SCHUMANN, Robert 1810-1856Biblio.com
43 résultats
189041110Leipzig: C. F. Peters PN 7018 1890. i series title within ornate architectural border printed in sepia 2-51 Symphony I Op. 38 52-107 Symphony II Op. 61 108-151 Symphony III Op. 97 152-189 Symphony IV op. 120 i thematic index pp. <br /> <br /> Bound with: <br /> Robert Schumann's Sämmtliche Werke. Quintett Op. 44 für Pianoforte zu 4 Händen arrangirt von Theodor Kirchner. Leipzig: C. F. Peters PN 7020 ca. 1890. i series title 2-45 i blank pp. <br /> <br /> With "J. Villant" in manuscript to upper outer corners of several leaves. Occasional annotations in pencil.<br /> <br /> Oblong folio. Half dark brown mottled calf with marbled boards spine in compartments gilt with titling gilt marbled endpapers.<br /> <br /> Binding slightly worn; head of spine chipped. Occasional small stains; some minor soiling to blank margins. "While best remembered for his piano music and songs and some of his symphonic and chamber works Schumann made significant contributions to all the musical genres of his day and cultivated a number of new ones as well. His dual interest in music and literature led him to develop a historically informed music criticism and a compositional style deeply indebted to literary models. A leading exponent of musical Romanticism he had a powerful impact on succeeding generations of European composers." John Daverio and Eric Sams in Grove Music Online. C. F. Peters [PN 7018] unknown
182442421Halle: Gebauerschen Buchhandlung 1824. First Edition. Octavo 21cm. Contemporary cloth-backed boards; xxii794pp. Shallow loss to cloth at crown; rubbing to boards and corners; still a straight sound copy Good or better. Text entirely in German. Meier 1796-1855 was a classical philologist and editor of the Allgemeine Litteraturzeitung as well as several other German philological journals. This prize-winning treatise on legal jurisprudence in classical Athens is his most enduring work remaining the standard study of the subject well into the 20th century see biographical entry in New International Encyclopedia 1922; also Allgemeine Deutsche Bibliographie on-line. Gebauerschen Buchhandlung unknown
18861399Leipzig: Brietkopf & Hartel 1886. Hard Cover. Very Good/none. Octavo. Zweite Auflage. Leipzig: Brietkopf & Hartel 1886. Very good or better cloth octavo. Red cloth with black blindstamped designs and gilt lettering. A beautiful exemplar with very little wear to the binding. “Leider weiss die Welt mehr von Schumanns Eigenheiten als von seinen Eigenschasten da er sich nur Wenigen nur seinen Liebsten denen aber ganz und rückhaltlos erschloss und so find uns als schönes Denkmal diese Briefe geblieben in denen sich der ganze Reichthum einer ideal angelegten mit Kraft und Energie ausgestatteten und den höchsten Zielen zustrebenden Jünglingsnatur offenbart.â€â€”Clara Schumann. Unfortunately the world knows more of Schumann’s idiosyncrasies than of his qualities . . . Brietkopf & Hartel hardcover
188707089C. F. Peters 1887. Unknown Binding. Acceptable. Pages clean with tanning except writing on title page some torn areas on cover and general wear from age. Softcover 144 pages C. F. Peters unknown
186030659AB1860. Leipzig Breitkopf & Härtel um 1860. Gr.-8°. 114 S. Halbleinenband der Zeit. Platten-Nr. V. A. 439. Mit Stempel und mit handschr. Widmung auf dem Titelblatt. Papier leicht gebräunt. Der Einband berieben. unknown
190023390London: Novello Ewer and Co 1900. Cloth. Very Good. 2 v 162 2 ads pages. 8vo. Publisher's original black pebbled cloth blank. Front endpaper lacking. Paper label of conductor B.J. Lang on front cover and title page. All edges gilt. Cloth. Conductor B.J. Lang's copy. He conducted this work at The Cecilia in Boston March 31 1892 copy of program laid in. Manuscript notations sporatically throughout presumably in his hand. "Ever since its founding in 1876 The Boston Cecilia has enjoyed a history remarkable for its many fine conductors. The great B.J. Lang in his 33 years of leadership established a pattern of introducing new works to Boston audiences alongside standard repertoire. Many of those unknown pieces joined the canon—the Bach Mass in B Minor and Brahms Requiem to name but two. Among his novel ideas and new pieces now forgotten Lang had the audacity to program Bach for a Victorian audience whose taste ironically found “antique†music decidedly old-fashioned. The Cecilia as it was then known has long held a central place in the performing arts in this city. Antonin Dvo ák led the chorus in Boston’s first performance of his Requiem in 1892. It premiered Beethoven’s Missa Solemnis here and later sang it under Max Fiedler at the dedication of Symphony Hall in 1900. Commissioned by countryman Serge Koussevitsky Igor Stravinsky composed his Symphony of Psalms for the Boston Symphony when Cecilia in 1930 sang the choral part in the American premiere six days after its world debut in Switzerland. During those years Arthur Fiedler brought Cecilia through the Depression and World War II as the official chorus of the Boston Symphony. Under Koussevitzy this was a period of prominence if not independence." website of Boston Cecelia. Novello, Ewer and Co unknown
19001BislCg0028London & New York: Novello & Company Ltd./Novello Ewer & Co. 1900. Book. Good. Decorative Hardcover Cloth. Novello's Original Octavo Edition. 8vo or 8° Medium Octavo: between 6" - 9" tall . 162 v pp. A rare hard-to-find out-of-print collectible gem! A great copy! Well bound copy with extensive wear and use. Copy with clean text and moderate browning/tanning/foxing on page edges not affecting text. Cover boards moderately detached from the spine and re-taped with adhesive tape. No publishing year given. Publishing year gleaned from other sources therefore it is an approximation. No dust jacket. Novello & Company Ltd./Novello, Ewer & Co. Hardcover
187224095Leipzig: Breitkopf & Härtel PN 7834 1872. Octavo. Modern quarter mid-tan morocco with titling gilt to upper: "Schumann Quartetto Op. 41 N. 1" original dark yellow publisher's printed wrappers bound in. 1f. title 1-39 i blank pp. Title lithographed music engraved. <br /> <br /> Text to upper wrapper identical with title; publisher's catalog with prices in Marks and Pfennig to verso of lower.<br /> <br /> With handstamp: "E. Grandi Musica Pianoforti Strumenti musicali accesori Piazza Campo Marzio 3 Roma Telefono 11-444" to lower right corner of upper wrapper and title. Provenance: Small blindstamp of the noted American composer David Diamond 1915-2005 to upper right corner of title with "Roma Dicembre 1951" in his autograph to verso of rear endpaper.<br /> <br /> Some minor foxing; upper outer corner of upper wrapper and first three leaves slightly creased; small stains and paper imperfection to one leaf; small publisher's handstamp to lower right corner of title.<br /> <br /> A very good copy overall. First Edition later issue from plates of the first edition with new title adding price in Marks. Not in Hofmann McCorkle or Hoboken. <br /> <br /> The first edition first issue of all three quartets appeared in 1848. Breitkopf & Härtel [PN] 7834 unknown
190056828Leipzig: A. Schumann; Printed By Hesse & Becker. Very Good. 1900. First Edition. Hardcover. 12 complete issues of the softcover magazine including covers bound in one original pictorial cloth binding. Cloth soiled and worn tiny hole to spine. Patterned eps. Contents VG. Text in German. An erotic men's magazine circa 1900. ; quarto . A. Schumann; Printed By Hesse & Becker hardcover
190033green cloth wear at bindings front and rear covers. two previous owners name front fly leaf no other writing clean index of songs gold gilt lettering<br /> c.f.peters
1900BOOKS030768ILeipzig: C. F. Peters. Nearly fine copies in the original gilt-decorated cloth. nd ca. 1900. Revised ed. hardcover. 4to 1071 pp. New edition revised by Alfred Dorfell provided with fingering by Richard Schmidt . C. F. Peters hardcover
1891235298Leipzig : Breitkopf und Härtel 1891. Fourth Edition. Hardcover. Near fine copy quarter cloth over marble boards with gilt-blocked label to the spine. Remains well-preserved overall; tight bright clean and sharp-cornered. Edition; 4. Aufl. Physical description; 2 v : ill. ; 23 cm. Notes; Contains indexes. Subjects; Schumann Robert 1810-1856. Music. Genres; Bibliography. Illustrated. Leipzig : Breitkopf und Härtel hardcover
188024798Leipzig: C. F. Peters PN 4441 1880. Folio. Attractively bound in quarter mid-tan calf with raised bands on spine in compartments tooled in gilt and black black leather label with titling gilt marbled boards. i lithographic title within olive green decorative border by F. Baumgarten i table of contents 1f. part title: Erster Theil 3-54 1f. part title: Zweiter Theil 57-154 part title: Dritter Theil 157-282 pp. Lithographic transfer from engraved plates.<br /> <br /> The title also advertises a piano-vocal score by Woldemar Bargiel a piano reduction without text by Theodor Kirchner and a reduction for piano four-hands by August Horn.<br /> <br /> Slightly worn browned and foxed; title slightly stained. Hoffmann p. 333. C. F. Peters [PN 4441] unknown
186441093Leipzig: F. Whistling PN 429-431 1864. Octavo. Contemporary half dark green textured cloth with marbled boards titling gilt to spine. 1f. recto title verso blank 232 pp. Title lithographed music engraved. <br /> <br /> Provenance<br /> William Samuel Bambridge 1842-1923 conductor of the Marlborough Choral Society Marlborough College Wiltshire England with "W. S. Bambridge Marlborough College 1873" to front pastedown; publisher's handstamp to foot of title and handstamp in red ink "21451" to upper inner corner of title and first page of music.<br /> <br /> Binding worn rubbed and bumped; head of spine slightly frayed; hinges cracked. Slightly worn; some browning heavier to margins; occasional foxing; one signature partially detached. First Edition later issue; the first issue was published in November of 1847. McCorkle p. 269. Hofmann p. 137 "later issues bear the year to the title".<br /> <br /> "The Second Symphony coheres by virtue of a web of recurrent thematic strands. The technique of motivic recall is enhanced by Schumann's employment of contrapuntal combinations. Specifically the chorale theme introduced midway through the finale is integrated with the opening theme of the first movement also a chorale in the symphony's concluding passages. The displacement of the finale's initial march-like theme by a pair of interwoven chorales in essence lifts the Second Symphony from a secular to a quasi-religious plane." John Daverio and Eric Sams in Grove Music Online. F. Whistling [PN 429-431] unknown
1899333564Leipzig: C.F.Peters 1899. Early Edition. Hardcover. 3 Volumes. Fine copies in original gilt-blocked leather over buckram boards. Marble end papers. All edges gilt. Corners sharp with an overall tight bright and clean impression. Provenance: Lady Clarence Paset's copies with her gilt monogram. Date is suggested from inscription. Physical description: 3 volumes. Music score. Notes: language is in German. Subjects: Music scores. German music scores. 19th century music scores. Music score notes and lyrics. Leipzig: C.F.Peters hardcover
184424913Leipzig: Breitkopf & Härtel PN 7069 1844. Folio. Quarter mid-brown cloth with paper boards with octagonal paper label titled in manuscript to upper. 1f. title 1-4 text 3-133 i blank pp. Title lithographed text typeset music engraved.<br /> <br /> Handstamp "T. J. Roothaan & Co Muzijkhandel en biblioteek Amsterdam" to foot of title. With rhymed inscription in black ink to head of verso of title: "Der Tandler hatte kein Interessanteres / Drum schick ich dieses und kein Anderes! Haag im April 1932."<br /> <br /> Binding quite worn; spine frayed and partially lacking; last line of manuscript text to label crudely erased. Minor staining and foxing most noticeable to first leaves. With pencil markings to alto staves in part 3 pp. 77-83. First Edition variant issue distinguished by differently typeset text. Hofmann p. 115. McCorkle pp. 223-24. Hoboken 15 93 with original wrappers. The full score of the work was not published until 1845. <br /> <br /> The author of the inscription is unknown; the use of the word "Tandler" suggests that he is from either Austria or Bavaria.<br /> <br /> The text of the oratorio was translated from the English original by Emil Flechsig 1808-1878; Schumann made significant alterations. Breitkopf & Härtel [PN 7069] unknown
184339396Leipzig: Breitkopf & Härtel PN 6899 1843. Folio. Sewn. 1f. recto lithographic title with decorative border printed in purple verso:blank 3-31 i blank pp. String parts in plain paper wrappers with manuscript titling to uppers. 10 10 10 10 pp. each with early owner's signature of "J. Henrigues." Engraved throughout.<br /> <br /> Publisher's small circular stamp to lower margin of title.<br /> <br /> Some wear and minor marginal staining; soiling creasing and minor fraying to lower outer corners of piano part; one corner with old paper repair. First Edition probable later issue. Scarce. Hofmann pp. 102-03. McCorkle p. 194. Hoboken 15 84. <br /> <br /> The Piano Quintet ". remains one of Schumann's most enduringly popular compositions. . It was hailed in Berlin where Clara appeared during the 1846-1847 season of the Singakademie as 'one of the most important works of its kind since Beethoven." Daverio: Robert Schumann. Herald of a "New Poetic Age" p. 256. Breitkopf & Härtel [PN 6899 ] unknown
188132877Brooklyn NY: Gaylord Watson / Moller & Schumann 1881. Very Good. Brooklyn NY: Gaylord Watson / Moller & Schumann 1881. Original engraved hand-colored map ca. 40.5x60cm folded into original blue-green pictorial card wrappers 16x10cm; map verso provides a complete catalog of the varnishes manufactured by Brooklyn company Moller & Schumann. Minor wear and scattered spotting to wrapper margins brief split to a couple map folds else a Very Good or better bright and sound example.<br /> <br /> Useful map to the New York City-holiday seeker with railway lines to all the surrounding resorts and hotels of the area. Issued as a sort of premium by the lacquer manufacturers in charmingly illustrated wrappers depicting a man surprised by a bulldog while pasting signs to a wooden fence--his bucket and brush are clattering to the ground as he hurdles over the fence in fright. The signs he has mounted all feature promotional text for Moller & Schumann products: baking varnishes and Japans turpentine lacquers for canned goods and tinware etc. The center sign reproduces a letter from the Department of State awarding the company a certificate from the Sydney International Exposition of 1879. Gaylord Watson / Moller & Schumann unknown
