234 résultats
194414708JNew York: Simon & Schuster 1944. Two copies of this book one belonging to Fredric March and the other to his wife Florence Eldridge. The poem was written during World War II and was presented in adapted dramatic form several times over the NBC radio network. The copy belonging to Fredric March is a second printing and is signed by him in pencil on the flyleaf - Fredric March November 1944. With some pencil notes by him referring to the text. At a later date the author has inscribed the book to his friend - For Fred March - Concerning whose reading of this poem words fail me - Russell Davenport. On the death of President Franklin Roosevelt in April 1945 the NBC Radio Network had March give a dramatic reading of the poem as part of its tribute to the fallen wartime President. The first printing copy belonging to Florence Eldridge is heavily annotated by her in pencil for an earlier radio reading in which she acted. Her copy is a first printing and inscribed by the author - For Florence Affectionately Russell Nov 30 / 44 And don’t for Dec 11!. There is an Autograph Letter Signed by Russell Davenport to Eldridge taped to the front pastedown tape browned dated December 12 1944 written after her radio reading - Dear Florence- This is just a little note wholly inadequate to express my appreciation for all your effort and care in the reading of My Country. You gave a superb performance. If there is ever anything that an unlikely scrivener can do in return you know where to come. Let me see you soon. Affectionately Russ. Both books are enclosed together in a custom clamshell box. Russell Davenport 1899-1954 was a very interesting man and close friend of the Marchs. As Wikipedia notes he “.served with the U.S. Army in World War I and received the Croix de Guerre. He enrolled at Yale University and graduated in 1923 where he was classmate of Henry Luce and Briton Hadden who founded Time magazine. While at Yale he became a member of the secret society Skull and Bones. In 1929 he married the writer Marcia Davenport; they divorced in 1944. He joined the editorial staff of Fortune magazine in 1930 and became managing editor in 1937. At age forty-one he turned to politics and became a personal and political advisor to Wendell Willkie. Willkie was the Republican nominee for the 1940 presidential election and lost the election to Franklin D. Roosevelt. After Willkie's death in 1944 Davenport became a defacto leader of the internationalist Republicans. Following World War II he was on the staff of Life and Time until 1952.†Simon & Schuster unknown books
1947145972Universal City: Universal International Pictures 1947. Revised First Draft script for the 1948 film. With faint holograph pencil annotations and watermarked CONTRACT FILE COPY throughout.<br/><br/>Based on the 1946 Broadway play and a prequel to the 1941 film "The Little Foxes." In the fictional town of Bowden Alabama the wealthy Hubbard family holds onto their old-South prominence and prestige through exploitation and cruelty. A searing portrayal of racism and class privilege in the post-Civil War American South.<br/><br/>Set in Alabama. <br/><br/>Green titled wrappers noted as REVISED FIRST DRAFT on the front wrapper rubber-stamped production No. 7494 dated June 9 1947 with credits for screenwriter Vladimir Pozner. Title page integral to the front wrapper. 178 leaves with last page of text numbered 169. Carbon typescript on onionskin stock rectos only. Pages Very Good plus wrapper Very Good plus with light foxing to the left edge bound with three gold brads. Universal International Pictures unknown books
1928105118New York: Covici-Friede 1928. First Edition. First Edition.<br/><br/>Basis for the seminal 1949 film noir directed by Robert Wise and starring Robert Wise and Audrey Totter. An epic poem about an aging African-American boxer extremely popular on its release resulting in a number of later printings. While the poem's ominous mood was maintained in the film its racial issues were replaced with a complex psychological study more consistent with the noir style. <br/><br/>Very Good plus in a Very Good dust jacket. Slight spine lean with two small taps along the top board edges. Jacket is faded along the spine with two small closed tears to the front hinge. Covici-Friede unknown books
1966List1023New York Taken in Mississippi: Associated Press 1966. First. Silver gelatin wire photographs most 8x10 inches. Editorial marks to versos else about fine near fine condition overall. Near Fine. An uncommon collection of photographs documenting the March Against Fear in several cities in Mississippi in June 1966 including several photographs of the tear gas attacks by the Mississippi Highway Patrol in Canton. Photographs from earlier in the march show marchers and belligerent protesters lining the streets. In the latter section particularly in Philadelphia and Canton the governor's promise to protect the marchers disintegrated at the hands of the Mississippi Highway Patrol National Guard and local police James Meredith was of course shot earlier in the parade - no photos of the shooting are included here. The marchers succeeded in registering over 4000 voters despite enduring a wide range of abuse from authorities and bystanders. Associated Press unknown books
1928008397Covici Friede 1928. Book. Fine. Cloth. First Edition. 8vo - over 7¾" - 9¾" tall. Fine copy in near fine jacket first Edition.$2.00 on flap.Small loss at Crown & Heel of jacket.Epic Poem on Boxing.Very Scarce. Covici Friede Hardcover books
194119801ENew York & Los Angeles: Whittlesey House / Warner Bros 1941. Later printing. Signed by thirty members of the cast and crew for the Oscar nominated film One Foot in Heaven to the young actress Carlotta Jelm who played the character Eileen Spence the daughter of William and Hope Spence played by Frederic March and Martha Scott in the film and whose signed inscriptions read: “All happiness to Carlotta Frederic March.†and “To my daughter Eileen - my best wishes always Martha Scott.†The book is also signed by Norman Vincent Peale who served as a technical advisor for the film “To Carlotta with best wishes Norman Vincent Peale.†With signatures of director Irving Rapper cinematographer Charles Rosher assistant director Jesse Hibbs Peter Caldwell who played her brother “It was good being your brother Peter Caldwell.†and others. Near fine copy with a trace of use in a very good lightly used and dust soiled dust jacket with thin tape repaired splits to the spine folds and a few small chips and tears. With four production stills: two of Frederic March and Martha Scott on their wedding day posed in front of an oversized prop of the book; one of Fredric March Martha Scott Carlotta Jelm and Peter Caldwell the young actor playing the son and the book’s author Hartzell Spence all posed as if for a formal family portrait and one of Frederic March and Peter Caldwell sitting in an audience as March gives the boy a stern look. All stills are in fine condition and three have binder punch holes. The book and film tell the true story of a happy family headed by a warm and dedicated pastor who with his wife and children moved from one parish to another serving each community with dedication wisdom and humor. The fil also starred Beulah Bondi as a wealthy member of his congregation Gene Lockhart as a member whose wife sings poorly in the choir Grant Mitchell as the architect of the church improvements and a skeptic played by Jerome Cowan. Whittlesey House / Warner Bros unknown books
195838022New York: John Wiley & Sons 1958. First edition of this classic in management science. Octavo original cloth. From the library of Nobel Prize-winning economist John Harsanyi with his signature on the front free endpaper . 'Outside the Carnegie group we should like to acknowledge especially our many hours of fruitful work and discussion with Robert A. Dahl on the subject of influence measurement and the help and guidance that John C. Harsanyi provided for our treatment of the relation between game theory and other theories of conflict' p. vi. 'Simon was attracted to the exciting intellectual environment emerging at the Carnegie Institute of Technology in Pittsburgh. After moving to Carnegie in 1949 Simon stayed there for more than five decades. At Carnegie Simon collaborated on work that established the field of organization theory. The founding work was a major study done with James G. March published as Organizations. The book continued the argument that decision makers are not able to act in an objectively rational manner; rather they are constrained by both cognitive and external limitations. So instead of assuming that each decision maker scans all possible alternatives and chooses the one that maximizes expected utility Simon argued that decision makers instead use 'satisficing' as a criterion for making decisions; they choose the first alternative that looks 'good enough.' March and Simon wrote in Organizations 'Most human decision making whether individual or organizational is concerned with the discovery and selection of satisfactory alternatives; only in exceptional cases is it concerned with the discovery and selection of optimal alternatives.' . . . One of Simon's insights was that the observed complexity of human behavior arose from simple and general underlying mechanisms that were applied to a complex task environment. Simon illustrated this with his famous metaphor of 'the ant on the beach.' The ant's goal is to reach some distant food. While the ant's path to the food seems very complex twisting and turning most of the apparent complexity is due to the grains of sand to be traversed. The complexity of the environment rather than the complexity of mechanism within the decision maker gives rise to the observed behavior. 'In solving problems' March and Simon wrote 'human thinking is governed by programs that organize myriads of simple information processes - or symbolic manipulating processes if you like - into orderly complex sequences that are responsive to and adaptive to the task environment and the clues that are extracted from that environment as the sequences unfold' ' Mie Augier & Edward Feigenbaum 'Herbert A. Simon: 15 June 1916 - 9 February 2001' Biographical Memoirs Proceedings of the American Philosophical Society Vol. 147 No. 2 June 2003 pp. 196-7. Fine in a near fine dust jacket. Rare and desirable with a noted provenance. John Wiley & Sons hardcover books
1963List919Washington 1963. First Edition. Paper pennant measuring 10 1/16 × 16 7/16 inches. Tip detached and toned but easily restorable some wear and small amount of loss at shortest side very good minus condition overall. Very Good. One of only a few known copies of this American flag-themed pennant from the March on Washington notable for its incorporation of the American flag motif. Adaptations of the flag design were common in political graphics of the nineteenth century though the tradition dwindled in the twentieth century. The forty three stars shown appear to have no significance nor do the seventeen stripes. As many of the items created for the March on Washington were made by different groups attending the event most ephemeral items do not survive in any quantity. This pennant is featured in "For Whom it Stands: The Flag and the American People" by Michelle Joan Wilkerson 2015 Reginald F. Lewis Museum for Maryland African American History and Culture p. 22 and 61 and a copy is held at the National Museum of African-American Culture. unknown books
1963List918Washington 1963. Felt pennant measuring 11 ½ x 23 inches. A particularly fine example with two small chips to white felt at border and slightest rubbing to the "f" in "for all" else fine. Fine. A striking large and apparently unrecorded pennant from the 1963 March on Washington with Lincoln's profile under the Capitol dome and the caption "Let's All Join for Equality Now For All Americans / They Shall Not Have Died in Vain."Various banners were produced for the event we find a single record Swann Galleries African-Americana sale 2562 lot 163 of this particular version which is larger than any others and to our knowledge the only one with Lincoln's likeness. unknown books