Ravel maurice

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RAVEL Maurice 1875 1937ABAA

Introduction and Allegro 2 pianos

Ravel Maurice. 1875 1937 Monteux Pierre. 1875 1964ABAA

Daphnis et ChloÃ© - SIGNED AND INSCRIBED BY MONTEUX

191013796Paris: Durand & Cie 1910. First. Used; Like New/Used; Like New. Piano score to Ravel's ballet in three scenes signed and inscribed opposite the title page by Pierre Monteux who conducted the work's premiere in 1912. He has boldly signed and inscribed to his sister-in-law Hilda Davis wife of bandleader Meyer Davis: "As the creator of this score whose name has been omited sic -- I do not know why!! I am going to dedicate that copy to my dear sister in law Hilda Emery Davis with my love." Indeed although the names of the original dancers including Nijinksy as Daphnis choreographer Michel Fokine and scenery designer LÃ©on Bakst are all listed on the title page Monteux's name does not appear. A lovely inscription showing Monteux's characteristic good humor and charm! From the estate of Monteux's daughter Nancie Monteux Barendse. Â Upright folio. 10 x 13 inches 25 x 32.5 cm.Â 114 pp. PN D&F 7748. Softcover with light brown textured paper slipcovers printed in red and black in an elegant box bound in blue cloth. Some light wear to the edges of the box and slipcovers but the score itself in fine condition. Orenstein Ravel: Man and Musician p. 177.Â Ravel began work on the score in 1909 after a commission from Sergei Diaghilev. It was premiered at the ThÃ©Ã¢tre du ChÃ¢telet in Paris by his Ballets Russes on 8 June 1912.Â At almost an hour long Daphnis et ChloÃ© is Ravel's longest work. In spite of the ballet's duration four discernible leitmotifs give musical unity to the score. The music some of the composer's most passionate is widely regarded as some of Ravel's best with extraordinarily lush harmonies typical of the impressionist movement in music. Even during the composer's lifetime contemporary commentators described this ballet as his masterpiece for orchestra with Stravinsky hailing it as "one of the most beautiful products in all of French music." Monteux recorded the work later on with the London Symphony in 1959. Durand & Cie hardcover books

Schubertiade · États-Unis2 500,00 $US≈ 2 115,25 €

RAVEL Maurice 1875 1937ABAA

L'Heure Espagnole ComÃ©die Musicale en Un Acte PoÃ¨me de Franc-Nohain. Partition pour Chant et Piano Transcrite par l'Auteur. Piano-vocal score

190823071Paris: A. Durand & Fils PN D. & F. 7073 1908. Small folio. Half mid-tan calf with marbled boards original publisher's wrappers printed in black and red bound in. 1f. blank 1f. title printed in red and black 1f. printed dedication "Ã€ Madame Jean Cruppi Hommage de respectueuse amitiÃ© Maurice Ravel" 1f. cast list i index ii performance notes 114 pp. With an autograph inscription signed by Ravel to dedication leaf: "et Ã G - Jean - Aubry en moins respectueuse amitiÃ© Maurice Ravel." Wrappers browned and very slightly defective. Slightly worn and browned; small tear to head of dedication repaired; small publisher's monogramatic handstamp to lower edge of verso of last page; contemporary newspaper clippings to recto of blank leaf preceding title with synopsis and review of the work by Gabriel FaurÃ©. First Edition. Orenstein: Ravel Man and Musician p. 228. L'Heure Espagnole was first performed in Paris at the OpÃ©ra Comique on May 19 1911 to a libretto closely based on the play by Franc-Nohain. Madame Jean Cruppi the dedicatee convinced the director of the OpÃ©ra-Comique Albert CarrÃ© to stage the work in spite of its risquÃ© story line. "In a letter of 17 May 1911 two days before the premiÃ¨re Ravel wrote: 'What I've tried to do is fairly ambitious: to breathe new life into the Italian opera buffa: following only the principle . the French language like any other has its own accents and inflections of pitch.' At the same time he referred to Musorgsky's Zhenit'ba 'The Marriage' as the work's only real ancestor. It also forms part of a larger group of Spanish works that spanned Ravel's whole career and the necessary Spanish colouring provided him with a reason for a virtuoso use of the modern orchestra which he felt was 'perfectly designed for underlining and exaggerating comic effects'." Roger Nichols in Grove Music Online. Indeed composer-writer Reynaldo Hahn somewhat critically referred to Ravel's technique as "a sort of transcendent jujitsu." Noted music critic Georges Jean-Aubry 1882-1949 "belonged to a circle of avant-garde musicians and littÃ©rateurs and was a frequent contributor to periodicals. Encouraged by his 20-year friendship with Debussy he wrote enthusiastically in support of contemporary French composers noting similarities between their music and that of the 18th century Couperin Rameau. He wrote perceptively in praise of Spanish composers Falla Granados AlbÃ©niz but rejected German Romanticism as expressed in the works of Wagner and Strauss." Grove Music Online. A. Durand & Fils [PN D. & F. 7073] unknown books

J & J Lubrano Music Antiquarians LLC · États-Unis3 850,00 $US≈ 3 257,48 €

Ravel maurice

Introduction and Allegro 2 pianos

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Introduction and Allegro 2 pianos

ALBORADO DEL GRACIOSO; Piano

A Ravel Reader; Correspondence Articles Interviews/ Compiled and edited By Arbie Orenstein

Rapsodie Espagnole. a mon cher Maitre Charles de BÃ©riot. Full score

A la maniÃ¨re de . 2Ã¨me sÃ©rie . Prix net 3.50 frs

COMOEDIA ILLUSTRE: 20 May 1914 No. 16

Daphnis et ChloÃ© - SIGNED AND INSCRIBED BY MONTEUX

L'Heure Espagnole ComÃ©die Musicale en Un Acte PoÃ¨me de Franc-Nohain. Partition pour Chant et Piano Transcrite par l'Auteur. Piano-vocal score

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