measures approx. 18" x 22" signed lower left Melita Hofmann C. 1907-1976 a commercial artist and illustrator originally from Toledo Ohio who worked as an art director for Grosset & Dunlap and in book illustration - the portrait with some closed edge tears repaired on verso otherwise in good shape and a good likeness accomplished with skill; the film in very good condition and viewable albeit with some vinegar syndrome - usual with films this vintage - and one of the most interesting ethnographic and historical artifacts and perhaps unique that we have had in stock filmed during a time of great change for the Inuit for Alaska and its' landscape; our thanks go to Richard Hart senior in film studies at Brooklyn College for his invaluable help in reviewing the film and revealing technical aspects of the process. First Edition. Not Bound. Very Good. No Publisher Paperback books

Certain Books, ABAA · États-Unis4 500,00 $US≈ 3 807,45 €

AlaskaABAA

EXTRA! ALASKA FORUM

1901WRCAM54818Rampart Ak 1901. 4pp. on a single folded sheet. Each page printed in four columns. Folio. Misfolded and neatly split along the center vertical fold with resulting large margin in first leaf. Tiny closed edge tear old tideline in upper margin of first leaf evenly toned. About very good. The extremely rare extra issue of the ALASKA FORUM printed entirely as a promotional publication to attract miners to Rampart Alaska during the gold rush. The four pages of the EXTRA include various reports of the fabulous finds in the area of Rampart "on the Yukon River in American territory about mid way between St. Michaels and Dawson City or approximately one thousand miles from each." Headlines include news such as "A New Eldorado" "Richer than Ever" "Bench Diggings" and "Paystreak is Located." Additional articles concern areas overlooked in the past opportunities for quartz prospectors the need for machinery capital and summer mining "Rampart No Longer A Winter Camp Exclusively - More Summer Work Than Ever Before." Clearly published to promote mining and by extension economic development in Rampart and the surrounding region the column-long editorial on page 2 states: "It is the intention of the publishers of the ALASKA FORUM by means of this special issue to bring to the attention of people in the Eastern states the claim of Rampart City Alaska as the gold mining center of this Territory. To that end thousands of copies of the FORUM are being distributed over New England and the Eastern states. We believe and we are backing that belief with good money that the growth of this town cannot fail to be rapid once capitalists and others are led to appreciate the unrivalled advantages Rampart offers to investor and wage earner alike. With the growth of the town will come the no less certain growth of this FORUM and therein we find justification for this issue." While the exact number of copies printed of this EXTRA is not known we have been able to locate only two other copies of this Sept. 1 1901 special issue at the Beinecke Library and the DeGolyer Library. Printed between Sept. 27 1900 and Aug. 4 1906 few copies of any issue of ALASKA FORUM have survived. Of the ten locations listed in OCLC four libraries including all three Alaska institutions hold only microfilm sets. The University of Washington holds twenty individual issues from 1904 and 1905 NYPL has issues from 1905 Denver Public Library has a single issue from 1905 the American Antiquarian Society holds just the Sept. 25 1900 issue and the Beinecke holds an additional single issue from 1901. A remarkable surviving promotional publication from the Alaskan gold rush. OCLC 22038311 Alaska Forum 1900-1906 ref. unknown books

William Reese Company · États-Unis250,00 $US≈ 211,52 €

Alaska Crippled Children's Association Students of the Shishmaref Day School; Isabelle B. BinghamABAA

Eskimo Cook Book. Prepared By Students of the Shishmaref Day School Shishmaref Alaska

19525333Anchorage: Alaska Crippled Children's Association 1952. Duodecimo-size stapled booklet 13.25 x 10.5 cm. ii 1-36 ii pages. Illustrated. Table of contents. Title from cover. Publisher from page i and date of publication from page ii. ~ Second printing. Now with changes in pagination; the "Consent to Print" is on the verso of the title page and the rear contains an order form and advertisements for additional items for sale. The artwork also drawn by "R. Seetomona" depicts the same image of a young woman sitting near a stove but the stylized lettering with title letters formed from images of fish or seal drying on a line is clearer and a bit more complex the young woman's haircut is longer and parted in the middle and the pot on the stove has five heat lines instead of six. All other issues of this work we have examined have had this artwork and have been printed in black on colored wrappers. And all other issues contain an order form in various configurations as well as lists of other items for sale. ~ Eighty attributed recipes gathered from Inupiaq students participating in a school project and electing "to share the profits with the Alaska Crippled Children's Association" page ii. In some cases latitude is required to explain the lack of detail in recipes contributed by children for example: "Owl. Take feathers off from owl. Clean owl and put in cooking pot. Have lots of water in pot. Add salt to taste." But in other cases details are generously given as in the caution provided for Willow Meats with seal oil: "Never eat green stuff on willows" and in another when preparing mouseleaves Pick'Nick: "Maybe the white men don't like them." Other delicacies: Mazue Root Eskimo potato Eskimo Ice cream with reindeer tallow Baked Seal Liver Walrus Stew Oogruk i.e. bearded seal Intestine Soup and Seal Flippers. A cooperative venture between the public Day School in Shishmaref in the far north-on Sarichef Island north of the Bering Strait-and the Alaska Crippled Children's Association founded by a women's organization in Anchorage to fund orthopedic care for some twelve hundred children in Alaska then in dire need. Isabelle B. Bingham b. 1900 and her husband Herbert C. Bingham 1893-1965 were Alaska Native Service schoolteachers who taught in Shishmaref between 1948 and 1956. In 2002 fearing that life would no longer be possible on Sarichef owing to the effects of global climate change the inhabitants of Shishmaref voted in referendum to relocate. But moving a village of five hundred has proved daunting and most residents as well as the school remain on the island as of this writing. In stapled black-decorated terra cotta wrappers; upper stained at back corners chip to lower right corner; rear panel with closed tear. Good. OCLC locates numerous copies some miscredited to the teacher who penned the introductory note; a presumed second edition 1960 and third 1972 are documented; Brown 11 undated; not in Cagle. Alaska Crippled Children's Association unknown books

Rabelais - Fine Books on Food & Drink · États-Unis60,00 $US≈ 50,77 €

Alaska Keith Harold C.ABAA

Being the Diary of a Hunting Trip in the Interior of Alaska in the Summer of 1930. Printed Privately as a Matter of Record for the Members of the Party

1931313016Brockton Mass: Harold C. Keith 1931. First edition. Illustrated with photographs. Text in two columns. 28 pp. 1 vols. 10-1/4 x 7 inches. Wood grain wrappers with pictorial onlay text gathered with cord. Cover onlay creased with a few old tape ghosts ink notation to front blank Goodspeed sales receipt 1957 bookplate of Stephen Ellsworth Clow and Ruth Hazen Clow. Green half morocco slipcase and chemise. First edition. Illustrated with photographs. Text in two columns. 28 pp. 1 vols. 10-1/4 x 7 inches. ONLY COPY. Well written and nicely illustrated privately printed account of an Alaska hunting expedition. The party of four organized by H. Wendell Endicott comprised Endicott George Perry Latham Reed and Harold C. Keith whose diary for 14 August to 7 October 1930 is printed here. Latham Reed Sr. and Gen. R. E. Wood joined the party for the first stage of the journey to Big Delta. The hunting began on 24 August when a herd of caribou passed across the road in front of their car. Mr. Collins assistant district attorney at Fairbanks" stepped out and showed us how to shoot by dropping a big caribou on the first shot." Twenty-one miles up the road from Big Delta the party left Mr. Collins' car and joined their crew of 8 and 24 horses and began their trip. They hunted bear and moose and caribou and sheep near the Gerstle River and Elting Creek and Jarvis encountered heavy snow saw the northern lights and completed a large loop back to Twenty-Six Mile Cabin during their stay. Endicott 1880-1954 was author of Adventures with Rod and Harpoon in the Florida Keys. Harold C. Keith Amherst class of 1908 and Endicott were both shoe manufacturers in Massachusetts. Keith was president of the George E. Keith Co. in Brockton The only other copy of this book recorded is a photocopy in the Candace Waugaman Collection at the Rasmuson Library University of Alaska Fairbanks RARE. Not in OCLC not in Heller Biscotti Harold C. Keith unknown books

James Cummins Bookseller · États-Unis10 000,00 $US≈ 8 461,00 €

Alaska Photographica: Early Film PhotographyABAA

ARCHIVE OF EARLY FILM PHOTOGRAPHS RETAINED BY GUERNEY HAYS A CINEMA SET AND LIGHTING SPECIALIST FROM OREGON WITH MANY PHOTOGRAPHS FROM THE SET OF The Chechahcos A 1924 AMERICAN SILENT FILM SET DURING THE KLONDIKE GOLD RUSH AND THE FIRST FILM SHOT IN ALASKA

1930WRCAM56103Various locations in Oregon and Alaska 1930. Approximately 325 photographs twenty postcards and real photo postcards a linen- backed map of Alaska and a few assorted ephemeral items all housed in a contemporary leather satchel. Generally minor wear some chipping to about twenty photographs. Overall very good. A treasure house of silent cinema photography from the Pacific Northwest and Alaska featuring over 300 images from THE CHECHAHCOS and other films produced in the orbit of the film's director Lewis H. Moomaw all retained by one of his crewmen Guerney William Hays. THE CHECHAHCOS released in 1924 was the first feature film shot in Alaska. "Cheechako" is a native word referring to a "greenhorn" or someone newly arrived in the mining districts of Alaska or northwestern Canada. A melodramatic tale of the Klondike Gold Rush the was directed by Lewis H. Moomaw of the Alaska Moving Pictures Corporation. The story was based in part on the experiences of the film's producer Austin E. Lathrop known as "Alaska's first home-grown millionaire." The film has been preserved in the National Film Registry and can easily be viewed on the internet. Offered here is a large collection of photographs and other ephemera once belonging to a CHECHAHCOS crew member named Guerney William Hays 1880-1952 including film stills snapshots from the set and other images of Alaska scenery. Many of the images match up with scenes from the completed film. The subject matter includes all that might be expected from a film produced in and about Alaska: glaciers dogsleds saloons archvillains and damsels in distress along with shots of the crew and technology that made the film possible. The largest and most professionally-produced photographs in the collection are eighty 8-x- 10-inch prints almost all of them clearly from the CHECHAHCOS shoot with twenty-one stamped on the verso by the Alaska Moving Pictures Corporation and with either a printed or manuscript title written along with the stamp reading "The Chechakos" the spelling of which was later tweaked to its release title. One of the stills shows the entire company of the Alaska Moving Pictures Corporation about 150 people in the snow beside their Pullman cars; two banners for the film company hang outside the rail cars. A separate shot of the film company shows their train at the entrance to McKinley Park with a banner hanging on the train reading "Private Car Alaska Moving Pictures Corporation Entrance to McKinley Park on the Alaska Railroad." Other stills show scenes from the film shots of the cast and crew preparing to start scenes posed scenes clearly intended for use as publicity stills cast group pictures behind-the-scenes shots of the cameramen and other crew with various equipment photographs of empty interiors perhaps to be used for continuity a few featuring the dog sled teams and more. In addition to documenting the production these images also present a rare view of Alaska in the early-20th century. The remaining 240 images most of which measure approximately 3 x 5 inches were likely not formally produced by the film company for use as publicity but are in fact production photographs and still stand as valuable visual documentation of the early filmmaking process. While some of these photos are more of the vernacular sort the great majority of the images show a mixture of preproduction production and set-related photographs from the film company's time in Alaska shooting THE CHECHAHCOS and from other production's attached to the career of Lewis H. Moomaw the film's director. A great number of these images were likely produced as working production photographs - executed for the use of the company during the shooting process scouting for locations documenting costumes set continuity set construction what might today be called craft services suggesting or documenting potential camera set-ups or as studies for potential publicity stills and more. While not created as traditional publicity products these images capture the early filmmaking process both in front of and behind the camera presenting a quite uncommon slice of film production history. The fact that they were produced during the production of a film in Alaska make them an even more valuable source of information on the filmmaking process in the 1920s in a most unusual place. Production stills are produced in very small quantities compared to publicity stills are often unique or close to unique records of a production have a much lower survival rate and are keenly sought after as historical records of the filmmaking process. One of the few captioned photographs shows four wives of the CHECHAHCOS cast and crew on a fishing expedition including Moomaw's wife and Mrs. Guerney Hays. A few other photographs show an actress posing with crude dummies that were apparently about to be sent to their doom in a canoe scene in the Alaskan wilderness. Other production photographs from Alaska feature scenes on glaciers one of which shows the exact spot from a moment in the opening minute of the film a young girl with a giant Alaskan crab who is also pictured in the larger professional images and is in the film film crews poised on icy ground dog sled teams identified locations in Skagway and more. One of the other films pictured here is likely CALL OF THE ROCKIES 1929. This western was filmed in Oregon the usual home of the filmmakers involved in the Alaska Moving Pictures Corporation with Moomaw as supervising producer. CALL OF THE ROCKIES was directed by Raymond K. Johnson one of the cinematographers on THE CHECHAHCOS and features two actors identified in pencil captions on the verso of photographs present here: Russell Simpson and Jim Mason. There are numerous photographs featuring a western wagon train and other images of the traditional western which either appeared in CALL OF THE ROCKIES or perhaps one of Moomaw's other films produced in Oregon in the 1920s - UNDER THE ROUGE 1925 or FLAMES 1926 the latter of which climaxed in a raging forest fire and featured an early screen appearance by Boris Karloff. All of the postcards feature Alaskan scenes or subjects and were most likely acquired while the film company was shooting in Alaska or produced for them while they were there. This is the case for at least one of the postcards - a Christmas greeting with the banner at bottom reading "Compliments of the Alaska Moving Pictures Corporation." The final item of note here is a folding linen- backed map of Alaska issued by the Alaska Steamship Company. The map measures about 21 x 30 inches and was issued in 1917. It was almost certainly taken along to Alaska by Hays for the filming of THE CHECHAHCOS linen- backed either before-hand or while in Alaska to prevent damage from over-use. The entire collection of photographs and ephemera is housed in a period leather satchel. These photographs were collected and retained by Guerney or Gernie William Hays 1880-1952 who spent a career in the early film industry mostly in Oregon. Some pieces of ephemera bear his name and some of the larger stills are annotated "Hays" on the verso. His 1918 draft registration lists him as a motion picture operator in Portland and his obituary lists him as a member of the International Alliance of Stage Employees. His only film credit in the Internet Movie Database is for THE CHECHAHCOS for which he is credited with "sets and lighting" and also an uncredited supporting role on screen. One of the larger-format photographs features a crew member in a cramped equipment room with dozens of lights and mounds of cables; this is almost certainly Hays himself or perhaps one of his assistants. One of the photo developer's envelopes bears the name of Hobart H. Brownell the cinematographer of THE CHECHAHCOS. Two of the photographs here are inscribed to Hays - one from the actor Bert Sprotte in 1919 and the other from banjo player Eddie Peabody who has inscribed his portrait to Hays writing that "No finer stage manager I ever worked with." Another photograph shows Peabody's elaborate stage show. THE CHECHAHCOS remains an important early film for its authentic depiction of Alaskan life. Movies about the great white north were popular with early film audiences but were usually filmed in California. When Lewis H. Moomaw proposed to shoot a film entirely in Alaska about the days of the Klondike Gold Rush in the territory locals in Alaska jumped at the chance to find him funding. Upon arrival in Anchorage fully half of the town showed up to greet the film company. The cast and crew would spend three months filming in and around Anchorage the small mining town of Girdwood on Childs Glacier Abercrombie Rapids and Eyak Lake. The film premiered in the Empress Theatre in Anchorage on December 11 1923 and played to packed houses across Alaska the next year. Sadly the film never found a large audience in the continental United States playing occasionally over the next two years before falling into obscurity. The film was essentially lost until the year 2000 when a print was restored by archivists at the University of Alaska Fairbanks. Three years later the film was selected for preservation by the National Film Registry. The Library of Congress's press release when they selected THE CHECHAHCOS to the National Film Registry describes the film as such: "This independent regional film was the first feature film produced in Alaska and is renowned for its spectacular location footage of the lonely and unfathomable Alaskan wilderness frenzied dogsled pursuits and life-and-death struggles on the glaciers." A wonderful collection of great historical interest for early film scholars and of the history of Alaskan cinema. hardcover books

William Reese Company · États-Unis14 500,00 $US≈ 12 268,45 €

Alaska

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