71 résultats
1882000829Esslingen Bei Stuttgart: J. F. Schreiber 1882. Hardcover. Very Good. Folio. Seventh edition. Pages are 13 by 9 inches. 30 double paged plates which are about 18 by 13 inches of plants flowers trees fruits nuts mushrooms. 12 pp of text. Plates are magnificent and frameable quality. Book is tight and pages clean with typical and inevitable toning given the paper stock which is not commensurate with the beauty of the illustrations as was the case with all the Schreiber plate books of this era. Minor soilage on cover illustrated paste down -- illustration is still bright. Some shelfwear to boards. Small tear in upper right corner of title page where there had been a stamp mark of some kind. Overall a very good if not better copy. J. F. Schreiber hardcover
184453449Vienna: A.O. Witzendorf 1844. Second Edition. Paperback. Very good. 13 x 10 1/2 inches. 25 pages. Contains Polonaises 1-6. Printed from the engraved plates used by Cappi & Czerny to print the first edition in 1826. Witzendorf acquired the plates in 1844 and printed this edition. Condition is Very Good; The plate used to print the cover had some wear so some words are faint however the plates used to print the music were not worn and the music is very clear and legible and has no markings. Stamp in purple in at bottom of cover "Verlag von F.E.C. Leuckart Leipzig". RGR Case A.O. Witzendorf paperback
185078244c.1850. Wessel & Co. C. Jeffereys et al. London. No date circa 1850. A collection of sheet music - songs airs and dances arranged for the pianoforte bound in half green calf gilt. Large 4to. Marbled endpapers. Many illustrated front covers including one coloured chromo-litho. Extremities rubbed pages browned otherwise a clean and sound copy. unknown
1875456451London : Cramer Beale & Co. ; R. Cocks & Co. ; T. Boosey & Co. ; Chappell ; etc 1875. First Edition. Hardcover. Good copy only in contemporary half maroon leather over marble boards with surface loss to the marbled coverings on the bottom portion of both boards. Gilt-blocked titles and compartment decorations to spine with raised bands. Panel edges spine bands and joints somewhat rubbed. Marbled edges somewhat dust-dulled and faded. Binding starting to separate along the bottom in one location before the first composition ""Home Sweet Home Polka"" but holding at the top. Text otherwise tight throughout and clean with marginal dust-dulling only. An internally strong and very serviceable copy overall. Physical description; 1 volume in various paginations : music ; 35 cm. Notes; A bound collection of engraved sheet music for piano published in London c.1850-1875. Contains popular dances and operatic arrangements of the period including: Madame Oury's 'Home sweet home' polka with illustrated title page; Camille Schubert's quadrille 'Les joyeux enfants de Paris'; Rudolph Nordmann's piano duet arrangement of Donizetti's tyrolienne 'In questo semplice'; Adolph Marschan's 'Alpenlieder' waltz; Charles d'Albert's 'Faust' waltz for piano four-hands; and others. Subjects; Piano music - 19th century - Scores Dance music - England - 19th century - Scores Waltzes - Scores Polkas - Scores Quadrilles - Scores Operas - Excerpts Arranged - Scores Sheet music - England - London - 19th century. London : Cramer, Beale & Co. ; R. Cocks & Co. ; T. Boosey & Co. ; Chappell ; [etc] hardcover
186351245Odense Hempelske Boghandel 1863. Folio. Samtidigt sort halvlæderbind med titelblad påklistret forpermen. Øvre del af planche 13-30 med vandskjold. En smule gennemgående misfarvning. 17 pp. 30 håndkolorerede plancher. <br/><br/><em>Dansk udgave af Schuberts "Naturgeschichte der Vögel in Bildern. 1854." og med de samme plancher.Danish translation of Schuberts "Naturgeschichte der Vögel in Bildern. 1854.". Reproduced with the same plates. </em> unknown
1817467051817. Leipzig H. Reclam 1817 8° IV 437 1 pp. feiner marmorierter Pappband mit k und Rückenvergoldung; minimal fleckig. Seltene erste Ausgabe! Gotthilf Heinrich von Schubert 1780-1860 siehe - Kayser V 166; Callisen XVII 351; Hirsch/H. V 149; Ziegenfuß II 493; ADB XXXII 634. Bis auf Kayser alle irrtümlich 1816. unknown
18188817BB1818. Dritte vermehrte Ausgabe. St. Petersburg Kaiserl. Akademie der Wissenschaften 1818. 2 gef. Taf. 2 Bll. 92 S Halblederband der Zeit mit goldgeprägtem Rückentitel und Grünschnitt berieben Kanten etwas bestoßen Ecken und hinterer Deckel teils beschabt mit alt mont. Bibliotheksschilder. Die Tafeln mont. auf festem Papier in sehr schöner Erhaltung. Innendeckel mit mont. Einstecklasche. Titelseite mit hs. Transkription des Titels in Bleistift. Titel gestempelt und mit hinterlegten bzw. überklebten Stellen kein Textverlust. Sonst innen sehr sauber und gut erhalten. unknown
181845243Dresden Arnoldischen Buichhandlung 1818. Uncut in orig. blue wrappers part of printed titlelabel preserved. VI410 pp. and 2 large folded astronomical plates. One plate with a small tear no loss and a faint dampstain to plates Textleaves clean. <br/><br/><em>Scarce enlarged edittion of Schubert's anti-materialistic treatise. He was influenced by the Nature philosophy of Schelling and reacted strongly against a purely materialistic approach to the sciences. He expressed this in his early work Ansichten von der Nachtseite der Naturwissenschaften 1808. Schubert Gotthilf Heinrich von Hohenstein Saxony 1780-1860 Laufzorn Bavaria abandoned the study of theology at Leipzig University and turned to medicine and the natural sciences moving later to Jena. In 1819 was appointed to the chair of natural sciences at Erlangen University. In 1827 he moved to Munich University becoming a member of the Munich Academy. He was ennobled in 1853. </em> unknown
1850007598Paris France: LIBRAIRIE FRANCAISE ET ETRANGERE 1850. Book. Very Good. Hardcover. 1st Edition. First Edition n.d circa 1850. original illustrated boards with bumping marks and creasing. 30 plates I-XXX all present each A3 approx double pages superb colour illustrations and in excellent condition. Uncommon. LIBRAIRIE FRANCAISE ET ETRANGERE Hardcover
184018873Stuttgart: J. F. Steinkopf 1840. Fourth edition Ausgabe No. 4. Softcover. g to vg. Four volumes oblong quarto. Unpaginated. 18 21 20 23 leaves. Original printed wrappers. Volumes housed in a modern custom-made red cloth clamshell box with gold lettering on spine. Striking collection of 40 tissue-guarded engravings depicting views of important places mentioned in scripture and drawn from nature by Johann Martin Gernatz. Each plate measures appr. 6 1/2 x 9 2/8" and is accompanied with an original text by Gotthilf Heinrich von Schubert. Due to a printer's error the last plate mentioned in the first volume Berg Tabor is instead in the second volume. All plates are present including the large 3-page fold-out panoramic view of Mount Sinai. Sporadic rubbing and minor creasing along edges of wrappers. Some closed tears to spines. Minor and sporadic foxing throughout. Fold-out detached but present. Text in German. Clamshell box in overall very good wrappers in fair to good interior in good to good plates in very good condition. Gotthilf Heinrich von Schubert 1780-1860 was a "German physician and naturalist who began his studies with theology but turned to medicine and established himself as a doctor in Altenburg Saxe-Gotha-Altenburg. He soon gave up his practice however and devoted himself to research in Dresden. He gave renowned lectures on fringe science animal magnetism clairvoyance and dream and in 1819 he occupied the chair in natural history in Erlangen where he studied botany forestry mineralogy and geognosy. In 1827 he moved for the last time to Munich where he was appointed professor; it was here that the highly popular and friendly Schubert found an embittered opponent in Lorenz Oken. Schubert aimed to create a religiously-grounded interpretation of the cosmos. His masterpiece "Symbolism of Dreams" 1814 was one of the most famous books of its time exercising influence over E. T. A. Hoffmann and even Sigmund Freud and C. G. Jung. Schubert advocated an ecumenical "awakened Christianity" which found evidence for God both in Nature and in the human soul. Synthesising the Bible with the philosophy of Schelling he was a major figure in the "later Enlightenment". In his "History of the Soul" 1830 Schubert again attempted to fuse the philosophy of Herder and Schelling with the Christian tradition." From Wikipedia. J. F. Steinkopf unknown
183931686Stuttgart: J.F. Steinkopf'sche Buchhandlung L. Hänel 1839. First edition. Hardcover. g. Oblong folio. Unpaginated. 3/4 cloth over marbled paper covered boards. Vignette on title page. Remarkable work on the land of the Bible exquisitely illustrated with a large fold-out panorama of Mount Sinai and 40 fine lithographs of biblical landscapes and monuments drawn from nature by J. M. Gernatz . Each plate is protected with a colored tissue guard and measures 9" x 12.5" image: 6.5" x 9". Moderate shelf wear. Tiny abrasion and minor scratches on covers. Previous owner's stamp on inside of title page. Moderate and sporadic foxing throughout. Text in German. Binding and interior in overall good condition. J.F. Steinkopf'sche Buchhandlung (L. Hänel) hardcover
18904619Eßlingen und München: Verlag von J. F. Schreiber 1890. First edition. 16 pages of text 1 sheet of contents and 30 double-page picture plates in full colour print. Red linen spine with lithographed front cover. In very good condition with a touch of marking and rubbing only. Slight bumping to the corners. Small area to the front cover with an old tape repair not particularly noticeable. Inside the thirty plates are in very good condition. Slightly darkened to the edges only. The plates are held in the binding by hinges and a few of the plates have been re-set / reinforced in position. Overall an excellent example. 320 by 210mm 12½ by 8¼ inches. Intended for the visual instruction of young people in schools and families. From the series: "Naturgeschichte des Tier- Pflanzen- und Mineralreichs in kolorirten Bildern nebst erläuterndem." . Première édition. 16 pages de texte 1 table des matières et 30 doubles pages de photos en couleurs. Dos en lin rouge et couverture lithographiée. En très bon état avec quelques marques et frottements seulement. Les coins sont légèrement abîmés. Une petite zone sur la couverture avant avec une ancienne réparation de ruban adhésif pas particulièrement visible. A l'intérieur les trente planches sont en très bon état. Légèrement assombries sur les bords seulement. Les planches sont maintenues dans la reliure par des charnières et quelques planches ont été remises en place / renforcées dans leur position. Dans l'ensemble il s'agit d'un excellent exemplaire. 320 x 210 mm 12½ x 8¼ pouces. Destiné à l'enseignement visuel des jeunes dans les écoles et les familles. De la série : "Naturgeschichte des Tier- Pflanzen- und Mineralreichs in kolorirten Bildern nebst erläuterndem." Verlag von J. F. Schreiber unknown
18405395542 pieces of music the first three pieces are by Mrs. Richard H. Rogers and are INSCRIBED to a Mr. Pratten former owner possibly by the composer next piece is by F.H. S. Pendleton and is SIGNED and dedicated by the composer to Mr. Pratten on title page the collection also includes four pieces by Austin Phillips and eight pieces by Franz Schubert - Ave Maria Sleepest thou fair maiden The Fisher-Maiden On mossy bank reclining The passing bell Calm as a child in its cradle reposing Weep not for friends departed plus Thro' the night's dark shadows steling with engraved front cover also includes Rosalie by Beethoven plus The Rose of Killarney by Collier/Lee Hurrah for the Emerald Isle by Diggs/ Hodson Una Furtiva Lagrima by Donizetti Kathleen Mavourneen by F. Nicholls Crouch Merrily merrily goes our bark by W. H. Grattann and more on reverse of one cover is a contemporary handwritten piece titled "Aria" "Adelaida" by "Alice" dated 1874 with a small colour illustration of a butterfly by the writer Published by S. J. Piggott; Cramer, Addison & Beale, et al. hardcover
183623491Wien: Ant. Diabelli und Comp. D. & C. No. 5848. 1836. Folio. Disbound. Pianoforte: i title 2-15 i blank pp.; Violino: i blank 2-7 i blank pp. Engraved. <br /> <br /> Former early owner's signature "Marie Bödeker" to lower right corner of title. Caption title of Violino part corrected in pencil from "No. 1" to "No. 2."<br /> <br /> Spine of Pianoforte part reinforced with paper tape but frayed; some creases to lower outer corners. Outer bifolium of Violino part partially detached. Both parts moderately foxed and soiled with edges browned and frayed; impression occasionally light. First Edition. Deutsch p. 232. Hoboken 14 499. Hirsch IV 615.<br /> <br /> The Pianoforte part includes the Violino part on a third cue-sized staff. Ant. Diabelli und Comp. [D. & C. No. 5848.] unknown
183623492Wien: Ant. Diabelli und Comp. D. & C. No. 5849 1836. Folio. Disbound. Pianoforte: i title 2-23 i blank pp.; Violino: i blank 2 7 i blank pp. Engraved. <br /> <br /> Fingering in pencil to first two measures of Violino part.<br /> <br /> Slightly worn and soiled; minor dampstaining to title of Pianoforte part; Violino part lacking pp. 3-6. First Edition. Deutsch p. 233. Hoboken 14 500. Hirsch IV 615.<br /> <br /> The Pianoforte part includes the Violino part on a third cue-sized staff. Ant. Diabelli und Comp. [D. & C. No. 5849] unknown
183223454Vienne: Ant. Diabelli et Comp. PN D. et C. No. 3537 1832. Oblong folio. Disbound. i title 2-31 i blank pp. Engraved. Edges colored in green.<br /> <br /> Foliation in manuscript in red crayon to upper right corners of rectos from "52" title to "66."<br /> <br /> Staining to inner portions of each leaf; some minor foxing and soiling. A later edition. Not in Deutsch. Hoboken 13 162. The first edition was published as "Grande Sonate" by Sauer & Leidesdorf in Vienna in 1823. <br /> <br /> "Schubert's most original contribution to the keyboard repertory is arguably his music for piano duet. Although familiar from the 18th century keyboard music for four hands was largely restricted to ephemeral pieces or utilitarian arrangements of orchestral works. Mozart invested the genre with more ambition but as with the lied it was Schubert who took a marginal genre and made it central. His earliest works for piano duet were three fantasies D1 9 48 while a modest rondo D608 from January 1818 and four polonaises D599 and a sonata D617 of Mozartian proportions composed in Zseliz during the summer of that year mark the beginning of Schubert's sustained interest in the genre." Maurice J.E. Brown Eric Sams and Robert Winter in Grove Music Online. Ant. Diabelli et Comp. [PN D. et C. No. 3537] unknown
184423502Wien: Ant: Diabelli und Comp: PN D. & C. No. 4014 1844. Oblong folio. Unbound. 1f. decorative series title printed in sepia: "Franz Schubert's nachgelassene musikalische Dichtungen für Gesang und Pianoforte. 14te Lieferung" i title i catalogue of series listing vols. 1-40 with note "Werden fortgesetzt" 3-11 i blank pp. Engraved.<br /> <br /> Slightly worn and soiled. First Edition later issue. Deutsch pp. 422 and 266. Not in Deutsch: Schuberts Goethe-Lieder. Hoboken 14 572. Hirsch IV 650. Heck 201.<br /> <br /> The first issue of the present edition was published in 1832. The present edition is the fourteenth of fifty installments in the series publication of which was not completed until 1850. <br /> <br /> Schubert notated the vocal part of D716 in the bass F clef but despite its low range Diabelli changed it to the violin G clef and added some variants at the upper octave to make it performable for higher voices. <br /> <br /> D. 450 exists in two versions; the present edition includes the second. The first version was not published until 1895 as part of the complete edition. The German translation from Aeschylus The Eumenides is by Johann Mayrhofer 1787-1836 a friend of the composer. Ant: Diabelli und Comp: [PN D. & C. No. 4014] unknown
183223489Wien: Ant. Diabelli & Comp. PN D. et C. No. 4105 1832. Oblong folio. Disbound with remnants of sewing. 1f. title 3-7 i blank pp. Engraved.<br /> <br /> Slightly soiled and foxed; spine reinforced with paper tape. A later edition. Formerly D. 868. Not in Deutsch. Hoboken 14 486. The first edition was published by Thaddäus Weigl in Vienna in 1830. <br /> <br /> The poem is by Ignaz Franz Castelli 1781-1862. Ant. Diabelli & Comp. [PN D. et C. No. 4105] unknown
183041090Wien: A. Diabelli & Comp: Graben No. 1133 PN 2451 1830. Oblong folio. Disbound. 1f. recto title verso blank i blank 4-7 pp. i blank pp. Engraved throughout. On wove paper without watermark.<br /> <br /> Slightly worn and foxed; minor ink stain to blank lower margin of title; small tear to blank lower outer corner of title repaired with archival tape to verso. First separate edition second issue. Deutsch 742 p. 447. Hirsch IV 545. Raab I p. 274 A-2.<br /> <br /> Der Wachteschlag The Quail's Song set to text by Samuel Friedrich Sauter was first published in 1822 in the periodical Wiener Zeitschrift fur Kunst Literatur Theater und Mode.<br /> <br /> "The only canonic Viennese composer native to Vienna Schubert made seminal contributions in the areas of orchestral music chamber music piano music and most especially the German lied. The richness and subtlety of his melodic and harmonic language the originality of his accompaniments his elevation of marginal genres and the enigmatic nature of his uneventful life have invited a wide range of readings of both man and music that remain among the most hotly debated in musical circles." Robert Winter Maurice J.E. Brown and Eric Sams in Grove Music Online. A. Diabelli & Comp: Graben No. 1133 [PN 2451] unknown
18334684AB1833. 2. verm. und verb. Aufl. Stuttgart und Tübingen J. G. Cotta 1833. 8 gef. 1 kol. lith. Taf. XXVII 962 S. Neuer Hldr.-bd. Ziegenfuß II493; Hirsch/H. V149; ADB XXXII634. - Gotthilf Heinrich Schubert 1780-1860 Schüler Schellings praktizierte in Altenburg Freiburg und Dresden. 1809-16 war er Direktor der Realschule in Nürnberg seit 1819 lehrte er Naturgeschichte an der Univ. Erlangen und seit 1827 in München. Er popularisierte die Naturphilosophie Schellings beeinflußte stark die deutsche Romantik und befaßte sich mit tierischem Magnetismus Hellsehen und Träumen. - Etwas gebräunt. Gelöschter Stempel auf Titel. unknown
1840400471840. Dritte verbesserte und vermehrte Auflage. - Leipzig F.A.Brockhaus 1840 8° VIIII 2 324 pp. Leinenband d.Zt.; St.a.Tit.; frisches Expl. Third and best Edition!. When he wrote this work of importance for the history of psychoanalysis the author was director of the Realinstitut in Nuremberg. In 1910 Wihelm Stekel in his article "Ueber den Gegensinn der Urworte" Zentralblatt für Psychoanalyse I p.63ff. showed that Freud must have read the passage in Schubert's book dealing with the ambivalence of words in dreams and concludes: "Der alte Schubert - man kann ihn ruhig als einen Vorläufer Freuds bezeichnen so tief ist er in manche Probleme der Traumdeutung eingedrungen". unknown
1840400461840. Dritte verbesserte und vermehrte Auflage. - Leipzig F.A. Brockhaus 1840 8° VIIII 2 324 pp. Pappband im Stil d. Zeit. Dritte und beste Ausgabe des erstmal 1814 erschienen Werkes. In seinem Werk 'Die Symbolik des Traumes' sagt Gotthilf Heinrich von Schubert 1780-1860 "wenn der Mensch eingeschlafen ist beginnt die Seele in einer «Bildersprache» zu sprechen im Gegensatz zur Wortsprache des Wachzustands. Es kann vorkommen daß beide Sprachen eine Zeitlang nebeneinander her fließen oder sich vermischen; aber im eigentlichen Traum bleibt nur die Traumbildersprache übrig. Sie ist eine «hieroglyphische» Sprache in dem Sinn daß sie viele Bilder oder Vorstellungen zu einem Gesamtbild zusammenfügen kann. Die Träume bedienen sich auch einer universalen Symbolsprache die bei allen Menschen auf der ganzen Welt gleich ist bei uns wie bei den «Wilden» auf Neuseeland und die ebenso für die Menschen vergangener Zeiten gilt wie für uns. Die Traumbildersprache ist «eine höhere Art von Algebra»; sie nimmt zuweilen politische Eigenschaften an manchmal ist sie ironisch wie z.B. in Träumen wo das Bild der Geburt in Wirklichkeit Tod bedeutet oder wo Exkremente Gold bedeuten. Nachts wird die menschliche Seele manchmal fähig Zukünftiges in Bildern vorauszusehen aber häufiger hat der Traum einen amoralischen und dämonischen Charakter weil die vernachlässigten verdrängten und vergewaltigten Aspekte der Persönlichkeit zum Vorschein kommen. Ähnlichkeiten zwischen den Konzepten: von SCHUBERT 'Ich-Sucht' - FREUD 'Narzißmus' von SCHUBERT 'Wandlungen im Lauf des Lebens' - C.G. JUNG 'Individuation' von SCHUBERT 'Todessehnsucht' - FREUD 'Todestrieb' von SCHUBERT 'Hieroglyphen' - FREUD 'Verdichtung' von SCHUBERT 'Universale Symbole' - FREUD 'Universale Symbole' - C.G. JUNG 'Archetypen'." Gotthilf Heinrich von Schuberet 1760-1860 war von 1819 bis 1827 Professur der Naturgeschichte an der Universität Erlangen danach an der Universität zu Erlangen. Er beeinflusste mit seinen Werken die Brüder Schlegel Kleist und E.T.A. Hoffmann. Ein Teil ihrer romantischen Dichtungen legt davon Zeugnis ab. Third and best edition on one of the leading works on dream before Freud. The philosopher G.H.Schubert 1780-1860 developed the idea that the language of the dream is wholly symbolical. He declared that when man has fallen asleep his mind starts thinking in a "picture language" in contrast to the verbal language of wacking life. Schubert's study of dreams was one of the sources for Freud's work on dreams and it is cited in his bibliography of his classical work on interpretation of dreams. H.F.Ellenberger Die Entdeckung des Unbewussten pp.291; Ziegenfuss II 493; Ellenbergr Discovery of the Unconscious pp.205-206; Leibbrandt-Wettly p.475; Laehr Gedenktage . pp.196-197; Wyss 33 unknown
181428dkHamberg 1814. Hardcover. Very Good/No Jacket. the boards are shelf worn with small tears. there is a small scar under the rear board the binding is excellent with no inscriptions. rare. copyright page dated 1814. the binding is excellent. Our orders are shipped using tracked courier delivery services. Hamberg hardcover
183623493Wien: Ant. Diabelli und Comp. D. & C. No. 5850 1836. Folio. Disbound. Pianoforte: i title 2-15 i blank pp.; Violino: i blank 2-7 i blank pp. Engraved. <br /> <br /> Handstamps to title: "Musikhaus W. E. Fuchs Leihexemplar Seiten gezählt vollständig blank" to upper left corner and "Musikalienhandlung W. E. Fuchs 16 Frankfurt a.M. Bleichstrasse 66a" and "C.A. André Musikalien-Handlung Zeil D70" "Frankfurt a.M" to foot; manuscript annotation in pencil to first blank page of Violino part: "Schubert 137 #3 Sonatine Violinstimme."<br /> <br /> Fingering bowing and articulation in pencil to first two movements of Violino part; indication in same hand to play second movement in 4/8 meter instead of 2/4. <br /> <br /> Slightly soiled and foxed; occasional dampstaining; spine of Pianoforte part reinforced with lower plain paper wrapper added; André handstamp slightly cropped. First Edition. Deutsch p. 244. Hoboken 14 501. Hirsch IV 615.<br /> <br /> The Pianoforte part includes the Violino part on a third cue-sized staff. Ant. Diabelli und Comp. [D. & C. No. 5850] unknown
18606779Munich: Literarisch-artistische Anstalt der F. G. Gotta'sche 1860. Fünfter unveränderter abbruct. mit einem anhange. Hardcover. Good. H. Sagert. 8vo. Pp. xiv 282. Frontis. portrait engraving. Brown cloth contrasting textured backstrip with titles stamped in gilt. Set in Fraktur. Board edges rubbed corners bumped and rubbed through spine chipped light foxing some leaves uncut/unopened. Memoirs of Duchess Helene of Mecklenburg-Schwerin Hélène Luise Elisabeth 24 January 1814 – 17 May 1858 compiled from her letters by her tutor who later became an eminent physician naturalist and professor at the University of Munich. After her 1837 marriage to Ferdinand Philippe d'Orléans at the Palace of Fontainebleau she introduced the tradition of the Christmas tree to the French. Among other curious aspects related to her life were her two sons: The eldest Philippe was later the Count of Paris and was hailed as Louis Philippe II by Royalists; the younger son Robert fought for the Union in the US Civil War. Literarisch-artistische Anstalt der F. G. Gotta'sche hardcover