Chansons

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Chanson de Paris Leaving School Kiyoshi Komatsu Movie Scenario Buried Youth Tadashi Kobayashi The Story of a Dictionary Toshio NBiblio.com

Leman, Juda (Director); Leo Herrmann (Producer); Borris Morros (Music); Daniel Sambursky (Songs)Biblio.com

Land der Verheissung. Der Erste Palästina Tonfilm The Promised Land. First Palestine Talkie

193552748Jerusalem: Keren Hajessod 1935. First edition. Softcover. Good- to good condition. Octavo. 23 1pp. Original gray wraps with black lettering illustrated with depiction of a film reel. This first sound movie on Palestine was produced by Keren Hajessod Jerusalem a Fox Movietone film of the Urim Palestine Film Company Jerusalem. It was directed and edited by Juda Leman for the Keren Hayesod production manager Leo Herrmann with music by Boris Morros and songs by Daniel Sambursky. The movie premiered in May 1935 in Berlin was shown at the Venice Biennale of the same year and in November 1935 in Tel Aviv and New York here with Albert Einstein present. It depicts the buildup of Jewish homes in Israel providing insight into the life of the pioneers. The booklet contains four of the film's songs in German and Hebrew a speech given at a mass event in Haifa a description of the Zionist Movement a list of Zionist organizations in Germany and two photo-illustrated contributions on the Keren Hajessod and the Keren Kajemeth Lejisrael in charge of land policy. An advertisement for the biweekly "Jüdische Rundschau" and a score with text for the song Hatikwa at the end complete the program. The photos were provided by Keren Kajemeth Lejisrael printed by Siegfried Scholem Berlin. Text in German and Hebrew. Some wear along edges of wraps and spine small chips and closed tears with light creasing. Remnant of brown stamp and small scuff on cover with light sunning in center. Inked name at top of foredge on title page. Brief Hebrew note inked on page 5. Booklet block age-toned with light vertical crease in middle. Baruch Agadati made the first Hebrew language newsreels and with his film "This is the Land" he too claims to have created the first full-length Hebrew film with sound in 1935. "This is the Land" celebrates the fifty years of Jewish growth and cultivating Canaan. The Zionist propaganda film tells the story of the land from the foundation of the first Jewish colonies in 1882 through W.W.I. the Balfour Declaration the establishment of the Hebrew University in Jerusalem and other events. Keren Hajessod unknown

Eric Chaim Kline - Bookseller · États-Unis950,00 $US≈ 803,80 €

CHANSONS DE LA BUTTE Toziny, Roger, DirBiblio.com

Les Chansons de la Butte. Revue Mensuelle des Cabarets Artistiques et Littéraires de Paris. No. 1 Mai 1923 - No. 12 Octobre - Novembre - Decembre 1924.

192347695Paris. 1923 – 1924. Contemporary blue cloth-backed marbled boards original publisher's pictorial colour printed wrappers for each issue preserved bookplate of 'Librairie du Spectacle Garnier Arnoul' to front pastedown. Small folio. 274 x 194 mm. Printed text in double columns in French with songs articles letters quotations printed music caricatures vignettes and photographic portraits. A very scarce complete set of the revue devoted to the singers and songs of Montmartre.Founded by Roger Toziny 'poète-chansonnier' as a forum - an impartial one - for the discussion appreciation and criticism of those songs from the cabarets night-clubs and music halls of Montmartre. 'Les Chansons de la Butte' looks back to the heyday of Le Chat Noir and its aftermath but also to the contemporary song. The first issue features a photograph of Henri Fursy Président de l'Association Amicale des Chansonneurs to the front wrapper and begins with a laudatory letter from Jacques Ferny the author of a considerable number of fin-de-siècle songs and continues in similar fashion.Contributors include Xavier Privas Antoine-Paul Tavarel Marcel Say René-Paul Groffe Charles d'Avray Pierre Mérop Henri Guilac Eugène Lemercier Philéas Lebesgue Jacques Ferny Maurice Mauclay et al.For reasons unknown 'Les Chansons de la Butte' seems to have ceased publication at the end of 1924. The final number truncates those for October November and December into a single issue and it may be that Toziny was unable to assemble enough material to continue this despite having mentioned the conclusion of the yearly 'abonnement' subscription and the invitation to renew printed in this final number.Complete sets as per the present set are very scarce and we can locate only that example at the Bibliothèque Nationale de France in Europe together with two in the US Duke and Vanderbilt as well as the copy at Melbourne in Australia. hardcover

Sims Reed Rare Books · Royaume-Uni950,00 £GB≈ 1 084,71 €

[Erotic songs, illustrated]. [Bernard, Edmond Dardenne]Biblio.com

Les Chants du Quartier Latin et de l'Internat avec la musique et 53 illustrations coloriees au pochoir

19311238081931. Luxembourg: Privately Printed n.d. but Paris: Guibal c.1931. 4to 214 pp. With 53 color pochoir illustrations. Original printed wrappers binding cracked and shaken but just holding wrappers unevenly sunned internally fine. § Privately published in an unknown edition. Worldcat lists copies only at Yale and the Bibliothèque nationale de France although it is not rare in commerce. This copy from the library of Gershon Legman. A collection of fifty bawdy ballads beginning with the venerable and obscene "Les Trois Orfevres a la Saint Eloi." In the forward the compiler under the pseudonym "Vidame de Bozegie" explains the book was demanded by subscribers to his previous work 3 Orfèvres à la Saint-Èloi privately printed in Paris in 1930 who welcomed it as a monument de la chanson étudiant but lamented the lack of printed music. In this volume he presents fifty of "the best songs" in "a luxury edition on beautiful paper illustrated with color drawings worthy of a bibliophile." The music for each song is illustrated by pochoir. The author goes on to state: "I have avoided giving the illustrations an erotic character. They are obviously saucy but do not shock too-puritan eyes. I believe them to be worthy of the text." Puritan eyes would probably disagree in the strongest possible terms but it is true that alongside the lyrics the illustrations are comparatively restrained. Gershon Legman the great bibliographer of erotica erotic folklore and origami attributed the work to Edmond Bernard who was responsible for other significant collections of erotic folksongs. See Legman G. "Erotic Folksongs and Ballads: An International Bibliography." The Journal of American Folklore vol. 103 no. 410 1990: 417-501 referencing his own presumably this copy: "Copy: G. Legman. Edited by Edmond Dardenne Bernard as a supplement to his Anthologie Hospitaliere et Latinesque 1911-13 and its partial reprinting in 1930 as Trois Orfevres a la Saint-Eloi. Gives the musical notation apparently for the first time for these "Chansons de Salles de Garde" all later printed music for these except that of STAUB q.v. being largely derived from this edition and not collected in the field. unknown

John Windle Antiquarian Bookseller · États-Unis200,00 $US≈ 169,22 €