88 résultats
183424966Paris: Perrotin Editeur 1834. Ornée de 104 Vignettes en Taille-Douce desinées par les peintres les plus celèbres. Including Charlet Grandville Grenier Raffet etc. 4 vols. 8vo. Bound in contemporary dark half blue morocco over marbled boards two hinges repaired else fine. Johannot Tony. Ornée de 104 Vignettes en Taille-Douce desinées par les peintres les plus celèbres. Including Charlet Grandville Grenier Raffet etc. 4 vols. 8vo. Inserted are 8 Erotic plates by Tony Johannot Gay Bibliographie de l'Armour III p. 477. Perrotin, Editeur unknown
185980999Paris : Perrotin 1859 1862 1860. 240x160mm. frontispice XL - 401 416Êpages collation effectuÂŽ: 2 frontispices et 26 planches par volumes Chansons de BÂŽranger tomes premier et second pour le volume 3 un portrait une photographie et 8 planches gravÂŽes reliure demi-chagrin. Plats parcaline. Auteur titre encadrements et fleurons dorÂŽs au dos. Tranches dorÂŽes. Belle reliure hormis cuir lÂŽgÂrement frotÂŽ par endroits et bords des plats faiblement insolÂŽ. Inscriptions manuscrites sur les pages de garde supÂŽrieure. Rousseurs marginales. 3232 Perrotin unknown
187529274Editions Garnier 1875. Bonded Leather. <b>Livre en français</b>. Couverture rigide. 4 volumes illustrés de gravures sur acier. 4 volumes. Reliures demi chagrin rouge à coins. 412402374416 pages. Rousseurs. <i>ref. 29274</i> Editions Garnier hardcover
1866247945Perrotin 1866. Bon Etat de conservation bords frottés intérieur propre qq rousseurs sans gravité bonne tenue de l'ensemble. in4. 1866. Cartonné jaquette. 618 pages. orné de 161 dessins inédits et de vignettes nombreuses texte en colonnes Perrotin unknown
18603537071Paris.: Perrotin Edit. 1860. Hardcover. Cubierta deslucida. Good. 21 cm. 590 p. Encuadernación en tapa dura artesanal hol puntas en piel con nervios. Idioma frances. Portrait en pied dessine par Charlet. Photog. de M. Geoffroy-Dechaume . Cubierta deslucida. biografias Perrotin Edit. hardcover
186868890Paris : Garnier 1868. 240x150mm. demi-chagrin rouge dos nerfs auteur titre et fleurons dors tranches dores. 963 Garnier unknown
1837088444Paris: H. Fournier Aine Editeur 1837 Book. Illus. by Grandville et Raffet. Very Good -. Half-Leather. First Edition. RARE copy of Volume II of these works of Beranger very nicely illustrated with drawings. Pierre-Jean de Béranger was a prolific French poet and chansonnier songwriter who enjoyed great popularity and influence in France during his lifetime but faded into obscurity in the decades following his death. He has been described as "the most popular French songwriter of all time" and "the first superstar of French popular music". 399 pages. Binding has moderate edge wear minor foxing within. H. Fournier Aine, Editeur hardcover
1839286050Paris: H. Fournier Aine 1839. Hardcover. Fair. First Edition. Three volumes. Good in three quarter leather with marbled boards leather is worn along the spine edges spine ends corners worn through front hinges on all three volumes are cracked but still attached rear cover of volume II is detached but present ink notation on endpaper of volume I interiors have scattered foxing but are in excellent condition. H. Fournier Aine hardcover
18392738373Paris.: Fournier Ainé. 1839. Hardcover. Good. 22 cm. 3 v. Encuadernación en tapa dura artesanal. Idioma francés. Contiene litografías . Literatura.82 82 Fournier Ainé. hardcover
18354414Paris n.d.ab. 1835. 12mo. Very nice cont.full longgrained morocco. Richly gilt back broad gilt borders on sides edges gilt. Contains all 72 fine engr.plts. Bound with all 4 orig. blue printed wrappers. Plates brownspotted in margins. unknown
1840LA - HAY279071840. Paris H. Fournier Ainé Éditeur. relié demi-cuir marron à coins. Faibles rousseurs en pages liminaires ensuite très éparses ; excellente reliure bon exemplaire. format : 125/8 cm. dos orné à froid d'un grand motif floral et des titres dorés. unknown
186613916Paris: Perrotin 1866. In-8 gr. mm. 267x188 bella legatura coeva in p. marocchino rosso lievi abrasioni decoraz. a secco e oro ai piatti e al dorso con titolo oro tagli dorati pp. VIII648 molto ben illustrato nel testo da un ritratto dell'A. a p. pag. e da 161 pregevoli disegni inediti e numerose vignette inc. su legno da artisti quali: Andrieux Bayard Crépon Claverie Darjou Durand Giacomelli Morin Sauvageot Viollat Worms e altri. Raccolta di oltre 400 canzoni.Il poeta francese Béranger 1780-1857 fu autore di canzonette leggere di carattere borghese e popolare che seppero interpretare lo spirito del popolo francese il senso della libertà e dell'indipendenza nazionali. La sua satira fu efficace specialmente durante la Restaurazione e gli attirò condanne dalla monarchia. Contrario a Napoleone durante l'Impero ne rievocò più tardi le gesta contribuendo alla formazione della leggenda napoleonica. Così Diz. TreccaniII p. 213.Solo qualche lieve fioriture altrimenti esemplare ben conservato. Perrotin, unknown
1860233431860. Paris Perrotin 1860. Un fort vol. au format in-8 243 x 157 mm de 1 f. bl. 2 ff. n.fol. iii - 374 pp. 1 f. n.fol. et 1 f. bl. Reliure de l'ÂŽpoque de demi-chagrin maroquinÂŽ sapin dos ˆ nerfs ornÂŽs de filets gras et maigres en noir filet en pointillÂŽs dorÂŽs sur les nerfs larges fleurons dorÂŽs titre dorÂŽ tranches mouchetÂŽes. L'ouvrage recÂle 14 sur 14 dÂŽlicates planches - ici en premier tirage - gravÂŽes sur acier d'aprÂs AimÂŽ de Lemud. ''En 1860 Perrotin rÂŽimprima cette ÂŽdition de 1857 et y insÂŽra une suite de 14 figures de AimÂŽ de Lemud pour l'illustrer''. in Carteret. ''A. de Lemud a composÂŽ en 1860 une suite de 14 dessins pour illustrer les DerniÂres Chansons. Ces gravures publiÂŽes par Perrotin ont ÂŽtÂŽ tirÂŽes sur blanc et sur Chine avant la lettre''. in Vicaire. ''ElÂve de Paul Delaroche Lemud peintre d'inspiration romantique exposa au Salon de 1869 mais ce sont surtout ses lithographies qui le firent conna”tre''. in Osterwalder citant la prÂŽsente contribution de l'artiste. ''Lemud a fait aussi de l'illustration notamment pour les Chansons de BÂŽranger''. in BÂŽnÂŽzit. Fin 1805 lÕancien Caveau ressuscite. La ClÂŽ du Caveau est publiÂŽe chaque annÂŽe. Ce recueil de chansons et dÕairs permet ˆ BÂŽranger entrÂŽ au Caveau moderne fin 1813 DÂŽsaugiers et leurs amis de faire conna”tre leurs chansons au peuple mais des copies circulent dÂŽjˆ et BÂŽranger est connu pour Le SÂŽnateur Le Petit Homme gris et surtout Le Roi dÕYvetot. En novembre 1815 BÂŽranger hasarde la publication de quelques airsÊ: Les Chansons morales et autres. Le succÂs lui donne de lÕassurance et il prend position dans le libÂŽralisme. AprÂs le retour du roi Louis XVIII en 1815 BÂŽranger va exploiter les thÂmes du respect de la libertÂŽ de la haine de lÕAncien RÂŽgime de la suprÂŽmatie clÂŽricale du souvenir des gloires passÂŽes et de lÕespoir dÕune revanche. Alors que la presse nÕest point libre il renouvelle la chanson dont il fait une arme politique un instrument de propagandeÊ: il attaque la Restauration et cÂŽlÂbre les gloires de la RÂŽpublique et de lÕEmpire. CÕest le temps de La Cocarde blanche et du Marquis de Carabas. BÂŽranger apporte la poÂŽsie dont ont besoin ceux qui ont dÂŽsertÂŽ la cause royale. Le cercle de ses amitiÂŽs sՎlargit et on le voit dans de nombreux salons. Il accepte de collaborer ˆ la Minerve avec ƒtienne de Jouy Charles-Guillaume ƒtienne et Benjamin Constant . Brivois Bibliographie des ouvrages illustrÂŽs du XIXÂme p. 56 - Carteret III Le TrÂŽsor du bibliophile p. 83 - Escoffier Le Mouvement romantique 1735 pour l'ÂŽdition de 1857 - Vicaire I Manuel de l'amateur de livres du XIXÂme 415 - Thieme Guide bibliographique de la littÂŽrature franÂaise p. 40 - Osterwalder I Dictionnaire des illustrateurs p. 617 - BÂŽnÂŽzit VI Dictionnaire des peintres p. 574 - Clouzot Guide du bibliophile franÂais p. 31 - Bailly-Herzberg Dictionnaire de l'estampe en France p. 191. Angles coupes et coiffes lÂŽgÂrement ÂŽlimÂŽs. Claires rousseurs dans le corps d'ouvrage ; dont quelques feuillets sont davantage pourvus. Du reste bonne condition. b42961 unknown
1860233441860. Paris Perrotin 1860. Un fort vol. au format in-8 243 x 157 mm de 1 f. bl. 2 ff. n.fol. 1 frontispice gravÂŽ n.fol. 416 pp. et 1 f. bl. Reliure de l'ÂŽpoque de demi-chagrin maroquinÂŽ sapin dos ˆ nerfs ornÂŽs de filets gras et maigres en noir filet en pointillÂŽs dorÂŽs sur les nerfs larges fleurons dorÂŽs titre dorÂŽ tranches mouchetÂŽes. Seconde ÂŽdition ; en partie originale ''plus complÂte que celle de 1857. De plus elle est illustrÂŽe et augmentÂŽe de nombreuses notes''. in Carteret. L'exemplaire s'ouvre sur un frontispice figurant l'auteur par Charles et recÂle en outre 8 sur 8 planches gravÂŽes d'aprÂs d'Aubigny Sandoz et Wattier ainsi que d'une photographie contrecollÂŽe sur papier fin in fine. Fin 1805 lÕancien Caveau ressuscite. La ClÂŽ du Caveau est publiÂŽe chaque annÂŽe. Ce recueil de chansons et dÕairs permet ˆ BÂŽranger entrÂŽ au Caveau moderne fin 1813 DÂŽsaugiers et leurs amis de faire conna”tre leurs chansons au peuple mais des copies circulent dÂŽjˆ et BÂŽranger est connu pour Le SÂŽnateur Le Petit Homme gris et surtout Le Roi dÕYvetot. En novembre 1815 BÂŽranger hasarde la publication de quelques airsÊ: Les Chansons morales et autres. Le succÂs lui donne de lÕassurance et il prend position dans le libÂŽralisme. AprÂs le retour du roi Louis XVIII en 1815 BÂŽranger va exploiter les thÂmes du respect de la libertÂŽ de la haine de lÕAncien RÂŽgime de la suprÂŽmatie clÂŽricale du souvenir des gloires passÂŽes et de lÕespoir dÕune revanche. Alors que la presse nÕest point libre il renouvelle la chanson dont il fait une arme politique un instrument de propagandeÊ: il attaque la Restauration et cÂŽlÂbre les gloires de la RÂŽpublique et de lÕEmpire. CÕest le temps de La Cocarde blanche et du Marquis de Carabas. BÂŽranger apporte la poÂŽsie dont ont besoin ceux qui ont dÂŽsertÂŽ la cause royale. Le cercle de ses amitiÂŽs sՎlargit et on le voit dans de nombreux salons. Il accepte de collaborer ˆ la Minerve avec ƒtienne de Jouy Charles-Guillaume ƒtienne et Benjamin Constant . Escoffier Le Mouvement romantique 1735 pour l'ÂŽdition de 1857 - Carteret III Le TrÂŽsor du bibliophile p. 85 - Vicaire I Manuel de l'amateur de livres du XIXÂme 415 - Thieme Guide bibliographique de la littÂŽrature franÂaise p. 40 pour l'ÂŽdition de 1857 - Brivois Bibliographie de l'Oeuvre de BÂŽranger p. 84 - Brivois Bibliographie des ouvrages illustrÂŽs du XIXÂme p. 56 - Clouzot Guide du bibliophile franÂais p. 31. Angles coupes et coiffes lÂŽgÂrement ÂŽlimÂŽs. Quelques feuillets oxydÂŽs. InÂŽgales mais claires rousseurs dans le texte. Du reste bonne condition. b42961 unknown
186147248Paris: Perrotin 1861. In-8 p. mm. 235x147 mz. marocchino rosso con angoli dorso a cordoni con fregi e titolo oro pp. 4292 molto ben illustr. da: 1 antiporta 1 ritratto dell'A. il facsimile di una lettera di Grandville all'A. e 78 tavole fuori testo. Cfr. CarteretIII85. Molto ben conservato. Perrotin, unknown
185868406Paris : Perrotin Libraire-Editeur 1858. 240x160mm. gravures n/b hors texte reliure demi-chagrin coins. Plats papier marbr. Ornementations titre et filets dors au dos faux nerfs. Tranches dores. Belle reliure. Bel exemplaire. 1110 Perrotin, Libraire-Editeur unknown
18393400Cuba and Caribean 1839. Quarter brown leather spine with light blue marbled paper with brown swirls over boards attractive blue endpapers. Complete Spanish and English translation of the entire book available upon request included with purchase. Very good not original binding likely late 19th century by family members in the provenance dedication. About half of the pages 17 have been reinforced on the lower quarter of the fore edge with archival tape. Light age fade mostly along the fore edge a few nominal water stains. Historical Midshipman's log book from duty off the coast of Cuba from 1837 - April 1839 just months before the revolt aboard the slave ship Amistad. Spain was under much pressure from England to put an end to slave trade ships and this ship was part of that fleet. The logbook of Midshipman Jose Maria de Beranger recording service aboard the Bergantin Colam under Capitan de Fragata Don Ramon Acha may well be the earliest surviving personal record of one of Spain's most prominent 19th century admirals and statesmen - written when he was a teenage midshipman on active anti-smuggling and anti-slave-trade patrol. The log eventually identifies all of the officers by name aboard the ship.<br /> <br /> 8.5" x 12" 106 pp. first and last page affixed to the verso of new end papers. Signed sixty 60 times by Beranger at the end of most daily entries signatures with artistic flourishes and curliques. Content is incredible indicative of a young midshipman on one of his first major voyages complete with daily details. Included are: Four meticulously drawn information wheels and tables; A "Cuban Brig / General State of Armament." This is a comprehensive ship's inventory and muster document of the armament provisions ballast financial summary. B Battle Plan - This is a combat stations wheel - essentially a circular battle bill assigning every crew member to a specific position on lthe ship and duty during combat. C Battle Stations Plan - a formal diagram showing every crew member's assigned position during combat. D A formal crew or personnel roster/pay table including rank number pay rations in the currency of Reales. Twenty-seven 27 hand drawn tables of sailing data which includes: longitude latitude weather wind direction water temperature astronomical data et. al. Last page of the journal is a daily accounting of the location of the ship. One interpretation of this book is that it is a log as part of his midshipman's training. While it certainly records events in which the ship was involved as well as weather course sail handling and events on board etc. these things were probably also recorded elsewhere in some more official record. Pages like the information wheel and description of armaments would be him setting into writing a day's lesson for future reference.<br /> <br /> The written content of the log ranges from the mundane: fixing location signaling mail ships shipboard drills vivid weather descriptions marking the shoals onboard accidents. Ranging to extraordinary militarism; stopping unknown vessels at night firing muskets and grenades sending out of patrol boats with carronades.<br /> <br /> Beranger was born in Cadiz on 12 February 1823 into a historic naval family his grandfather was Juan Ruiz de Apodaca Count of Venadito a Captain General of the Spanish Navy. He entered the Armada very young beginning to serve at sea at thirteen years old always aboard corvettes and dispatch vessels in subordinate roles until he obtained his first command in 1840 shortly after the trip of this chronicled voyage. He was admitted as a midshipman guardiamarina in 1837 having passed his entrance exams at just thirteen years of age. So in 1839 when this log was made he would have been only about 15-16 years old and in his very first years of active service - exactly when a midshipman would be keeping such a log. His lifetime credentials include: 31st Captain General of the Navy 7th Admiral Knight of the Military Order of Calatrava Minister of the Navy for six terms and Senator of the Kingdom.<br /> <br /> This ship's log was kept when Beranger was just 15 years old two years after taking the Navy Board. The ship which corresponds to this log was the Brigitine Colon plying the North Coast of Cuba delivering mail looking for smugglers and slave runners. The log also names several times Midshipman Don Ramón Topete. The Topete family were closely connected to Beránger throughout his career - indeed it was Admiral Juan Bautista Topete who later handed Beránger his first ministerial appointment.<br /> <br /> Provenance statement on p. 3: "By inheritance from my grandfather Don Jose Maria de Beranger y ruiz de Apodaca and by inheritance from my father Javier de Beranger y Carreras this book belongs to Elisa Beranger Fernandez de Salinas" "Dawn broke at sea with thick brownish hazy sky and horizon overcast to the west. At 2:30 the topgallants were furled and a reef taken in the topsails and two English warships were sighted coming from the East"<br /> <br /> "Departure from Matanzas escorting to Havana the Portuguese Schooner OLIES"<br /> <br /> "We continued at midday heading East SSE fresh wind and calm sea with all square sail jib and trysail heading East. At 12:30 the trysail and topgallants were furled and at 1 o'clock we continued forward brailing the mainsails in the tack and remaining in line with double-reefed topsails."<br /> <br /> the mail packet under all portable sail - cannon and musket drill was carried out in large formation <br /> <br /> "At 8:30 the 1st boat was put in the water at half speed the Midshipman went to reconnoitre various vessels - all without incident."<br /> <br /> "A firing of cannon was heard from both sides. At ½ past the hour the cannon fire and the fog signal were made to the people on land. unknown
189935285Paris: Garnier Frères s.d. 1899. In-4 p. mm. 300x199 bella legatura in mz. pelle moderna dorso a cordoni con fregi e titolo oro su tassello tagli superiori dorati conservata copertina originale astuccio in tela pp. X105910 molto ben illustr. da 186 disegni di Andrieux Duran Giacomelli Grandville Sauvageot ecc. inc. su legno. Raccolta di oltre 400 canzoni con musica. La fama del poeta Béranger 1780-1857 è dovuta soprattutto alle "Canzoni" che per la loro ispirazione popolare liberale e patriottica riscossero molto successo presso il pubblico. Contrario a Napoleone durante l'Impero ne rievocò più tardi le gesta contribuendo alla formazione della leggenda napoleonica. Le sue raccolte di canzoni ebbero risonanza anche in poeti dialettali italiani quali A. Brofferio. Cosi' Diz. Treccani II p. 213.Esemplare con barbe ben conservato. Garnier Frères, unknown
18661178Paris: Perrotin 1866. Gebunden. Perrotin unknown
1868118307Paris Garnier 1868. In 8° mezza pelle con titoli e filetti oro al dorso. Pp. 416 con un ritratto in piedi Beranger eseguito da Charlet da una fotografia del ritratto marmoreo e da 8 incisioni fuori testo protette da velina. Qualche inevitabile giallitura ma buon esemplare Paris, Garnier unknown
1834148622Perrotin éditeur 1834. Bonded Leather. Des gravures manquent. <b>Livre en français</b>. Couverture rigide. 3 volumes. Reliures demi- basane. 320 413 409 pages. Fortes rousseurs. Il manque plusieurs gravures. Travail de vers. En l'état. <i>ref. 148622</i> Perrotin, éditeur hardcover
1830558701830-1849. Creased where folded; fine. Various sizes. From the library of Poetry Magazine. Most of the letters are 2 pp. to 3 pp. in length. unknown
18504694<p><em>Devilish Burlesque - Poetry Illustrated</em></p><p>DUBOULOY A. Amphigouri diabolique. Satirical pencil drawings based on text by Pierre-Jean de Beranger. Paris ca 1850.£3800</p><p>Oblong 4to ll. 6 225 x 300mm of pencil drawings undated ca 1825/1830; title with old repair to marginal tear not touching the illustration some light foxing and a little dust-soiled; inscription in ink on front free endpaper 'vente a Dubouloy dessiné par lui'; later half red crushed morocco over red cloth spine in compartments gilt lettering directly to spine 'Amphigouri'; with two book plates to front pastedown: M Ch. Duplomb and the exlibris of Lucienne Corneux Filloux bookplate engraved by Decaris.</p><p>Six fine original pencil drawings depicting an array of comical devilish figures involved in burlesque acts to illustrate Béranger's erotic poem Amphigouri.</p><p>Pierre-Jean de Béranger 1780 - 1857 was a prolific French poet and chansonnier who enjoyed great popularity and influence in France during the period of the Restoration. He found fame with his first published collection of songs and poems in 1815 Chansons morales et autre. His material was greatly in demand in in the singing societies or 'goguettes' which sprang up during the Restoration and the July Monarchy as a means of circumventing censorship laws and the ban on political parties. He was a highly successful performer of his own songs and thus an ancestor of post war French chansonniers. He has been described as the most 'popular songwriter of all time' and 'the first superstar of French popular music' L. Portis French Frenzie. A Social History of Popular Music in France' 2004 pp. 11ff.</p><p>These six pencil drawings were produced in his lifetime and dedicated to him by the artist A. Dubuloy.</p><p>Dubouloy has deliberately given Berenger's <em>Amphigouri</em> a 'diabolical' twist and depicts his figures within the gaping mouth of the Devil. The illustrations were apparently never published.</p> n.p.
1850250044N.p. 1850. One page. 12mo. Old stain from paper clip otherwise very good. One page. 12mo. Interesting note from the great French songwriter 1780 -1857 to an acquaintance:<br /> <br /> "I thank you . and am sending you all your letters of which you doubtless wish to make an autograph collection. You are certainly giving a fine example to husbands. You are equally a model for fathers and I approve wholeheartedly of all you say you have written to your wife.<br /> "I'm doing fine in my break and I hope it lasts a while .". unknown
1882288571Firenze: Tipografia Della Gazzetta D'Italia 1882. First Edition. Hardcover. Worn copy bound in full aniline calf with a leather gilt-blocked label to the spine. Some wear and tear to the spine and panel edges as with age. Physical description; 550 pages. Subjects; Cento Canzoni. Béranger. Firenze: Tipografia Della Gazzetta D'Italia hardcover