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ACADEMIE ROYALE DE CHIRURGIE, PARISBiblio.com

Mémoires de l'Académie Royale de Chirurgie. Tome Quinzieme

Basset - Chez Basset, Rue St Jacques 64, A ParisBiblio.com

VUE DES CÔTES D'ECOSSE Vue Optique/Optical or Perspective View View of the Coasts of Scotland

1800114423A Paris: chez Basset rue St Jacques 64. Very Good- with no dust jacket. 1800. Unknown. Softcover. Hand coloured engraving. Image VG - blank margins have a some faults. NO date but possibly between 1780/1840 likely a later impression of a late 18th Century print . Light printing impression surrounding the print. 'Sarasin P.' on the left hand side the Artist under the image and 'la chaussee Sculp' on the right hand side. Additional printed caption "VUE DES CÔTES D'ECOSSE" inverted mirror image on the upper margin. Paper very lightly marked and quite creased and 'rolled' to the edges with some closed tears - no loss neatly repaired with archive tape to the reverse to those broad blank margins otherwise a very good engraving. This interesting view of the coast prepared for a 'peep box' represents a mountainous and stormy sea shore in apparently Scotland. A small village is shown on the shore and near the top of the mountain with fishing boats and nets in the sea. "Vue Optique or perspective view refers to a genre of etching popular during the second half of the 18th century and into the 19th. Such 'Vues' were specifically developed to provide the illusion of depth when viewed through a zograscope also known as an "optical diagonal machine" or viewers with similar functions. Optical viewers were generally popular with well-to-do European families in the late 18th and early 19th centuries. What makes this particular image even more interesting is that I have found for sale by another dealer an ALMOST identical view BUT entitled 'Vue des Côtes de SIBERIE' View of the Coasts of Siberia there are some differences but the basic layout is the same but that print was published in Paris by Laurent Pierre La Chaussée but also undated. I am unable to ascertain the chronology of these two prints and whether one might be a 'pirated' version . THIS print has the Publisher as 'A Paris chez Basset rue St Jacques 64' at the left hand side by the outer bottom print impression line. Other than those mentioned above there are no other publication details or text on this print. Paul Andre Basset was a Paris print publisher printseller wallpaper manufacturer and the son of André Basset. He married in 1787 and was very active during the revolutionary period. He was situated in Paris at rue Saint Jacques no.64 where his firm remained until at least 1885. The Image alone without the broad borders measures approx 15.5" x 10.0" 39.3 cm x 25.5 cm . See Images ; Oblong Folio 13" - 23" tall . chez Basset, rue St Jacques 64, paperback

Sue Lloyd-Davies Books · Royaume-Uni75,00 £GB≈ 85,64 €

Riqueti de Mirabeau, Honore-Gabriel (Le Bignon-Mirabeau 1749 - Paris 1791)Biblio.com

ÉLÉGIES DE TIBULLE. PAR MIRABEAU. avec quatorze figures. TOME PREMIER. continua in ÉLÉGIES DE TIBULLE SUIVIES DE BAISERS DE JEAN SECOND. PAR MIRABEAU. avec quatorze figures. TOME SECOND. continua in TIBULLE SUIVI DES CONTES ET NOUVELLES. PAR MIRABEAU. avec figures. TOME TROISIEME. A PARIS RUE S. ANDRÈ-DES-ARTS N°46. AN VI - 1798. al colophon del tomo secondo: A ANGERS De l'Imprimerie de JAHYER et GESLIN rue Milton. L'an 3 de l'Ère Républicaine 1795.

17958233Paris: Jahyer et Geslin 1795-1798. Lievi sbucciature sui dorsi complessivamente ben conservato; leggera gora sull'ultima carta del tomo secondo e sulla tavola all'antiporta del tomo terzo della suite dedicata alle Elegie lieve gora sull'angolo della segnatura â€œeâ€ del tomo terzo; una tavola del tomo secondo slegata ma presente. Tre volumi opera completa in mezza pelle ottocentesca con titoli dorati e falsi nervi sul dorso sbucciature 8vo cm13x21.5 pp 4 XX 375 1 4 593 1 4 388; complessive 15 tavole. Segnatura: 2 a10 A-Z8 Aa4 2 A-Z8 Aa8 Bb2 Cc4 C4 bianca e incollata alla sguardia 3 a-z8 aa2 bb8. Lievi sbucciature sui dorsi complessivamente ben conservato; leggera gora sull'ultima carta del tomo secondo e sulla tavola all'antiporta del tomo terzo della suite dedicata alle Elegie lieve gora sull'angolo della segnatura â€œeâ€ del tomo terzo; una tavola del tomo secondo slegata ma presente. Elegie di Tibullo con traduzione di Mirabeau a fronte; seguono la versione anch'essa con testo a fronte del Liber Basiorum di Jean Second Jan Everaerts e alcune novelle di argomento mitologico. La traduzione del Livre de Baisers fu composta da Mirabeau durante la prigionia a Vincennes e dedicata all'amante Sophie de Ruffey il cui nome Ã¨ sostituito nel testo a quello di Neera â€œparce qu'il m'eÃ»t Ã©tÃ© impossible d'adresser Ã une autre qu'Ã Sophie des choses si tendresâ€; qui pubblicata per la prima volta e imprimÃ©e sur l'original Ã©crit de la main de Sophie questa raccolta di 19 basia piÃ¹ Un bacio Ã¨ poco di Guarini anch'esso liberamente tradotto a fronte Ã¨ adorna del noto ritratto di Sophie col motto In Bel Corpo anima bella inciso da Jean-Louis Delignon su disegno di Antoine Borel. L'apparato iconografico Ã¨ quasi interamente firmato da Borel ed Ã¨ composto dai ritratti di Sophie e di Mirabeau quest'ultimo inciso da Etienne Claude Voysard e da dodici tavole incise da FranÃ§ois-Rolland Elluin per le elegie di Tibullo; un'ulteriore quindicesima tavola Ã¨ dedicata alla traduzione de La rete di Vulcano overo gli amori di Marte et di Venere di Ferrante Pallavicino che apre il terzo volume disegnata da ClÃ©ment-Pierre Mariller e incisa da Jean Baptiste Michel DuprÃ©el. Qualche dubbio nelle bibliografie sulla datazione di quest'opera presumibilmente completata fra il 1795 e il 1798 e qui offerta nella variante con frontespizio con la data posteriore AN VI 1798 nonostante il colophon del tomo II porti la data AN 3 1795. Cohen-Ricci II 993; Graesse VII 159 Jahyer et Geslin unknown

Libreria antiquaria Dedalo M. Bosio · Italie209,00 €

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