35 résultats
19542676200601014G.Schirmer 1954-01-01. Sheet music. Very Good. Nice looking book has minor edge wear. slightly faded. G.Schirmer unknown
1939331228New York: Crown Publishers 1939. First Edition; First Printing. Hardcover. Very Good in boards. Foxing on top text block edge. Crown Publishers hardcover
1990C2677Sony 1990-10-25. Audio CD. Like New. CD case and liner all in Excellent condition. Sony unknown
1996Q-031329481XPraeger 1996-02-12. hardcover. New. In shrink wrap. Looks like an interesting title! Praeger hardcover
1996SONG031329481XBloomsbury Academic 1996-02-28. hardcover. Used: Good. 6.14x0.62x9.21. Buy with confidence. Excellent Customer Service & Return policy. Bloomsbury Academic hardcover
1996DADAX031329481XBloomsbury Academic 1996-02-28. hardcover. New. 6.14x0.62x9.21. Buy with confidence. Excellent Customer Service & Return policy. Bloomsbury Academic hardcover
1996x-031329481XPraeger Pub Text 1996. Hardcover. New. 229 pages. 9.75x6.50x1.00 inches. Praeger Pub Text hardcover
1909582858Paris: A. Durand & Fils 1909. Softcover. Good. Unknown edition. Folio. Two nested bifoliums making eight pages. Text in French. Outer biolium nearly separated along the fold inner bifolium partially separated along the fold edgewear toning and an old price and an abrasion from the removal of a sticker on the rear cover a complete but good only copy. For voice and piano. Plate imprint "D. & F. 5145." OCLC locates only two holdings and it appears to be equally scarce in the trade. A. Durand & Fils unknown
1986Q-079355375xG. Schirmer Inc 1986-11-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! G. Schirmer, Inc paperback
19952206180417054MusicMasters Classics 1995-04-16. Audio CD. Like New. CD plays perfectly & the case looks good. MusicMasters Classics unknown
1997125374Bmg/Arte Nova 1997-08-26. audioCD. Like New. 5x4x0. New in shrink Please email for photos. Bmg/Arte Nova unknown
19962498190710011Kannon Classics 1996-01-01. Audio CD. Very Good. CD plays perfectly & the case looks good. Kannon Classics unknown
19919971600Edwin Mellen Press Ltd 1991. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item550grams ISBN:0773495274 Edwin Mellen Press Ltd hardcover
190229030Paris: A. Durand & Fils PN D. & F. 6094 1902. Large octavo. Original publisher's decorative ivory wrappers. 1f. recto blank verso frontispiece 1f. recto decorative title verso note 1f. recto notes on first performance and cast list verso blank 1f. recto contents verso blank 151 i blank pp.<br /> <br /> Together with a program for a 15 March 1903 performance of the work in Paris at the Théâtre du Châtelet. 10 ff.<br /> <br /> Wrappers somewhat soiled; spine worn and with small tears. First Edition. Ratner II p. 398.<br /> <br /> First performed at the Théâtre des Arénes de Béziers in August 1902. A. Durand & Fils [PN D. & F. 6094] unknown
19932209180421063Meridian 1993-09-18. Audio CD. Like New. CD plays perfectly & the case looks good. Meridian unknown
1946043544Paris: Editions Pierre Tisne 1946. 1st Edition 1st Printing. Hardcover. Very Good/Good. Color Plates Tipped In; B/W Plates. 13 1/4" X 10 1/4" Large Format Beige Hardcover. First Printing. Very Good Lightly Used No Marks In Dj With Some Wear And A Few Chips No Loss Of Lettering. <br/> <br/> Editions Pierre Tisne hardcover
190186408s. l. 1901. Fine. I never stopped saying those who denigrate Mozart do not understand music s. l. 6 Février 1901 11.50 x 17.50 cm quatre pages sur un feuillet et une enveloppe Autograph letter signed by Camille Saint-Saëns to the essayist musicologist and music critic Adolphe Boschot. 43 lines written in black ink on a double leaf edged in black. Transverse fold inherent to the mailing with slight tears to the ends envelope enclosed in Saint-Saëns's hand to Boschot's address at 71 rue de Grenelle. Note in pencil from a previous bibliographer on the back of the envelope. Saint-Saëns wrote this wonderful demonstration of reverence for the Salzburg composer in 1901. That same year his friend Boschot the recipient of this letter was playing Mozart's chamber music at his home at 71 rue de Grenelle. The composer apologized for his absence: ""It's not my fault that in spite of my objurgations the earth refuses to stop in its course around the sun; for the 65th time I am witnessing this gyratory movement and the public performance of pieces of music on the piano is no longer my prerogative. Besides your sessions finish before the end of March and I won't be back until April 1st so I won't even be able to attend"". In his youth it was precisely as an interpreter of the divine artist that the prodigy Saint-Saëns had earned the nickname ""little Mozart"". In the letter he congratulates Boschot the author of a study entitled ""La Lumière de Mozart"" for his defense of the composer whom he himself had supported against the advice of the majority: ""Believe me I regret it and I'll be very happy to see that someone is taking care of getting the public to follow Mozart's path again. Thirty years ago the advanced party wanted to declare war on him so I defended him and never stopped saying those who denigrate Mozart don not understand music. Allow me to recommend his little-known motets with orchestra including the famous Ave Verum."" He ends the letter with a fine analysis of the composer's style: May we learn from listening to Mozart that there is more to music than sensations and nervous vibrations and that delicate artistry and purity of form are things not to be scorned. An exceptional expression of admiration and respect from one musical genius to another. unknown
190126245Paris: A. Durand PN D. & F. 5927 1901. Large octavo. Quarter contemporary red calf with flexible textured red cloth boards rules and titling gilt to spine marbled endpapers. 1f. frontispiece illustration of the final scene of the opera by Berthaud after G. Rochegrosse i title i printer's statement 1f. named cast list for the first performance 1f. table of contents 1f. illustration of the Théatre Antique d'Orange by Bertraud iv summary of the opera 291 i blank pp. Text in French.<br /> <br /> Printer's notes to lower margins of cast list and final page. <br /> <br /> Binding slightly worn rubbed and bumped; tail of spine lacking; upper board partially detached; joints split. Slightly browned; some corners slightly creased; occasional light soiling and staining to blank margins not affecting music. First Edition. Ratner II p. 254.<br /> <br /> The première of Les Barbares at the Opéra in Paris on 23 October 1901 was a great success. "Live oxen were brought on stage in an ensemble and gave the management many problems of housing and feeding during performances." Debussy famously criticized the opera as being a vehicle unworthy of the composer's talents. Brian Rees in Camille Saint-Saëns: A Life p. 348. A. Durand [PN D. & F. 5927] unknown
190925989Paris: A. Durand & Fils PN D.S. & Cie. 3083 1909. Large octavo. Original publisher's polychrome decorative wrappers with British coat of arms to upper. 1f. decorative title by L. Denis with coat of arms printed in green gold and black 1f. printed dedication to "Monsieur Vaucorbeil Directeur de l'Académie Nationale de Musique 1f. named cast list printed in red and black 1f. table of contents 384 pp. Partially uncut pp. 337-340 unopened. Text in French.<br /> <br /> Publisher's handstamps "Durand & Cie. Net: 75 Frs."; "AD" monogram to free endpapers. Cast list includes the names of the singers for the opera's first performance.<br /> <br /> Wrappers slightly worn and soiled; spine reinforced with transparent tape and slightly lacking at head. Very slightly browned; margins with occasional light foxing and wear not affecting music; small tear to outer margins of pp. 139-140. A very good copy overall. Third version later issue. Ratner II 291 p. 134. Lesure II p. 152.<br /> <br /> Henry VIII to a libretto by Léonce Détroyat and Armand Silvestre was first performed at the Paris Opéra on 5 March 1883.<br /> <br /> "Despite Saint-Saëns' care for authenticity of period and place the music's strongest impression is of a tightly constructed score with vocal and orchestral resources skilfully deployed especially in the confrontation scenes. After Samson et Dalila this was his most successful opera widely performed in the composer's lifetime often in a reduced three-act version that simply omitted Act 3; Saint-Saëns refused to make the reductions the Opéra demanded." Hugh Macdonald in Grove Music Online. A. Durand & Fils [PN D.S. & Cie. 3083] unknown
1984Q-0486245845Dover Publications 1984-01-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
191088499Paris: Durand & Cie 1910. Fine. Durand & Cie Paris 1910 22.5 x 30.5 cm Broché sous étui First edition of the vocal and piano score of the opera Déjanire by Camille Saint-Saëns. A few pencil annotations in the margins of certain staves. Our copy is presented in a 3/4 shagreen clamshell box spine with five raised bands framed by gilt garlands and decorated with gilt fleurons gilt lettering at foot of spine: ""Inscribed by composer"". Boards endpapers and pastedowns in marbled paper. Spine of the box slightly faded. Inscribed dated and signed by Camille Saint-Saëns to music critic Edouard Beaudu. Saint-Saëns presented this copy to Edouard Beaudu a journalist writing for the Intransigeant who would later publish a glowing review of Durand & Cie hardcover
191028600Paris: Durand & Cie D. F. 7747 1910. Quarto. Full textured dark red flexible cloth boards titling gilt to spine. 1f. dedication 1f. notes on first performance and cast list 1f. contents 213 i blank pp.<br /> <br /> Manuscript notes in pencil recording the cast of the performance at the Paris Opéra on 22 November 1911 under André Messager the 16th performance of the work in Paris. <br /> <br /> Binding slightly worn; joints partially split; endpapers browned. Uniform light browning; some signatures split. Lacking title. First Edition. Ratner II p. 318. [Durand & Cie] [D. F. 7747] unknown
1989BN53183Coppenrath F 1989. Leinen. hinterer Buchdeckel fleckig - angeschmutzt sonst sehr gut erhalten! Coppenrath, F unknown
1996__9051839782Rodopi 1996. Paperback. New. 273 pages. French language. 8.30x5.80x0.90 inches. Rodopi paperback
19969051839782Brill 1996. New. <p><strong>Author:</strong> Anne E. McCall Saint-Saëns</p><p><strong>Publisher:</strong> Brill</p><p><strong>ISBN:</strong> 9789051839784</p><p><strong>Release Date:</strong> 1996</p><p><strong>Languages:</strong> French</p><p><strong>Binding:</strong> Paperback</p><p><strong>Number Of Pages:</strong> 276</p><p><strong>Details:</strong> No detailed description available for ""De l'être en lettres"".</p> Brill paperback
