William H Rau; Universal View CoBiblio.com
35 résultats
1897134212Philadelphia; Lawrence Kan. 1897. Near fine. Set of 4 stereoview cards 9 x 18 cm. B&w photos. Titled: A Really Good Fellow Was He; May He Rest In Peace; A Free For All; McCarthy Comes Back to Life. Cards curved. <br/><br/> unknown
189045015Chisholm Brothers 1890. WASHINGTON DC VIEW BOOK. WASHINGTON VICTORIAN SOUVENIR VIEW ALBUM. Portland Maine: Chisholm Brothers 1890. A Charles Frey Souvenir Album. Oblong 16mo. pictorial green cloth stamped in gilt & white. First Edition. Contains dozens of Washington DC images. Very Good bright. $75.00. Chisholm Brothers unknown
188054523Solothurn n.d. ca. 1880. Leporello 165 x 148 cm. in orig. clothcovers with ties. Original printed pictorial wrapper on frontboard. Tinted lithography by X. Amiet Solothurn. On foot "Vom Weissenstein aufgenommen". Clean and fine. hardcover
1801SKU0075596Vista Higher Learning 2018-01-01. Hardcover. Good. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Vista Higher Learning hardcover
1850161903. 1850. Unbound. Very Good. View on the River Dart. Original watercolour most probably by a member of the Waddon-Martyn family of Tonacombe Manor in the mid 19th century. Mounted on contemporary card backing sheet. c10 x 7 inches image size Tonacombe is a late medieval manor house built in the early 16th century with 18th century renovations. The main building dates from the marriage of Tomasin Jourden of Tonacombe to John Kempthorne Ley. The house passed through the female line to the Waddon family in the mid 17th century and to the Martyns in the late 18th century. Tonacombe is the original of "Chapel" in 'Westward Ho !' which was partly written there and Charles Kingsley was a frequent visitor. He was born at Holne Vicarage under the brow of Dartmoor Devonshire. <br/> <br/> . unknown
1850161902. 1850. Unbound. Very Good. View near Leusdon Devon - Widdicombe Tower Original watercolour most probably by a member of the Waddon-Martyn family of Tonacombe Manor in the mid 19th century. Mounted on contemporary card backing sheet. c10 x 7 inches image size Tonacombe is a late medieval manor house built in the early 16th century with 18th century renovations. The main building dates from the marriage of Tomasin Jourden of Tonacombe to John Kempthorne Ley. The house passed through the female line to the Waddon family in the mid 17th century and to the Martyns in the late 18th century. Tonacombe is the original of "Chapel" in 'Westward Ho !' which was partly written there and Charles Kingsley was a frequent visitor. He was born at Holne Vicarage under the brow of Dartmoor Devonshire. <br/> <br/> . unknown
190046801Panorama view of Beach & Sands Great Yarmouth at front. 11 other pages of photos of local area including industry sights & buildings all with captions Brown & Rawcliffe hardcover
1894519140B.T. Batsford London 1894. 1st Edition. Unframed Photograph Print. Very Good Condition. Lilford Hall begun 1495 and enlarged in 1635; Jacobean exterior with Georgian interiors by Henry Flitcroft; now privately owned. Charles Latham was one of the most influential architectural photographers of the late Victorian and Edwardian periods renowned for his evocative images of country houses and formal gardens across Britain and Italy. His work helped define the visual language of architectural publishing and preservation. His first major commission was for J. Alfred Gotch's Architecture of the Renaissance in England 1894 from which this photograph is taken where his collotype plates captured the texture and grandeur of Elizabethan and Jacobean houses with remarkable clarity. Latham later helped shape the visual identity of Country Life magazine which we always have in stock photographing both historic estates and newly built homes. His images became central to the magazine's appeal combining editorial elegance with technical innovation in print reproduction. Each of Charles Latham's architectural photographs captures a singular moment of craftsmanship patronage or domestic ambition from heraldic chimney-pieces to formal garden fronts. Whether collegiate civic or aristocratic these buildings speak to the stylistic confidence of their age. Many remain inhabited studied or preserved today making each image not just a historical record but a quietly resonant portrait of continuity. Published in 1894 this fine Victorian-period image has been carefully removed from Gotch's monumental work. Printed in Leipzig Germany by Sinsel & Co. on thick cream-coloured paper this image reflects the firm's hallmark clarity and tonal depth featuring the building's name in sepia ink below a ruled border with Latham's beautifully composed black-and-white photograph taking centre place. POSTED ROLLED. Size: 34 x 47 cms. Category: Architecture; English Country House Photographs; J. Alfred Gotch's Architecture; Charles Latham Photographs. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. B.T. Batsford unknown
1900H15335Meadville PA: Keystone View Company 1900. Near Fine. 6 stereoviews in excellent condition images clear and bright. Keystone View Company unknown
18712105190058Boston; Baltimore; Chicago; Washington; : Littleto: Keystone; Underwood & Underwood; Bailey & Co; Griffith & Griffith; J.F. Jarvis; C.W. Nichols; William H. Rau; T.W. Ingersoll; and Others 1871. Photographs. Very Good. 323 Stereoviews. Most are from the Keystone Company but 43 of the stereoviews are earlier prints from a mix of sources. Additionally includes a decorative needlepoint box which houses 100 stereoview cards. Some of the earlier cards are colored. Card dimensions: W. 8.75 in. D. 5.25 in. H. 5.5 in. From the Marvin Lieber Collection of Early Photographica. Keystone; Underwood & Underwood; Bailey & Co; Griffith & Griffith; J.F. Jarvis; C.W. Nichols; William H. Rau; T.W. I unknown
1894519091B.T. Batsford London 1894. 1st Edition. Unframed Photograph Print. Very Good Condition. Hardwick Hall built for Bess of Hardwick in 1590-97 is famed for its vast windows—“more glass than wall”. Charles Latham was one of the most influential architectural photographers of the late Victorian and Edwardian periods renowned for his evocative images of country houses and formal gardens across Britain and Italy. His work helped define the visual language of architectural publishing and preservation. His first major commission was for J. Alfred Gotch's Architecture of the Renaissance in England 1894 from which this photograph is taken where his collotype plates captured the texture and grandeur of Elizabethan and Jacobean houses with remarkable clarity. Latham later helped shape the visual identity of Country Life magazine which we always have in stock photographing both historic estates and newly built homes. His images became central to the magazine's appeal combining editorial elegance with technical innovation in print reproduction. Each of Charles Latham's architectural photographs captures a singular moment of craftsmanship patronage or domestic ambition from heraldic chimney-pieces to formal garden fronts. Whether collegiate civic or aristocratic these buildings speak to the stylistic confidence of their age. Many remain inhabited studied or preserved today making each image not just a historical record but a quietly resonant portrait of continuity. Published in 1894 this fine Victorian-period image has been carefully removed from Gotch's monumental work. Printed in Leipzig Germany by Sinsel & Co. on thick cream-coloured paper this image reflects the firm's hallmark clarity and tonal depth featuring the building's name in sepia ink below a ruled border with Latham's beautifully composed black-and-white photograph taking centre place. POSTED ROLLED. Size: 34 x 47 cms. Category: Architecture; English Country House Photographs; J. Alfred Gotch's Architecture; Charles Latham Photographs. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. B.T. Batsford unknown
18972110502150406878Edited and sculpted by Omuro Otokichi 1897. Soft Cover. Fine. Number of books: 7 Edited and sculpted by Omuro Otokichi paperback
18363781Thomas Hookham 1836. 1836 4to. vi 155 p. Eighteen litho plates by Hullmandel on India paper mounted. First edition. Publisher's green cloth with spine ends and corners expertly restored. Original paper label present but chipped. Author's presentation inscription on front endpaper. Occasional faint spotting to the tissue guards. A very good copy of a scarce title. Thomas Hookham, hardcover
189618069New York: Underwood and Underwood 1896. Very good condition. A crowded street scene near the harbour in Hong Kong with street vendors and coolie workers. Very bright. Stereoscopic photo card on tan card stock curved mounts with printed caption. The image shows a congested street scene with men working with bricks in the foreground many workers in the distance. The number 49 is handwritten above the images. The caption is translated on verso into various languages. Approx. 7x3 1/2". Image copyrighted 1896 to Strohmeyer and Wyman. Underwood and Underwood unknown
1892RF 604<p><strong>View Albums of Chicago.</strong></p><p>Columbus Ohio. Published by Ward Brothers. 1892/1893.</p><p>3 vols; oblong 8vo with photogravure plates 88 views; original decorated dark green gilt block title on the upper cover.</p><p>A FINE SERIES OF 3 ALBUMS CONTAINING CHICAGO VIEWS. Reproduced from original photographs from J.W. Taylor's American Photographic Series Chicago Illinois. Title page. Some of the views relate to the World's Columbian Exposition of 1893 including a bird's-eye view. RF 604.</p> Published by Ward Brothers. hardcover
18781619131878. Unbound. Very Good. CANNES. Esterel Hills from the Hotel Belle Vue Cannes. Two most attractive watercolours mounted on contemporary card. 150mm x 230mm / 211mm x 288mm. c1878. <br/> <br/> unknown
1894519118B.T. Batsford London 1894. 1st Edition. Unframed Photograph Print. Very Good Condition. Burford Priory built on a medieval hospital site was remodelled c.1634 by William Lenthall; now a private residence. Charles Latham was one of the most influential architectural photographers of the late Victorian and Edwardian periods renowned for his evocative images of country houses and formal gardens across Britain and Italy. His work helped define the visual language of architectural publishing and preservation. His first major commission was for J. Alfred Gotch's Architecture of the Renaissance in England 1894 from which this photograph is taken where his collotype plates captured the texture and grandeur of Elizabethan and Jacobean houses with remarkable clarity. Latham later helped shape the visual identity of Country Life magazine which we always have in stock photographing both historic estates and newly built homes. His images became central to the magazine's appeal combining editorial elegance with technical innovation in print reproduction. Each of Charles Latham's architectural photographs captures a singular moment of craftsmanship patronage or domestic ambition from heraldic chimney-pieces to formal garden fronts. Whether collegiate civic or aristocratic these buildings speak to the stylistic confidence of their age. Many remain inhabited studied or preserved today making each image not just a historical record but a quietly resonant portrait of continuity. Published in 1894 this fine Victorian-period image has been carefully removed from Gotch's monumental work. Printed in Leipzig Germany by Sinsel & Co. on thick cream-coloured paper this image reflects the firm's hallmark clarity and tonal depth featuring the building's name in sepia ink below a ruled border with Latham's beautifully composed black-and-white photograph taking centre place. POSTED ROLLED. Size: 34 x 47 cms. Category: Architecture; English Country House Photographs; J. Alfred Gotch's Architecture; Charles Latham Photographs. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. B.T. Batsford unknown
180945298Örebro Nils Magnus Lindh 1809. Stor8vo. Indbundet helt ubeskåret i et senere pragtfuldt hldrbd. med overdådig rygforgyldning Nanna Grönvall. 4336 pp. 32 delvist foldede kobberstukne plancher prospekter portrætter genrer etc. Enkelte kobberstik med en svag fugtskjold på bagsiden. Trykt på skrivepapir. Et yderst attraktivt eksemplar. <br/><br/><em>With folded engraved plate of Port Royal Kingston Harbour Jamaica with 10 pp. of description of Jamaica 2 engraved plates of Vesuv and Etna eruptions and many other engraved plates. </em> unknown
1894519101B.T. Batsford London 1894. 1st Edition. Unframed Photograph Print. Very Good Condition. Apethorpe Hall's courtyard was rebuilt c.1623 for royal visits; James I stayed here frequently. Charles Latham was one of the most influential architectural photographers of the late Victorian and Edwardian periods renowned for his evocative images of country houses and formal gardens across Britain and Italy. His work helped define the visual language of architectural publishing and preservation. His first major commission was for J. Alfred Gotch's Architecture of the Renaissance in England 1894 from which this photograph is taken where his collotype plates captured the texture and grandeur of Elizabethan and Jacobean houses with remarkable clarity. Latham later helped shape the visual identity of Country Life magazine which we always have in stock photographing both historic estates and newly built homes. His images became central to the magazine's appeal combining editorial elegance with technical innovation in print reproduction. Each of Charles Latham's architectural photographs captures a singular moment of craftsmanship patronage or domestic ambition from heraldic chimney-pieces to formal garden fronts. Whether collegiate civic or aristocratic these buildings speak to the stylistic confidence of their age. Many remain inhabited studied or preserved today making each image not just a historical record but a quietly resonant portrait of continuity. Published in 1894 this fine Victorian-period image has been carefully removed from Gotch's monumental work. Printed in Leipzig Germany by Sinsel & Co. on thick cream-coloured paper this image reflects the firm's hallmark clarity and tonal depth featuring the building's name in sepia ink below a ruled border with Latham's beautifully composed black-and-white photograph taking centre place. POSTED ROLLED. Size: 34 x 47 cms. Category: Architecture; English Country House Photographs; J. Alfred Gotch's Architecture; Charles Latham Photographs. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. B.T. Batsford unknown
18603816<p>This probably just pre-Civil War view looks north with a rendering of the Washington Monument as designed but not completed dominating the foreground. Charles Magnus was a prolific producer of lithographed prints lettersheets patriotic envelopes and song sheets during the last half of the 19th century.</p><p><strong>Reference: </strong> Milgram <em>American Illustrated Letter Stationery 1819-1899</em>: WA-LS-8.</p><p><strong>Condition:</strong> Unused lithographed lettersheet in black and white. Expected age toning and some waviness to the paper especially at edges. Tiny chips to corners.</p><p>ICN 7727.2</p> Charles Magnus, 12 Frankfort Street, New York
19006631Dundee: Valentine & Sons Ltd 1900. Hardcover. Good. Oblong 8vo. Pp. 20. Illustrated with black & white heliogravure photo reproductions. Textured red cloth titles and decorations stamped in gilt on the cover saddle stapled. Covers moderately bowed and stained gilt darkened edges rubbed first leaves lightly foxed staples oxidized. Souvenir views of Scottish Borders sights mostly Abbotsford House inside and out plus Dryburgh and Melrose abbeys. The photos are exquisite. Uncommon. Valentine & Sons, Ltd hardcover
188647588New York: Adolph Wittemann 1886. Souvenir View Book. Hardcover. Very good. Slim oblong octavo 15 cm x 23.5 cm Illustrated plates bound in the accordion-style with brown cloth covers elaborately stamped in black gilt and blind. The extremities are gently bumped and rubbed. With fifty-one views of Washington D.C. Adolph Wittemann hardcover
186410253New York: the photographer; John D. Chase Optician 1864. Albumen silver print stereograph 8.5 x 17.5 cm. Two prints mounted on card. The photographer is identified in a copyright registration statement. "The New England Kitchen" in The Brooklyn & Long Island Sanitary Fair February 22 1864 pages 72-78 states that this demonstration kitchen not of contemporary cooking methods but of old fashioned hearth cooking was a hit with the crowds at the fair and a significant financial success. An experiment in cooking education by example The New England Kitchen was aimed at weaning immigrants off of their food traditions and toward a "New England diet" see Laura Shapiro's excellent Perfection Salad pages 147 ff. Apparently the plans for the New England Kitchen began before the fair plans been begun. The image offered here labeled "Interior View" was one of a series of twelve photographs taken by W.E. James of 247 Fulton Steet. We have located no sets of the photographs in any institution collection. the photographer; John D. Chase, Optician unknown
189032454Denver: Souvenir View Co 1890. Photograph. Good. Photograph. 8" x 5" photographic view in Denver Colorado. No date. Published by the Souvenir View Company. Water staining top edge verso of the photograph. Some minor fading to the picture. Souvenir View Co unknown
1860214311n.p.Paris: Hachette. c 1860. Full page black and white map of Turan Bay occupied by the Hispano-French expedition of 1859. A plan of the town of Saigon three full page engravings and a smaller portrait engraving of Doctor Livingston. Half red morocco with marbled boards titled in gilt spine lightly sunned. An extract of pages 50-64 from Le Tour du Monde nicely bound and an interesting item. 29 x 21cm.<P> French text. A French naval officer's account of Cochinchine during Le Tour du Monde Expedition of 1859. Notes from an unpublished correspondence.<P> <b>When referring to this item please quote stockid 214311</b> . (Hachette) hardcover
