54 résultats
19042018Budapest 1904. Handwritten note in ink signed in Budapest: 26 January 1904. Text reads “SzÃves emlékül†“As a pleasant memoryâ€. Folded once. In fine condition. Handwritten note in ink signed in Budapest: 26 January 1904. Text reads “SzÃves emlékül†“As a pleasant memoryâ€. Ca. 18.5 × 11.5 mm. <p><br /> A signed autograph score detail from Schumann’s Album für die Jugend Op. 68 No.12 Knecht Ruprecht by Béla Bartók.<br /> <p><p><br /> Around 1903–1904 Bartók gave numerous concerts sometimes at 3–4 different venues and countries per week where he often played Schumann’s compositions. Schumann’s work had a big influence on him in other ways as well: according to Suchoff Bartók found Schumann’s Album für die Jugend one of the few good material available for beginners. “From 1908 to 1909 he Bartók worked on a collection of eighty-five piano pieces titled For Children which were based on Hungarian and Slovakian folk music. In his lecture notes Bartók explains his purpose in composing this work: Already at the very beginning of my carrier as a composer I had the idea to write some easy works for piano students. This idea originated in my experience as a piano teacher; I had always the feeling that the available material especially for beginners has no real musical value with the exception of very few works—for instance Bach’s easiest pieces and Schumann’s Jugendalbum.†Suchoff 2004.<br /> <p><p><br /> Literature: Suchoff B. 2004: Bartók’s Mikrokosmos: Genesis Pedagogy and Style p. 13. Rowman & Littlefield.<br /> <p>. unknown
19342245Budapest 1934. Bartok thanks to the recipient's earlier letter. He apologizes for the late reply but on the one hand he was very busy and on the other hand he wanted to wait for the publication of a study of folk music a copy of which he would send to Katzarova's boss Vasil Stoin with a German summary. He expresses his gratitude for the kind offering of an early work by Stoin. He mentions at the end of the letter that he also writes about Bulgarian rhythm in his latest essay. unknown
1995102368Gioiosa. New. 1995. Paperback. 888640302X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Italian. 407 pages. Catalogue Raisonne Catalog Raisonné Complete Works Catalogo Ragionato Catalogo delle Opere L'Opera Completa Raisonnee Gioiosa paperback
1995C102368Gioiosa. As New. 1995. Paperback. 888640302X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Italian. 407 pages. Catalogue Raisonne Catalog Raisonné Complete Works Catalogo Ragionato Catalogo delle Opere L'Opera Completa Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Gioiosa paperback
19273108Davos 1927. Very good conditon. On the picture Béla Bartók and her wife Ditta Pásztory. unknown
19133391Budapest 1913. Near fine condition. 1 p. Béla Balázs 1884-1949 writer poet actor film aesthete film director critic film school teacher. His volume Misteriya Mysteries was published in Nyugat in 1912. It contains the one-act plays The Castle of the Bluebearded Prince The Fairy and The Blood of the Holy Virgin. At the time of the publication of The Mysteries Béla Bartók's musical transcription of The Bluebeard's Castle was already complete but no one agreed to perform the opera claiming that it could not be performed. But Béla Balázs did not rest. As a result of his efforts with the help of the Nyugat the original prose version of Bluebeard's Castle and The Blood of the Holy Virgin was staged in the Budapest Orfeum in 1913. Lajos Gulácsy created the sets for the performance. Béla Bartók played the piano between the two one-act plays. unknown
19253107Szöllőspuszta 1925. Fine condition. 13 x 7 cm. unknown
19373111Basel 1937. Fine condition. 2 p. unknown
190840603Budapest: Karl Rozsnyai PN R.K. 338 1908. Folio. Unbound as issued. Laid into original publisher's mid-green wrappers with decorative element and titling in silver. 1f. recto title verso blank 3-39 i incipits of the 14 bagatelles.<br /> <br /> Wrappers worn; spine slightly chipped with minor loss and remnants of old tape. Very slightly worn and browned internally. First Edition. Somfai BB 50 p. 304. Szabolcsi Sz 38 p. 327. <br /> <br /> "By the time the Fourteen Bagatelles Opus 6 were written Bartok's expressive vocabulary was beginning to assume its definitive shape. Years later he marked the beginning of his personal style by those pieces. . The Bagatelles demonstrate many of the devices which later became an integral party of his technique." Stevens: The Life and Music of Béla Bartók p. 328. Karl Rozsnyai [PN R.K. 338] unknown
1973BN253128Universal Edition Wien 1973. 1973. Bela Bartok. Sein Leben in Bilddokumenten aus dem Ungarischen von Irene Kolbe; Béla Bartók <br/><br/>Bela Bartok. Sein Leben in Bilddokumenten aus dem Ungarischen von Irene Kolbe; Béla Bartók Bonis Ferenc und Béla Bartók Universal Edition, Wien unknown
194016992-MU<p>Very-Good-Minus condition. Complete set of brown Boosey & Hawkes 'Mikrokosmos' volumes all tight staple-bound music books/lightly if used crisp text found no markings within; front covers of each have taped personal library code/owner's signature other minor exterior wear.</p> Boosey & Hawkes paperback
198713604678U.K.: New Cavendish Books 1987. Book. Fine. Hardcover. First American Printing. 8vo - over 7¾" - 9¾" tall. 160 pages. Index. "Minic toys were introduced in 1935. They have become one of the most sought after series in the range of toys produced by Tri-ang - the illustrious British toy company formed by the Lines Bros' in 1919. This is the story of these highly collectable toys fabulously illustrated with over 150 colour photographs many of them evoking the style and particular Englishness of the 1930's." - from dust jacket. Decorated endpapers. Rubber stamp upon half-title page else clean bright and unmarked with minimal wear. Dust jacket handsome in new archival-grade glossy Brodart cover. Beautiful copy of this most wonderful work. New Cavendish Books Hardcover
1951005759New York: Columbia Univ Pr 1951. 1st Edition . Hardcover. Very Good/Fair. 8vo - over 7¾ - 9¾" tall. First Edition no writing marks underlining or bookplates. No remainder marks. Spine is tight and crisp. Boards are flat and true and the corners are square with inside page age browning. Dust jacket is not price-clipped with stains fading and scrapes. This collectible " VERY GOOD" condition first edition/first printing copy is protected with a polyester archival dust jacket cover. A very good tight clean unread collectible copy of a very scarce book. <br/> <br/> Columbia Univ Pr hardcover
1976MAIN034769INY: St. Martin's. VG/Good ONLY see notes. 1976. 1st US. hardcover. small 4to . 567pp . NO INTERNATIONAL OR PRIORITY. 6-8 dog-eared pages towards front 1/2" and 3/4" tears to DJ some edgewear. In mylar. Quite scarce. . St. Martin's hardcover
19931155585University of Nebraska Press 1993. Softcover. Very good. Great condition. Spine is split but binding is secure. Cover edges are shelf worn. Inside is clean and unmarked. University of Nebraska Press unknown
192213683Universal-Edition 1922. Paperback. Very Good. 42 page collection of sheet music is in a card stock cover wear on edges and spine interior is loose in the cover. This is a collection of 1920s avant-garde music that the compiler tells us in his introduction "that all laws of tonality have long since been neglected." From the collection of well-known collector Ira Licht. Composers include: Bela Bartok; Wilhelm Grosz; Alois Haba; Ernst Krenek; Felix Petyrek; Karl Rathaus; Rudolf Reti; Egon Wellesz. Cover art by "Richard Teschner 1879-1948 who was associated with the Wiener Werkstatte in Vienna. All orders packed with care most dust jackets protected by Brodart sleeve independent bookseller since 2011 Universal-Edition paperback
195166967New York: Boosey and Hawkes 1951. Vintage Copy. Softcover. Very Good in wrappers. A few small marks to text. ; Small 4to 9" - 11" tall. Boosey and Hawkes unknown
195140052New York Columbia University Press 1951 hardcover. First Edition First Printing. -- Foreword by George Herzog. The music was field-collected in Yugoslavia in the 1930s by Parry. The Bartok section contains 54 music examples with detailed analysis. The song lyrics are in the Lord section in parallel text the original language opposite the English translation. -- Hardcover 431 pages. Condition: very good cover spine tips and corners lightly bumped and rubbed; some faint pencil notes in margins and on pastedown; a few page corners creased; owner name; no jacket. Columbia University Press hardcover
19922092902138303241Sekchanomizu Shobo 1992. Soft Cover. Fine. Number of pages: 469p Size: 21cm Sekchanomizu Shobo paperback
192833878Wien-Leipzig: Universal Edition A.G. PN U.E. 8779 1928. Quarto. Original publisher's light green wrappers printed in dark green. Parallel title in French and English. 88 pp. Verso of lower wrapper dated VII July 1928. <br /> <br /> Initials to upper margin of title in blue pencil.<br /> <br /> Wrappers slightly worn and browned. First Edition of the 2-piano arrangement. Somfai BB 91 p. 311. Szabolcsi Sz 83 p. 340.<br /> <br /> Bartók performed the premiere of his first concerto in Frankfurt 1 July 1927 conducted by Wilhelm Furtwängler. Universal Edition A.G. [PN U.E. 8779] unknown
193740607Budapest: Magyar Kórkus PN M.K. 321 1937. Small quarto. Original publisher's light pink decorative wrappers with titling in dark pink.<br /> <br /> Three songs for male chorus based on traditional tunes: Nincs boldogtalanabb parasztembernél No-one's more unhappy than the peasant; Egy kettő három négy One two three four; and Nincsen szerencsésebb parasztembernél No-one is happier than the peasant.<br /> <br /> Wrappers slightly worn. Minor internal wear; browned and brittle; edge tears. First Edition. Szabolcsi 104. Stevens p. 339.<br /> <br /> "During 1935-6 Bartók composed his last choral pieces the Twenty-Seven Two- and Three-part Choruses bb111 for children's and women's choruses and Elmúlt időkből 'From Olden Times' bb112 three songs for male chorus. Both works present Bartók's own fashionings of folk texts the short choruses dealing with the domestic world of childhood and adolescence the longer male chorus songs with the joys and sorrows of peasant life." Malcolm Gillies in Grove Music Online. Magyar Kórkus [PN M.K. 321] unknown
19762091502133537977Kodansha 1976. Soft Cover. Fine. Number of books: 1 Kodansha paperback
1951mon0000991396Columbia University Press 1951. Hardcover. Very Good. in x in x in. First edition Pages clean and bright Binding firm Light wear to edges Dust jacket unclipped Removable plastic dust jacket to cover. Columbia University Press hardcover
1991Q-0471847798Wiley-Interscience 1991-04-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Wiley-Interscience hardcover
20001411263Mainz: Schott Musik International 2000. First Thus. Hardcover. Folio 148 pages plus a 31 page facsimile booklet. In Very Good plus condition. In full red cloth binding with gilt titling to spine; housed in a slipcase in same red cloth. Slipcase shows moderate scuffing and wear. Volume shows very light wear to boards. Text block clean. Booklet is included in a pouch in the rear of the book and is lightly bumped at the bottom fore corner. Shelved in Room A Elephant Overflow. 1411263. Special Collections - Upstairs. Schott Musik International hardcover