Anonymous (Sutter Street Commune)Biblio.com
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198014498<p>Very Good HC no DJ. Beige cloth over boards white stylized woman’s head with hair spelling 'Kaliflower' on front cover the hair wrapping around spine onto back cover; gray laid paper end papers. Bright generally clean covers and spine have few small spots; firm square corners; tightly bound; crisp clean interior. Brilliant colorful images and print on every page. Starting in April of 1969 Sutter Street Commune in S.F. following Digger philosophy began issuing a free intercommunal newspaper to area communes to ‘pass the dharma’ i.e. share information with other like-minded communards. For the next 3 years Kaliflower was distributed on a weekly basis eventually to nearly 300 communes. This volume is drawn from some of those issues but also has some commentary about the making and growth of Kaliflower. As with everything this group produced nothing is signed or attributed. One of the Sutter Street Commune founders was an experienced printer and the press work was high quality. This is a nicely bound fine quality volume. Large 4to 256 pp.</p> San Francisco: Free Print Shop hardcover
19681520<p>Poster printed recto and verso with texts and images in red and black inks on white commercial stock. Ca. 14 x 20 in. Very good. Loose as issued. 1520</p><p><em>An unrecorded and gorgeous work by The Berkeley Commune in affinity with the International Werewolf Conspiracy and Up Against the Wall Motherfucker identified for us by UAWMF founder Ben Morea as a co-publication with New York chapters of the secretive network of radicals. Strike Anywhere calls for immediate unified militant action to take control of the America's urban centers: "if there is going to be any student-worker alliance then it will be formed as clearly seen in france not in the factories but on the streets or not at all. if poor whites & middleclass hippies are going to come together as in chicago berkeley & NY it will be in the streets. if there is going to be a true working alliance with blacks then it will come from the common struggle in the streets. the streets are where we will confront the man & where the struggle will become clear - theoretically as well as tactically. theory in not separate from life/ we need space to create the existence we want to live & in the streets we learn the man isn't going to give up space - because the existence of an alternate life is a threat to his piglife."</em></p>
197137111New York: Frederick Ungar Publishing Company. As New. 1971. Paperback. 0804466076 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE - Front cover missing; else flawless -- with a bonus offer-- . Frederick Ungar Publishing Company paperback
19722080202105100034San'ichishobo 1972. Soft Cover. Fine. Volume: 24 volumes San'ichishobo paperback
1960002141London: Society for Promoting Christian Knowledge n.d. c.1960 1960. BOUND BY PHILIP SMITH. 1 vol. 5-7/8" x 3-7/8" bound in full blue morocco multi-color morocco onlays to spine and front cover title gilt to spine gilt decoration of people in gilt and blind around gilt stars and suns blue paper pastedowns pastedowns and endpapers with gilt stars all edges gilt housed in an open ended multi colored felt lined slipcase Philip Smith's binders stamp to upper edge of front pastedown dated 1963 inner and outer hinges fine head and foot of spine fine spine slightly darkened internally clean and bright no previous ownership markings inscriptions or bookplate A VERY GOOD COPY. Born in 1928 Philip began his career in bookbinding and book art in 1949 graduating from the Royal College of Art in London with First Class Honours in 1954. He was an internationally renowned designer bookbinder and book artist. He designed and created intricate and fascinating bindings for well over 50 years and was awarded gold and silver medals in several international competitions. In 2000 he was awarded an MBE for services to Art. Philip was a great innovator having invented and pioneered several ground-breaking and influential techniques and structural developments. His work is represented in many private collections and can be seen in several public collections overseas and in the UK including the V&A National Art Library and the British Library. London: Society for Promoting Christian Knowledge, n.d. (c.1960) unknown
