54 résultats
1845219000B. Schott`s Söhne Mainz 19828 1845. Softcover Die Jahresangabe ist ungefähr. Zustand: mit Kennungen einer Privatbibliothek. Rücken Ecken Kanten bestoßen verletzt. Innen braunfleckig. B. Schott`s Söhne, Mainz 19828, paperback
183728291AB1837. England possibly Hoxton James van Sommer 1837. Octavo. 157 pages. Modern unsophisticated Hardcover with new endpapers. Excellent condition. hardcover
18356933London York: G Walker; Goulding D'Almaine Potter & Co; Knapton 1835. Very Good. Sheet music large folio: a collection of engraved music dating from the first half of the 19th century bound together in one volume. Bound in half leather over marbled boards the condition is very good; the covers are rubbed the leather nicked and worn with one small hole to the spine; the binding is firm the pages are bright with only occasional spotting and neat tape repairs. There is a modern bookplate to the front pastedown of E A and M Richardson and many of the titles are inscribed Richardson 1835. There are pieces by famous composers such as the Finale to Rossini's Cenerentola a Grand Duet for Two Performers on One Piano Forte by Mozart and The Queen of Prussia's Waltz by Beethoven. Less well known pieces include several by G Kiallmark Pleyell's German Hymn published by Knapton of York the Laura and Lenza Duet composed by M Holst and The Saxe Cobourg Waltz by J Monro. The Richardson family show their fondness for dancing with a Leeds imprint of Royal Galopades as danced at Almacks and the Nobility's Balls by Edw Willis. The younger generation were encourage with Popular Airs Arranged as Duets for Juvenile Performers on the Piano Forte by D Bruguier. A fascinating collection of 19th century music for which extra shipping charges may apply. Very Good 1835 G Walker; Goulding, D'Almaine, Potter & Co; Knapton hardcover
1815C219367London/ Paris: Chappell/ Carli 1815. Hardcover Hardcover. Very Good. Folio. 170pp. Bound in contemporary half leather over marbled boards. Some rubbing to covers mainly to corners light age toning to contents otherwise very good. Bookplate to pastedown and owner details to endpaper. A collection of engraved sheet music c.1815-1825 for the violoncello. Chappell/ Carli, hardcover
1867052524-14New York: Hurd and Houghton 1867. Hardcover. Very Good. Two volumes. 12mo in publisher's cloth. VG. Very light wear to the cloth. Top edges of spine slightly nicked. Bindings are strong. Name on ffep of volume one. A couple of spots of light foxing to the front matter of volume one. Texts are clean. Ships wrapped in bubble wrap and packed with care in a box. New York: Hurd and Houghton hardcover
1900038426Braunschweig: Stich und Druck Henry Litolff's verlag 1900. Book. Very Good. Hardcover. Original. Folio. Beethoven's variations No. 1 to No.21 bound in blue cloth. Very good condition with some fading to the cloth. Contents clean and tight a careful paper repair to the title page Marcel Colombrier musique distributor's stamp to the bottom of the title page no annotations. A very good copy. . Stich und Druck Henry Litolff's verlag Hardcover
18509361MN<p>Five musical notes in very good condition for Ludwig van Beethoven. Beethoven's opera Leonore went through several revisions before the final version Fidelio was premiered in Vienna on 23 May 1814. Breitkopf published the first four-hand piano version of the complete opera in 1828 arranged by Ebers. Hardcovers no obvious damage to the cover no missing or damaged pages no creases or tears ca. 1850 Publisher's handstamp om title page.</p><p>See photos to see condition. Price shown after 50% discount. Please do not hesitate to contact us we are happy to answer any questions or inquiries.</p> Breitkopf & Härtel hardcover
18508293MN<p>Two musical notes in very good condition for Ludwig van Beethoven. Beethoven's opera Leonore went through several revisions before the final version Fidelio was premiered in Vienna on 23 May 1814. Breitkopf published the first four-hand piano version of the complete opera in 1828 arranged by Ebers. Hardcovers no obvious damage to the cover no missing or damaged pages no creases or tears ca. 1850 Publisher's handstamp at the bottom of the title page.</p><p>See photos to see condition. Price shown after 50% discount. Please do not hesitate to contact us we are happy to answer any questions or inquiries.</p> Breitkopf & Härtel hardcover
1816276Vienna Wien Austria: S. A. Steiner und Comp 1816. First edition first printing first state. 1/4 cloth over marbled paper covered boards. Good. VERY RARE 1ST EDITION 1ST PRINTING UNRECORDED STATE OF BEETHOVEN'S 7TH SYMPHONY IN A MAJOR OPERA 92 PIANO 4-HANDS ARRANGEMENT - PUBLISHED CONCURRENTLY WITH THE FULL SCORE.<br /> <br /> RARITY<br /> This edition has only come to recorded auction one time that I can trace Sotheby's 1962. The full score scarcely comes to auction and typically sells between $8000 - $10000 meaning it would retail for 50% higher or more. I cannot find a true first edition copy of the full score of the 7th symphony nor any first edition arrangement currently for sale. WorldCat identifies only five institutions as having a first edition copy of the 4-hand single-piano duet arrangement including the British Museum Oxford and Harvard.<br /> <br /> Condition: Good<br /> <br /> BOOK INFO<br /> <br /> Published in 1816 by S.A. Steiner in Vienna Austria. Bound in contemporary 1/4 cloth over marble paper covered boards with cloth covered corners. All edges speckled. Paper label adhered to front cover hand-titled in pen. First edition first printing meeting all points as outlined by Kinsky-Halm 1955 p. 260:<br /> <br /> 1. Oblong folio format<br /> 2. Title Page showing Steiner imprint in Vienna<br /> 3. Title page lists correct distributors in Leipzig etc.<br /> 4. Dedication from Beethoven to Elisabeth Alexiewna<br /> 5. Plate inscription states C.D.A.S. 2566 referring to Chemical Printing House<br /> 6. Arranger is A. Diabelli engraver is A. Mueller.<br /> <br /> Oblong folio 13.25" x 10.25." Collation: 4 blank p. 1 2-79 1 pages. Page 1 is blank an error by the printer as it normally contains a music advertisement per Kinsky indicating this copy is an unrecorded state in bibliographic descriptions. It is unknown if this state would precede the copies with the advertisement on page 1. <br /> <br /> CONDITION REPORT<br /> <br /> The arrangement is in Good condition. Soiled and darkened cloth. Firm binding tight pages. Rubbed extremities bumped corners. Foxing and toned pages. Quite a bit of insect nibbling to bottom margin of multiple pages not affecting the musical notes or text heaviest to first two leaves. Signs of handling like some marginal paper creases bent corners a few stains. Former owner name inscription in a modern hand on FFEP and in a contemporary hand at bottom of title page. Small staple holes along gutter margin from where the pages were removed from the original wraps and rebound.<br /> <br /> BACKGROUND<br /> <br /> Beethoven composed his Seventh Symphony between 1811-1812. The first performance of the symphony occurred on December 8 1813 in the University Hall in Vienna. Beethoven was living in Vienna at the time. The full score consists of 224 engraved pages of musical notes. Long-time Beethoven publishing collaborator S.A. Steiner and Company bought the publishing rights from Beethoven in 1815 and published the full score along with multiple arrangements simultaneously in 1816 under the supervision and approval of Beethoven. An announcement by Steiner in 1816 stated "The work is being released simultaneously in arrangements for every conceivable format." Kinsky. <br /> <br /> PIANO FOUR HANDS ARRANGEMENTS<br /> <br /> This is a piano duet where two pianists play together on a single piano simultaneously using all four hands to navigate the keyboard. It was particularly popular in the 19th century because it allowed family members and friends to collaboratively play composed works or arrangements on the home piano. This format balances technical skill with the timing of melodic interplay. I encourage one to look up on YoutTube "Beethoven: 7th symphony 1st movement for 4 hands" to get an idea of how this arrangement would look and sound.<br /> <br /> All in all this is an exceptionally rare first edition first printing of a masterful Beethoven arrangement for his 7th symphony op. 92 for piano. It is also the only example I can find of an unidentified state in which the printer did not print the musical advertisement on page 1 leaving it blank instead. <br /> <br /> . S. A. Steiner und Comp unknown
18517030Leipzig: Brietkopf und Härtel 1851. pp 167 Ownership inscription to upper cover of William Sterndale Bennett 1857 and stamp of T G Odling. Bound in printed paper covers over boards brown cloth spine with gilt bands and titles and cloth tips to the corners of the boards. Very good boards rubbed spotting and staining especially to the end papers and gutter. Very good 1851 Brietkopf und Härtel hardcover
189568524Schirmer 1895. Leather Bound. Used very good. Very large hardcover quarter bound in dark blue leather and blue marbled boards Schirmer 1895/1896 vol 1 171pp vol 2 183pp; the two volumes bound togehter in a single volume. Cover a little worn binding a little weak in a few places clean no marks or writing. OVERSIZE. Overseas orders may require additional shipping. We are a small family business selling fine new and pre-owned books online since 1999. We provide professional service and individual attention to your order daily shipments and sturdy packaging. FREE TRACKING ON ALL SHIPMENTS WITHIN USA. Schirmer, hardcover
1890775A21London: Novello Ewer and Co. c1890. Leather. Very Good Indeed. 10" by 7". None . A lovely composition of seven volumes in one containing music sheet by notorious composers G. F. Handel John Brahms and Ludwig Van Beethoven. Seven volumes bound in one comprising music sheets from the 'Novello's Original Octavo Edition' series. All volumes are undated; dated from Jisc c1890.Containing seven oratorios:Nisi Dominus and Jubilate in Vocal Score: Composed for the Peach of Utrecht by G F Handel; A Song of Destiny Schicksalslied by Johannes Brahms; Mass in C in Vocal Score The Praise of Music: Cantata Communion Service in C and The Ruins of Athens: a Cantata by Ludwig Van Beethoven. Each volume included has been bound with its own title page. In a half morocco binding over cloth covered boards. Externally smart with some shelf wear and a slight rubbing to the spine and extremities. With a minor scuffing to the leather to the front board. Internally firmly bound. The pages are clean and generally bright with only a touch of age toning as usual. Very Good Indeed Novello, Ewer and Co. hardcover
186430646AB1864. Klavierpartitur ohne den Band für Violine. Leipzig Breitkopf & Härtel 1864. 4°. 256 S. gestochene Noten. Halbleinenband der Zeit. Aus der Reihe: «Ludwig van Beethoven's Werke. Vollständige kritisch duchgesehene überall berechtigte Ausgabe. Mit Genehmigung aller Originalverger» Serie 12. Op. 12 23 24 30 47 96 und WoO 41 und 40. Mit handschr. Namenszug und Besitzerstempel. Papier durchgehend stärker stockfleckig. Der Einband berieben und bestossen. unknown
183033209Bonn: N. Simrock PN 1959 1830. Octavo. Half dark brown cloth with brown marbled boards oval dark yellow label with titling in contemporary manuscript to upper. 1f. lithographic title 162 pp. Engraved.<br /> <br /> Contemporary owner's signature in ink to front free endpaper.<br /> <br /> Binding worn rubbed and bumped; endpapers browned; hinges tender. Light scattered foxing and thumbing; price on title erased. First German edition second issue with revised title page. LvBWV v. 1 p. 211. Hoboken 2 195 first issue. Hirsch IV 278 first issue.<br /> <br /> The full score was first published in an unauthorized edition by Cianchettini & Sperati in London in 1808. N. Simrock [PN 1959] unknown
186030636AB1860. 4 Bände. Leipzig Breitkopf & Härtel o. J. um 1860. 4°. S. 5186 10 S.; S. 49-78 8 S.; S. 45-74 8 S.; S. 43-70 8 S. mit gestochenen Noten. Blaue Umschläge der Zeit mit alter handschr. Beschriftung. Aus der Reihe: «Vollständige kritisch duchgesehene überall gerechtigte Ausgabe mit Genehmigung aller Originalverleger» Serie 6. Nr. 4345 Quartett Nr. 7-9 Op. 59 1-3. Platten-Nr. B.4345. / Nr. 46 Quartett Nr. 10 Op. 74. Platten-Nr. B. 46. Umschläge mit Gebrauchsspuren. Besitzerstempel. Papier finger- und stockfleckig. unknown
183040832Bonn: bei N. Simrock PN 2078 1830. Large octavo. 19th century flexible marbled wrappers with blank octagonal paper label to upper. 1f. recto lithographic title verso blank 195 i blank pp. Music engraved. <br /> <br /> Wrappers slightly worn. Minor wear; very occasional small stains to blank margins; text block split at p. 72. <br /> <br /> A bright clear impression. First Edition later issue with title newly-set. LvBWV I p. 337. <br /> <br /> "The Fourth Symphony is perhaps the work in which Beethoven first fully reveals his mastery of movement. . The Finale represents Beethoven's full maturity in that subtlest of ways his discovery of the true inwardness of Mozart and Haydn; a discovery inaccessible to him whenever . he seemed or tried to imitate them but possible as soon as he obtained full freedom in handling his own resources. Everything is present in this unsurpassably adroit and playful Finale; and it is all pure Beethoven." Tovey: The Beethoven Companion pp. 564-565. bei N. Simrock [PN 2078] unknown
186030635AB1860. 4 Bände. Leipzig Breitkopf & Härtel o. J. um 1860. 4°. 50 48 44 42 S. mit gestochenen Noten. Blaue Umschläge der Zeit mit alter handschr. Beschriftung. Aus der Reihe: «Vollständige kritisch duchgesehene überall gerechtigte Ausgabe mit Genehmigung aller Originalverleger» Serie 6. Nr. 3742 Quartett Nr. 16 Op. 18. Platten-Nr. B.3742. Umschläge mit Gebrauchsspuren. Besitzerstempel. Papier finger- und stockfleckig. unknown
180895829London: Lavenu Cianchettini & Sperati 1808-1810. First editions of the first printings of the full orchestral scores of the complete symphonies of Beethoven Mozart and Hadyn. Quarto two volumes bound in three quarters morocco over marbled boards wit gilt titles and tooling to the spine including A Complete Collection of Haydn Mozart and Beethoven's Symphonies Cianchettini and Sperati and A Complete Collection of Mozart and Beethoven's Symphonies. A Compleat Collection of Haydn Mozart and Beethoven's Symphonies contains the first appearance of the full scores of Mozart's Overture to the Marriage of Figaro Mozart's Symphony no. 40 and no. 41. Fuld The Book of World-Famous Music 564-567. A Complete Collection of Mozart and Beethoven's Symphonies Lavenu contains the first appearance of the full scores of Mozart's Symphony no. 39 no 13 and no. 38. In very good condition with light toning to the text. An exceptional collection of the utmost rarity. 1786 saw the successful premiere of Mozart's The Marriage of Figaro in Vienna. Its reception in Prague later in the year was even warmer and this led to a second collaboration with Da Ponte: the opera Don Giovanni which premiered in October 1787 to acclaim in Prague but less success in Vienna in 1788. The two are among Mozart's most important works and are mainstays of the operatic repertoire today. In 1787 the young Ludwig van Beethoven spent several weeks in Vienna hoping to study with Mozart. No reliable records survive to indicate whether the two composers ever met. Beethoven would go on to become a crucial figure in the transition between the Classical and Romantic eras in classical music he remains one of the most recognized and influential of all composers with his best-known compositions including 9 symphonies; 5 piano concertos; 1 violin concerto; 32 piano sonatas; 16 string quartets; a mass the Missa solemnis; and an opera Fidelio. Lavenu, Cianchettini & Sperati hardcover
182632299Wien: Tobias Haslinger PN S:u:C: 4603 1826. Folio. 19; 5; 5 pp. Engraved. <br /> <br /> Small oval handstamp of Amsterdam musicsellers Jacob Eck & Lefebvre to first page of each part. <br /> <br /> Outer leaves somewhat browned soiled and detached; remnants of paper tape to spine; margins slightly browned; small red and white label to upper left corner. First Edition second issue with Haslinger imprint the paper and slightly light impression suggest a printing date of after 1826. LvBWV I p. 777.<br /> <br /> The "Kakadu Variations" are based on the song by Wenzel Müller "Ich bin der Schneider Kakadu. Tobias Haslinger [PN S:u:C: 4603] unknown
18052292À Bonn: chez N. Simrock 1805. Second Simrock edition. Spine and p. 9. firmed with paper stripe. Paper toned. Otherwise in fine condition. Second Simrock edition. Spine and p. 9. firmed with paper stripe. Paper toned. Otherwise in fine condition. 11 1 p. An early edition of the Beethoven’s composition to Friedrich v. Matthisson’s poem. First published by Artaria in Vienna in 1797. First edition by Simrock in 1803 this edition contains the text in German French and Italian. chez N. Simrock unknown
18051763In Lipsia Leipzig: presso Ambrogio Kühnel Bureau de Musique PN 401 1805. Title-edition Titelauflage a reissue of the plates of the first edition. Engraved music. Price above imprint on the title page in ink: fl. 4. Vignette mounted above imprint on the title page “Au Magasin de Musique en commission. No. 104 dans le Kalver-straat à Amsterdamâ€. Unbound as published. Light water stain at side margin foxing throughout otherwise in fine condition. Title-edition Titelauflage a reissue of the plates of the first edition. Engraved music. Price above imprint on the title page in ink: fl. 4. Vignette mounted above imprint on the title page “Au Magasin de Musique en commission. No. 104 dans le Kalver-straat à Amsterdamâ€. Unbound as published. 11 1 p. <p><br /> Reissue of the first edition of Ah! perfido one of Beethoven’s finest concert arias with a different title page.<br /> <p><p><br /> Ah! perfido is a concert aria for soprano and orchestra by Ludwig van Beethoven 1770–1827. The piece was written in the first months of 1796 and first performed on 21 November of the same year in Leipzig however it was not printed until nine years later in 1805 by the Leipzig Bureau de Musique Hoffmeister & Kühnel as a piano reduction with the soprano vocal part. The present score is a reissue of the plates of the original first edition by the legal successor of the publisher Ambrosius Kühnel printed most likely in 1806 see Hill p.121. <br /> <p><p><br /> Scarce no auction records on Rare Book Hub Americana Exchange and the original first edition is recorded only once Sotheby’s 2009. We could trace one copy in institutional holdings at the Beethoven-Haus in Bonn C 65 / 9; 5719.<br /> <p><p><br /> Ref. of the first edition: Kinsky p.155; Hoboken 294 <br /> <p><p><br /> Bibl.: Herttrich E.: Preface. In: Beethoven L. v: “Ah! perfido†für Sopran un Orchester. Opus 65. Klavierauszug. München: Henle 2010.; Hill R. S.: The Plate Numbers of C. F. Peters' Predecessors.†In: Papers Read by Members of the American Musicological Society at the Annual Meeting 1938 pp. 113–134.<br /> <p>. presso Ambrogio Kühnel (Bureau de Musique) [PN 401] unknown
18665004483Boston: O. Ditson & Co. 1866. Bound in brown cloth stamped in gold. Two volumes in one. 234 pp. / 256 pp. Previous owner's neat name to ffep and stamp to front pastedown. Some scuffing to spine ends -- but a tight clean copy. . First Edition. Hard Cover. Very Good/No Jacket. 12mo - over 6¾" - 7¾" tall. O. Ditson & Co. Hardcover
1820M1411London: Chappell 50 Bond Street 1820. re-issue . paper wrappers. Fine. Folio. Arranged as a duett for two performers on one piano forte by the author. ND c182046pp. P/N WR 8002. A re-issue of the Clementi edition of 1817. <br/> <br/> Chappell, 50 Bond Street unknown
1830M1412London: S. Chappell 50 New Bond Street 1830. re-issue . paper wrappers. Fine. Folio. ND 1830 51pp. P/N 1141. A re-issue of the Chappell 1820 edition. Very clean copy some pages loose. No markings. Symphony No. 8. Op. 93 <br/> <br/> S. Chappell, 50 New Bond Street unknown
18501008DG1850. Prag C.W. Medau und Co. um 1850. Lithographie von F. Spanner. 215 x 165 cm. Blattgrösse: 24 x 187 cm. Deutscher Komponist. unknown