19 résultats
189547707Paris: Heugel 1895. New edition. Small 4to pp. 405. Marbled paper over boards leather spine. Cover worn at edges and spine owner's name on title o/w VG. Heugel unknown books
189529535Parigi: Au Ménestrel Heugel & Cie. PN H. et Cie. 8105 1895. Folio. Original publisher's ivory wrappers printed in dark blue. 1f. recto dedication verso blank 1f. recto title verso blank 1f. recto notes on first performance and named cast list verso blank 1f. recto content verso blank 81 i blank pp. Text in Italian.<br/><br/>Named cast includes Calvé Sigr. Alvarez Plançon Gilibert Bonnard and Dufriche. <br/><br/>Wrappers worn and soiled; partially detached; small publisher's label to lower margin of upper. Minor wear occasional small chips and tears some soiling; sewing loose with some signatures split; handstamps to lower margin of third leaf. First performed in London at the Covent Garden theatre on the 20 June 1894 under the direction of Sir Augusto Harris. Au Ménestrel, Heugel & Cie. [PN H. et Cie. 8105] unknown books
190029170Paris: Au Ménestrel Heugel et Cie. PN H. & Cie. 7644 9648-20086 20086 1900. Large octavo. Mid-brown mottled calf with marbled paper boards spine in blind-tooled compartments with decorative rules gilt dark red title labels gilt; marbled edges; marbled endpapers. 1f. recto title within border verso blank i notes on first performance and named cast list ii contents i copyright statement 275 i blank pp.<br/><br/>Named cast includes Delmas Alvarès Delpouget Euzet Sibyl Sanderson Marcy Hélgon Beauvais and Mendès.<br/><br/>Binding sligthly worn rubbed and bumped; front free endpaper partially detached. Some signatures split or partially split; handstamp to lower margin of title; publisher's circular handstamp to lower margin of contents leaf; small stains to p. 59. Second Viennese edition later issue.<br/><br/>Thaïs to a libretto by Louis Gallet after the novel of the same title by Anatole France 1890 was first performed in Paris at the Opéra on March 16 1894 under the direction of E. Bertrand & P. Gailhard.<br/><br/>"Massenet's musical painting reaches full maturity in Thaïs." Rodney Milnes in Grove Music Online. Au Ménestrel, Heugel et Cie. [PN H. & Cie. 7644, 9648-20086, 20086] unknown books
188729465Paris: Au Ménestrel Heugel & Cie. PNs H. et Cie. 7687 G. H. 644 1887. Large octavo. Full flexible blue cloth boards titling gilt to spine. 1f. recto decorative title verso blank 1f. recto named cast lists and contents verso blank 167 i blank pp.<br/><br/>Named cast for 1873 production in Paris at the Odéon includes P. Viardot E. Vidal Bosquin and Petit; for the 1874 production at the Odéon P. Gueymard C. Salla Bosquin and Bouhy; for the 1874 production at the Opéra-Comique Carvalho Franck Duchesne and Bouhy; and for the 1887 production at the Concerts du Châlet G. Krauss Durand-Ulbach Vergnet and Lorrain.<br/><br/>Binding slightly worn and shaken. Small rectangular publisher's handstamp to lower margin of second leaf. Marie-Magdeleine an oratorio to text by Gallet was first performed in Paris at the Odéon on April 11 1873 apparently making a "deep impression."<br/><br/>"Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online. Au Ménestrel, Heugel & Cie. [PNs H. et Cie. 7687, G. H. 644] unknown books
188429469Paris: Au Ménestrel Heugel & Cie. PNs H. et Cie. 7742 G. H. 1190 1884. Large octavo. Quarter dark red calf with dark red textured cloth boards spine in gilt-ruled compartments with titling gilt. 1f. recto decorative half title verso blank 1f. recto decorative title verso blank i recto notes on first performance and named cast lists ii contents i blank 355 i blank pp.<br/><br/>Named cast for first performance in Brussels includes Vergnet Manoury Gresse Fontaine Boutens Mansuède M. Duvivier Bl. Deschamps and Lonati and for first performance in Paris Jean de Reszké V. Maurel Édouard de Reszké Villani Paroli Mignoni Fidès-Devriès Tremelli and Hallary. <br/><br/>Binding slightly worn rubbed bumped and scuffed. Slightly worn; some marginal tape repairs; small handstamps to half-title title and cast leaf. Fourth edition.<br/><br/>Conceived on a grand scale Hérodiade was first performed in Brussels at the Théâtre de la Monnaie on December 19 1881 under the direction of Stoumon and Calabrési and in Paris at the Théâtre Italien on February 1 1884 under the direction of Maurel and Corti. <br/><br/>"Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online. Au Ménestrel, Heugel & Cie. [PNs H. et Cie. 7742, G. H. 1190] unknown books
189429533Paris: Au Ménestrel Heugel & Cie. PN H. et Cie. 7940 1894. Folio. Original publisher's dark ivory decorative wrappers printed in olive green gold and red. 1f. recto title in red and black verso blank 1f. recto notes on first performance and named cast list verso blank 1f. recto contents verso blank 1f. recto dedication verso blank 81 i blank pp. Text in French and English.<br/><br/>Named cast includes Calve Alvarez Planćon Gilibert Bonnard and Dufriche.<br/><br/>Disbound. Wrappers worn and soiled with chips and tears some with tape repairs; spine lacking. Leaves worn and detached; small circular publisher's handstamp to lower margin of second leaf; final leaf with small chips tears and tape repairs not affecting music. First Edition second issue.<br/><br/>La Navarraise to a libretto by Jules Claretie and Henri Cain after Claretie's short story La cigarette was first performed in London at Covent Garden on June 20 1894 under the direction of Sir Augustus Harris. <br/><br/>"Purely technically La Navarraise far outclasses its model. Melodically orchestrally dramaturgically the mature Massenet was an infinitely more resourceful composer than the young Mascagni. The way the action loaded with folkloric detail and set amidst succulent lyrical outpourings is contained within the 50-minute timespan denotes the hand of a master."<br/><br/>"Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online. Au Ménestrel, Heugel & Cie. [PN H. et Cie. 7940] unknown books
189129926Paris: Au Ménestrel Heugel & Cie. H. & Cie. 18421 1891. Large octavo. Quarter dark brown morocco with mid-brown cloth boards titling gilt to spine. 1f. recto illustrated title verso blank 1f. recto notes on first performance and named cast list verso decoration iii contents i decoration 366 pp.<br/><br/>Named cast includes Guiraudon Deschamps-Jehin Émelen Bréjean-Gravière Tiphaine Marié de Lisle Fugère Dubosc Gourdon Troy Huberdeau Delorn Oswald Vilma de Craponne Stéphane et Fouquié.<br/><br/>Binding wornand rubbed; tail of spine chipped with call number; library pocket laid down to rear pastedown. Library perforation stamp to lower margin of title; date stamps to upper margins of second and third leaves; inner margin of fourth leaf torn at gutter; small rectangular publisher's handstamp to lower margin of final page of music. First published by Hartmann in 1885 the plates were acquired by Heugel in 1891.<br/><br/>Cendrillon to a libretto by Cain after the fairy tale by Perrault was first performed in Paris at the Opéra-Comique Favart on May 24 1899 under the direction of Albert Carré. Au Ménestrel, Heugel & Cie. [H. & Cie. 18421] unknown books
188528834Paris: G. Hartmann PN G.H. 1571 1885. Large octavo. Auarter dark red cloth with textured red cloth boards spine in compartments gilt titling gilt; marbled endpapers. 1f. recto half-title within decorative border verso blank 1f. recto illustrated title in printed in dark ivory blue and gold verso blank 1f. recto dedication verso blank i notes on first performance and named cast list ii-iii contents iv blank 355 i blank pp.<br/><br/>Named cast includes Fidès-Devriès Bosman Jean de Reszké Édouard de Reszké Melchissédec Plançon Lambert Balleroy Girard and Sentein with ballets by Mérante.<br/><br/>Binding slightly worn; boards partially detached; spine defective and mostly lacking; front free endpaper chipped and detached. Some signatures split or partially split; small publisher's handstamp to lower margin of title. First Edition later issue.<br/><br/>Le Cid to a libretto by D'Ennery E. Blau and Gallet after P. Corneille was first performed in Paris at the Opéra on November 30 1885.<br/> <br/>"It reverted to the grand style for the benefit of the Paris Opéra. Corneille's drama had served many earlier composers including Bizet whose Don Rodrigue remains a very substantial fragment and Debussy with a similarly unfinished Rodrigue et Chimène. The libretto provided ample opportunities for Spanish and Moorish colour which Massenet exploited with his customary flair particularly in the still popular ballet movements. There is a clear kinship with the Meyerbeer/Verdi principle of casting the heroic passions of individuals against a backdrop of larger conflicts and the vision of Don Rodrigue in which St Jacques of Compostella promises him victory in the war with the Moors contributes a devotional flavour to the mix. G. Hartmann [PN G.H. 1571] unknown books
188129466Paris: G. Hartmann G. H. 1190 1881. Large octavo. Quarter dark red calf with red textured cloth boards spine in gilt-ruled compartments with titling gilt; marbled endpapers. 1f. recto decorative title verso blank 1f. recto half title verso blank i notes on first performance and named cast list ii-iii contents i note 341 i blank pp.<br/><br/>Named cast includes Vergnet Manoury Gresse Fontaine Boutens Mansuède M. Duvivier Bl. Deschamps and Lonati. Occasional performance markings in pencil.<br/><br/>Binding worn scuffed and slightly shaken; corners bumped; head and tail frayed. Slightly worn and soiled; some signatures split or partially split; occasional light foxing; annotations in pencil to free front endpaper; small circular publisher's handstamp to lower margin of title; first leaf of music torn at inner margin and partially detached. Lacking half-title. First Edition.<br/><br/>Hérodiade with a libretto by P. Milliet and H. Grémont after Flaubert's Hérodias was first performed in Bruselles at the Théâtre de la Monnaie in December of 1881 under the direction of Stoumon and Calabrési. <br/><br/>"Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online. G. Hartmann [G. H. 1190] unknown books
187229929Paris: G. Hartmann PN G.H. 845 1872. Large octavo. 1f. recto decorative title by Barbizet verso blank 1f. recto named cast list and contents verso blank xii 9-271 i blank pp. Lithographed. Some leaves unopened.<br/><br/>Named cast includes Bouhy Lhérie Neveu Bernard Priola and Galli-Marié.<br/><br/>Wrappers slightly worn; spine creased with small tears to head and tail. Two small rectangular publisher's handstamps to lower margin of title. First Edition variant issue.<br/><br/>Don César de Bazan to a libretto by d'Ennery Dumanoir and Chantepie after Hugo's Roy Blas was first performed in Paris at the Opéra-Comique Favart on November 30 1872. The first version of the work was destroyed by fire; it was revised and reorchestrated in 1888 and first performed in Geneva on January 20 of that year. <br/><br/>"Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online. G. Hartmann [PN G.H. 845] unknown books
188429529Paris: G. Hartmann PN G. H. 1356.1386 1884. Large octavo. Quarter dark brown calf with dark brown pebbled cloth. 1f. recto half title verso blank 1f. recto decorative title verso blank 1f. recto dedication verso blank i notes on first performance and named cast list ii-iii contents iv blank 387 i blank pp.<br/><br/>Signed with the initials "P.G." Philippe Gille co-librettist in pencil on cast list and dated April 26 1884. <br/><br/>Named cast list includes: Mmes. Marie Heilbronn Molé-Truffier Chevaljer Rémy Lardinois Mrs. Talazac Taskin cobalet Grivot Collin Mrs. Labis Teste Reynal Legrand Troy Davoust and Bernard. <br/><br/>Binding worn; corners bumped; lower board somewhat rubbed and scuffed; spine llacking and reinforced with black tape; hinges split. Occasional minor foxing; some signatures split; minor tear to upper outer edge of pp. 41/42. First Edition early issue. Fuld pp. 460-461. Crawford p. 259. <br/><br/>First performed in Paris on January 17 1884. <br/><br/>An interesting association copy. G. Hartmann [PN G. H. 1356.1386] unknown books
188029554Paris: G. Hartmann PN G.H. 1093 1880. Large octavo. Original publisher's blue cloth-backed blue decorative printed wrappers with printed titling to spine. 1f. recto polychrome title verso blank 1f. half-title within decorative device verso named cast list 1f. recto contents verso blank 214 pp. <br/><br/>With an autograph inscription signed by the composer "J. Massenet" to Madame de Grandval the composer Marie-Félicie Clémence de Reiset 1828-1907 and dated 1880 to upper outer corner of half-title.<br/><br/>With small oval publisher's handstamp to blank lower outer corner of title. <br/><br/>Wrappers worn; splitting at spine; chipped at edges. Somewhat worn; moderately foxed; signatures separated; some edges chipped and with small tears; lacking final page of music supplied in photocopy; some bleeding to inscription. First Edition. <br/><br/>First performed in Paris at the Opéra on May 22 1880. <br/><br/>"La Vierge completed in 1878 is a 'légende sacrée' with a text by Grandmougin and a considerable cast. Its four scenes are 'The Annunciation' 'The Wedding at Cana' 'Good Friday' and 'The Assumption'; there is a Galilean Dance during the wedding scene. The single movement that makes up the Good Friday scene is one of Massenet's best creations broad in conception and strongly dramatic in character but the work has never found favour with the exception of the prelude to the last scene 'Le dernier sommeil de la Vierge' featuring a solo cello and muted strings." Hugh Macdonald in Grove Music Online. <br/><br/>We would like to thank Mr. Bernard Peyrotte of Librairie Arioso in Paris for kindly informing us of the identity of the person to whom Massenet inscribed this score. G. Hartmann [PN G.H. 1093] unknown books
188423045Paris: Au Ménestrel. Heugel & Cie PNs H. et Cie. 7742.; G.H. 1190. 1884. Large octavo. Quarter dark brown leather with marbled boards raised bands on spine in decorative compartments gilt marbled endpapers red edges. 1f. half title 1f. title i named cast list ii-iii description of scenes iv blank 367 pp.<br/><br/>Cast list includes Edmond Vergnet and Léon Gresse for the Brussels performance and Jean de Reszké Édouard de Reszké Victor Maurel Fidès Devriès and Wilhelmina Tremelli for the Paris performance.<br/><br/>Binding slightly worn and rubbed; some foxing heaviest to the first and last leaves; publishers' round and oblong handstamps to title and named cast list; one signature partially detached; minor staining. This edition represents the revised version of the opera issued to coincide with the Paris performance at the Théâtre Italien on February 1 1884.<br/><br/>Based on the story by Gustave Flaubert Hérodiade was first performed in Brussels in the Théâtre de la Monnaie on December 19 1881.<br/><br/>It is generally regarded as the best of the composer's three attempts at traditional grand opera. The work's strength lies in "familiar Massenet territory: erotic obsession particularly in the musical characterization of Herod. Until the turn of the century the opera was staged frequently on both sides of the Atlantic. In part because its five leading roles are rewarding to star singers it has never fallen out of the repertory." Rodney Milnes in Grove Music Online. Au Ménestrel... Heugel & Cie [PNs H. et Cie. 7742.; G.H. 1190.] unknown books
189129461Paris: G. Hartmann & Cie. PN G. H. et Cie. 2121 1891. Large octavo. Quarter dark red calf with marbled boards spine in gilt-ruled compartments titling gilt initials "G.D." gilt to tail; marbled endpapers. 1f. recto decorative half-title in colour verso blank 1f. recto illustrated title in colour verso blank i decorative named cast list in colour ii contents i small illustration 275 i blank pp.<br/><br/>Binding slightly worn rubbed and bumped; head of spine torn and slightly frayed; joints partially split. Slightly browned; some signatures split or partially split; small handstamps of Gustave Doret and Marcel Rigaud to front free endpaper and half-title; signatures in ink of J. de Guilheimy and Marcel Rigaud to front free endpaper; Rigaud and Hartmann handstamps to title; de Guilheimy signature to upper outer corner of leaf following title. First Edition.<br/><br/>"Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online. G. Hartmann & Cie. [PN G. H. et Cie. 2121] unknown books
1898315088Paris 1898. 2-3/8 x 3-11/16 inches. Matted and framed. 2-3/8 x 3-11/16 inches. Underneath his printed name Massenet has added this autograph note "avec mon plus sincère félicitations & ma meilleur sentiments. M unknown books
189530338Paris: Heugel & Cie 1895. 32.5 x 23/5". Printed in blue and black. The poster reproduces in very large format the photograph by Reutlinger of Emma Calvé in the role of Anita.<br/><br/>From the collection of Marilyn Horne b. 1934.<br/><br/>Slightly worn; attached at corners to card stock. In very good condition overall. Reproduced in Schneider: Massenet plate 26. <br/><br/>La Navarraise in two acts to a libretto by Jules Claretie and Henri Cain after Claretie's short story La cigarette was first performed in London at Covent Garden on June 20 1894 and in Paris at the Opéra-Comique on October 8 1895; Calvé performed in both productions.<br/><br/>"Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online.<br/><br/>A distinguished American mezzo-soprano "Horne had a voice of extraordinary range rich and tangy in timbre with a stentorian chest register and an exciting top. In concert she once achieved the feat of singing in a single programme Rossini arias and Brünnhilde's Immolation Scene proof of her exceptional versatility. Throughout her lengthy career she was an admired recitalist singing lieder mélodies Spanish and American songs with equal aplomb." Alan Blyth in Grove Music Online. Heugel & Cie unknown books
1891293608Paris 1891. unbound. very good. A.L.S. 8vo a gatefold page with writing on all quartos Paris June 10th 1891 in French to "Dear Teacher & Friend" in full translated: "You have always shown such deep feeling for me that I come to you to ask for a favor. that of interceding on behalf of Madam Feugeres - Dean of Studies. I assure you that Madame Feugeres merits all your concern. Since 1873 her students have achieved diplomas both on the elementary and highest levels. I am petitioning you to obtain the insignia of an officer of the Academy for Mrs. Feugeres. You know that I would not attempt this if I was not sure of her great ability - one of the most esteemed and recommended Deans of studies. The application was sent to the ministry 15 months ago - together with all the necessary documents. You would do me the greatest pleasure by combining your efforts and mine. I have the utmost confidence in you. I send my most sincere regards to Madam - and as always - I remain. J. Massenet". Set into a red matte with two openings with pages 1 and 4 displayed on the front while pages 2 and 3 are visible from the back; the second opening contains a picture of the composer from the 1890's. These are placed in a gold stained wood frame to 13.5" x 21.5". This item was professionally framed and sold by B. Altman's Department Store in 1966 and is being reintroduced to the autographic market 53 years later. Overall: fine condition.<br/><br/> French composer of the Romantic era best remembered for his operas of which he composed thirty.<br/><br/> unknown books
189026624Paris: G. Hartmann & Cie. PN G.H. 644. 1890. Octavo. Full dark red flexible textured paper boards titling gilt to spine original publisher's upper wrapper printed in sepia with titling within decorative border bound in. 1f. title 1f. named cast list for several performances including the premiere and table of contents 167 i blank pp. Lithographic transfer.<br/><br/>With publisher's handstamp to lower margin of title.<br/><br/>Binding slightly worn and rubbed wrapper slightly worn and soiled with signature in red pencil to upper inner corner. Occasional very light foxing and soiling to margins not affecting music. An attractive copy overall. <br/><br/>Together with two autograph musical quotations of 2 and 3 measures respectively signed "J. Massenet" and affectionately inscribed to the noted French Oriental painter Georges Clairin 1843-1919. 12mo. In black ink on French blue postal paper inserted into front free endpaper with small pieces of mounting tape to verso. The first dated April 12 1906 is a "souvenir of Marie-Magdeleine at the Opéra-Comique. "; the second dated April 14 1906 is set to the text "O bien aimé" Act III no. 13 under which Massenet has written "ami à nous." Both inscriptions thank the recipient for his letters. <br/><br/>With a concert program for the April 12 1906 performance of Marie-Magdeleine at the Opéra-Comique laid down to front pastedown opposite the quotations. "À George Clairin" in pencil in another hand to upper margin of front free endpaper; autograph signature of Marie Clairin in purple ink to final free endpaper.<br/><br/>Lower outer corner of front free endpaper lacking. OCLC no. 15813052. <br/><br/>Marie-Magdeleine an oratorio to a libretto by Louis Gallet was first performed at the Théâtre de l'Odéon in Paris on April 11 1873.<br/><br/>"Massenet's principal choral works are four biblical oratorios all of which are designed somewhat like his operas with solo arias choruses dramatic tableaux stage directions local Middle-Eastern colour and an act-and-scene structure. Their tone ranges from the devotional to the erotic and the solo parts are comparable to some of his operatic roles in range and expression. Méryem for example in Marie-Magdeleine one of his first successes when sung on Good Friday 1873 with Pauline Viardot in the main role has an impassioned C-minor solo aria in Act 3. Gallet's libretto develops the story of Méryem with Judas Iscariot cast as a scheming seducer. Its realism derived from Renan's La vie de Jésus displayed a marked contrast with the traditional reflective oratorio and the work was staged several times in Massenet's lifetime. The closing scene is a full-blooded Resurrection Hymn." Hugh Macdonald in Grove Music Online.<br/><br/>In 1885 Georges Clairin visited Hungary with Massenet and several others. He also made the posters for the first performances of Massenet's Le cid and Saint Saëns's Samson et Dalila. G. Hartmann & Cie. [PN G.H. 644.] unknown books
188428138Paris: Heugel & Cie. PN G.H. 1386 1884. Large octavo. Quarter red morocco with marbled boards. 1f. recto half-title within decorative vignette printed in sepia verso blank 1f. recto title printed in sepia on a dark ivory background verso blank 1f. recto dedication verso blank i named cast list ii-iii index iv blank 391 i blank pp. <br/><br/>A presentation copy with a fine large 2-measure autograph musical quotation from the first act of the opera signed and inscribed in purple ink on the verso of the half-title: "à mon cher et excellent Docteur & ami Dr. Poyet. Massenet 1881-1895." <br/><br/>Named cast includes Heilbron as Manon Molé-Truffier as Pousette Chevalier as Javotte Rémy as Rosette Lardinois as the Servant Talazac as Chevalier des Grieux Taskin as Lescaut Cobalei as Count des Grieux Grinot as Guillot de Morfontaine Collin as de Brétigny and Labis Teste Reynal Legrand Troy Davoust and Bernard. <br/><br/>With pictorial vignettes to pp. 1 7 123 178 251 289 and 355. "Variante pour les Théâtres qui n'ont pas de Ballet" to head and "Paris Imp. E. Dupré rue du Delta 26." to foot of p. 391; plate number "G.H. 1356" to cast and index leaves and "H. et Cie. 7067" to cast list and first page of music. Small "Au Ménestrel" handstamp to cast page.<br/><br/>Binding slightly worn and rubbed upper hinge split. Tear to inner margins of index leaves and pp. 153-160 not affecting text; some page numbers and "Au Ménestrel" handstamp slightly cropped. Second edition. <br/><br/>Manon to a libretto by Henri Meilhac and Philippe Gille after Antoine-François Prévost's novel L'histoire du chevalier des Grieux et de Manon Lescaut 1731 was first performed in Paris at the Opéra-Comique Salle Favart on January 19 1884.<br/><br/>The passage from which Massenet has quoted is printed on p. 94 measures 4 and 5 of the present score. <br/><br/>". In Manon herself Massenet created a portrait of the eternal feminine to rank with Mélisande and Lulu and it is on this that the opera's appeal rests. In the final analysis Manon is by way of being a 'highlights' opera lacking the cohesion and economy of more mature Massenet works but those highlights were seldom surpassed in the composer's oeuvre." Rodney Milnes in Grove Music Online. Heugel & Cie. [PN G.H. 1386] unknown books