HAYDN, Joseph 1732-1809Biblio.com
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180241312London: Printed & Sold by Preston No. 97 Strand. Sold also by the Proprietor G. Thomson York Place Edinburgh 1802. 3 volumes. Folio. Contemporary plain mid-purple wrappers. Sewn.<br /> Vol. 2: 1f. recto title verso blank 17-32 pp. Watermark dated 1803<br /> Vol. 3: 1f. recto title verso blank 33-48 pp. Watermark dated 1802<br /> Vol. 4: 1f. recto title verso blank 49-64 pp. Watermark dated 1802<br /> <br /> Price given as "3 Shs." With "Neele sculp. Strand" to foot of titles. Title to vol. 2 signed "Go. Thomson" vols. 3 and 4 signed with his initials.<br /> <br /> First Edition. Rare. Hopkinson and Oldman p. 23.<br /> <br /> Together with:<br /> Violoncello Accompaniment To the Selected Collection of Original Scotish Airs for the Voice . In three Volumes !4. London . Edinburgh: Preston . G. Thomson Vols. 3 and 4. 2 volumes. Folio. Contemporary plain mid-purple wrappers. Sewn. Vol. 3: 1f. recto title verso blank 21-30 pp. Watermark dated 1802. Vol. 4: 1f. recto title verso blank 31-40 pp. Watermark dated 1802. Price given as "3 Shs." "Neele sc. Strand" to foot of titles. Titles to each volume initialed by Thomson. First Edition. Rare. Hopkinson and Oldman p. 23.<br /> <br /> Together with:<br /> Violin Accompaniment by Pleyel To the first Set of Scotish! Songs. Folio. Contemporary plain mid-purple wrappers. Sewn. 8 pp. No title page present possibly not issued with such. Hoboken XXXIa. RISM H2735-37<br /> <br /> A fifth volume of songs in the series with music by Beethoven was issued in 1818. The accompanying instrumental parts to the Scottish Songs are very rare. "It is . impossible to speak with assurance in treating of these part books. They are exceedingly rare and we have not found any that can be associated with any volume or edition later than 1818." Hopkinson and Oldman; Thomson's Collections of National Song with special reference to the contributions of Haydn and Beethoven p. 11. Printed & Sold by Preston, No. 97 Strand. Sold also by the Proprietor G. Thomson, York Place, Edinburgh unknown
1818376587Boston: Printed by Thomas Badger Jr. 1818. First American edition. Title verso blank Advertisement from American publishers with subscriber's list on verso pp. 7-169 2 blank 1 Index pp. 4to. Old half sheep over marbled boards with the 1827 signature of Emma L. name illegible on upper cover and title written in ink very rubbed free endpaper removed signatures of Charles Spencer and William Deming and William Deming Jr of Litchfield Ct on title and endpapers some pencilled notations in margins offsetting some leaves torn in gutter generally affecting margins only. A very good copy in open-faced brown cloth case. First American edition. Title verso blank Advertisement from American publishers with subscriber's list on verso pp. 7-169 2 blank 1 Index pp. 4to. Printed by Thomas Badger Jr. unknown
1842475686Lond. : R. Cocks & Co. 1842. 1st edition. Hardcover. Fair to good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat bumped and rubbed as with age. Some staining to cover. Remains quite well-preserved overall. Lond. : R. Cocks & Co. hardcover
181074637198 pages Printed by Clementi, Banger, Hyde , Collard and Davis hardcover
1823ZB1325137Boston: Richardson & Lord 1823. Price HAS BEEN REDUCED by 10% until Monday June 29 SALE item 340 pp. original printed boards hardcover covers very worn masonic book plate inside the front cover vertical split to the final leaf about good only. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Boston: Richardson & Lord hardcover
1851986N42London: Longman Brown Green and Longmans 1851. Cloth. Very Good. 9" by 5.5". None. A comprehensive political index of figures across the British Empire and previous rulers in Europe intended for future British Liberal Prime Minister Viscount Palmerston. The Book of Dignities Beatson's Political Index Modernised a comprehensive political directory and dictionary written by British journalist and writer Joseph Haydn. Published by Longman Brown Green and Longmans in 1851.In the publisher's original cloth and a bookplate from the Law Society to the front paste down. Dedicated to The Viscount Palmerston the contemporary foreign secretary and future first Liberal Prime Minister Haydn wishes to write a new and more accurate political index than the third 1806 edition of Beatson's original. From political municipal civil and military offices across the ever-expanding British Empire Haydn has recorded thousands of figures as well as including Holy Roman Emperors and British monarchs in history. In the publisher's original cloth. Externally smart with minimal marks. Slight bumping to the head and tail of the spine and signs of shelf wear to the extremities and joints. Minor rubbing to glint spine label. End papers are generally bright and clean with the odd mark. A binding stamp from J. Low to front paste down and a bookplate from Law Society to front paste down. Internally firmly bound with slight sign of wear between leaves pp.98-99. Pages are bright and clean with very faint browning to top edge of leaves. The Law Society Very Good Longman, Brown, Green, and Longmans hardcover
1851986N38London: Longman Brown Green and Longmans 1851. Cloth. Very Good. 8.5" by 5.5". None. A modernised political index of government figures across the British Empire during the mid-nineteenth century. An intriguing source for political historians. The Book of Dignities an extensive political index written by British journalist Joseph Timothy Haydn. Published by Longman Brown Green and Longmans in 1851 during the height of the British Empire. An intriguing source for political historians.In the publisher's original cloth. Contains publisher's original advertisements of general literature on the last two leaves.Having already compiled The Dictionary of Dates and Samuel Lewis's Topographical Dictionary Haydn wished to compile a modernised version of Beatson's Political Index published in 1806. Haydn lists thousands of figures who held political ecclesastical civil military and municipal positions across the British Empire. In the publisher's original cloth. Externally very smart with minimal marks to boards. Bumping to the head and tail of the spine and slightly to the extremities. Very marginal wear to front joint. Slight rubbing to glint spine label. Offsetting to the end papers. Previous owner's bookplate to the front paste down. Internally firmly bound with faint sign of wear to hinge between leaves pp.176-177 and 208-209. Pages are bright and clean with the odd spot to title leaf and final leaf. Very Good Longman, Brown, Green, and Longmans hardcover
187020606Stuttgart Eduard Hallberger n.date ab. 1870. Large 4to. Bound in 1 cont. modest hcalf. Having 18 titlepages each Sonata with separate pagination. In all ab. 240 lithographed pages og music. unknown
189568524Schirmer 1895. Leather Bound. Used very good. Very large hardcover quarter bound in dark blue leather and blue marbled boards Schirmer 1895/1896 vol 1 171pp vol 2 183pp; the two volumes bound togehter in a single volume. Cover a little worn binding a little weak in a few places clean no marks or writing. OVERSIZE. Overseas orders may require additional shipping. We are a small family business selling fine new and pre-owned books online since 1999. We provide professional service and individual attention to your order daily shipments and sturdy packaging. FREE TRACKING ON ALL SHIPMENTS WITHIN USA. Schirmer, hardcover
18152659Cheapside London/UK: Clementi Banger Collard Davis & Collard 1815. First edition. Limp Leather. Very Good . Folio. Full limp leather with blind & giltstamped borders. Two 1/4'' tears to leather to upper joint; two 1/8" tears to leather in lower joint. Light edgewear & scuffing to both covers. Louis James Alfred Lefebure-Wely works in order of appearance: Offertoire: Op.35 No.1 in B flat 11pp. Offertoire: Op.35 No.2 in F 17pp. Cantabile Largo & Adante 8pp. Offertoire: Op.35 No.4 in G 17pp. Offertoire: Op.35 No.6 in C 15pp. & Three Adantes 9pp.; all circa 1857-1895 & published by Ashworh & Parry arranged for the organist. The Surprise Symphony No.3 for Saloman's Concert now known as No.94 is in G Major 16pp. Inscription in pen to title page; paper infills ink ghosting & notations in pencil to the Hayden sheets. 11-18-19. Clementi, Banger, Collard, Davis & Collard unknown
186030633AB1860. Leipzig Breitkopf & Härtel um 1860. 4°. 7 5 5 5 S. gestochene Noten. Orig.-Umschlag. No. 9. Op. 76 Nr. 1 G dur. Platten-Nr. 11444. Herausgebeben von David Ferdinand 18101873. Mit mehrfachem Besitzerstempel. Mit Prägestempel der Gebrüder Hug Zürich. Mit handschr. Eintrag «Peters Nr. 10 15 berühmte Musikquartette». unknown
186030632AB1860. Leipzig Breitkopf & Härtel um 1860. 4°. 7 7 5 5 S. gestochene Noten. Orig.-Umschlag. No. 11. Op. 76 Nr. 3 C dur. Platten-Nr. 11444. Herausgebeben von David Ferdinand 18101873. Mit mehrfachem Besitzerstempel. Mit Prägestempel der Gebrüder Hug Zürich. Mit handschr. Eintrag «Peters Nr. 12 15 berühmte Musikquartette». unknown
186030631AB1860. Leipzig Breitkopf & Härtel um 1860. 4°. 9 7 7 7 S. gestochene Noten. Orig.-Umschlag. No. 14. Op. 77 Nr. 1 G dur. Platten-Nr. 11470. Herausgebeben von David Ferdinand 18101873. Umschlag und die 2. Violine mit altem Klebband Rücken. Mit mehrfachem Besitzerstempel. Mit Prägestempel der Gebrüder Hug Zürich. Papier durchgehend stockfleckig. unknown
186030634AB1860. Leipzig Breitkopf & Härtel um 1860. 4°. 7 5 5 4 S. gestochene Noten. Orig.-Umschlag. No. 13. Op. 76 Nr. 5 D dur. Platten-Nr. 11455. Herausgebeben von David Ferdinand 18101873. Mit mehrfachem Besitzerstempel. Mit Prägestempel der Gebrüder Hug Zürich. Mit handschr. Eintrag «Peters Nr. 14 15 berühmte Musikquartette». unknown
181528731815. Part 1: 2 Blank pages / 2er Violon Title Page / 237 Pages / 2 After blanks Part 2: 2 Blank pages / 1er Violon Title Page / 1 NNP / 297 Pages / 3 NNP / 2 After blanks Part 3: 2 Blank pages / Basse Title Page / 205 Pages / 2 Blank pages Part 4: 2 Blank pages / Alto Title Page / 205 Pages / 2 Blank pages Not dated date is an estimate. Binding: Contemporary Half Leather Folio Height cm: 365 CM Width cm: 285 CM Thickness cm: 145 CM hardcover
1815C219367London/ Paris: Chappell/ Carli 1815. Hardcover Hardcover. Very Good. Folio. 170pp. Bound in contemporary half leather over marbled boards. Some rubbing to covers mainly to corners light age toning to contents otherwise very good. Bookplate to pastedown and owner details to endpaper. A collection of engraved sheet music c.1815-1825 for the violoncello. Chappell/ Carli, hardcover
1802203560Au Magasin de Musique de Breitkpf et Härtel Leipsic. 1802. Hardcover Großformat Quer. Die Jahresangabe ist ungefähr. Zustand: keine Beschädigungen Namenseintragungen im Vorsatz verstaubt. Außen verschmutzt Ecken und Kanten bestoßen aufgeweicht und oberflächlichen Fehlstellen. Rücken unten mit kleiner Fehlstelle hält aber gut Bindung gut. Au Magasin de Musique de Breitkpf et Härtel, Leipsic., hardcover
181478167Paris: De l'Imprimerie de P. Didot l'aîné 1814. Fine. De l'Imprimerie de P. Didot l'aîné Paris 1814 12.50 x 20.50 cm relié De l'Imprimerie de P. Didot l'Aîné Paris 1814 125 x 205 cm bound in calf First edition of Stendhal's very first book published under the pseudonym of Louis-Alexandre-César Bombet. Contemporary binding in half brown calf spine decorated with gilt fillets and tooling as well as a red morocco title piece. Very rare according to Clouzot De l'Imprimerie de P. Didot l'aîné unknown
181239523Milano: Candido Buccinelli . contrada di s. Margherita num. 1118 1812. Octavo. Dark blue calf-backed marbled boards spine in decorative compartments gilt titling gilt marbled endpapers. 1f. recto title verso publisher's note v-viii 298 i errata ii "Contorni delle Medaglie" i blank pp. <br /> <br /> First Edition of one of the first biographical accounts of Haydn preceded only by the far less important biographical pieces by Framery and Le Breton. Wolffheim II 523. The present work was translated into English in 1839 as The Life of Haydn in Letters. <br /> <br /> Carpani was an Italian librettist critic and poet. "Among various writings two books are particularly important: Le Haydine . and Le Rossininane ossia lettere musico-teatrali. . The former was plagiarized by Stendhal and this created a lively controversy. These books show that Carpani was very knowledgeable about all contemporary music and an astute judge of the renewal movement in the early 19th century. He was in touch with all the major composers of his period and accompanied Rossini on his celebrated visit to Beethoven in 1822." TNG Vol. 3 p. 818.<br /> <br /> Bound with:<br /> Majer Andrea 1765-1837. Discorse sulla Origine Progressi e Stato Attuale della Musica Italiana. Padova: Minerva 1821. 1f. recto title verso quotation from Quintil 3-173 i "Avvertimento" 1f. recto "Indice" verso colophon "Della Nuova Società Tipografica in Ditta N.Z. Bettoni e Compagni 1821". First Edition. OCLC copies in France and Italy only. With the fine engraved half-length frontispiece portrait of Haydn by J. Neidl after Zitterer often lacking.<br /> <br /> Binding slightly worn rubbed and bumped. Some minor wear and foxing but in very good condition overall. Candido Buccinelli ... contrada di s. Margherita num. 1118 unknown
18354044Turin 1835. <p>Manuscript on paper. 4to binding size 264 x 197 mm. 26 pp. Contents: Fol. 1r title verso blank f. 2r-5v text La Creazione incipit: "Raffaele / Creò dapprima Iddio il ciel la terra; / Ma giaceva la terra informe e vuota" f. 6r half-title for Le quattro Stagioni 6v-13v text Le quattro Stagioni incipit: "Coro di Contadini e Contadine. / Vieni deh Flora vieni / Prezioso don del Ciel." Written in brown ink in an elegant Italian cursive on fine wove paper no visible watermarks. Three blank leaves at front and back the outermost being a wrapper of thicker paper second flyleaf at back adhered to the third the text block stitched into a Piedmontese case binding of gold-embroidered ivory silk over thin pasteboards both covers with outer border of a leafy scrolling vine with floral sprigs composed of gilt or silver-gilt appliqués of leaves blossoms and roundels on stems of couched silver-gilt thread a larger flowering branch at each corner at center of upper cover a large gilt monogram CF within a cartouche of repeated leaf appliqués with at top a closed crown at center of lower cover a large flowering plant of gilt appliqués couched thread sequins etc. turn-ins of upper cover unsewn dampstain within upper left quadrant of upper cover. <br /> <br /> A manuscript of excerpts from the librettos for Haydn's late oratorios the Creation Die Schöpfung first performed 1798 and the Seasons Die Jahreszeiten 1801 translated into Italian from the German of his librettist and patron Gottfried van Swieten 1733-1803. Bound in brightly gilt embroidered silk binding the manuscript was probably produced for a court or private musical event.<br /> <br /> Both librettos had an English origin. The Creation text based on Genesis and Milton's Paradise Lost was taken from a manuscript libretto by an unknown author originally intended for Handel given to Haydn by the English impresario Johann Peter Salomon and brought back by him from England in 1795. The Seasons was loosely based on extracts from James Thomson's poem of the same title 1730 but van Swieten had greater leeway in rearranging the text.<br /> <br /> It was still considered a given in the early nineteenth century that vocal compositions in languages other than Latin and Italian would be translated into the language of the audience. The Creation was first performed in Italian in Milan in 1810 using Giuseppe Carpani's verse translation of van Swieten's libretto first published in Vienna in 1801. The manuscript contains an abridged version of Carpani's text with some variants. The Quattro stagione is also abridged and seems to be based on portions of an anonymous translation first published in Dresden in 1802 and used for the oratorio's first performances in Italian in 1811 in Milan and Bologna cf. editions of Milan: Mussi 1811 and Bologna: Ramponi 1811.<br /> <br /> The manuscript was exhibited in Turin in 1998: cf. Francesco Malaguzzi Legature romantiche piemontese: legature del periodo romantico in raccolte private no. 67 and p. 30. Malaguzzi stated that the manuscript contains "watermarks of the Biella papermakers the brothers Avondo datable to the third decade of the 19th century" but this cataloguer failed to see any watermarks.</p> unknown
187525094AB1875. Erstausgabe Berlin Sacco 1875 8° XX. 422 S. mit zahl. Notendarstellungen sowie eine Ausklapp-Tafel marmorierter Schnitt Halbleinen-Einband der Zeit mit rotem Lederrückenschild mit goldener Rückenbeschriftung nur 'Haydn' die Rückenkante oben minimal angerändert die letzten 4 Seiten hinten mit altem Filmoplast im Gelenk oder auch mal außen verstärkt sonst ein altersgemäß schönes sauberes Exemplar. Erstausgabe des ersten Bandes der berühmten und immer noch maßgeblichen Haydn-Biographie. Der 2. Band erschien 1882 und der nach Pohls hinterlassenen Materialien von H. Botstiber hrsg. 3. Band erschien gar erst 1927. Abholung im Ladengeschäft in Frankfurt am Main Nordend ggü. Musterschule möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main Nordend close to Musterschule is possible. It saves the shipping costs. unknown
180540142London: Printed & Sold by T. Preston 97 Strand. Sold also by G. Thomson the Editor & Proprietor Edinburgh 1805. Large folio. Sewn. 1f. recto portrait of Burns verso blank i title with engraved vignette 98 pp. numbered 151-200 with each page number duplicated and music and poetry alternating on engraved and typeset pages respectively i blank. <br /> <br /> Oval stipple engraved portrait of Robert Burns by Paton Thomson after Nasmyth and engraved vignette to title by Thomson after Stothard depicting an urn with Burns's portrait in relief floral motifs and a kneeling maiden in Classical garb with verse "Now see where Caledonias Genius mourns / And plants the holly round the tomb of Burns."<br /> <br /> Manuscript inscription to upper margin of title "To Ms. Richardson from the Editor" and signature of the editor "G Thomson" to right of imprint.<br /> <br /> Some wear browning foxing and soiling; portrait of Burns detached soiled and torn at edges with paper loss; losses and tears to margins. Lacking 2-page index and 5-page glossary. First Edition. Hopkinson & Oldman p. 19. RISM H2737.<br /> <br /> Hoboken XXX1a: 226 4bis 227 228 8bis 61bis 229 122bis 230. 231 149bis 232 233 89bis 234 221bis 235 236 76bis 237 238 60bis 239 240 241 81bis 242 145bis 243 244 245 148bis 246 24bis 247 115bis 20bis 22bis 248 249 46bis 52bis 250 69bis 70bis 31bis 251 252 253A 253B 254. RISM 2737. Printed & Sold by T. Preston, 97, Strand. Sold also by G. Thomson the Editor & Proprietor Edinburgh unknown
180240447Leipzig: Breitkopf und Härtel 1802. Folio. Modern half mid-brown calf with ivory linen boards with leather title label gilt to upper spine with titling gilt. 1 title 2-42 music ii text pp. Typeset throughout. With text in Latin and German. <br /> <br /> With occasional early accidentals added in early manuscript.<br /> <br /> Some browning and foxing; minor staining. First Edition. Hoboken Collection Vol. 9 1478. RISM H2517. <br /> <br /> "The late Te Deum 'for the empress' . for chorus and very large orchestra is an ABA construction of great power and terseness; it whirls through the very long text in little more than eight minutes while still finding time for a double fugue and an immense climax at the end." Georg Feder and James Webster in Grove Music Online<br /> <br /> The autograph of the present work has been lost. Breitkopf und Härtel unknown
180240095Leipsic: Breitkopf et Härtel 1802. Oblong folio. Nineteenth-century marbled boards rebacked and recornered in dark olive half calf spine in gilt-ruled compartments with dark red title label gilt. i title 2-114 pp. Typeset throughout. <br /> <br /> Dark red leather title label to front pastedown removed but with lettering "W. Russell 1806" visible in impression to free front endpaper.<br /> <br /> "Charles Beevor 41 Upper Harley St." in nineteenth century black into to upper outer corner of free front endpaper; additional bibliographical notes in blue ink. <br /> <br /> Binding worn and rubbed. Intermittent moderate foxing and browning. First Edition of the "Missa in tempore belli" one of six masses written by order of Prince Esterházy between 1796 and 1802. Hoboken Collection Vol. 9 1433. RISM H2498. <br /> <br /> "Vocal music constitutes fully half of Haydn's output. Both his first and last completed compositions were mass settings and he cultivated sacred vocal music extensively throughout his career except during the later 1780s when elaborate church music was inhibited by the Josephinian reforms and the first half of the 1790s in London ." <br /> <br /> "Notwithstanding their semi-private function for the Esterházy court Haydn's six late masses are consummate masterworks that exhibit no trace of provinciality or the 'occasional'. He exploits the complementary functions of soloists and chorus with inexhaustible freedom and telling effect; owing to his London experience the orchestra plays a newly prominent role. Four are in B perhaps because Bb was Haydn's usual highest pitch for choral sopranos he employed the same key for the final choruses of Parts 2-3 of The Creation and Part 1 of The Seasons. The other two are the only ones for which he provided descriptive titles: the Missa in tempore belli 'Mass in Time of War' 1796 in C features the bright trumpet-dominated sound typical of masses in this key; the Missa in angustiis 'Mass in times of Distress' later nicknamed 'Nelson Mass' 1798 in D minor and major is scored for a dark orchestra comprising only trumpets and timpani strings and organ. Both invoke the travails of the Napoleonic wars. The Agnus Dei of the former includes threatening timpani motifs and harsh trumpet fanfares while the Benedictus of the latter culminates in another harsh fanfare passage 'out of context'; both influenced the Agnus Dei in Beethoven's Missa solemnis. On the other hand except for the sombre Kyrie and Benedictus of the 'Nelson Mass' both are otherwise firmly optimistic; the ending of the latter is downright jaunty." James Webster in Grove Music Online. Breitkopf et Härtel unknown
182340446Leipsic: Breitkopf et Härtel PN 3454 1823. Oblong folio. Newly bound in quarter dark blue morocco with marbled boards title label gilt to spine. 1f. recto lithographic title verso blank 96 pp. Typeset throughout.<br /> <br /> Some minor foxing. <br /> <br /> An attractive copy. First Edition of the Mariazeller Messe. Hoboken Collection Vol. 9 1432 plate 9. RISM H2503<br /> <br /> "Vocal music constitutes fully half of Haydn's output. Both his first and last completed compositions were mass settings and he cultivated sacred vocal music extensively throughout his career except during the later 1780s when elaborate church music was inhibited by the Josephinian reforms and the first half of the 1790s in London .<br /> <br /> "The 'Mariazellermesse' in C 1782 resembles the Missa Cellensis in key scoring and purpose although it is more compact and more closely allied with sonata style." James Webster and Georg Feder in Grove Music Online. Breitkopf et Härtel [PN 3454] unknown
