62 résultats
1974151767New York: AFT International 1974. Vintage US one sheet poster for the 1974 US film. <br /> <br /> Based on the 1959 play by Eugene Ionesco. A reimagining of Ionesco's darkly comical indictment of human gullibility and herd mentality-a response to rising fascism in pre-WWII Europe-wherein citizens of a small town inexplicably begin turning into rhinoceroses.<br /> <br /> Set in 1970s America. <br /> <br /> 27 x 41 inches folded. Very Good moderately foxed overall with wear to the top and bottom edges. AFT International unknown
1958D9720New York: The Village Voice 1958. Ephemera. Good. Single newspaper leaf folded twice. "Cover" text cast list and bios "Nighttown a City and a Search" by Padraic Colum on the recto; opens up recto to a map of Greenwich Village and ads. Age-toned and a bit brittle; some light chipping along edges and crease-folds. Fragile but a scarce bit of ephemera. <br/><br/> The Village Voice unknown
19792091202133001825Hayakawashobo 1979. Soft Cover. Fine. Number of books: 1 Hayakawashobo paperback
19812110502150412728elementary school 1981. Soft Cover. Fine. Volume: 1 elementary school paperback
1968007566Hollywood CA: Huntington Hartford Theatre 1968. Autograph. Very good condition. Paperback. Signed by Authors. First Edition. Octavo 8vo. Stagebill for May 1968. Signed in ink on interior page by Zero Mostel Jules Munshin Alan Oppenheimer Alvin Epstein and additionally inscribed "To Otto Best Always" and signed Gwyda Donhowe. Overall slight shelfwear and soiling. Huntington Hartford Theatre Paperback
19572110502150403118East Japan Shimbun 1957. Soft Cover. Fine. Volume: 1 East Japan Shimbun paperback
19582110502150411991East Japan Shimbun 1958. Soft Cover. Fine. Volume: 1 East Japan Shimbun paperback
1969152375N.p.: N.p. 1969. Vintage borderless reference photograph taken on the set of the 1969 film showing Kim Novak topless mid-costume change aided by two wardrobe ladies. <br /> <br /> Based on the 1961 novel. A genre-bending film combining heist comedy and Western genres in which multiple gangs converge on Friendly Texas in order to attempt to rob the most unrobbable bank in the West. <br /> <br /> 7.5 x 9.5 inches. Near Fine. N.p. unknown
1966158727London: Woodfall Films 1966. Shooting Script for the 1967 British short film. Two annotations in manuscript ink: one on the title page noting copy No. 11 and one on page eight noting a deletion. <br /> <br /> Clad in an ornate and eye-catching costume an opera singer must make his way through a succession of busy city streets in order to arrive on time for his performance. Originally commissioned by producer Oscar Lewenstein as one third of a planned anthology film titled "Red White and Zero."<br /> <br /> OCLC locates no holdings. AMPAS shows no holdings. <br /> <br /> Tall red untitled wrappers with a die-cut title window in the British style. Title page present dated 17.3.66 noted as Shooting Script with credit for director and screenwriter Peter Brook. 11 leaves with last page of text numbered 9. Mimeograph duplication rectos only. Pages Fine wrapper Near Fine bound internally with three silver brads. Woodfall Films unknown
1935543G1830London: George Newnes. Good. 1935. First Edition. Paperback. Pages 1-84 plus 32 pages of wonderful vintage ads. Many black and white photos and illustrations. Contents include: Through the Shan States - part 2; The King's Ju-Ju; Phases of Life - Fire-Walking in Java Gomez the Killer The Queensland "Mounted"; A "Side-Show" in Borneo; The Queer Side of Things - What the Palmist Foretold; Our Japanese Burglar; The Pickle-Bottle; A Papuan Interlude; Seven Days' Bad Luck; Man and His Needs; Stamps of the World. Bits of clear tape at each end of spine. Unmarked with average wear. Binding intact. A sound copy of this vintage issue.; Magazine; 4to - over 9¾" - 12" tall; The Wide World - The Magazine for Men April 1935 No. 445 Vol. 75 Through the Shan States - part 2; The King's Ju-Ju; Phases of Life - Fire-Walking in Java Gomez the Killer The Queensland "Mounted"; A "Side-Show" in Borneo; The Queer Side of Things - . George Newnes paperback
1979348G2483USA: Western Publications Inc. 1979. Book. Good. Single Issue Magazine. First Edition. 4to - over 9¾" - 12" tall. 64 pages. Features: The Garden City Kansas Cattleman's Carnival - article with great photos; Mexico Bound - remember the first time you left home; Ben Kilpatrick's Last Stand - death was waiting in the baggage car of westbound SP Train #1; Panning at Old Humbug - Shasta City California in 1853; Trigger Fingers - Nervous or otherwise they took the pulse of the American West; The "Eventful" Day of Sam Butterworth - trapped in a tree half blind and surrounded with Indians loaded with plenty of booze and matches!; Laura Ingalls' Untold Stories; A Man Whose Time Hadn't Come - Talmage Palmer; West From El Reno - starving in the midst of plenty; The Men of South Park; Sammy Holman "Hello" - he moved to Idaho from New York; and more. Unmarked with average wear. Contents partially yellowed with age. A sound copy. Western Publications Inc. Paperback
196590907New York: Horizon Press 1965. First Edition; First Printing. Hardcover. Very Good in a Good dust jacket. Cloth and dust jacket soiled on front and rear panels. Closed tear to front panel of jacket. ; 4to - over 9¾" - 12" tall. Horizon Press hardcover
197317291AB1973. Köln DuMont 1973. 205 : 215 cm. XXV 331 pages with many illustrations and photographs. Original baords with original coloured dust-jacket. Combined edition of the three Zero magazines which were published between 1958 and 1961. With an introduction in English and German by Lawrence Alloway. It contains Yves Klein's proposal for a torn and burned page in his contribution "Yves le monochrome 1960/ Le vrai devient réalité as well as contributions by the folowing artists: Lucio Fontana Yves Klein Jean Tinguely Otto Piene Heinz Mack Arman Piero Manzoni Daniel Spoerri Günther Uecker Dieter roth and Manfred Karge. unknown
196516-B09411Horizon Press New York 1965. Hardcover. Very Good/acceptable. signed by photographer. Signed and dedicated by the photographer Max Waldman and includes a typed letter affixed to inside d/w flap explaining publishing difficulties to the actor Morgan Sheppard. Horizon Press, New York, hardcover
196581952New York:: Horizon Press 1965. First edition; No. 170 of 250 copies signed by Zero Mostel. publisher's cloth in slipcase. Ink gift notice taped to the front pastedown; otherwise fine in a slipcase with a little use at edges. 4to. Illustrated from photographs and drawings and with an original signed lithograph laid in. Photographs by Max Waldman. With some personal words & drawings by Zero Mostel. Horizon Press, hardcover
196521901New York: Horizon Press 1965. Near Fine/No Dust Jacket As Issued. <br /> <br /> A TOWERING ASSOCIATION COPY OF ZERO MOSTEL'S VISUAL AND VERBAL SELF-PORTRAIT INSCRIBED TO THE MAN WHO PUBLISHED IT. <br /> This copy number 2 of only 250 captures the raw kinetic energy of Mostel through Max Waldman's photography and Mostel's own idiosyncratic drawings. The deeply personal inscription to Ben Raeburn-the 'oldest flame' in Mostel's life-transforms this from a standard limited edition into a primary archival artifact of the Horizon Press legacy.<br /> <br /> KEY FEATURES<br /> Visuals: Lavishly illustrated with high-contrast photographs by Max Waldman and original drawings by Zero Mostel. <br /> Binding: Full cloth with gilt-stamped spine; housed in the original coordinate slipcase. <br /> Imprint: Horizon Press New York 1965. <br /> Specs: 11.5 inches tall 4to; unpaginated. <br /> Provenance: From the estate of Horizon Press publisher Ben Raeburn. <br /> <br /> LIMITATION & SIGNATURES<br /> Number 2 of 250 numbered copies signed by Zero Mostel on the limitation page.<br /> Association Inscription: Inscribed in a different ink by Mostel to his publisher: 'To Ben Raeburn / The oldest flame in my life - with / my love and esteem - whatever that / means. - Regards to Pearl & Ricky too. / Zero Mostel'. Note: 'Pearl' refers to Ben's wife Pearl Raeburn and 'Ricky' likely refers to their son.<br /> <br /> CONDITION: Near Fine.<br /> The Book: The bindings are tight and square. The internal text is clean and free of markings displaying only light even age-toning. The spine shows light uniform sun-darkening common to this cloth.<br /> The Slipcase: The original slipcase is present and structurally sound showing only minor shelf handling wear.<br /> <br /> SCHOLARLY FEATURES<br /> Artistic Merit: Max Waldman's photography captures Mostel not just as a performer but as a physical sculpture of emotion documenting the 'Theater of the Body' that made Mostel a mid-century icon.<br /> Design: Reflects Ben Raeburn's commitment to 'Total Book Design' prioritizing the tactile relationship between the unvarnished cloth and the heavy art-grade paper stock.<br /> Scholarship: Serves as a primary document of Mostel's polymathic nature proving that his artistic output was as vital as his stage presence in 'Fiddler on the Roof' or 'Ulysses in Nighttown'. HISTORICAL SIGNIFICANCE -<br /> Zero Mostel was more than a comedic force; he was a blacklisted artist who resurrected his career to become a pillar of the American stage. His relationship with Ben Raeburn and Horizon Press was foundational as Raeburn provided a sophisticated literary platform for Mostel's graphic and prose experiments.<br /> <br /> This volume is a landmark of 1960s independent publishing. Horizon Press under Raeburn was a sanctuary for high-level modernism and this collaboration between Mostel and Waldman represents the press at its most avant-garde.<br /> <br /> ASSOCIATION COPY<br /> This is a definitive Association Copy. As copy #2-likely the first copy Mostel presented to his publisher-it documents the intimate bond between artist and editor. The mention of 'Pearl & Ricky' Raeburn's family in the inscription underscores a decades-long personal friendship that transcended the professional contract.<br /> <br /> SUBJECTS: Zero Mostel Max Waldman Horizon Press Photography Performing Arts Jewish-American Artists Association Copy Signed Limited Edition Art Monograph Horizon Press unknown
1965000017002New York: Horizon Press 1965 1965. First edition. Hardcover. Near Fine/Very Good or better. 4to. Unpaginated. Black cloth with gold lettering on the front board and spine lettering in blind on the spine as well. Illustrated with in-text black and white drawings by Mostel and with 152 full-page black and white photographs by Max Waldman. A gift inscription on the free front endpaper; jacket price-clipped lightly worn and toned. Horizon Press [1965] hardcover
1965008437Cambridge MA: Horizon Press 1965. 1st Edition. Hardcover. Near Fine/Slipcase. 4to. un-paginated. Beautiful First Limited Edition #46 of 250 numbered copies signed by the artist and accompanied by an original signed lithograph on custom made French BFK Rives rag paper. Bound in cream cloth with titles in gilt on spine and front board. Illustrations and photos throughout. Square tight and clean throughout with little or no wear. Some discoloration on spine. A bit of a sticky substance what looks like white-out has gotten stuck in the gutter between the rear end-paper and the last page a photo. It is partially stuck along that inner edge and there is an abrasion where it pulled a bit. About Fine publisher's slipcase. Signed by Mostel on the limitation page as well as on the original lithograph. A gorgeous collectable copy at a great price. Horizon Press hardcover
1965017148New York: Horizon Press 1965. This is a fine hardcover copy without dust jacket with a very good hardshell slipcase. This is the signed and limited edition of 250 signed and numbered copies. The signed lithograph is loose and laid in. Illustrated in black & white with Max Waldman's photographs of Zero Mostel. 12" high X 9" wide. Large heavy book foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. . Signed by Artist. Limited Edition 250 Copies. Hard Cover. Fine. Horizon Press Hardcover
1965309110New York: Horizon Press 1965. hardcover. very good-. Mostel Zero and Waldman Max. Profusely illustrated with excellent black-and-white photographs by Max Waldman showing Mostel in character; some other drawings by Mostel along with personal words. Unpaginated 4to black cloth spine is quite fadded. New York: Horizon Press 1965. Very good.<br/> <br/> "To Burton & Lynn or Lynn & Burton. Whoever has seniority I respect admire love and am happy you finally sprung and invited us to your home. With my love Zero Mostel - 1971".<br/> <br/> Horizon Press unknown
1965419898New York: Horizon 1965. Hardcover. Near Fine. First edition limited issue. Quarto. Photographs by Waldman. Drawings by Mostel. Gilt spine lettering a little rubbed near fine in very good slipcase split at one seam. Copy 111 of 250 numbered copies Signed by Zero Mostel. This copy lacks the signed lithograph by Mostel that was intended to accompany the book. Laid in is a large slip of paper Signed by Max Waldman. Horizon hardcover
196536612New York: Horizon Press 1965. First Edition; First Printing. Hardcover. Very Good in boards. ; 4to 11" - 13" tall. Horizon Press hardcover
1965313835NY: HORIZON. 1965. First Edition. INSCRIBED by Zero Mostel to Hollywood producer David Chasman in year of publication on the front endpaper. About fine in a very good or better dj. 2 small chips at head of spine & adjacent front panel of dj. Hint of shelf soiling to dj. Scarce inscribed by the versatile actor and notable victim of the Hollywood Black List. LR . HORIZON. unknown
19658083New York: Horizon Press 1965. Hardcover. vg. Max Waldman. 4to. Unpaginated. 152 b&w photographs of Mostel in various costumes and settings. Some b&w drawings by Mostel in first section of book. Black cloth with dj. Dj with light wear else book in near fine condition. Horizon Press hardcover
196547490New York: Horizon Press 1965. Hardcover. Near Fine/Very Good. First edition. Quarto. 201pp. Illustrated from drawings by Mostel 152 photographs by Waldman. Gift inscription top of boards slightly faded near fine in a price-clipped about very good dust jacket with a split at front spine fold faint soiling and a slightly tanned spine. With photos of Mostel as different characters and musings about what he thinks on stage and about his other passion painting. Horizon Press hardcover
