33 résultats
1939331228New York: Crown Publishers 1939. First Edition; First Printing. Hardcover. Very Good in boards. Foxing on top text block edge. Crown Publishers hardcover
1985SONG0769280250Alfred Music 1985-03-01. paperback. Used: Good. 8.75x0.75x11.50. Buy with confidence. Excellent Customer Service & Return policy. Alfred Music paperback
19961622131211010Angel Records 1996-05-21. Audio CD. Very Good. CD plays perfectly & the case looks good. Angel Records unknown
1940012215New York New York Usa: G. Schirmer Inc 1940. Soft cover. Very Good. Vintage 1940 Manon - An Opera in Five Acts - Part of G.Schirmer's Vocal Scores of Grand and Light Operas. With French and English Texts. 11" Tall 388 Pages. In Good Condition. Flyleaf with Billeted Pencil Notes. Otherwise A Very Clean Interior. With No Notes Names or Markings. No Torn Or Folded Pages. Exterior Shows Strong Signs of Usage With Music Store Stamp On Front Cover. Wear/Tear To Corners Edges and/or Spine. - For More Information On Condition. Please See All Images <br/> <br/> G. Schirmer Inc paperback
1997x-1574670247Amadeus Pr 1997. Paperback. New. 400 pages. 9.25x6.25x1.25 inches. Amadeus Pr paperback
19861-0793525470G Schirmer 1986. Paperback. New. 400 pages. French language. 11.00x7.75x1.00 inches. G Schirmer paperback
19502358181116039Boston Music Co 1950-01-01. Sheet music. Very Good. Nice looking book has minor edge wear. Boston Music Co unknown
191961762Boston MA: Small Maynard & Company 1919. Presumed first edition/first printing. Hardcover. Fair. No dust jacket. Signed by previous owner. Cover has some wear soiling bumped edges and small tears to cloth. Previous owner's mailing label on fep Some damp staining at bottom edge. xii 304 p. Includes illustrations. Small, Maynard & Company hardcover
190808791Au Menestrel 1908. Hardcover. Very Good. 0x0x0. English and French language vocal score for Jules Massenet's Le Jongleur de Notre Dame" is bound in red cloth boards with rubbing at the extremities darkened spine. Interior is clean and nice. All orders packed with care most dust jackets protected by Brodart sleeve independent bookseller since 2011 Au Menestrel hardcover
1986Q-0793567149GS LIBRETTO 5 1986-11-01. Paperback. New. In shrink wrap. Looks like an interesting title! GS LIBRETTO 5 paperback
1986Q-0793525470G. Schirmer Inc 1986-11-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! G. Schirmer, Inc paperback
1986Q-0793552230G. Schirmer Inc 1986-11-01. Sheet music. New. New. In shrink wrap. Looks like an interesting title! G. Schirmer, Inc unknown
1919biblio38469Boston: Small Maynard & Company; First Edition 1919. IX304 pages. 12 plates. NearFine Hardcover. DarkBlue cloth Gilt lettering and stamping. NO WEAR. No marks inscriptions etc. Excellent binding and hinges. 8.5:x5.8"x1.25:. be3860. Small, Maynard & Company hardcover
1995C1786Koch Schwann Germ. 1995-03-21. Audio CD. Like New. 3 CDs case liner booklet and slipcase all in Excellent condition. Koch Schwann (Germ.) unknown
1985Q-0769280250Alfred Music 1985-03-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Alfred Music paperback
1914146680Editions Au Ménestrel 1914. Bonded Leather. <b>Livre en français</b>. Couverture rigide. Partition chant et piano. Opéra représenté pour la première fois au Théâtre de Monte-Carlo le 23 février 1914. Heugel et Cie. Broché. 199 pages. Dos réparé. <i>ref. 146680</i> Editions Au Ménestrel hardcover
1909LRB791Paris: Heugel & Cie Au Ménestrel 1909 Titre : Hérodiade - Partition pour chant et pianoAuteur : Massenet JulesLibrettistes : Paul Milliet Henri Grémont Armand ZanardiniÉditeur : Heugel & Cie Au MénestrelLieu : ParisDate : 1909Référence éditeur : H. & Cie 7342Langue : Français avec traduction anglaise en sous-texteFormat : grand in-4 partition vocaleReliure : demi-basane marbrée dépoque dos lisse orné de filets et titre doré plats de papier marbréDescription : Partition vocale complète de lopéra en 4 actes et 7 tableaux. Joli titre imprimé en vert et orange. Page de distribution mentionnant les créations de Bruxelles 1881 Paris 1884 et reprise à lOpéra de Paris 1921. Cachet de léditeur Au Ménestrel. Copyright Heugel 1909 impressions relevées 1910 sur certaines pages. Papier uniformément bruni avec quelques rousseurs et petites taches marginales reliure solide avec légers frottements dusage. Hardcover. Good. Heugel & Cie (Au Ménestrel) hardcover
190679662Paris: Heugel 1906. First. hardcover. fair. Vocal score. Hardcover binding scuffing and fraying of cover corners and edges significant scuffing to leather spine. French text. Da Capo Vocal Scores Section PAS 2/22 Heugel hardcover
190929921Paris: Au Ménestrel Heugel & Cie. H. & Cie. 18648 1909. Folio. Original publisher's ivory wrappers with embossed rose yellow green and silver floral decorative device to upper left portion. 1f. recto facsimile manuscript dedication verso decorative device 1f. recto title within decorative frame printed in colour verso decorative device i notes on performances and named cast lists ii contents i decorative device 227 i blank pp.<br /> <br /> Named cast for the first performance includes Calvé Wyns Guiraudon Leprestre Marc Nohel Gresse Jacquet and Dufour; and for the reprise Marguerite Carré Raveau Teyte Salignac J. Périer Delvoye Cazenueve and Belhomme.<br /> <br /> Wrappers slightly worn with light soiling and small chips and tears; minor loss to head and tail of spine; partially detached. Occasional wear to outer edges; small price handstamp to lower margin of dedication leaf; small circular publisher's handstamp to lower margin of fourth leaf. First Edition later issue.<br /> <br /> Sapho to a libretto by Cain and A. Bernède after A. Daudet was first performed in Paris at the Opéra-Comique on 27 November 1897 under the direction of M. Léon Carvalho and reprised on 22 January 1909 under the direction of M. Albert Carré. <br /> <br /> "In Sapho Massenet made his first attempt at an opera in a modern setting . Sapho is certainly one of Massenet's finest works but it has been unaccountably neglected. It exists in both an original and a revised version." <br /> <br /> "Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online. Au Ménestrel, Heugel & Cie. [H. & Cie. 18648] unknown
1984Q-0714540412Oneworld Classics 1984-06-01. Paperback. New. In shrink wrap. Looks like an interesting title! Oneworld Classics paperback
190843963097088042St. Petersburg / Petrograd Moscow: S. Ya. Yambor 1908. Paperback. Good. ÐšÐ¾Ð»Ð»ÐµÐºÑ†Ð¸Ñ Ð¸Ð· 8 редких дореволюционных нотных изданий популÑрной музыки. Петербург / Петроград МоÑква: Издатели Ð. П. Кононов Ð. К. Соколова С. Я. Ямбор ок. 1908–1916. 8 отд. изд. ; 195 × 135 / 205 × 13 / 24 × 165 Ñм. Ð’ издательÑких иллюÑтрированных литографированных обложках Ñпохи модерна. СоÑтоÑние хорошее: незначительные надрывы и потёртоÑти по краÑм. 1. «Тихо так тихо» — РоманÑ. — С.-Петербург: Изд. Ð. П. Кононова â„– 42. 2. «Я помню вальÑа звук прелеÑтный» — Старинный вальÑ. — Петроград: Изд. «М-ръ ЛытÑ» Ð. К. Соколова â„– 465. 3. Ж. Бизе — «ИÑкатели жемчуга»: Ð Ð¾Ð¼Ð°Ð½Ñ Ðадира. / Перевод Ð’. Берга. — МоÑква: Изд. С. Я. Ямбора â„– 109. 4. Ðœ. Файнберг — «Мечты о прошлом Anagara»: Ð’Ð°Ð»ÑŒÑ Ð´Ð»Ñ Ñ„Ð¾Ñ€Ñ‚ÐµÐ¿Ð¸Ð°Ð½Ð¾. — МоÑква: Изд. С. Я. Ямбора â„– 255. 5. Дж. Ф. Суза — «Под звёздным знаменем»: Знаменитый американÑкий марш. — МоÑква: Изд. С. Я. Ямбора â„– 507. 6. Ф. Легар — «Дорогой мой дружок» из оперетты «Граф ЛюкÑембург». — МоÑква: Изд. С. Я. Ямбора â„– 157. 7. Ж. МаÑÑне — «Грёзы де-Грие» из оперы «Манон». — МоÑква: Изд. С. Я. Ямбора â„– 141. 8. Б. Ðайхович — «В угаре ÑтраÑти»: ДраматичеÑкий вальÑ. — МоÑква: Изд. С. Я. Ямбора â„– 329. . Collection of 8 rare pre-revolutionary Russian sheet music editions. St. Petersburg / Petrograd Moscow: ca. 1908–1916. 1. “So Quiet So Peaceful†Tikho tak tikho — Romance. — St. Petersburg: A. P. Kononov No. 42. 2. “I Recall the Enchanting Sound of a Waltz†— Old-time waltz. — Petrograd: «М-ръ ЛытÑ» A. K. Sokolova No. 465. 3. G. Bizet — “The Pearl Fishersâ€: Romance of Nadir. / Russian text by V. Berg. — Moscow: S. Ya. Yambor No. 109. 4. M. Feinberg — “Dreams of the Past Anagaraâ€: Waltz for piano. — Moscow: S. Ya. Yambor No. 255. 5. John Philip Sousa — “Under the Starry Banner†The Stars and Stripes Forever. — Moscow: S. Ya. Yambor No. 507. 6. Franz Lehár — “My Dear Friend†from “Der Graf von Luxemburgâ€. — Moscow: S. Ya. Yambor No. 157. 7. Jules Massenet — “Des Grieux’s Dream†from the opera “Manonâ€. — Moscow: S. Ya. Yambor No. 141. 8. B. Naykhovich — “In the Heat of Passion†V ugare strasti: Dramatic waltz. — Moscow: S. Ya. Yambor No. 329. This evocative collection of eight sheet music editions represents the vibrant "Silver Age" of Russian popular culture capturing the diverse soundscape of pre-revolutionary St. Petersburg and Moscow. The text provides a deep dive into the internal logic of the early 20th-century commercial music market including the arrangement of world-famous operatic arias by Bizet and Massenet popular salon waltzes like the dramatic "In the Heat of Passion" and even international sensations such as John Philip Sousa’s "The Stars and Stripes Forever." Published by leading specialized houses such as S. Ya. Yambor and A. P. Kononov these issues were the essential soundtracks to the private salons and public variety stages estrada of the era. The physical identity of this lot is distinguished by its stunning lithographed covers which are true masterpieces of Russian commercial Art Nouveau. Many of these wrappers feature photographic portraits of the era's stars creating a visual connection between the music and the legendary performers who popularized them. From the melancholic strains of "I Recall the Enchanting Sound of a Waltz" to the lighthearted melodies of Franz Lehár’s operettas this collection preserves the ephemeral beauty of a society on the brink of transformation. For bibliophiles musicologists and collectors of Russian heritage these 1908–1916 imprints are vital primary sources documenting the synthesis of high-art operatic tradition and the emerging mass-media hits of the early 20th century. S. Ya. Yambor paperback
1909135275Paris: Heugel 1909. Hardbound. VG exlibrary with minimal to moderate markings. Wholly usable. Red library buckram. 355 pp. Reprinted chiefly from the plates of G. Hartmann 1881. Text in English and French. Heugel hardcover
1999PA1696A near fine Hardcover with near fine DJ ex-library with stamps stickers & markings.<br /> Somogy hardcover
190125633Paris: Heugel & Cie PN H. et Cie. 8114. 1901. Large octavo. Quarter mid-tan morocco with marbled boards spine with decorative elements and titling gilt upper edge gilt decorative endpapers with original publisher's decorative ivory embossed wrappers printed in gilt bound in. 1f. recto dedication "En témoignage de Reconnaissance Au Collaborateur à l'Ami Albert Carré Directeur de l'Opéra-Comique" by Eugène Morand and Massenet verso blank 1f. recto title printed within red line border verso blank 1f. recto named cast list verso blank 2ff. table of contents printed note relative to performance 235 i blank pp. <br /> <br /> Named cast includes Mlle. Lucienne Bréval as Grisélidis Tiphaine Daffetye Lucien Fugère Maréchal Dufranne Jacquinm and Huberdeau. <br /> <br /> With small publisher's handstamp to blank lower margin of title. <br /> <br /> Binding slightly worn rubbed and bumped; endpapers and wrappers somewhat browned; outer margins of several leaves with scattered light foxing. A clean attractive copy overall. First Edition.<br /> <br /> Grisélidis was first performed in Paris at the Théâtre National de l'Opéra-Comique on 20 November 1901.<br /> <br /> " . on its own terms Grisélidis is one of Massenet's most successful operas. The action moves swiftly through just over two hours of music the instrumentation shows the composer at his most economic and delicate and in no other of his operas are his melodies so unconstrained. The use of reminiscence motif is judiciously calculated. Much of the score's appeal lies in its skilful mixture of comedy and sentiment. The role of the Devil was written for Lucien Fugère one of Massenet's favourite singers; his music is full of sprightly dry Gallic wit . the title role is as touching in its delineation as it is vocally rewarding - it was originally sung by Lucienne Bréval who also created Fauré's Pénélope and Dukas' Ariane . the tenderly nostalgic duet for Grisélidis and her first love written with rare psychological insight . shows the composer at his best." Rodney Milnes in Grove Music Online. Heugel & Cie [PN H. et Cie. 8114.] unknown
190229459Paris: Au Ménestrel Heugel & Cie. H. et Cie. 21081 1902. Large octavo. Full dark red cloth with "Julius Rünger" gilt to lower margin of upper titling gilt to spine; decorative endpapers. 1f. recto dedication verso blank 1f. recto title within decorative red border verso cast list 1f. contents 160 pp. <br /> <br /> Occasional performance markings and corrections in pencil most likely in Rünger's hand.<br /> <br /> Binding slightly worn and soiled. Lightly vertical crease to first 20 leaves; occasional annotations in pencil; small rectangular publisher's handstamp to lower margin of title; publisher's handstamps and annotations in ink to upper margin of first page of music. First German edition. <br /> <br /> Le jongleur de Notre-Dame to a libretto by M. Léna after France's L'étui de nacre was first performed in Paris at the Opéra Comique on 18 February 1902.<br /> <br /> "The work is little known considering its unusual appeal. Religious practice is here at the centre of a little drama that combines humour and piety." <br /> <br /> "Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th ." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online<br /> <br /> Rünger 1874-1932 a noted German baritone was also a conductor and composer. Au Ménestrel, Heugel & Cie. [H. et Cie. 21081] unknown
