62 résultats
195948782Antwerp.: Hessenhuis Anvers. 1959. Original stapled paper covers half-sized front cover showing the aluminated plate by Heinz Mack as published. Slight creasing to cover otherwise a very good copy. Square 4to. 212 x 214 mm. Introduction in Dutch and French by Marc Cammewaert curator of the show. Text in French by Bathazar on Bury. The very early and rare document on the Zero Group and New Realism together with the invitation to the vernissage. This legendary exhibition was held at the Hessenhuis Antwerp March 21 - May 3 1959 the vernissage was on 21st March.Contributing artists were Breer Pol Bury Yves Klein Heinz Mack Mari Bruno Munari Necker Dieter Rot Soto Daniel Spoerri Jean Tinguely and Van Hoeydonck.The catalogue contains 2 black and white reproductions of works by Mack; Otto Piene - text in German French English and 1 reproduction of the work 'reines Licht' Pure Light; Pol Bury - two lacerated blank plates; Dieter Rot - 'Carré dépliable' Unfoldable Square originally published in No.2 of the Spoerri's artist magazine 'Material'; Emmett Williams - 'Progression' folding sheet poem to be published in the forthcoming issue No.3 of 'Material'; P. Van Hoeydonck - a text by Maurits Blicke. Tinguely's contribution is the reproduction of his manifesto 'Für Statik' For Statics which he had dropped just a week before the opening of this show March 14th from an airplane on Düsseldorf Germany. Hessenhuis Anvers. unknown
1958219095New York 1958. Published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Half length portrait of the comedian in costume. Gelatin silver print. 1 vols. 33.5 x 23.7 cm. Approximately 13-1/8 x 9-1/4 inches. Fine.Atelier stamp on verso and docketed in ink giving the subject of the photograph "Zero Mostel as Leopold Bloom in Ulysses in Nightown" the date and the number of negative and print "IV qq 7". Published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Half length portrait of the comedian in costume. Gelatin silver print. 1 vols. 33.5 x 23.7 cm. Approximately 13-1/8 x 9-1/4 inches. Burgess Meredith's production in 1958 marked a comeback for one of America's greatest comedians. Mostel whose career had been stalled by his McArthur-era blacklisting made a triumphant return to the stage as Bloom. unknown
1958219094New York 1958. Full length. Gelatin silver print. 1 vols. 33.7 x 23 cm. Approximately 13-1/4 x 9 inches. Fine. Atelier stamp on verso and docketed by Van Vechten in ink giving the subject of the photograph "Zero Mostel as Leopold Bloom in Ulysses in Nightown" the date and the number of negative and print "IV qq 15". Full length. Gelatin silver print. 1 vols. 33.7 x 23 cm. Approximately 13-1/4 x 9 inches. Burgess Meredith's production in 1958 marked a comeback for one of America's greatest comedians. Mostel whose career had been stalled by his McArthur-era blacklisting made a triumphant return to the stage as Bloom. unknown
196521901New York: Horizon Press 1965. Near Fine/No Dust Jacket As Issued. <br /> <br /> A TOWERING ASSOCIATION COPY OF ZERO MOSTEL'S VISUAL AND VERBAL SELF-PORTRAIT INSCRIBED TO THE MAN WHO PUBLISHED IT. <br /> This copy number 2 of only 250 captures the raw kinetic energy of Mostel through Max Waldman's photography and Mostel's own idiosyncratic drawings. The deeply personal inscription to Ben Raeburn-the 'oldest flame' in Mostel's life-transforms this from a standard limited edition into a primary archival artifact of the Horizon Press legacy.<br /> <br /> KEY FEATURES<br /> Visuals: Lavishly illustrated with high-contrast photographs by Max Waldman and original drawings by Zero Mostel. <br /> Binding: Full cloth with gilt-stamped spine; housed in the original coordinate slipcase. <br /> Imprint: Horizon Press New York 1965. <br /> Specs: 11.5 inches tall 4to; unpaginated. <br /> Provenance: From the estate of Horizon Press publisher Ben Raeburn. <br /> <br /> LIMITATION & SIGNATURES<br /> Number 2 of 250 numbered copies signed by Zero Mostel on the limitation page.<br /> Association Inscription: Inscribed in a different ink by Mostel to his publisher: 'To Ben Raeburn / The oldest flame in my life - with / my love and esteem - whatever that / means. - Regards to Pearl & Ricky too. / Zero Mostel'. Note: 'Pearl' refers to Ben's wife Pearl Raeburn and 'Ricky' likely refers to their son.<br /> <br /> CONDITION: Near Fine.<br /> The Book: The bindings are tight and square. The internal text is clean and free of markings displaying only light even age-toning. The spine shows light uniform sun-darkening common to this cloth.<br /> The Slipcase: The original slipcase is present and structurally sound showing only minor shelf handling wear.<br /> <br /> SCHOLARLY FEATURES<br /> Artistic Merit: Max Waldman's photography captures Mostel not just as a performer but as a physical sculpture of emotion documenting the 'Theater of the Body' that made Mostel a mid-century icon.<br /> Design: Reflects Ben Raeburn's commitment to 'Total Book Design' prioritizing the tactile relationship between the unvarnished cloth and the heavy art-grade paper stock.<br /> Scholarship: Serves as a primary document of Mostel's polymathic nature proving that his artistic output was as vital as his stage presence in 'Fiddler on the Roof' or 'Ulysses in Nighttown'. HISTORICAL SIGNIFICANCE -<br /> Zero Mostel was more than a comedic force; he was a blacklisted artist who resurrected his career to become a pillar of the American stage. His relationship with Ben Raeburn and Horizon Press was foundational as Raeburn provided a sophisticated literary platform for Mostel's graphic and prose experiments.<br /> <br /> This volume is a landmark of 1960s independent publishing. Horizon Press under Raeburn was a sanctuary for high-level modernism and this collaboration between Mostel and Waldman represents the press at its most avant-garde.<br /> <br /> ASSOCIATION COPY<br /> This is a definitive Association Copy. As copy #2-likely the first copy Mostel presented to his publisher-it documents the intimate bond between artist and editor. The mention of 'Pearl & Ricky' Raeburn's family in the inscription underscores a decades-long personal friendship that transcended the professional contract.<br /> <br /> SUBJECTS: Zero Mostel Max Waldman Horizon Press Photography Performing Arts Jewish-American Artists Association Copy Signed Limited Edition Art Monograph Horizon Press unknown
194919458Kokomo IN: Recreational Reading Inc. 1949. A fine copy. 19458. Octavo single issue cover by DeSoto pictorial wrappers. Pulp magazine. First issue of this short lived magazine. From midnight to dawn Captain Zero becomes invisible. This magazine ".was the final new single-character publication to feature a mystery figure battling for justice." - Cook Mystery Detective and Espionage Magazine pp. 83-87. "City of Deadly Sleep" by G.T. Fleming-Roberts. Recreational Reading, Inc. unknown
1969152375N.p.: N.p. 1969. Vintage borderless reference photograph taken on the set of the 1969 film showing Kim Novak topless mid-costume change aided by two wardrobe ladies. <br /> <br /> Based on the 1961 novel. A genre-bending film combining heist comedy and Western genres in which multiple gangs converge on Friendly Texas in order to attempt to rob the most unrobbable bank in the West. <br /> <br /> 7.5 x 9.5 inches. Near Fine. N.p. unknown
1908509035Dublin: The University Press 1908. Softcover. Very Good. First edition. 12mo. 15pp. Tan pictorial wrappers printed in red. Moderate soiling and light creasing on covers else a very good copy of a scarce pamphlet. OCLC locates two copies. In his preface the anonymous poet states: "I offer you this little book having first received your sixpence in the hope that the soulful pathos of its lines may touch your conscience and lead you to own up. The joke has gone quite far enough: and as some one must have the Slipper it would be a much better game to hand out and stop the hunt-- a game at which Irishmen are au fait to which so-called Irishment submit Yours gently Zero. Badly-Had Street Dublin. (The University Press) unknown
1965313835NY: HORIZON. 1965. First Edition. INSCRIBED by Zero Mostel to Hollywood producer David Chasman in year of publication on the front endpaper. About fine in a very good or better dj. 2 small chips at head of spine & adjacent front panel of dj. Hint of shelf soiling to dj. Scarce inscribed by the versatile actor and notable victim of the Hollywood Black List. LR . HORIZON. unknown
196317598ENew York: The New York Times 1963. First Edition. Laid in is a 5†x 3†card signed by the author / actor Zero Mostel. Printed in a limited quantity by the New York Times on the occasion of the 1963 New York Book Fair with “Published by The New York Times for the fun of it and dedicated to the American Bookseller June l963." as part of the text. Illustrated with black & white photographs by Robert Frank. With decorative endpapers and a small black & white photo of Zero Mostel on the front free endpaper. Faint hint of dust soiling to the cloth else fine. A delightful book of black and white photographs of the comic genius actor and entertainer Zero Mostel reading various books. From the introductory text: “Well anyway what Zero Mostel has to say about books Robert Frank has caught with his camera. The result we think is eloquent and amusing. We hope you like it.†A sweet portrayal of Zero Mostel best known for his films The Producers and A Funny Thing Happened On the Way to the Forum and for his legendary award winning portrayal on Broadway in the role of Tevye in Fiddler on the Roof. Rare autograph. The New York Times hardcover
1966158727London: Woodfall Films 1966. Shooting Script for the 1967 British short film. Two annotations in manuscript ink: one on the title page noting copy No. 11 and one on page eight noting a deletion. <br /> <br /> Clad in an ornate and eye-catching costume an opera singer must make his way through a succession of busy city streets in order to arrive on time for his performance. Originally commissioned by producer Oscar Lewenstein as one third of a planned anthology film titled "Red White and Zero."<br /> <br /> OCLC locates no holdings. AMPAS shows no holdings. <br /> <br /> Tall red untitled wrappers with a die-cut title window in the British style. Title page present dated 17.3.66 noted as Shooting Script with credit for director and screenwriter Peter Brook. 11 leaves with last page of text numbered 9. Mimeograph duplication rectos only. Pages Fine wrapper Near Fine bound internally with three silver brads. Woodfall Films unknown
1935543G1830London: George Newnes. Good. 1935. First Edition. Paperback. Pages 1-84 plus 32 pages of wonderful vintage ads. Many black and white photos and illustrations. Contents include: Through the Shan States - part 2; The King's Ju-Ju; Phases of Life - Fire-Walking in Java Gomez the Killer The Queensland "Mounted"; A "Side-Show" in Borneo; The Queer Side of Things - What the Palmist Foretold; Our Japanese Burglar; The Pickle-Bottle; A Papuan Interlude; Seven Days' Bad Luck; Man and His Needs; Stamps of the World. Bits of clear tape at each end of spine. Unmarked with average wear. Binding intact. A sound copy of this vintage issue.; Magazine; 4to - over 9¾" - 12" tall; The Wide World - The Magazine for Men April 1935 No. 445 Vol. 75 Through the Shan States - part 2; The King's Ju-Ju; Phases of Life - Fire-Walking in Java Gomez the Killer The Queensland "Mounted"; A "Side-Show" in Borneo; The Queer Side of Things - . George Newnes paperback
1965014022Horizon Press 1965. Book. Fine. Cloth in Box. Signed by Authors. Limited Edition. 4to - over 9¾ - 12" tall. Limited Edition 1/250 Signed Copies #46 Fine Copy In Like Fine Slipcase Beautiful Copy. Horizon Press Hardcover
1998DADAX0807737682Teachers College Press 1998-10-01. paperback. New. 8.75x0.75x11.25. Buy with confidence. Excellent Customer Service & Return policy. Teachers College Press paperback
1977421364Philadelphi: The Shubert Organization 1977. Softcover. Fine. Stapled illustrated wrappers. Touch of light wear else fine. Playbill for the first preview performance of Arnold Wesker's play The Merchant in Philadelphia at the Forrest Theatre in September 1977. The play director by Tony Award-winner John Dexter starred Zero Mostel in a reinterpretation of Shylock from Shakespeare. Tragically Mostel became ill and died after just one preview performance in Philadelphia. He was replaced by his understudy but the production struggled to recover and was canceled just a week after its New York premiere. Few playbill from this short-run production were produced and even less from the unfortunate Philadelphia preview. Rare. OCLC locates not copies. The Shubert Organization unknown
1965017148New York: Horizon Press 1965. This is a fine hardcover copy without dust jacket with a very good hardshell slipcase. This is the signed and limited edition of 250 signed and numbered copies. The signed lithograph is loose and laid in. Illustrated in black & white with Max Waldman's photographs of Zero Mostel. 12" high X 9" wide. Large heavy book foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. . Signed by Artist. Limited Edition 250 Copies. Hard Cover. Fine. Horizon Press Hardcover
197317291AB1973. Köln DuMont 1973. 205 : 215 cm. XXV 331 pages with many illustrations and photographs. Original baords with original coloured dust-jacket. Combined edition of the three Zero magazines which were published between 1958 and 1961. With an introduction in English and German by Lawrence Alloway. It contains Yves Klein's proposal for a torn and burned page in his contribution "Yves le monochrome 1960/ Le vrai devient réalité as well as contributions by the folowing artists: Lucio Fontana Yves Klein Jean Tinguely Otto Piene Heinz Mack Arman Piero Manzoni Daniel Spoerri Günther Uecker Dieter roth and Manfred Karge. unknown
1965008437Cambridge MA: Horizon Press 1965. 1st Edition. Hardcover. Near Fine/Slipcase. 4to. un-paginated. Beautiful First Limited Edition #46 of 250 numbered copies signed by the artist and accompanied by an original signed lithograph on custom made French BFK Rives rag paper. Bound in cream cloth with titles in gilt on spine and front board. Illustrations and photos throughout. Square tight and clean throughout with little or no wear. Some discoloration on spine. A bit of a sticky substance what looks like white-out has gotten stuck in the gutter between the rear end-paper and the last page a photo. It is partially stuck along that inner edge and there is an abrasion where it pulled a bit. About Fine publisher's slipcase. Signed by Mostel on the limitation page as well as on the original lithograph. A gorgeous collectable copy at a great price. Horizon Press hardcover
195022006Kokomo IN: Recreational Reading Inc 1950. Mild edge wear mild fade to spine panel with slight loss paper loss at base a nearly fine copy. 22006. Octavo single issue cover by De Soto pictorial wrappers. Pulp magazine. The second of three issues. From midnight to dawn Captain Zero becomes invisible. This magazine ".was the final new single-character publication to feature a mystery figure battling for justice." - Cook Mystery Detective and Espionage Magazine pp. 83-87. "The Golden Murder Syndicate" by G.T. Fleming-Roberts. Recreational Reading, Inc unknown
1968007566Hollywood CA: Huntington Hartford Theatre 1968. Autograph. Very good condition. Paperback. Signed by Authors. First Edition. Octavo 8vo. Stagebill for May 1968. Signed in ink on interior page by Zero Mostel Jules Munshin Alan Oppenheimer Alvin Epstein and additionally inscribed "To Otto Best Always" and signed Gwyda Donhowe. Overall slight shelfwear and soiling. Huntington Hartford Theatre Paperback
196581952New York:: Horizon Press 1965. First edition; No. 170 of 250 copies signed by Zero Mostel. publisher's cloth in slipcase. Ink gift notice taped to the front pastedown; otherwise fine in a slipcase with a little use at edges. 4to. Illustrated from photographs and drawings and with an original signed lithograph laid in. Photographs by Max Waldman. With some personal words & drawings by Zero Mostel. Horizon Press, hardcover
1965177108New York: Horizon Press 1965. VG light shelfwear to boards overall wear and fading to slipcase. Pages with text and illustrations are otherwise very clean. Tan cloth boards with gilt lettering on front and spine issued in plain brown slipcase unpaginated profusely illustrated in bw. Includes bw lithograph signed by Mostel laid-in. "This edition is limited to two hundred and fifty numbered copies signed by the artist and accompanied by an unbound original signed lithograph on custom made French BFK Rives rag paper. This is copy number 156." and signed by artist on ffep. Photographs by Max Waldman with some personal words and drawings by Zero Mostel. Horizon Press hardcover
1965rb14713<p>New York: Horizon Press Publishers 1965. First Edition. Hardcover. Fine. This edition limited to 250 numbered copies signed by artist and accompanied by an unbound original signed lithograph on custom made French BFK River rag paper. This is copy number 73. Tan cloth boards with gilt lettering on front and spineissued in plain brown slipcase. Fine condition with some shelf wear to slipcase. 9 x 12.25 x 1.25 in.</p> Horizon Press Publishers hardcover
194923646Kokomo IN: Recreational Reading Inc. 1949. Edges trimmed with small right corner clips a very good to nearly fine copy. 23646. Octavo single issue cover by DeSoto pictorial wrappers. Pulp magazine. First issue of this short lived magazine. From midnight to dawn Captain Zero becomes invisible. This magazine ".was the final new single-character publication to feature a mystery figure battling for justice." - Cook Mystery Detective and Espionage Magazine pp. 83-87. "City of Deadly Sleep" by G.T. Fleming-Roberts. Recreational Reading, Inc. unknown
1963205248New York: The New York Times 1963. First edition. Hardcover. "Published for the fun of it by The New York Times and dedicated to the American Bookseller June 1963." A humorous collection of photographs by Frank of the inimitable comedian /actor Zero Mostel. A very clean near and tight near fine copy in a very good plus example of the original fragile unprinted glassine jacket with some edge tears chips and wear. A very pleasing copy. The New York Times unknown
1965419898New York: Horizon 1965. Hardcover. Near Fine. First edition limited issue. Quarto. Photographs by Waldman. Drawings by Mostel. Gilt spine lettering a little rubbed near fine in very good slipcase split at one seam. Copy 111 of 250 numbered copies Signed by Zero Mostel. This copy lacks the signed lithograph by Mostel that was intended to accompany the book. Laid in is a large slip of paper Signed by Max Waldman. Horizon hardcover