Jules MassenetBiblio.com
19 résultats
189532457Heugel 1895. in4. 1895. 1/2 basane à coins haut de tranche doré. 344 pages. Jules Massenet Manon partition chant-piano éditions Heugel 1895 Heugel unknown
18975566MN<p>Sapho Piéce Lyrique en Cinq Actes d'Après le Roman de Alphonse Daudet Paroles de MM. Henri Cain et Bernède. Musique de J. Massenet partition Chant et Piano. Édition originale demi-titre avec un grand conception décoré en argent suivi d'une dédicace à Heugel page de titre chromolithographie décorée d'un cadre et de portraits photographiques imprimée en noir et rouge ces pages avec décoration en couleurs au verso. Table des matières décorée avec distribution de la première représentation. Bel exemplaire.</p><p>Voir photos pour voir l'état. Prix indiqué après remise de 50%. N'hésitez pas à nous contacter nous serons heureux de répondre à toutes vos questions ou demandes de renseignements.</p> Au Mènestrel - Heugel & Cie hardcover
18924732Heugel 1892. Hardcover. Good. Text in German. 221 pp. Crooked spine. Edge wear. Heugel hardcover
1894007585Paris: Heugel and Cie Publishers 1894. Cloth. Good/No Jacket. Folio. Bluish green cloth. Decorative color half title present or perhaps an original front wrap. 81 pp. The musical score and lyrics to La Navarraise an opera based on a short story 'La Cigarette' by Jules Claretie and set in Spain during the Carlist War of 1874. The libretto was written by Clariete and Henri Cain with the music written by the noted 19th century French composer Jules Massenet. The opera was first performed in London in 1894. GOOD condition. Spine and hinges reinforced along the exterior with black binding tape a bit heavy-handedly. General fading with minor to moderate uneven soiling to the covers. A few small dark ink stains/streaks to the front cover. Minor scuffing and edgewear. Interior hinges reinforced with tape. Several oval ownership/bookseller stamps on the first few endpapers and title page. Text block solid and toned. Heugel and Cie, Publishers unknown
189479421Paris: Heugel 1894. First. softcover. fair. Vocal score. Personal binding of first edition. Significant wear to covers internal pages in good condition. French and English text. Da Capo Vocal Scores Section PAS 23/12/2016 Heugel paperback
18911512150038Paris C. Delagrave 1891-01-01. Hardcover. Very Good. 0x0x0. Gorgeous book. Tall quarto 32 cm. 1/2 navy morocco leather over marbled boards. Hardcover. Fine binding and cover. Marbled end pages. Top edge gilt. v 202 4 2 pages : illustrations some color music. Clean unmarked pages. Armand Silvestre ; illustrations de Georges Cain ; preface de Jules Claretie ; musique de Jules Massenet. This is an oversized or heavy book that requires additional postage for international delivery outside the US. Paris C. Delagrave hardcover
189279584Paris: Heugel 1892. First. hardcover. fair. Hardcover in fair condition; fraying and scuffed edges and covers brittle pages water stains to front cover reseller stamps and a signature on first few pages. Interal sheet music in usable condition. Da Capo Vocal Scores Section PAS 25/5/2021 Heugel hardcover
1900228CG1900. O.J. um 1900. Farb. Zeitungsillustr. Blattgrösse: 37 x 25 cm. unknown
18998538MN<p>Cendrillon Conte de Fées en quatre actes et six tableaux d'après Perrault par Henri Cain. Musique de Jules Massenet pour Chant et Piano. Relié cuir couverture légèrement défraîchie. Très bon état voir photos ci-jointes prix indiqué après remise de 50%. N'hésitez pas à nous contacter nous serons heureux de répondre à toutes vos questions ou demandes de renseignements.</p> Au Menestrel. Heugel & Cie hardcover
190063449ca. 1900. Le Monde Intellectuel. - La France Contemporaine 2097. - Berlin-Charlottenburg Adolf Eckstein Editeur o.J. ca.1900 300 x 460 mm; beigelegt 3 pp. Biographie von Jean Couronne. Jules Massenet 1842-1912 war der bedeutendste Opernkomponist der französischen Spätromantik. unknown
189152986Paris: Librairie Charles Delagrave 1891. Fine. Librairie Charles Delagrave Paris 1891 25 x 32.50 cm relié First edition. Half red shagreen binding with corners spine with five raised bands decorated with fleurons and gilt fillets marbled paper boards marbled endpapers and pastedowns two tears on leading edges front cover preserved top edge gilt. Work decorated with illustrations in text and full-page in black and white as well as in blue green red mauve and sepia by Georges Cain preface by Jules Clarétie music by Jules Massenet. Librairie Charles Delagrave hardcover
188129466Paris: G. Hartmann G. H. 1190 1881. Large octavo. Quarter dark red calf with red textured cloth boards spine in gilt-ruled compartments with titling gilt; marbled endpapers. 1f. recto decorative title verso blank 1f. recto half title verso blank i notes on first performance and named cast list ii-iii contents i note 341 i blank pp.<br /> <br /> Named cast includes Vergnet Manoury Gresse Fontaine Boutens Mansuède M. Duvivier Bl. Deschamps and Lonati. Occasional performance markings in pencil.<br /> <br /> Binding worn scuffed and slightly shaken; corners bumped; head and tail frayed. Slightly worn and soiled; some signatures split or partially split; occasional light foxing; annotations in pencil to free front endpaper; small circular publisher's handstamp to lower margin of title; first leaf of music torn at inner margin and partially detached. Lacking half-title. First Edition.<br /> <br /> Hérodiade with a libretto by P. Milliet and H. Grémont after Flaubert's Hérodias was first performed in Brussels at the Théâtre de la Monnaie in December of 1881 under the direction of Stoumon and Calabrési. <br /> <br /> "Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online. G. Hartmann [G. H. 1190] unknown
189475347Paris: Au Menestrel / Heugel 1894. Original boards with cloth spine. 288 pp.; 28x19 cm. Sheet music - title in ink on spine stamps partly removed on title page and last endpaper previous owner's name notes in ink on rear index page some spots/ foxing Although very good see pictures Au Menestrel / Heugel hardcover
189479656Paris: Heugel 1894. First. hardcover. fair. Vocal score. Hardcover with significant fraying and scuffing to edges. Assumed first edition but has been rebound at some point in marbled cardboard with a cloth spine. French text. Da Capo Vocal Scores Section PAS 2/22 Heugel hardcover
188029554Paris: G. Hartmann PN G.H. 1093 1880. Large octavo. Original publisher's blue cloth-backed blue decorative printed wrappers with printed titling to spine. 1f. recto polychrome title verso blank 1f. half-title within decorative device verso named cast list 1f. recto contents verso blank 214 pp. <br /> <br /> With an autograph inscription signed by the composer "J. Massenet" to Madame de Grandval the composer Marie-Félicie Clémence de Reiset 1828-1907 and dated 1880 to upper outer corner of half-title.<br /> <br /> With small oval publisher's handstamp to blank lower outer corner of title. <br /> <br /> Wrappers worn; splitting at spine; chipped at edges. Somewhat worn; moderately foxed; signatures separated; some edges chipped and with small tears; lacking final page of music supplied in photocopy; some bleeding to inscription. First Edition. <br /> <br /> First performed in Paris at the Opéra on 22 May 1880. <br /> <br /> "La Vierge completed in 1878 is a 'légende sacrée' with a text by Grandmougin and a considerable cast. Its four scenes are 'The Annunciation' 'The Wedding at Cana' 'Good Friday' and 'The Assumption'; there is a Galilean Dance during the wedding scene. The single movement that makes up the Good Friday scene is one of Massenet's best creations broad in conception and strongly dramatic in character but the work has never found favour with the exception of the prelude to the last scene 'Le dernier sommeil de la Vierge' featuring a solo cello and muted strings." Hugh Macdonald in Grove Music Online. <br /> <br /> We would like to thank Mr. Bernard Peyrotte of Librairie Arioso in Paris for kindly informing us of the identity of the person to whom Massenet inscribed the present score. G. Hartmann [PN G.H. 1093] unknown
18801381AG1880. Paris Chalot um 1880. Photographie Brustbild. Format: Kabinettkarte. unknown
1898315088Paris 1898. 2-3/8 x 3-11/16 inches. Matted and framed. 2-3/8 x 3-11/16 inches. Underneath his printed name Massenet has added this autograph note "avec mon plus sincère félicitations & ma meilleur sentiments. M unknown
187975877Budapest 1879. Fine. Budapest 17 janvier 1879 11 x 17.50 cm 4 pages sur un feuillet remplié Autograph letter signed by Jules Massenet two pages written in black ink on a double sheet. Fold inherent to mailing. A small split at the junction of the two sheets without gravity. Fine letter written by the composer during his first stay in the Hungarian capital for Le Roi de Lahore whose premiere took place eight days later: ""Répétition générale ce matin . excellente exécution"" ""General rehearsal this morning . excellent execution"". Massenet mentions the setbacks that occurred which forced the postponement of the opera's programming: ""La Benza Ida notre Sitia ne pouvant chanter demain à cause de son deuil la première est remise à huit jours."" ""La Benza Ida our Sitia unable to sing tomorrow because of her mourning the premiere is postponed by eight days."". This letter also evokes the friendship between Massenet and Franz Liszt more than thirty years his senior who took the young composer under his wing at the Villa Medici in 1863: ""Je viens de chez Liszt il est arrivé cette nuit à Peth et sera à la première."" ""I come from Liszt's he arrived last night in Pest and will be at the premiere."". Surprised by the hostile climate of this region he is visiting for the first time Massenet comments: ""Le froid est affreux la neige exaspère nous allons au théâtre en traîneau . Restez au coin du feu ah ! que vous souffririez de cette température je t'assure que c'est la sensation de la Russie la neige couvre tout. . je ne sors pas même un oeil quel hiver même pour les Hongrois enfouis dans leurs peaux comme des Lapons !"" ""The cold is dreadful the snow is exasperating we go to the theater by sleigh . Stay by the fire ah! how you would suffer from this temperature I assure you it's the sensation of Russia snow covers everything. . I don't even stick my nose out what a winter even for the Hungarians buried in their furs like Laplanders!"". unknown
188428138Paris: Heugel & Cie. PN G.H. 1386 1884. Large octavo. Quarter red morocco with marbled boards. 1f. recto half-title within decorative vignette printed in sepia verso blank 1f. recto title printed in sepia on a dark ivory background verso blank 1f. recto dedication verso blank i named cast list ii-iii index iv blank 391 i blank pp. <br /> <br /> A presentation copy with a fine large 2-measure autograph musical quotation from the first act of the opera signed and inscribed in purple ink on the verso of the half-title: "à mon cher et excellent Docteur & ami Dr. Poyet. Massenet 1881-1895." <br /> <br /> Named cast includes Heilbron as Manon Molé-Truffier as Pousette Chevalier as Javotte Rémy as Rosette Lardinois as the Servant Talazac as Chevalier des Grieux Taskin as Lescaut Cobalei as Count des Grieux Grinot as Guillot de Morfontaine Collin as de Brétigny and Labis Teste Reynal Legrand Troy Davoust and Bernard. <br /> <br /> With pictorial vignettes to pp. 1 7 123 178 251 289 and 355. "Variante pour les Théâtres qui n'ont pas de Ballet" to head and "Paris Imp. E. Dupré rue du Delta 26." to foot of p. 391; plate number "G.H. 1356" to cast and index leaves and "H. et Cie. 7067" to cast list and first page of music. Small "Au Ménestrel" handstamp to cast page.<br /> <br /> Binding slightly worn and rubbed upper hinge split. Tear to inner margins of index leaves and pp. 153-160 not affecting text; some page numbers and "Au Ménestrel" handstamp slightly cropped. Second edition. <br /> <br /> Manon to a libretto by Henri Meilhac and Philippe Gille after Antoine-François Prévost's novel L'histoire du chevalier des Grieux et de Manon Lescaut 1731 was first performed in Paris at the Opéra-Comique Salle Favart on 19 January 1884.<br /> <br /> The passage from which Massenet has quoted is printed on p. 94 measures 4 and 5 of the present score. <br /> <br /> ". In Manon herself Massenet created a portrait of the eternal feminine to rank with Mélisande and Lulu and it is on this that the opera's appeal rests. In the final analysis Manon is by way of being a 'highlights' opera lacking the cohesion and economy of more mature Massenet works but those highlights were seldom surpassed in the composer's oeuvre." Rodney Milnes in Grove Music Online. Heugel & Cie. [PN G.H. 1386] unknown
