4 résultats
1900450687Paris : A. Leduc 1900. First Edition. Hardcover. Good copy in the original leather-backed marbled boards with gilt-blocked title to spine. Spine bands and panel edges somewhat dust-toned and rubbed as expected with age. Minor foxing to prelims and edges otherwise internally clean with occasional light creasing. Binding tight. Remains well-preserved overall. Series; Edition Bijou: chefs d'oeuvre des grands maîtres opéras célèbres 18. Physical description; 1 vocal score 159 pages ; 21 cm. Subjects; Operas Vocal scores with piano. Paris : A. Leduc hardcover
184336799Paris: Mme Ve Launer PN Vve. L. 3379 1843. Large octavo. Quarter dark green calf with marbled boards raised bands on spine in decorative compartments gilt titling gilt marbled endpapers. 1f. title within decorative border incorporating the names of 8 composers verso cast list and "Table Thèmatique 1f. "Notice" extracted from Grétry's Memoires 120 pp. Engraved. <br /> <br /> Binding very slightly worn rubbed and bumped. Browned throughout; several leaves partially detached and slightly frayed at inner edges. "This version of the Beauty and the Beast story was created from two literary sources: the substance of the story is from La belle et la bête by Jeanne Marie Le Prince de Beaumont and the names and the setting from Amour pour amour a verse play by P. C. Nivelle de La Chaussée 1742 . Recognized immediately as Grétry's best as well as largest work to date Zémire et Azor had immense international success it was given at the King's Theatre London in 1779. The text was also used in settings by Linley the elder 1776 Gotthilf von Baumgarten 1776 and Spohr 1819. Grétry's music ranges widely in character and function and uses special instrumental effects in Acts 3 and 4. Mozart owned a copy of the score." David Charlton in Grove Music Online. Mme Ve Launer [PN Vve. L. 3379] unknown
1855HAY329251855 à 1859. Paris D. Giraud et J. Dagneau Libraires-Éditeurs - A La Librairie Théatrale - Michel-Lévy Frères Libraires-Éditeurs - Librairie Nouvelle A. Bourdillat et Cie Éditeurs . relié pleine toile verte. Mors légèrement fendus sur 1 cm. en tête ; couverture frottée et en partie insolée surtout le dos avec aussi des taches éparses ; rousseurs faibles et éparses surtout localisées sur certaines pages ; une tache d'encre en marge d'une page sinon reliure solide et intérieur frais. fort in-12. dos lisse orné de quelques filets dorés du titre 'Théâtre" et d'un numéro "5" également dorés avec la liste des Auteurs et des Titres manuscrits à l'encre sur la première garde. unknown
182029816Zwikau: Schumann 1820. 185 x 120 mm. plus good margins. Printed on wove paper within an octagonal border.<br /> <br /> Grétry is depicted in later life; the present portrait was quite possibly done from life. "Grétry made decisive contributions to the scope and style of the 18th-century opéra comique and to technical aspects such as musical 'local colour' and the design of overtures. His opéras comiques and recitative comedies for the Paris Opéra enjoyed unparalleled success in the 20 years up to the French Revolution. It is hard to imagine the evolution of opéra comique and Romantic opera in general without the part played by his works." M. Elizabeth C. Bartlet and David Charlton in Grove Music Online. Schumann unknown