Sol ZimABAA
33 résultats
2006255929Cantor's Assembly 2006. Hard Cover. Near Fine binding. Scarce Sol Zim item. Bound in leatherette. No marks of any kind. Near Fine binding. Cantor's Assembly unknown books
2006255933Cantor's Assembly 2006. Hard Cover. Near Fine binding. Scarce Sol Zim item. Bound in leatherette. No marks of any kind. Near Fine binding. Cantor's Assembly unknown books
2006153261Seoul Korea: The Amore Museum 2006. Softcover. VG Ouitermost edges of pages are tanning lightly otherwise clean. 2 vols. Black wraps with sage or lilac spine; French flaps 391 total pp. many color illus. Text is in English. A two-volume set outlining the collections of this Korean Museum. The first volume consists of 183 pieces that are traditionally considered accoutrements for Korean women. The second presents 151 pieces associated with the culture of brewing serving and drinking tea. Many full-color close-ups of the articles make this set a lot of fun for browsing. The Amore Museum paperback books
201824921St. Moritz: Vito Schnabel Gallery 2018. A few spots of light rubbing to the covers else near fine in illustrated black wrappers. First Edition. Octavo. Limited edition of 100 color copies. Tom Sach's artist's book / catalogue for the exhibition Sol LeWitt: 11 = 1 Million which he curated in 2018. Includes an introduction by Tom Sachs reproductions of the LeWitt drawings in the show and a portrait of LeWitt by Sachs. St. Moritz: Vito Schnabel Gallery unknown books
201920840Guadalajara: Taller Gráfica de Comala 2019. Limited edition. Hardcover. Fine. Illustrated by Nacho Gómez Arriola. Folio. 12pp finely printed letterpress on handmade paper and embellished with a tipped-in photograph and several linocuts in color engraved by Nacho Gómez. Accompanied by a portfolio of prints by Nacho: Chile Maiz Cacao Frijol Aguacate Nopal Calabaza Maguey. Each print finely printed on handmade paper bears a 16th or 17th century quotation relating to the food followed by linocut engravings in colors. And each print is signed by the artist. Both the booklet and the portfolio are enclosed in a hardbound cover of yellow paper engraved with a drawing by the artist and with a finely printed paste-on label. One of 35 copies signed and numbered by the artist. In Spanish. Taller Gráfica de Comala hardcover books
200220804Milan: Alberico Cetti Serbelloni 2002. First Edition. Cloth. Fine/Fine. Fine first edition. Oversized clothbound book in fine thick decorated dustwrapper. Text in Italian and English with essays by Michael Brenson. 116 pp. The first book devoted to Lewitt's works in concrete. Stunning book and surprisingly uncommon. This copy has been briefly INSCRIBED by the artist on the front endpaper. <br/><br/> Alberico Cetti Serbelloni hardcover books
200369468San Francisco: Arion Press 2003. First edition lettered & signed issue. Square 4to. 126 pp. Fine in full decorated cloth and fine publisher’s matching slipcase. No dust jacket as issued. Introduction by Helen Vendler. One of 26 lettered hors commerce copies on Pescia mould-made paper SIGNED by Heaney and LeWitt. The first complete separate appearance of this sequence. Brandes & Durkan A51c. San Francisco: Arion Press, hardcover books
2008237102008. Near fine. Collection of 85 photographs: 14 11'' x 14'' and 2 5'' x 14'' prints in white envelope; 19 4'' x 5'' prints in small folio with protective plastic sleeves; and 38 11'' x 14'' prints in plastic sleeves housed in ring-bound portfolio with handle and zipper closure. Brief identifying notes to verso of all prints. Production mark-up notes in silver ink to rectos of a small number of photos. With loose sheet briefly cataloging the contents handwritten and signed by Cobb. Some duplication. Near fine. <br/><br/>Portraits of Sol LeWitt wall drawing installers with images of the wall drawings themselves photographed over course of the 6-month installation of the Sol LeWitt Wall Drawing Retrospective at MASS MoCA. By artist and writer Chris Cobb himself one of the installers for the exhibition. From his included description: "These were made as tests for the final portfolios made for the museum & for Sol's widow Carol LeWitt. The portraits haven't been published only shown at Mass MoCA." Portrait subjects are identified on versos by first name and position title; of the several Wall Drawings visible most are shown in progress with a few shots of drawings #343 and #146 in a completed or nearly completed state. <br /> <br />As LeWitt wrote in his 1967 essay Paragraphs on Conceptual art "When an artist uses a conceptual form of art it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair." Accordingly his Wall Drawings were recreated each time they were exhibited as Cobb detailed in a 2008 BELIEVER article: "Early in LeWitt's career he made the drawings himself but as demand for them grew it became necessary for him to rely on a small group of draftsmen who could faithfully carry out his instructions developing techniques specific to each wall drawing.I am working alongside my apprentice Julia on Wall Drawing #343. By 'working on' I mean that I am attempting to recreate from a brief page of written instructions a work of conceptual art." <br /> <br />A remarkable collection documenting the process of recreating a body of artwork itself impermanent by design. And according to the photographer the first time a Lewitt work has been allowed to be documented in process. unknown books
