GOUNOD, Charles 1818-1893Biblio.com
40 résultats
189036763Paris: Choudens Père et Fils PN A.C. 9451 1 1803; A.C. 2482 A.C. 3730 1890. 4 volumes bound in 2. Large octavo. Quarter black morocco with marbled boards raised bands on spine in gilt-ruled compartments titling gilt marbled endpapers. <br /> <br /> A total of 80 songs. <br /> <br /> Vol. I: 1f. recto title verso blank 1f. recto named cast list and contents verso blank 123 pp. Named cast includes Béranger A. de Lamartine Passerat Baïf Victor Hugo Alfred de Musset Eugène Tourneux Ponsard La Fontaine Théodore de Banville and A. Porte. <br /> <br /> Vol. II: 1f. recto title verso blank 1f. recto named cast list and contents verso blank 123 pp. Named cast includes Émile Augier O. Pradère Jules Barbier H. Lefevre Louise Bertin A. de Lamartine Ernest Lebouvé Leon Gozlan L. de Peyre and Théophile Gautier. <br /> <br /> Vol. III: 1f. recto title verso blank 1f. recto named cast list and contents verso blank. 123 pp. Named cast inclues Alexandre Dumas fils Jules Barbier Louis Gallet Théophile Gautier Joseph Collin M. Carré Ch. Gounod Scribe Delavigne Émkle Augier Albert Delpit O. Pradère and Comte A. de Ségur.<br /> <br /> Vol. IV: 1f. recto title verso blank 1f. recto named cast list and contents verso blank. 119 pp. Named cast includes Paul de Choudens J. Barbier Michel Carré Comte A. de Ségur Poirson Gallet Émile Augier E. Legouvé Eugène Manuel and Pierre Barbier.<br /> <br /> Binding slightly worn rubbed and bumped. Choudens Père et Fils [PN A.C. 945(1), (1*) [1803]; A.C. 2482, A.C. 3730 unknown
189728954Paris: Choudens Fils PN A.C. 7409 2743 880 1897. Large octavo. Quarter dark red cloth with decorative textured blue paper boards printed in black. 1f. recto title verso blank 1f. recto named cast list and contents verso blank 222 xxii pp.<br /> <br /> Named cast includes Gueymard Hamackers Tarby Belval Grisy Marié Coulon and Fréret.<br /> <br /> Binding slightly worn; signature to upper outer corner of front pastedown. Slightly browned. Sixth version. <br /> <br /> First performed in Paris at the Opéra on February 28 1862 to a libretto by Barbier and Carré inspired by G. de Nerval's Le voyage en Orient. "The magnificent first production was directed by Eugène Cormon with costumes designed by Alfred Albert and Paul Lormier and scenery by Édouard Desplechin Act I Charles-Antoine Cambon and Joseph Thierry Acts II and IV scene 2 Hugues Martin Act III and Joseph Nolau and Auguste-Alfred Rubé Act IV scene 1." Wikipedia. Choudens Fils [PN A.C. 7409, 2743, 880] unknown
188063614London: Novello Ewer & Co. N.d. c. 1880. 8vo. xvi 172 pp. Contemporary elaborately gilt-decorated full red morocco. Raised bands to spine with gilt panels. All edges gilt. Rubbing to spine and board edges. Ink inscription to front endpaper. Spotting to prelims. Internally clean. English translation by J. Troutbeck. . Very Good. Full gilt-decorated Morocco. 1880. Novello, Ewer & Co. N.d. [c. 1880] unknown
189516060197Chicago: Rand McNally & Co. 1895. gilt pictorial green cloth t.e.g. others untrimmed. Cracked front hinge reglued cover extremities lightly rubbed: VG/no dj. 12mo. frontispiece of Gounod. trans. Annette E. Crocker Rand, McNally & Co. hardcover
1900130739Editions Choudens. Paris 1900. sheet music. <b>Partition en français</b>. - Partition chant et piano transcrite par Léo Delibes. Reliure demi-chagrin. 268 pages. 19 x 28 cm. <i>ref. 130739</i> Editions Choudens. Paris unknown
186044.472Barcelona / Madrid: Imp. de Tomás Gorchs/ Vda. e Hijos de D. J. Cuesta / Eduardo Cuesta 1861 / s.a. aprox. 1860 / 1869. Piel blanda con títulos y adornos dorados. 11.5x16.7. Imp. de Tomás Gorchs/ Vda. e Hijos de D. J. Cuesta / Eduardo Cuesta unknown
1864620624Boston: G.D. Russell & Company 1864. Softcover. Fair. Sheet music. Translated by Chas. J. Sprague. Folio. Notched and worn along the fold with page numbers stamped in the top corners from once being bound within an album as a result the insert remains attached to the back cover the front cover is detached but present light offsetting throughout and a dampstain at the top of the front cover affecting throughout a complete but fair to good only copy. For voice and piano. Plate number 327. This stand-alone edition of "Now Thy Sleep Is All Pretended" from Gounod's Faust is surprisingly rare OCLC locates no holdings and we cannot find any copies in the trade. G.D. Russell & Company unknown
1875362321Paris : Choudens 1875. First Edition. Hardcover. Very good copy bound in contemporary leather-backed marbled boards. Gilt-blocked title to spine with raised bands. Spine bands and panel edges somewhat dulled and rubbed as with age. Remains particularly well-preserved overall; tight bright clean and strong. Physical description: Pages unnumbered. Subjects: Songs High voice with piano. Genre: Music score. Language: French. Paris : Choudens hardcover
1890038425London: Various Heugel Joseph Williams Hopwood & Crew Edwin Ashdown and others 1890. Book. Very Good. Hardcover. Original. Folio. over 12 scores privately bound from various publishers two with colour lithographic title pages a mix of piano scores some with vocals. Bound in green cloth covered boards with fine gilt to the spine some light wear and marking to boards. Contents clean and tight a couple of inscriptions dated 1890 and 1892 owner's name Dennis Turner in ink a few discrete stamps of music circulation companies such as Mills no other marks. A very good copy. An interesting collection of piano pieces. . Various Heugel, Joseph Williams, Hopwood & Crew, Edwin Ashdown and others Hardcover
188071382Ed. Bote & Bock 1880. Hardcover. Collectable very good. In German. Very large 12" x 9.4" hardcover marbled paper covered boards brown leather-like cloth spine very large tan front cover paste-on illustration of red-headed man in red cape and tights juggling a red heart back cover paste-on illustration with a white daisy in each corner and publisher in the center; 187pp no publication date so we have provided an estimate of 1880. CONDITION: Cover illustrations have slightest wear remanats of 1" white sticker on front cover fraying on ends of spine outer tips of corners starting to round; binding is sound name on first page else interior clean and unmarked occasional light brown age spots. Overall rather nice consdition. OVERSIZE - priority and overseas orders may require additional shipping. We are a small family business with over 30 years experience providing fine new and pre-owned books online. You can expect professional service and individual attention to your order daily shipments and sturdy packaging. Ed. Bote & Bock, hardcover
1870270058Italy. Good with no dust jacket. ca. 1870. Hardcover. Scuffing to leather outer corners and in one case adjacent paper. Leather has wear to the ends and scuffing to the edges. Very slight scattered foxing. ; Italian version of Charles Gounod's opera Romeo et Juliette. Early written owner information dated 1873. Three-quarter leather binding. . hardcover
187928957Paris: Léon Grus PN L.G. 3381 1879. Large octavo. Full modern dark gray cloth. 1f. recto title verso blank 1f. recto dedication to his collaborators and friends Paul Poirson and Louis Gallet verso blank 1f. recto named cast list verso blank 1f. contents i part title iii a-c 287 i blank pp. Lithographed<br /> <br /> Named cast includes Dereims Stéphanne Giraudet Barré Alfred Maris Bernard Lefèvre Teste Collin Chenevière Villars Davoust Chevrier Franck-Duvernoy Périer P. Lévy Dorel and Laurençon.<br /> <br /> With an inscription signed A. Giacometti to dedication.<br /> <br /> Columbia Broadcasting System Music Library handstamp to lower margin of free front endpaper and several leaves; tape repairs to gutters of pp. 16-1718-19 22-23 81-99 and 280-281; some soiling to title with small oval publisher's handstamp to lower margin. Second version first issue.<br /> <br /> Commissioned by Carvalho just after he took on the directorship of the Opéra Comique 1876 Cinq-Mars was "given a lavish production" there on 5 April 1877 to a libretto by Poirson and Ballet after the novel by A.V. de Vigny. "The first appearance of a new opera by as eminent a figure as Gounod attracted a flurry of attention. ." Steven Huebner in Grove Music Online. Léon Grus [PN L.G. 3381] unknown
188636796Paris: Choudens Fils PN A.C. 1005 1886. Large octavo. Half dark red morocco with marbled boards spine in gilt-ruled compartments titling gilt moire-patterned endpapers. 1f. recto decorative title printed in dark gold verso blank 1f. recto named cast list and contents verso blank 3-32 8 33-213 pp. 15 plates of scenes from the opera printed on coated paper in sepia on one side of the leaf only.<br /> <br /> Binding slightly worn rubbed and bumped. Minor browning throughout. Third edition. <br /> <br /> Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed in Paris at the Lyrique on 19 March 1864.<br /> <br /> "There are . fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization . Mireille . is a noteworthy contribution to the French lyric stage . It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine."<br /> <br /> "In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens Fils [PN A.C. 1005] unknown
189140524AB1891. London Sampson Low Marston Searle & Rivington 1891. 23cm x 14.5cm. xxxii 3 244 pages. Original Hardcover. Gilt lettering on spine and cover. Very good condition with only minor signs of wear. Minor stain on endpaper. Stamp and annotation by previous owner on end paper. Spine starting to separate from the block. Minor traces of foxing to end papers and title page. Text itself in excellent condition. Very Rare ! Includes for Example: Gounod at home/ The Monceau quarter/ His house family and study/ Sociability of musicians/ What Gounod thinks of virtuosi/ His favourite interpreters: Madame Viardot Madame Carvalho Madame Krauss/ Gounod rehearsing his interpreters/ His privacy invaded by professionals and amateurs/ His correspondence/ His unvarying politeness and inexhaustible good nature/ Concerts and festivals/ Leader of the orchestra/ Why a composer likes to direct the execution of his music/ Sensitiveness of musicians/ Opinions of St. Augustine and Alexandre Dumas on play-acting/ Over the 500th performance of "Faust" and the first of "L'Arlesienne"/ Gounod's marriage/ His theatrical work/ The choruses of "Ulysses" at the Theatre Francais/ Grecian without being Pagan/ Two symphonies/ The "Nonne Sanglante" at the Opera/ "Faust" Gounod's masterpiece/ First application of the "leit motiv" by Monteverde in the sixteenth century/ State of French musical art at the time of "Faust's" appearance/ Jules Barbier Gounod's librettist/ The quest for a manager M. Carvalho accepts "Faust" for the Theatre Lyrique/ Gounod composes "Le Medecin malgre lui"/ Madame Miolhan Carvalho/ Demands for a final a l'Italienne/ Gounod looked upon as a revolutionary/ His views on music and musicians/ His reverance for Mozart/ What he thought of Bach Weber Palestrina Gluck Rossini Meyerbeer Berlioz Bizet/ The burning question of Wagner/ How Gounod understood art/ His ironical catechism of modern music etc. hardcover
187136758Paris: Choudens PN A.C. 2260 1871. Large octavo. Quarter dark brown morocco with marbled boards spine in decorative compartments gilt titling gilt marbled endpapers. 1f. recto title printed in dark brown verso blank 3 contents 4-39 i pp. Text in French and Latin. Lithographed. Performance markings in pencil to first number; minor annotatioins in ink to p. 15. Binding quite worn and rubbed corners slightly bumped. Minor to moderate browning. First French edition the Novello Ewer & Co. edition most probably pre-dates the French edition. <br /> <br /> Bound with: <br /> Schubert Franz<br /> Collection 40 Mélodies Choisies avec accompt. de Piano . avec les Paroles Allemande s originales et une Traduction Française de Maurice Bourges et Emile Deschamps . Prix 7f. net. Paris: Brandus et Cie. PN B. et Cie. 5199 after 1850. 1f. recto full-page half-length lithographic portrait of Schubert verso blank 1f. recto title verso blank 1f. recto contents verso blank 174 pp. Text in French and German. Lithographed. Minor wear; some foxing and browning; several signatures partially detached; publisher's facsimile signature handstamp to blank foot of title. Choudens [PN A.C. 2260] unknown
186528785Paris: Choudens PN A.C. 1005.1012 1865. Large octavo. Quarter black calf with marbled boards spine in gilt-ruled compartments titling gilt marbled endpapers. 1f. recto title illustrated by T. Laval 1f. dedication 1f. named cast list and contents 3-32 132-328 33-214 pp.<br /> <br /> Binding slightly worn rubbed and bumped; hinges split. Occasional light to moderate foxing; some signatures split; several leaves partially detached; small publisher's facsimile signature handstamp to lower margin of title; small tear to outer edge of p. 189 not affecting music. Third version. <br /> <br /> Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed at the Lyrique on 19 March 1864.<br /> <br /> "There are . fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization . Mireille . is a noteworthy contribution to the French lyric stage . It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine."<br /> <br /> "In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens [PN A.C. 1005.(1012)] unknown
187025625Paris: Choudens A.C. 1482. 1870. Large octavo. Half dark blue morocco with maroon pebbled cloth boards and gilt rules spine in decorative compartments gilt titling gilt. 1f. recto decorative lithographic title by Barbizet printed in blue verso blank 1 recto cast list and table of contents 2-271 i blank pp.<br /> <br /> Publisher's handstamp to lower margin of title; oval handstamp of Dachauer & Vilanova in New York to lower margin of title and first page. <br /> <br /> Binding slightly worn rubbed and bumped; head of spine slightly chipped. Slightly worn; occasional foxing and creasing; first signature partially detached. First German edition. Lesure p. 108.<br /> <br /> Roméo et Juliette was first performed at the Théâtre Lyrique in Paris on 27 April 1867. The opera was "Gounod's most spectacular immediate success. Coming as it did during the Exposition Universelle of 1867 when Paris was invaded by visitors from the provinces and abroad the opera drew full houses for many consecutive nights. It started its rapid conquest of foreign stages at Covent Garden on 11 July 1867 and before the end of the year had been seen at major centres in Germany and Belgium." Steven Huebner in Grove Music Online. Choudens [A.C. 1482.] unknown
18678085MN<p>Roméo et Juliette Opéra en 5 Actes de J. Barbier et M. Carré tiré de l'oeuvre de William Shakespeare composition musicale de Charles Gounod pour chant et piano et livret par Jules Barbier et Michel Carré. XIXe siècle. Couverture relié la couverture présente quelques rayures et usures. Le haut du dos est manquant mais les pages sont bien reliées la couverture intérieure estampillée par l'éditeur d'origine. Il y a des taches mais le texte est clair.</p><p>voir photos pour voir l'état. Prix indiqué après remise de 50%. N'hésitez pas à nous contacter nous serons heureux de répondre à toutes vos questions ou demandes de renseignements.</p> Choudens hardcover
1865244365Simrock`sche Musikhandlung Berlin 1865. Hardcover Großformat Die Jahresangabe ist ungefähr. Zustand: keine Beschädigungen eine Namenseintragung. Rücken Ecken Kanten bestoßen. Simrock`sche Musikhandlung, Berlin, hardcover
186720020tPALMA DE MALLORCA: Imprenta de Pedro José Gelabert 1867. 8º.- 80 pgs.- Rústica con cubiertas originales. . Imprenta de Pedro José Gelabert unknown
189024202Paris: Choudens Editeur circa 1890. 1890. Very good. - Large octavo 11 inches high by 7-3/8 inches wide marbled boards backed with brown calf titled on gilt-lettered leather labels between raised bands & gilt & black decorations on the spine. The binding is bumped with tiny tears to the corners of the covers and the head & tail of the spine are rubbed. There is a small chip to the front edge of the rear cover. Title 1 leaf & 268 pages of music and lyrics. There is an owner's pencil name on the flyleaf. The pages are slightly toned. Very good. <p>Score for voice and piano.<p>"Opera.de Jules Barbier et Michel Carre. Musique de Ch. Gounod. Partition Chant et Piano Transcrite par Leo Delibes". Paris: Choudens, Editeur, circa [1890]. hardcover
186428811Paris: Choudens PN A.C. 1005 1012 1864. Large octavo. Half dark red morocco with marbled boards original publisher's dark ivory illustrated wrappers bound in. 1f. recto title illustrated by V. Arouy verso blank 1f. recto dedication verso blank i named cast list and contents 2-191 i 192-200 201-242 pp.<br /> <br /> Named cast includes Miolan-Carvalho Morini Ismaël Petit Faure-Léfèvre Reboux and Wartel.<br /> <br /> Binding slightly worn rubbed and bumped; spine lacking; library bookplate to front pastedown; upper wrapper chipped with repair and with perforated handstamp also to title. Slightly foxed and browned; tear to inner margin of first two leaves repaired; ex-library with associated markings. First Edition later issue. <br /> <br /> Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed at the Lyrique on March 19 1864.<br /> <br /> "There are . fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization . Mireille . is a noteworthy contribution to the French lyric stage . It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine."<br /> <br /> "In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens [PN A.C. 1005 (1012)] unknown
187936741Paris: Léon Grus PN L.G. 3381 1879. Large octavo. Quarter dark red morocco with dark red pebbled cloth boards with decorative gilt cornerpieces within gilt rules to upper and lower raised bands on spine in decorative compartments gilt titling gilt moire-patterned ivory endpapers all edges gilt. 1f. recto title verso blank 1f. recto dedication verso blank 1f. recto named cast list verso blank 1f. recto contents verso blank i half-title iii overture paginated A-C 287 i blank pp. Lithographed.<br /> <br /> Named cast list includes MM. Dereims Stéphanne Giraudet Barré Alfred Maris Bernard Lefèvre Teste Collin Chenevière Villars Davoust Chevrier Franck-Duvernoy Périer P. Lévy Dorel and Laurençon and dancers Blandini Coralli Lafont Stelino Dardignac and Anck.<br /> <br /> Binding slightly worn rubbed and bumped; endpapers stained and soiled. Minor internal wear and browning; small oval publisher's partial handstamp to lower outer margin of title. Second version first issue.<br /> <br /> First performed in Paris at the Opéra-Comique on 5 April 1877. Léon Grus [PN L.G. 3381] unknown
186626259Paris: Choudens PN A.C. 738 1866. Large octavo. Quarter contemporary red calf with marbled boards rules and titling gilt to spine marbled endpapers. 1f. title i named cast list for the first performance and table of contents 148 pp. Lithographed. Text in French. <br /> <br /> Handstamps of Choudens and E. Heu to lower margin of title. Printer's note to lower margin of table of contents.<br /> <br /> Binding slightly worn bumped and scuffed; head of spine slightly torn. Some minor soiling; small tear to blank head of first two leaves. Second version first issue. Lesure II pp. 108-09. OCLC no. 15150060. <br /> <br /> The first performance of La Colombe took place at the Théatre de Bade in Baden-Baden on August 3 1860 under the direction of Edouard Bénazet. An expanded version of the opera was staged at the Opéra-Comique in Paris in 1866.<br /> <br /> "Gounod's 12 operas span a range of the generic types available in French lyric theatre. Smaller works such as Philémon et Baucis and La colombe strike a balance between spoken dialogue and set pieces typical of opéra comique of the second quarter of the 19th century: relatively small-scale numbers with many strophic types among them are joined by long passages of dialogue. Musical depictions of frivolity are relatively few by standards of the genre contributing to the general tenor of these pieces as sentimental comedy." Steven Huebner in Grove Music Online. Choudens [PN A.C. 738] unknown
187325627Paris: Choudens A.C. 1411. 1873. Large octavo. Quarter dark green pebbled cloth with dark green pebbled paper boards titling giilt to spine. 1f. recto decorative lithographic title by Barbizet printed in brown verso blank 1 named cast list and table of contents 2-269 270-283 "Supplement" i blank pp. <br /> <br /> Named cast includes both singers from the opera's first performance at the Théâtre Lyrique in Paris on April 27 1867 Carvalho Daram Duclos Michot Puget Laurent Barré Laveissière Troy jeune Troy Cazaux Wartel and Neveu and those from a subsequent restaging at the Opéra-Comique on January 20 1873 Carvalho Ducasse Decroix Duchène Bach Raoult Duvernoy Bernard Teste Melchissédec Ismaël-Bouhy and Nevue. <br /> <br /> Binding slightly worn rubbed and bumped. Minor foxing heavier to outer leaves; light dampstaining to outer margins of approximately 15 leaves; small tear to outer margin of pp. 145-146. Revised edition possibly issued to coincide with the 1873 revival.<br /> <br /> Roméo et Juliette was "Gounod's most spectacular immediate success. Coming as it did during the Exposition Universelle of 1867 when Paris was invaded by visitors from the provinces and abroad the opera drew full houses for many consecutive nights. It started its rapid conquest of foreign stages at Covent Garden on 11 July 1867 and before the end of the year had been seen at major centres in Germany and Belgium." Steven Huebner in Grove Music Online. Choudens [A.C. 1411.] unknown
