RAVEL, Maurice and Alfred CasellaBiblio.com
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191434522Paris: A.Z. Mathot PN Z. 729-732 M. 1914. Folio 355 x 270 mm. Original publisher's green wrappers with titling printed in dark green. 1 title 2-15 i publisher's advertisement pp.<br /> <br /> With printed dedication to Ida & Cipa Godebski at head of title.<br /> <br /> Ex libris the American concert pianist Mario Feninge 1923-2016 with his initials and "Paris fevrier 1948" to head of title in his hand. <br /> <br /> Lower wrapper lacking; upper detached faded and chipped; handstamps to title "Nouveau prix 50 frs" and "233." First Edition. Scarce. Orenstein p. 232. A.Z. Mathot [PN Z. 729[-732] M.] unknown
19922091202132702564Kadokawashoten 1992. Soft Cover. Fine. The book is in fine condition. Kadokawashoten paperback
1995Q-081517148XMosby 1995-01-15. Paperback. New. In shrink wrap. Looks like an interesting title! Mosby paperback
1984Q-0815170971Year Book Medical Publishers 1984-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Year Book Medical Publishers paperback
1984180815002Year Book Medical Publishers 1984-01-01. 4th. Paperback. Like New. Year Book Medical Publishers paperback
19780047081978. Soft Cover. Good. Publisher: Year Book Medical Publishers 1978 Good Soft Cover ISBN: 0-8151-7096-3 cover wear/scuff marks paperback
197011103Signed: Editions Durand & C. Very Good. 1970. Softcover. SIGNED by noted pianist Eugene List on front cover. Book is firm in binding mild general shelf rubbing. Orchestra and piano score. Free of any markings not ex-library. ; 8vo 8" - 9" tall; 95 pages . Editions Durand & C paperback
1987203756Editions S.E.D.A 1987. Paperback. <b>Livre en français</b>. Couverture souple. Broché. 330 pages. Couverture légèrement défraîchie. <i>ref. 203756</i> Editions S.E.D.A paperback
1989Q-0486258262Dover Publications 1989-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
191026407Paris: A. Durand & Fils. Very Good- with no dust jacket. 1910. First Edition. Three-quarter leather. The spine is chipped at the ends. Hinges are tight and the contents are near-fine to fine. Text is in French. ; 4to 11" - 13" tall; 114 pages . A. Durand & Fils hardcover
196058052NY: Vantage Press 1960. First Edition. An uncommon novel about the lives of some Jewish men in the post-World War II era. 8vo. blue cloth in dust jacket; 309 pages. Very Good covers nice with few tiny tears head of spine; contents clean & tight; unused card pocket tipped to front pastedown; tiny chip head of spine d/j. Vantage Press unknown
196058053NY: Vantage Press 1960. First Edition. An uncommon novel about the lives of some Jewish men in the post-World War II era. 8vo. blue cloth in dust jacket. 309 pages. Very Good library stamped on dedication page; some skinning to endpapers; little reinforcing rear hinge; minor wear little rubbing & few short tears small library label base of spine d/j. Vantage Press unknown
198813146Random House Inc 1988. Hardcover. Very Good/Very Good. Karl W. Stuecklen. Gift quality. ISBN 0394570278 <br/> <br/> Random House Inc hardcover
1986Q-0793573041GS EDITION 5 1986-11-01. Paperback. New. In shrink wrap. Looks like an interesting title! GS EDITION 5 paperback
1988G0915181185I4N01Magical Publications 1988. Hardcover. Very Good. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Magical Publications hardcover
1993C4443EMI 1993-01-12. Audio CD. Like New. 4 CDs case liner and booklet all in Excellent condition. EMI unknown
1958blb01685<p>Paris: Durand & Cie 1958. 1st. Hardcover. Near Fine/Very Good. Beautiful book - the 1958 printing of the 1925 first edition. Half red cloth spine over gray & red marbled paper on boards. Book is tight square and totally free of all markings and flaws other than a faint gift inscription on the FFEP. Endpapers are gray. ""Nowhere is Maurice Ravel s ability to conjure up the world of a child more vividly revealed than in the web of fairytale and reality imagination and intense sensation that is woven through his opera L Enfant et les sortil�ges The Child and the Enchantments. The opera s libretto by the French novelist Colette was drafted following a commission from Jacques Rouch� the visionary director of the Op�ra de Paris. In mid-March 1916 Colette sent her sketch to Rouch� who offered it first to Paul Dukas and then to Stravinsky; barely a fortnight earlier Ravel had left for the Western Front as an army driver. That September Ravel serving somewhere near Verdun was offered the third refusal but although a copy of Colette s text was mailed it never reached him. Ravel finally received and accepted the commission only in the spring of 1917 and it was not until well after the end of World War One that he began work. Oh! Cher ami when oh when the Divertissement pour ma.petite-fille wrote Colette to Ravel in the summer of 1923. If he didn t get a move on this work that she had first conceived as a Divertissement for my daughter was going to turn into one for her granddaughter petite-fille instead. In the spring of 1924 with a premi�re for the new opera confirmed at the Th��tre de Monte Carlo rather than in Paris as originally foreseen Ravel seriously set to work on completing L Enfant.</p> Durand & Cie hardcover
1989mon0003303049Linguaphone 1989T. audioCD. New. 0.3937 6.7717 6.0630. Sealed in original plastic. Linguaphone unknown
1997Q-0486295915Dover Publications 1997-05-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
1997Atlantic-9780486298061Dover Publications 1997. Paperback. New. Dover Publications paperback
1997Atlantic-9780486298061Dover Publications 1997. Paperback. New. Dover Publications paperback
191841086Paris: Durand PN 9569 1918. Folio. Original publisher's light green printed wrappers with "Prix net : 7 francs" to upper. 1f. recto title verso blank i index 32 pp. 1f. publisher's catalogue "Durand et Cie 4 Place de la Madeleine Paris . Musique Moderne de Piano" with thematic index including approximately 5-10 measures of each piece advertised. With "Imp. Mounot Nicolas Paris" to foot of upper wrapper. <br /> <br /> With fine title page illustration designed by the composer. <br /> <br /> Publisher's handstamp and "120" in contemporary manuscript to lower outer corner of upper wrapper. Annotation in pencil to head of p. 24 the first page of the sixth movement Toccata "Technique lumineuse."<br /> <br /> Lacking lower wrapper; upper detached and slightly worn with small tears to edges. Minor internal wear and browning; small loss to lower inner corner of title; occasional very minor chips and edges tears; some corners slightly creased. First Edition later issue. Hirsbrunner 90. Orenstein p. 256. <br /> <br /> Ravel composed Le Tombeau de Couperin a suite for solo piano between 1914 and 1917. Each of the six movements which are based on those of a traditional Baroque suite is dedicated to the memory of a friend who had died in the first World War. Ravel orchestrated four movements of the work in 1919: Prélude Forlane Menuet and Rigaudon; the orchestral version was first performed in Paris by the Pasdeloup Orchestra under the direction of Rhené-Baton on 28 February 1920. <br /> <br /> "Ravel was one of the most original and sophisticated musicians of the early 20th century. His instrumental writing - whether for solo piano for ensemble or for orchestra - explored new possibilities which he developed at the same time as or even before his great contemporary Debussy and his fascination with the past and with the exotic resulted in music of a distinctively French sensibility and refinement. . In Le tombeau de Couperin Ravel's contemporary harmonic vocabulary Romantic pianistic gestures especially in the Prélude and Toccata and prominent use of the major 7th notably in the refrain of the Forlane are superimposed onto 18th-century forms rhythms cadences and ornamentation. In preparation for composing the suite Ravel transcribed a forlane from Couperin's Concerts royaux in the spring of 1914 and there are clear musical parallels between it and the corresponding movement in Le tombeau. This perhaps weakens the claim that the work is more of a homage to 18th-century French music in general than to any particular work of Couperin though no specific models have been found for the other movements. In celebrating Couperin Ravel was responding to a more general resurgence of interest in the golden age of Louis XIV." Barbara L. Kelly in Grove Music Online. Durand [PN 9569] unknown
1997Q-048629806XDover Publications 1997-07-10. Paperback. New. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
1997Q-0739063812Alfred Music 1997-03-01. Paperback. New. In shrink wrap. Looks like an interesting title! Alfred Music paperback
192686618Montfort l'Amaury 1926. Fine. ""Pas le temps de bien entendre les mélodies grecques qu'il interprétera aussi bien sans mes indications d'ailleurs"" ""No time to properly hear the Greek melodies which he will interpret just as well without my indications anyway"" Montfort l'Amaury 9 novembre 1926 13.50 x 10.40 cm une page Autograph letter dated and signed by Maurice Ravel 2 pages on a cardboard note with letterhead bearing his monogram and his address ""Le Belvédère Montfort l'Amaury S.& O."" The composer preparing to leave for Switzerland puts his affairs in order and addresses various directives to his correspondent. The year 1926 had seen the birth in Paris of l'Enfant et les Sortilèges his celebrated lyrical fantasy on a text by Colette. Ravel receives ""une lettre de Bochie"" ""a letter from Bochie"" - patriotism never being far away! - and recommends one of the airs from his work: ""Je sais qu'on m'y demande des mélodies pour une Koloratur soprano l'air du Feu s'impose"" ""I know that they are asking me for melodies for a Koloratur soprano the Fire's aria is essential"" . ""S'il y faut de la dédicace on la remettra à mon retour"" ""If a dedication is needed it will be done upon my return"". He peppers his note with some humorous touches: ""2 reçus que j'ai oublié de laisser hier au bureau car je n'y étais pas passé uniquement pour l'apéro"" ""2 receipts that I forgot to leave yesterday at the office since I hadn't gone there solely for the aperitif""; ""une lettre du Courrier Musical : s'il n'y avaient pas ajouté un timbre je ne vous aurais même pas prié de leur répondre"" ""a letter from Courrier Musical: if they hadn't added a stamp I wouldn't even have asked you to reply to them"". His final lines are about the tenor Warnery who performed the Clock and the Cat at the creation of l'Enfant et les Sortilèges in Monte-Carlo a year earlier: ""Je crois que Warnery vient en novembre au bureau et vous prierai de lui demander à lui aussi s'il est utile que j'envoie les directeurs de Genève. Priez-le de m'excuser c'est effrayant ce que j'ai à faire avant mon départ. Pas le temps de bien entendre les mélodies grecques qu'il interprétera aussi bien sans mes indications d'ailleurs"" ""I believe that Warnery is coming to the office in November and I will ask you to ask him too whether it is useful for me to send to the directors in Geneva. Please ask him to excuse me it's frightening what I have to do before my departure. No time to properly hear the Greek melodies which he will interpret just as well without my indications anyway"". Charming and aesthetic letter from the composer featuring important compositions for voice and orchestra. unknown
