40 résultats
19579006658Boosey & Hawkes 1957. paperback. Fine Condition. New Musical Adaptation by Jean Morel and Ignace Strasfogel. English Libretto by Maurice Valency. After the Libretto by Meihac and Halevy. Vocal Score by Julius Burger. Bound in the publisher's original wrappers. <br/><br/> Boosey & Hawkes paperback books
193729213London: Boosey & Co. PN H. 14748 1937. Large octavo. Original publisher's dark ivory wrappers printed in dark brown. 1f. recto title verso introduction i named cast list and act list 4-223 i publisher's catalogue pp. Text in English only.<br/><br/>Named cast includes Enid Cruickshank Nancy Neale Bruce Carfax Eddie GarrW. S. Percy Peter Owen Richard Goolden Clifton Boyne Darroll Richards Norah Colton Hazel Jennings Molly Johnson Marjorie Tomlin Patrick Worsley Hilton Porter Arthur Hoskins and Walter Bird.<br/><br/>Wrappers very slightly worn and soiled; small price handstamp to upper corner of upper; spine creased. Former owner's signature and address "Marshall Stone" to upper margin of title; annotation to lower margin of cast leaf in red pencil; lyrics to pp. 133-139 annotated in pencil and red ink. La Grande-Duchesse de Gérolstein to a libretto by Henri Meilhac and Ludovic Halévy was first performed in Paris at the Variétés on April 12 1867. "After the first night Offenbach cut moved or replaced several numbers to strengthen the second half of the piece. The work was written for Hortense Schneider as the Grand-Duchess and José Dupuis as Fritz."<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Boosey & Co. [PN H. 14748] unknown books
196328775n.p.: Galliard PN 18682R 1963. Folio. Original publisher's white illustrated wrappers printed in red and black with preface to verso of upper. 1f. recto title verso production notes 22 pp.<br/><br/>With an autograph letter from Joseph Horovitz addressed to "Colin" regarding the possibility of performing the work in London. Undated. "If you like my adaptation of the enclosed we might indeed join forces one day and mount an evening of Offenbach one-acters."<br/><br/>Upper wrapper stamped "Professional Copy."<br/><br/>Wrappers slightly soiled. Les deux aveugles to a libretto by Moinaux was first performed in Paris at the Bouffes-Parisiens Salle Marigny on July 5 1855.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online<br/><br/>Joseph Horovitz b. 1926 an Austrian-born British composer conductor and pianist was a student of Nadia Boulanger in Paris. "He is a composer of remarkable versatility graceful wit and an enviable ability to communicate whether in his refreshingly light or more serious styles." Ernest Bradbury and Malcolm Miller in Grove Music Online. Galliard [PN 18682R] unknown books
191528807London: J. B. Cramer PN J. B. C. & Co. 11657 1915. Quarto. Red cloth0-backed gray stiff printed wrappers. 1f. recto title verso cast list 1f. recto argument verso contents 315 i publisher's catalogue pp. Text in English and French. Publisher's advertisement to verso of lower wrapper.<br/><br/>Occasional performance markings in pencil.<br/><br/>Titling to spine in black ink; handstamp to upper margin of upper board. Some signatures split; handstamp to upper margin of title. Fifth version.<br/><br/>Les contes d'Hoffmann to a libretto by J. Barbier completed by Guirard was first performed in Paris at the Opéra-Comique on February 10 1881. <br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. His opera Les contes d'Hoffmann has retained a place in the international repertory. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. J. B. Cramer [PN J. B. C. & Co. 11657] unknown books
191029201Berlin: Ed. Bote & G. Bock PN 14613 1910. Large octavo. Disbound. 1f. recto title within decorative border verso blank 3 cast list and contents 4 blank 5-102 pp. Text in German and French.<br/><br/>Remnants of wrapper to spine. Lower outer corner of title lacking. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Ed. Bote & G. Bock [PN 14613] unknown books
195129217New York: G. Schirmer PN 42367 1951. Large octavo. Original publisher's decorative turquoise wrappers. 1f. recto title verso copyright statement 1f. recto cast list verso contents 88 pp.<br/><br/>Wrappers slightly worn. M. Choufleuri restera chez lui to a libretto by Saint-Rémy Duc de Morny L'Epine Crémieux and Halévy was first performed at the Présidence du Corps Législatif on May 31 1861 and at the Bouffes-Parisien on September 14 1861.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. G. Schirmer [PN 42367] unknown books
194729206Paris: Choudens PN A. C. 2692 1947. Large octavo. Original publisher's decorative gray wrappers. 1f. recto title within decorative border verso blank i recto named cast list and contents 2-79 i blank pp.<br/><br/>Named cast includes Théo Dartaux and Daubray.<br/><br/>Short splits to wrappers at joints. Printed from first edition plates. <br/><br/>Pomme d'api to a libretto by Halévy and Busnach was first performed in Paris at the Renaissance on September 4 1873.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens [PN A. C. 2692] unknown books
198529196New York: Belwin-Mills PN A607 1985. Octavo. Original publisher's decorative wrappers printed in colour. 1f. recto title verso copyright statement 2ff. notes synopsis biographical notes 1f. recto cast list and contents verso blank 1 half title 2-49 i blank pp.<br/><br/>Named cast includes Cécile Gregoire Esther Gregoire Adèle Cuinet Daubray and Sanson. A re-issue of the Choudens edition. <br/><br/>Pierrette et Jacquot to a libretto by Noriac and Gille was first performed in Paris at the Bouffes-Parisiens on October 13 1876.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Belwin-Mills [PN A607] unknown books
1985033151Melville NY: Belwin-Mills 1985. Livret de Jules Noriac et Philippe Gille. vii 49p. music stiff wrappers Oeuvres scéniques d'Offenbach A.607. Belwin-Mills unknown books
197028861Berlin: Bote & Bock PN B & B 15516 531 1970. Folio. Original publisher's light gray printed wrappers. 1f. recto title verso copyright statement 1f. recto cast list and orchestration verso contents 230 pp. Text in German and French. Second version. <br/><br/>La vie parisienne to a libretto by Meilhac and Halévy was first performed in Paris at the Palais-Royal on October 31 1866.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Bote & Bock [ PN B & B 15516 (531)] unknown books
195847676London: Hamish Hamilton 1958. First Edition. Alajalov. 8vo pp. vii 136. Notes bibliography. Illustrated wtih reproductions and with drawings by Alajalov. Translated by Lander MacClintock. Red cloth. Donor's presentation or just owner's note on flyleaf. A VG tight copy. Hamish Hamilton unknown books
1957018697Bloomington: Indiana University Press 1957. Translated by Lander McClintock. Drawings by Alajalov. 200p. b/w illus. dj. Indiana University Press unknown books
1957124289Bloomington: Indiana University Press 1957. hardcover. very good/very good. Illustrated. 195pp. 8vo cloth d.w.; dust wrapper price clipped lightly worn. Bloomington: Indiana University Press 1957. A very good copy in a very good dust wrapper.<br/><br/> Indiana University Press unknown books
193029204Paris: Au Menestrel Heugel & Cie. H. 4663 1930. Large octavo. Original publisher's dark ivory wrappers with title within decorative border. 1f. recto title within decorative border verso blank 1f. recto notes on first performance named cast list and contents verso blank 100 pp.<br/><br/>Named cast includes Potel Darcier Pfotzer Simon Taffanel Mathen Lecuyer and Parent.<br/><br/>Wrappers slightly worn browned and chipped with minor loss; former owner's handstamp "Wesley Boynton" to upper margin of upper wrapper; spine reinforced with paper tape. Former owner's handstamp to upper margin and publisher's small circular handstamp to lower margin of title. A re-issue from first edition plates.<br/><br/>Monsieur et Madame Denis to a libretto by Laurencin Chapelle and Delaporte was first performed in Paris at the Bouffes-Parisiens on January 11 1862.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Au Menestrel, Heugel & Cie. [H. 4663] unknown books
191029227Berlin: Ed. Bote & G. Bock PN 15785 1910. Large octavo. Original publisher's dark orange wrappers with titling within decorative border. 1f. recto decorative title verso blank 1f. recto cast list and contents verso blank 5-54 pp. Text in German and French.<br/><br/>Wrapper slightly worn and soiled; former owner's signatures to upper margin of upper wrapper and title one crossed out in black ink. Some signatures split; annotations in pencil and small publisher's handstamp to lower margin of title; former owner's signature to upper margin of second leaf; occasional performance markings. Lischen et Fritzchen to a libretto by Dubois P. Boisselot was first performed in Bad Ems on July 21 1863 and in Paris at the Bouffes-Parisiens on January 5 1864. <br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Online. Ed. Bote & G. Bock [PN 15785] unknown books
190728788Paris: Choudens PN A.C. 5301 1907. Large octavo. Quarter dark yellow cloth with green cloth boards spine with raised bands. 1f. recto title illustrated by E. Buval verso blank 1f. recto publisher's note in French and German verso blank 1f. recto notes on first performance cast list and contents verso blank 1f. recto contents verso blank 3-344 pp. Text in Italian and German.<br/><br/>Binding slightly worn rubbed bumped; lower stained. Some signatures split or partially split; occasional reinforcement to inner margins; minor soiling and creasing to corners of title; tape repair to lower margin of publisher's notes; small tear to blank outer edge of p. 15. Fifth version.<br/><br/>Les contes d'Hoffmann to a libretto by J. Barbier completed by Guirard was first performed in Paris at the Opéra-Comique on February 10 1881. <br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. His opera Les contes d'Hoffmann has retained a place in the international repertory. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens [PN A.C. 5301] unknown books
1940031047New Y.: G. Schirmer 1940. The book by Jules Barbier. English version by Charles Henry Meltzer. Vocal score. viii 245p. music original green cloth with gilt lettering quarto format G. Schirmer's collection of operas. G. Schirmer unknown books
198229185New York: Belwin-Mills PN A539 1982. Large octavo. Original publisher's ivory wrappers printed in colour. 1f. recto title verso copyright iii note iv-v synopsis vi cast list vii contents i full-page illustration 172 173-200 libretto pp. Text in French and English. Les bavards Bavard et bavardel to a libretto by Nuitter after Cervantes' Los habladores was first performed in Bad Ems on July 11 1862; in Vienna at the Kaitheater on November 20 1862; and in Paris at the Bouffes-Parisiens on February 20 1863.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Belwin-Mills [PN A539] unknown books
196028868Paris: Éditions Salabert PN R. L. et Cie. 6742 1960. Large octavo. Original publisher's dark ivory printed wrappers. 1f. recto title within decorative border verso blank i notes on first performance named cast list and contents 2-243 i blank pp.<br/><br/>Named cast includes Brasseur Hyacinthe Gil Pérès Priston Lassouche Martal Ferdinand Zulma Bouffar C. Montaland Honorine Thierret Paurelle Massin Ledard Breton and Henry.<br/><br/>Wrappers slightly worn. Third version. Printed form Rouart-Lerolle plates.<br/><br/>La vie parisienne to a libretto by Meilhac and Halévy was first performed in Paris at the Palais-Royal on October 31 1866.<br/><br/>Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Orphée aux enfers La belle Hélène La vie parisienne La Grande-Duchesse de Gérolstein and La Périchole remain outstanding examples of the French and international operetta repertory. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Éditions Salabert [PN R. L. et Cie. 6742] unknown books
194529228Paris: Choudens PN A. C. 2744 1945. Large octavo. Original publisher's decorative dark ivory wrappers. 1f. recto decorative title verso blank i named cast list and contents 4-223 i blank pp.<br/><br/>Named cast includes Théo Grivot Fonti Lyon Castello Jane Eyre Bonnet Daubray and Troy.<br/><br/>Wrappers slightly worn and soiled; spine reinforced with tape. Slightly worn; title browned at margins; tape repair to upper margin of pp. 203/204 not affecting music. La jolie parfumeuse to a libretto by Crémieux and E. Blum was first performed in Paris at the Renaissance on November 29 1873.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Online. Choudens [PN A. C. 2744] unknown books
194728484Paris: Choudens PN A.C. 4740 1947. Large octavo. Original publisher's gray wrappers with title within decorative border. 1f. recto title within decorative border by Buval verso blank 1 notes on first performance named cast list and contents 2-232 1f. blank pp.<br/><br/>Named cast includes Simon-Girard Girard Vernon Lestrade Reval Luco Lepers Simon-Max Maugé Bartel and Henriot.<br/><br/>Wrappers partially detached; spine reinforced with tape. Some signatures split; minor chipping to upper margins. Reprint from first edition plates.<br/><br/>La fille du tambour-major to a libretto by Chivot and Duru was first performed in Paris at the Folies-Dramatiques on December 13 1879.<br/><br/>Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens [PN A.C. 4740] unknown books
1934149520Paris: Studio Piaz 1934. Four vintage oversize photographs from the 1934 revival of Jacques Offenbach's 1875 operetta showing actress Josephine Baker in costume as Dora. All photographs with the stamp of Studio Piaz at the lower corner of the recto and one with the address stamp of J. Manuel Richard Baker's personal secretary on the verso.<br/><br/>The operatic debut of the longtime comedian actor and dancer. The production which was staged at the Theatre Marigny in Paris was the first time Jacques Offenbach's comic operetta had been staged since its 1875 debut. <br/><br/>Two photos 11.5 x 9.25 inches and two photos 8 x 10 inches. Very Good plus overall one photo with brief archival reinforcement at the corners on the verso. Studio Piaz unknown books
198528768n.p.: Belwin-Mills PN A544 1985. Large octavo. Original publisher's illustrated wrappers. 1f. recto title verso copyright iii note in French and English iv-v synopsis in French vi-vii synopsis in English viii biography of composer in English 1 secondary title 2 named cast list 3 contents 4-220 pp. Wth publisher's catalogue to verso of upper wrapper.<br/><br/>Two superficial horizontal cuts to upper wrapper. La boîte au lait to a libretto by Grangé and Noriac was first performed in Paris at the Bouffes-Parisiens on November 3 1876.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Onl. Belwin-Mills [PN A544] unknown books
198528778Melville NY: Belwin-Mills PN A544 1985. Large octavo. Original publisher's illustrated wrappers printed in colour. 1f. recto title verso copyright statement 2ff. introduction synopsis and biogrpahical notes 1f. recto named cast list and contents verso blank 54 pp. With publisher's catalogue to verso of upper wrapper. La bonne d'enfants to a libretto by Bercioux was first performed in Paris at the Bouffes-Parisiens on October 14 1856.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Online. Belwin-Mills [PN A544] unknown books
1985031014Melville NY: Belwin-Mills 1985. Livret de Eugene Grangé et Jules Noriac. viii 220p. music original stiff wrappers Oeuvres scéniques dl'Offenbach A.544. Belwin-Mills unknown books