Ravel maurice

51 résultats

Trier parPrix croissant

Pertinence Auteur A - Z Auteur Z - A Titre A - Z Titre Z - A Prix croissant Prix décroissant Libraire A - Z Libraire Z - A

Par page25

25 50 100

Filtres

Maurice RavelBiblio.com

Sviatoslav Richter in Prague ~ Liszt: Etudes D'Execution Transcendante Nos. 1 2 3 5 11 / Ravel: Valses Nobles et Sentimentales - Miroirs

RAVEL, Maurice 1875-1937Biblio.com

Le Tombeau de Couperin 6 pièces pour piano deux mains

191841086Paris: Durand PN 9569 1918. Folio. Original publisher's light green printed wrappers with "Prix net : 7 francs" to upper. 1f. recto title verso blank i index 32 pp. 1f. publisher's catalogue "Durand et Cie 4 Place de la Madeleine Paris . Musique Moderne de Piano" with thematic index including approximately 5-10 measures of each piece advertised. With "Imp. Mounot Nicolas Paris" to foot of upper wrapper. With fine title page illustration designed by the composer. Publisher's handstamp and "120" in contemporary manuscript to lower outer corner of upper wrapper. Annotation in pencil to head of p. 24 the first page of the sixth movement Toccata "Technique lumineuse." Lacking lower wrapper; upper detached and slightly worn with small tears to edges. Minor internal wear and browning; small loss to lower inner corner of title; occasional very minor chips and edges tears; some corners slightly creased. First Edition later issue. Hirsbrunner 90. Orenstein p. 256. Ravel composed Le Tombeau de Couperin a suite for solo piano between 1914 and 1917. Each of the six movements which are based on those of a traditional Baroque suite is dedicated to the memory of a friend who had died in the first World War. Ravel orchestrated four movements of the work in 1919: Prélude Forlane Menuet and Rigaudon; the orchestral version was first performed in Paris by the Pasdeloup Orchestra under the direction of Rhené-Baton on 28 February 1920. "Ravel was one of the most original and sophisticated musicians of the early 20th century. His instrumental writing - whether for solo piano for ensemble or for orchestra - explored new possibilities which he developed at the same time as or even before his great contemporary Debussy and his fascination with the past and with the exotic resulted in music of a distinctively French sensibility and refinement. . In Le tombeau de Couperin Ravel's contemporary harmonic vocabulary Romantic pianistic gestures especially in the Prélude and Toccata and prominent use of the major 7th notably in the refrain of the Forlane are superimposed onto 18th-century forms rhythms cadences and ornamentation. In preparation for composing the suite Ravel transcribed a forlane from Couperin's Concerts royaux in the spring of 1914 and there are clear musical parallels between it and the corresponding movement in Le tombeau. This perhaps weakens the claim that the work is more of a homage to 18th-century French music in general than to any particular work of Couperin though no specific models have been found for the other movements. In celebrating Couperin Ravel was responding to a more general resurgence of interest in the golden age of Louis XIV." Barbara L. Kelly in Grove Music Online. Durand [PN 9569] unknown

J & J Lubrano Music Antiquarians LLC · États-Unis58,00 $US≈ 49,07 €