Paris, PaulinBiblio.com
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1885LCB64836Paris: Léon Techener. 1885. Hardcover. Very Good in No Dust Jacket dust jacket. Original red cloth. Decorated endpapers. Top edge gilt. Some foxing to front endpapers. Occasional small annotations in pencil. Slight wear to spine covers & corners. Some soiling to covers & spine. ; ix 251 4 pages . Léon Techener hardcover
183563970<p>aquatint RARE beautiful early view of Mauritius from 'Voyage Autour du Monde par les Mers de l'Inde et de la Chine de La Corvette de Sa Majesté La Favorite exécuté pendant les années 1830 1831 1832 pl. 9 sketched by Francois-Edmond Paris engraved by Sigismond Himely and under the direction of Louis Auguste de Sainson with Arthus Bertrand editeur. "La Favorite" was one of several ships sent out by the France in the 1820/1830s to compete with similar expeditions by other countries. These were voyages with political/territorial objectives via commercial diplomatic scientific and artistic means intending to expand French influence particularly in Southeast Asia to counter British interests. Barthelemy Lauvergne 1805-1871 was a French painter maritime and landscape artist active in the mid 19th C. He accompanied the French naval officer Jules Sebastien Cesar Dumont d'Urville 1790-1842 onboard the L'Astrolabe 1826-1829 Cyrille Pierre Theodore Laplace 1793-1875 on La Favorite 1830-1832 and Auguste-Nicolas Vaillant 1793-1858 on La Bonite 1836-1837. Sigismond Himely 1801-1872 was a mid 19th C. Swiss painter viewmaker acquaint engraver active in Paris known for his excellent aquatints. Louis Auguste de Sainson 1800-1877 was a French artist lithographer and engraver. He worked as a draughtsman on the Astrolabe in its circumnavigation of the globe in 1826-1829 and then spent almost 5 years to create the prints for the publication of its expedition narrative. Reference: Sabin 38985 Bosch 405 Borba de Moraes 458 Hill Coll. 175 Ferguson 1669 Cordier BS 2110 Nissen ZBI 2383. Condition: minor foxing on margins not affecting plate blind stamp at bottom of plate.</p> Libraire de la Société de Géographie in Paris.
188363199<p>steel engraving. RARE view from 'Album pittoresque d'un voyage autour du monde exécuté par ordre du gouvernement français…' <em>Picturesque Album of a Voyage Around the World Executed by Order of the French Government.</em> Gravures dessinées par L'Amiral Paris. Engravings drawn by Admiral Paris.</p><p>The circumnavigation by Admiral Paris in the 'Artémis' took place between 1837 and 1840. The engravings from the original drawings after Laplace and others include a wonderful view of Manila a picturesque Honolulu a chillingly grim view of the penal colony at Port Arthur Van Diemen's Land /Tasmania; and the 'Artémis' run aground at Papeete Tahiti; The introductory text by Henricy places each engraving in the context of the route taken by the 'Artémis' which visited Sydney as well as Hobart. A luxurious large paper reissue of the finely engraved illustrations originally published in the Laplace edition of 1841. Forbes writes: "This is a deluxe limited edition evidently assembled with the aid of Edmond Paris who had become a distinguished admiral. Some authorities consider the plates better printed in this edition than in the Laplace text. It has always been a very difficult work to obtain and is found in surprisingly few collections of Pacific voyages". Condition: cleaned large paper wide margins very good condition. Reference: Forbes 3535; du Rietz 553; Not in Hill book only</p> Admiral Paris (Imprimerie de Ch. Noblet), Paris.
188363200<p>steel engraving. RARE view from 'Album pittoresque d'un voyage autour du monde exécuté par ordre du gouvernement français…' published by Admiral Paris Imprimerie de Ch. Noblet Paris. Picturesque Album of a Voyage Around the World Executed by Order of the French Government. Gravures dessinées par L'Amiral Paris.Engravings drawn by Admiral Paris. The circumnavigation by Admiral Paris in the 'Artémis' took place between 1837 and 1840. The engravings from the original drawings after Laplace and others include a wonderful view of Manila a picturesque Honolulu a chillingly grim view of the penal colony at Port Arthur Van Diemen's Land /Tasmania; and the 'Artémis' run aground at Papeete Tahiti; The introductory text by Henricy places each engraving in the context of the route taken by the 'Artémis' which visited Sydney as well as Hobart. A luxurious large paper reissue of the finely engraved illustrations originally published in the Laplace edition of 1841. Forbes writes: "This is a deluxe limited edition evidently assembled with the aid of Edmond Paris who had become a distinguished admiral. Some authorities consider the plates better printed in this edition than in the Laplace text. It has always been a very difficult work to obtain and is found in surprisingly few collections of Pacific voyages". Condition: cleaned large paper wide margins very good condition. Reference: Forbes 3535; du Rietz 553; Not in Hill book only</p> Admiral Paris (Imprimerie de Ch. Noblet), Paris.
185077573Uten sted. Hildburghausen. Uten år. Ca 1850. Folio. Hvert blad : 36 cm X 45 cm. Verlag vom Bibliographischen Institut. Tysk. <br/><br/><em>Fra Meyers Grosser Zeitungs-Atlas. </em> unknown
188363180<p>steel engraving. RARE view from 'Album pittoresque d'un voyage autour du monde exécuté par ordre du gouvernement français…' <em>Picturesque Album of a Voyage Around the World Executed by Order of the French Government.</em> Gravures dessinées par L'Amiral Paris. Engravings drawn by Admiral Paris.</p><p>The circumnavigation by Admiral Paris in the 'Artémis' took place between 1837 and 1840. The engravings from the original drawings after Laplace and others include a wonderful view of Manila a picturesque Honolulu a chillingly grim view of the penal colony at Port Arthur Van Diemen's Land /Tasmania; and the 'Artémis' run aground at Papeete Tahiti; The introductory text by Henricy places each engraving in the context of the route taken by the 'Artémis' which visited Sydney as well as Hobart. A luxurious large paper reissue of the finely engraved illustrations originally published in the Laplace edition of 1841. Forbes writes: "This is a deluxe limited edition evidently assembled with the aid of Edmond Paris who had become a distinguished admiral. Some authorities consider the plates better printed in this edition than in the Laplace text. It has always been a very difficult work to obtain and is found in surprisingly few collections of Pacific voyages". Condition: cleaned large paper wide margins very good condition. Reference: Forbes 3535; du Rietz 553; Not in Hill. book only</p> Admiral Paris (Imprimerie de Ch. Noblet), Paris.
1840114424A Paris: chez Basset rue St Jacques 64. Very Good- with no dust jacket. 1840. Unknown. Softcover. Hand coloured engraving. Image VG - blank margins have a some faults. NO date but possibly between around 1840 and given the 'Dembour et Gangel' note on the print see later likely a later impression of a late 18th Century print . Additional printed caption "VUE DU CHATEAU DE St CLOUD PRES DE PARIS" inverted mirror image on the upper margin. Paper very lightly marked and quite creased and 'rolled' to the edges with quite a lot of closed tears - no loss neatly repaired with archive tape to the reverse to those broad blank margins otherwise a very good engraving. This interesting prospective view most likely prepared for a 'peep box'. "Vue Optique" Vue d'Optique or perspective view/optical view refers to a genre of etching popular during the second half of the 18th century and well into the 19th. Such 'Vues' were specifically developed to provide the illusion of depth when viewed through a zograscope also known as an "optical diagonal machine" or viewers with similar functions. Optical viewers were generally popular with well-to-do European families in the late 18th and early 19th centuries. This print has the Publisher as 'A Paris chez Basset rue St Jacques 64' at the left hand side of the print under the main Title and "Dembour et Gangel editeurs a Metz Moselle. Depose" on the right hand side under the main Title. Other than those mentioned above there are no other publication details or text on this print. Paul Andre Basset was a Paris print publisher printseller wallpaper manufacturer and the son of André Basset. He married in 1787 and was very active during the revolutionary period. He was situated in Paris at rue Saint Jacques no.64 where his firm remained until at least 1885. Dembour and Gangel were also Publishers and Printer manufacturers. Associated from 1840 to 1852. The Image alone without the broad borders measures 15.25" x 9. 85 " 38. 7 cm x 25 cm . See Images ; Oblong Folio 13" - 23" tall . chez Basset, rue St Jacques 64, paperback
188363184<p>steel engraving. RARE view from 'Album pittoresque d'un voyage autour du monde exécuté par ordre du gouvernement français…' <em>Picturesque Album of a Voyage Around the World Executed by Order of the French Government.</em> Gravures dessinées par L'Amiral Paris. Engravings drawn by Admiral Paris.</p><p>The circumnavigation by Admiral Paris in the 'Artémis' took place between 1837 and 1840. The engravings from the original drawings after Laplace and others include a wonderful view of Manila a picturesque Honolulu a chillingly grim view of the penal colony at Port Arthur Van Diemen's Land /Tasmania; and the 'Artémis' run aground at Papeete Tahiti; The introductory text by Henricy places each engraving in the context of the route taken by the 'Artémis' which visited Sydney as well as Hobart. A luxurious large paper reissue of the finely engraved illustrations originally published in the Laplace edition of 1841. Forbes writes: "This is a deluxe limited edition evidently assembled with the aid of Edmond Paris who had become a distinguished admiral. Some authorities consider the plates better printed in this edition than in the Laplace text. It has always been a very difficult work to obtain and is found in surprisingly few collections of Pacific voyages". Condition: cleaned large paper wide margins very good condition. Reference: Forbes 3535; du Rietz 553; Not in Hill book only</p> Admiral Paris (Imprimerie de Ch. Noblet), Paris.
183563963<p>aquatint RARE view from 'Voyage Autour du Monde par les Mers de l'Inde et de la Chine de La Corvette de Sa Majesté La Favorite exécuté pendant les années 1830 1831 1832 pl. 2 sketched by Francois-Edmond Paris engraved by Sigismond Himely and under the direction of Louis Auguste de Sainson with Arthus Bertrand editeur. "La Favorite" was one of several ships sent out by the France in the 1820/1830s to compete with similar expeditions by other countries. These were voyages with political/territorial objectives via commercial diplomatic scientific and artistic means intending to expand French influence particularly in Southeast Asia to counter British interests. Barthelemy Lauvergne 1805-1871 was a French painter maritime and landscape artist active in the mid 19th C. He accompanied the French naval officer Jules Sebastien Cesar Dumont d'Urville 1790-1842 onboard the L'Astrolabe 1826-1829 Cyrille Pierre Theodore Laplace 1793-1875 on La Favorite 1830-1832 and Auguste-Nicolas Vaillant 1793-1858 on La Bonite 1836-1837. Sigismond Himely 1801-1872 was a mid 19th C. Swiss painter viewmaker acquaint engraver active in Paris known for his excellent aquatints. Louis Auguste de Sainson 1800-1877 was a French artist lithographer and engraver. He worked as a draughtsman on the Astrolabe in its circumnavigation of the globe in 1826-1829 and then spent almost 5 years to create the prints for the publication of its expedition narrative. Reference: Sabin 38985 Bosch 405 Borba de Moraes 458 Hill Coll. 175 Ferguson 1669 Cordier BS 2110 Nissen ZBI 2383. Condition: minor foxing on margins not affecting plate.</p> Libraire de la Société de Géographie in Paris.
180329701Paris: Didot 1803. Fine. Didot Paris 1803 40 x 54 cm une feuille Original unshaved full-page etching from the Imperial edition of the Description de l'Égypte or Recueil des observations et recherches faites en Égypte pendant l'expédition française publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand A Collection of the observations and research carried out in Egypt during the French expedition published on the orders of his Majesty the Emperor Napoleon the Great'.Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828 1000 copies were printed and distributed to institutions on vergé paper with an 'Égypte ancienne et moderne' watermark visible when held up to the light. Light marginal spotting not touching image otherwise in very fresh fine condition. An engraving from the Description de l'Egypte one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799 the work is divided into 13 volumes of engravings making up 892 plates of which 72 colored as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The Egyptian campaign' militarily a disaster demonstrates through the engravings of the Description d'Egypte the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte Egyptian Institute who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge the chemist Berthollet the naturalist Geoffroy Saint-Hilaire as well as numerous artists engineers architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants.This edition the so-called Imperial edition of the plates for the Description de l'Egypte was printed in four large formats two of which were specially created for it and christened Moyen-Egypte and Grand-Egypte. A special press was built to print it the process extending over 20 years from 1809 to 1829. The Imperial edition proved so popular that a second edition this time in black and white and without the Egypte ancienne et moderne watermark known as the Royal Edition was published during the Restoration by the printing house of C.-L.-F. Panckoucke Paris.The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon illustrator diplomat collector and later Director of the Musée Napoléon the Louvre. His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte.Denon embarked on this story of archeological exploration at the age of 51 reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte the Natural History Museum's painter H.J. Redouté brother of Pierre-Joseph Redouté author of Roses the mineralogist Dolomiue and the draughtsman Joly Denon then explored the Nile Delta and Lower Egypt. When however he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798 he found himself the only civilian. In the very midst of the battle itself he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed a country that is apart from its name entirely unknown to Europeans and therefore everything was worth describing Voyages dans la Basse et la Haute Egypte pendant les campagnes de Bonaparte en 1798 e Didot unknown
183564004<p>aquatint RARE beautiful view from 'Voyage Autour du Monde par les Mers de l'Inde et de la Chine de La Corvette de Sa Majesté La Favorite exécuté pendant les années 1830 1831 1832 pl. 43 sketched by Francois-Edmond Paris engraved by Sigismond Himely and under the direction of Louis Auguste de Sainson with Arthus Bertrand editeur. "La Favorite" was one of several ships sent out by the France in the 1820/1830s to compete with similar expeditions by other countries. These were voyages with political/territorial objectives via commercial diplomatic scientific and artistic means intending to expand French influence particularly in Southeast Asia to counter British interests. Barthelemy Lauvergne 1805-1871 was a French painter maritime and landscape artist active in the mid 19th C. He accompanied the French naval officer Jules Sebastien Cesar Dumont d'Urville 1790-1842 onboard the L'Astrolabe 1826-1829 Cyrille Pierre Theodore Laplace 1793-1875 on La Favorite 1830-1832 and Auguste-Nicolas Vaillant 1793-1858 on La Bonite 1836-1837. Sigismond Himely 1801-1872 was a mid 19th C. Swiss painter viewmaker acquaint engraver active in Paris known for his excellent aquatints. Louis Auguste de Sainson 1800-1877 was a French artist lithographer and engraver. He worked as a draughtsman on the Astrolabe in its circumnavigation of the globe in 1826-1829 and then spent almost 5 years to create the prints for the publication of its expedition narrative. Reference: Sabin 38985 Bosch 405 Borba de Moraes 458 Hill Coll. 175 Ferguson 1669 Cordier BS 2110 Nissen ZBI 2383. Condition: minor foxing on margins not affecting plate blind stamp at bottom of plate.</p> Libraire de la Société de Géographie in Paris.
183028506London n.d. ca. 1830. Royal8vo. Cont. full cloth. Some tears to back. 30 pp. of text and 15 large steel-engraved views from Paris 3 with a small dampstain in upper margin touching the image. Plates "Drawn by Capt. Batty - Engraved by Edw. Finden." hardcover
186832577Paris France: Me. Boussaton Commissaire-Priseur; M. Durand-Ruel Expert; Hotel Drouot. As New. 1868. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - 3 page catalogue listing 15 paintings by Diaz from a private collection offered at auction at the Hotel Drouot on May 20 1868. Not illustrated. The catalogue was also to serve as the admission ticket for the pre-sale exhibition of the works. Original cover page of catalogue inserted; decorated coverboards. -- with a bonus offer-- . Me. Boussaton, Commissaire-Priseur; M. Durand-Ruel, Expert; Hotel Drouot hardcover
18657751B. G. Teubner. 1865. Hardcover. Very Good. Book has been rebound in brown marbled boards with gilt lettering to spine. Attractive Gilt artwork to spine. Some Edgewear to extremities and rubbing to boards. Pages toned. Some foxing. Former owner's name in ink to titlepage. Attractive copy; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana TEUBNER; 12mo 7" - 7½" tall; 554 pages . B. G. Teubner hardcover
185855118Paris Bertrand 1858. Small folio. Contemp. hcalf. Gilt spine. Gilt lettering. 4100 pp. 12 folded tables 12 folded plates. unknown
183564007<p>aquatint RARE beautiful view from 'Voyage Autour du Monde par les Mers de l'Inde et de la Chine de La Corvette de Sa Majesté La Favorite exécuté pendant les années 1830 1831 1832 pl. 46 sketched by Francois-Edmond Paris engraved by Sigismond Himely and under the direction of Louis Auguste de Sainson with Arthus Bertrand editeur. "La Favorite" was one of several ships sent out by the France in the 1820/1830s to compete with similar expeditions by other countries. These were voyages with political/territorial objectives via commercial diplomatic scientific and artistic means intending to expand French influence particularly in Southeast Asia to counter British interests. Barthelemy Lauvergne 1805-1871 was a French painter maritime and landscape artist active in the mid 19th C. He accompanied the French naval officer Jules Sebastien Cesar Dumont d'Urville 1790-1842 onboard the L'Astrolabe 1826-1829 Cyrille Pierre Theodore Laplace 1793-1875 on La Favorite 1830-1832 and Auguste-Nicolas Vaillant 1793-1858 on La Bonite 1836-1837. Sigismond Himely 1801-1872 was a mid 19th C. Swiss painter viewmaker acquaint engraver active in Paris known for his excellent aquatints. Louis Auguste de Sainson 1800-1877 was a French artist lithographer and engraver. He worked as a draughtsman on the Astrolabe in its circumnavigation of the globe in 1826-1829 and then spent almost 5 years to create the prints for the publication of its expedition narrative. Reference: Sabin 38985 Bosch 405 Borba de Moraes 458 Hill Coll. 175 Ferguson 1669 Cordier BS 2110 Nissen ZBI 2383. Condition: minor foxing on margins not affecting plate blind stamp at bottom of plate.</p> Libraire de la Société de Géographie in Paris.
187543600Paris : Librairie Militaire de J. Dumaine 1875. 225x140mm. broch. Rousseurs petites dchirures au haut et bas du dos autrement bon tat. 600 Librairie Militaire de J. Dumaine unknown
187546182Paris : Librairie Militaire de J. Dumaine 1875. 215x135mm. demi-chagrin rouge titre au dos dor. Rousseurs. Bon tat. 657 Librairie Militaire de J. Dumaine unknown
1896365899USA: Copeland and Day 1896. Copeland and Day 1896 Good/ Printed December 1897. Light age toning to boards light horizontal crease to upper boards solid sewn structure Pages lightly tanned deckled page edges. 10788 pages. Hardcover. Good. Copeland and Day Hardcover
189676936Boston:: Copeland and Day 1896. First edition. publisher's lettered pale blue boards; cloth spine with printed paper labels. Tiny ownership signature and same owner's bookplate; spine and spine label tanned; very slight tanning and use to edges of boards. . 16mo. Printed by John Wilson and Sons Cambridge. Copeland and Day, hardcover
189658078Copeland and Day. Very Good with no dust jacket. 1896. First. Hardcover. Owner name date 1896 on front free-endpaper. Small bookplate to inner pastedown. Beige cloth spine blank paper spine label. Blue/grey paper-covered boards black title. Corners very slight wear. Binding tight and straight inner pages unmarked. ; 8vo 8" - 9" tall; 78 pages . Copeland and Day hardcover
189651014Printed by John Wilson and Son of Cambridge for Copeland and Day of Boston 1896. Hardcover. Cloth over paper boards. Backstrip soiled; one letter of title rubbed on front cover; pages faintly toned; otherwise very good condition. . 78p. Printed by John Wilson and Son of Cambridge for Copeland and Day of Boston hardcover
1805008130London: John Murray 1805. Book. Very Good Plus. Hardcover. Third Edition. Small 8vo. Fold-out letter in facsimile facing page 369 in volume 3. Three frontispiece portrait engravings. Three volumes bound in contemporary mottled calf later 19th c. reback with gilt rules and decorations blind tooled decorations plain brown end papers. Very Good Plus Vols. I and II with volume label missing Vol III label with chip to top corner. Internally clean and bright a very well-bound set. Bonaparte family. John Murray Hardcover
1896198540Paris: Quartier Latin 1896. Paperback. Good Wraps are toned/scuffed/smudged; there are some penciled notes on wraps; textblock edges are lightly toned/scuffed/smudged; interior is clean but does have some toning and occasional scuffing/smudging/foxing; binding is solid. White sewn wraps with illustration and black and red lettering; 28 pp.; richly illustrated. This is the first issue of this important and influential art periodical published by The Association of American Artists in Paris. Original wraps and artist-designed advertisements are bound in. Many well-known and lesser-known contributors of both artwork illustrations essays and poetry by mainly American but also some English contributors. Exceptionally rare in this condition. Contents include "Study of a Girl's Head" a drawing by F.A. Bridgman; "Velasquez" an essay by Wm. M. Chase; 'To Flora" a poem by Wirtos Tod; "Le Soir" a drawing by Henry G. Fangel; "The Picador" an essay written and illustrated by F.D. Marsh; "On a Door in the Latin Quarter" a quatrain by Wm. Theo Peters; "Thoughts on the Salons" an essay by E.E. Pattee; "The Dream" a poem by Mary K. Davey with drawing by H.H. Foley; "The Quat' Z' Arts Ball" a letter written by J.S. Pemberton with illustrations by Lester Ralph; "St. Sulpice" a drawing by F.W. Striebinger; "The Pack-rat" an essay by Ernest Thompson with illustrations by J.P. Pemberton; "The Truth Concerning American Students in Paris" an essay by Samuel P. Kelly; and "The Return of Tannhauser" a drawing by J. S. Gordon. Quartier Latin paperback
183146393London: Henry Colburn and Richard Bentley 1831. Very Good. London: Henry Colburn and Richard Bentley 1831. First Edition. Two octavo volumes; bound in modern brown cloth with gilt stamping to spine; new endpapers; marbled edges; 416; 463pp. Frontis portrait; fold-out facsimile. Light rubbing to edges of boards; bindings sound; ownership stamp to front pastedowns; pages unmarked; a Very Good set. Henry Colburn and Richard Bentley unknown
