75 résultats
1949RO20161375DESCLEE DE BROUWER. 1949. In-8. Cartonné. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 1478 pages - auteur et titre sur piece de titre dorés au dos.. . . . Classification Dewey : 792-Théâtre
1948RO20161377DESCLEE DE BROUWER. 1948. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 1532 pages - auteur et titre sur piece de titre dorés au dos.. . . . Classification Dewey : 792-Théâtre
1945RO30333096Desclée, De Brouwer. 1945. In-12. Relié. Etat passable, Couv. légèrement passée, Dos fané, Papier jauni. 1556 pages. Nombreuses rousseurs. Pièces de titre noire et rouge au dos. Tranche en tête jaune.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
1944RO30333097Desclée, De Brouwer. 1944. In-12. Relié. Etat passable, Tâchée, Dos satisfaisant, Papier jauni. 1532 pages. Nombreuses rousseurs. Pièces de titre noire et rouge au dos. Tranche en tête jaune.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
194824975Desclée de Brouwer 1948 1532 pages in-12. 1948. Reliure éditeur. 1532 pages. Nouvelle traduction française avec remarques et notes par Pierre Messiaen
1964AUB-8442Lausanne, la Guilde du Livre / Desclee de Brouwer 1960. 3 beaux exemplaires reliés, têtes dorées, signets volants, 1273 pages, 1149 p. et 999 pages. Numéroté.
1960866291960 Lausanne, La Gulde du Livre, 1960, 3 volumes in 12, pleine reliure lie-de-vin de l'éditeur, têtes dorées, 1273,1149 et 999 pages.
1967MUSIQUE58511770524Paris, PUF, "que sais-je ?" n° 1287, 1967, 11,5 x 17,5, 128 pages cousues sous couverture souple imprimée. Première édition.
198737169EMI, 1987. 7474638 2 CDs CD
1956015763Paris Imp. Caractères 1956 60 x 40 cm Pas de couverture
1956007872Marseille Nantes 1956 In-4 Agrafé
199532687Portland: Amadeus Press 1995. Hardcover. Stated First Edition First Printing. 5.5 x 8.75in. 581pp. Publisher's cloth boards. FINE/AS NEW in Near Fine dust jacket. The book itself is flawless. The dust jacket shows slight shelf rubbing otherwise remains Fine/As New. As pictured. Amadeus Press hardcover
19745283BBerlin, Merseburger, 1974. Gr.-8°, 100 Seiten, zahlr. Notenbeispiele, 2 Taf., 1 Faks. OKt
19922-0048003808Salabert 1992. Paperback. New. German language. 11.73x8.90x0.31 inches. Salabert paperback
197632688London: Stainer & Bell 1976. Hardcover. First Edition First Printing. 5.5 x 8.75in. 140pp. Publisher's cloth boards. NEAR FINE in Near Fine dust jacket protected in a removable archival cover. The book itself shows the bottom edge slightly shelf rubbed otherwise remains Fine/As New. The dust jacket shows slight shelf rubbing of the edges light sticker burn of the front panel otherwise remains Fine/As New. As pictured. Stainer & Bell hardcover
2000C201258INA/ Radio France 2000. Hardcover Hardcover. Very Good. Octavo. 62pp. Original printed boards. Very good indeed. No dust jacket. Includes 2x CD duree 2hr 25 French text. INA/ Radio France, hardcover
19571021301957 N° 45, Décembre 1957 - Petit In-4, broché, couverture et 4ème de couv. illustrées - Revue mensuelle illustrée - 61 p. - Sommaire en image
19581021331958 N° 48, Mars 1958 - Petit In-4, broché, couverture et 4ème de couv. illustrées - Revue mensuelle illustrée - 61 p. - Sommaire en image
1955RO40232025Aubier - Montaigne. 1955. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 318 pages. Texte en anglais et en français en regard.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
199291318Amati 1992-10-05. Audio CD. Like New. Shrink wrap away from new Please email for photos. Amati unknown
198837196Disques Montaigne, 1988. XX 1111 1 CD CD
1972297234Éditions Musicales Alphonse Leduc Paris 1972. Softcover Großformat Nur A.L. 24.588. Zustand: Keine Beschädigungen keine Eintragungen. Rücken Ecken Kanten sehr gut. Éditions Musicales Alphonse Leduc, Paris, paperback
198713891Paris: Libraire Séguier / Archimbaud / Birr 1987. Used; Like New/Used; Like New. The complete program notes written by Messiaen for a series of performances of Mozart piano concertos by his wife pianist Yvonne Loriod in 1964 which were collected and published more than twenty years later. Signed and inscribed on the half-title verso to Jean-Victor Hocquard French musicologist and the author of the volume's foreword: "à Jean-Victor Hocquard le grand philosoph-musicien qui a écrit sur Mozart les pages les plus belles les plus touchantes et les plus profondes.en souvenir de ces merveilleux concerts d'Yvonne Loriod. et avec toute mon admiration et mes grands amitiés!" "To Jean-Victor Hocquard the great philosopher-musician who has written the most beautiful touching and profound words about Mozart. as a souvenir of these marvelous concerts of Yvonne Loriod. and with all my admiration and best wishes!" 121 pp. 12mo. Softcover. Slight stain to the lower edge of the front cover and the inside front cover and front end paper; otherwise in very good condition. <br>Together with a small newspaper clipping dated September 17 1989 reviewing a broadcast of Mozart piano concertos and mentioning Hocquard and Messiaen's view of the concertos as "instrumental dramas." Libraire Séguier / Archimbaud / Birr paperback books
196633737London: Universal Edition PN 12127 1966. Folio. Original publisher's ivory printed wrappers. 1f. recto title verso copyright 3-27 pp. Text in German and English. Verso of lower wrapper dated V May 1966.<br/><br/>Ex libris noted musicologist Stanley Boorman with his signature to corner of upper wrapper. <br/><br/>Wrappers slightly worn and soiled. Annotations in pencil and ink throughout. First Edition later issue. Simeone I/30.<br/><br/>Cantéyodjayâ premiered in Paris at the Concerts du Domaine musical with Yvonne Loriod at the piano on 23 February 1954.<br/><br/>"Messiaen had been thinking about serializing rhythm since the early 1940s and had begun to explore the possibilities in parts of Turangalîla where unpitched percussion patter out sequences of arithmetical values demisemiquaver semiquaver dotted semiquaver quaver etc. representing one two three four units and so on. In Cantéyodjayâ his 12-note rhythmic sets are permutations of values from demisemiquaver one unit of time to crotchet 12 units and in another piano piece - the Mode de valeurs et d'intensités also 1949 composed entirely in the austere three-line style of the earlier work's episode - he applied a similar categorization to loudness and attack." Paul Griffiths in Grove Music Online. Universal Edition [PN 12127] unknown books
194933707Paris: Rouart Lerolle & Cie PN 12356 1949. Folio. Original publisher's light blue printed wrappers with publisher's advertisement to verso of lower. 1f. recto title verso notes on performance 49 pp.<br/><br/>Ex libris noted musicologist Stanley Boorman with his signature to corner of upper wrapper; annotations in pencil throughout.<br/><br/>Wrappers worn and chipped with several small tears; detached. Publisher's handstamps to lower margin of upper wrapper and title. Light uniform browning; corners slightly creased. First Edition. Simeone I/31.<br/><br/>Cinq Rechants premiered in Paris at the Salle Erard in 1949 by Chorale Marcel Couraud.<br/><br/>"The Tristan trilogy of 1945-8 including Turangalîla Harawi and Cinq rechants- is a mirror of divine love. The three compositions are quite separate in most respects but that of subject and there is no narrative continuity in any of them: Messiaen's style effectively precludes such continuity lending itself instead to sectional forms and thereby to fragmented stories. .Cinq rechants more compact than the other two is a succession of verse-refrain forms in which meaningful phrases are delivered in a forest of onomatopoeic noises and freshly imagined choral textures. Neither here nor in Harawi both works have words by the composer is there any explicit mention of God but the love that both celebrate is seen on a cosmic scale. It can be represented in the symphony by gentle caressing gestures and by virtual stasis 'Jardin du sommeil d'amour' but it can be represented too by the energy of strongly pulsed fast rhythm the energy that the work's great central dance 'Joie du sang des étoiles' projects as streaming through the universe." Paul Griffiths in Grove Music Online. Rouart, Lerolle & Cie [PN 12356] unknown books
