69 résultats
186640625PRIMERA EDICION.- Barcelona: Establiment Tipográfich de Jaume Jepús 1866.- 40 p.; 8º mayor 193 cm; Texto en catalán; Cubiertas provisionales. Dedicatoria autógrafa del autor en la portadilla a D. Adolfo Pons Umbert. Falto de las cubiertas originales que se han remplazado por otras de papel para su mejor protección. TEATRO LÃRICO ÓPERA ZARZUELA Llibre en català / valencià Establiment Tipográfich de Jaume Jepús paperback
18707.280Madrid: Gaspar y Roig 1870. Holandesa piel. 14x21.5. Gaspar y Roig hardcover
187011427MADRID: Imprenta de Gaspar Roig Editores 1870. 4º.- Plena pasta española tejuelo y dorados en el lomo.- 6 tomos.- I: 554 páginas.- 3 hojas índice.- II: 559 páginas.- 3 hojas índice.- III: 567 páginas.- 3 hojas índice.- IV: 658 páginas.- 5 hojas índice.- V: 653 páginas.- 5 hojas índice.- VI: 648 páginas.- 8 hojas.- Ilustraciones entre texto. . Palau 363335 Imprenta de Gaspar Roig, Editores hardcover
18803460868Barcelona.: F. Seix editor. 1880. Hardcover. Cubierta deslucida. Good. 29 cm. 2 v. Encuadernación en tapa dura artesanal en plena piel con doble tejuelo. Cuarta edición. Arau y Vidal Narciso n. 1835. Por Narciso Arau y Vidal . Cubierta deslucida. Industria de la madera 674 F. Seix, editor. hardcover
187953484Paris: Gauthier-Villars 1879. First edition. Small 8vo. xiv 284 pp. frontispiece is a phototypie by Quinsac with partially detached tissue guard plus a full-page phototypie plate by C. Relvas; other illustrations in text. Half calf and marbled boards spine with gilt title and rules; scuffing primarilly at the top and bottom of the spine. Occasional light foxing. A very good copy. A well-illustrated manual covering phototypie a collotype process utilizing greasy-ink on a gelatin plate. <br /> <br /> Roosens and Salu No. 8290. Gauthier-Villars unknown
188153483Paris: Gauthier-Villars 1881. First edition. Small 8vo. xiv 246 pp. photoglyptie Woodburytype frontispiece with tissue guard by Liebert plus another printed by Woodbury; illustrations in text. Half calf and marbled boards spine with gilt title and rules; scuffing primarily at the top and bottom of the spine. Occasional scattered foxing. A very good copy. A nicely illustrated manual of Woodburytype processes a mechanical method of producing carbon prints and considered by many as the most realistic of the photomechanical processes. Léon Vidal 1834-1906 was head of the Association of Musée des Photographies Documentaires which he founded and a professor of photography at the École des Arts Decoratifs. <br /> <br /> Roosens and Salu No. 11126. Gauthier-Villars unknown
188126945Paris: Gauthier-Villars 1881. First edition. Small 8vo. xiv 246 pp. photoglyptie Woodburytype frontispiece with tissue guard by Liebert plus another printed by Woodbury; illustrations in text. Half morocco and marbled boards raised bands on spine with gilt title and rules t.e.g. Occasional scattered foxing. A very good copy. A nicely illustrated manual of Woodburytype processes a mechanical method of producing carbon prints and considered by many as the most realistic of the photomechanical processes. Léon Vidal 1834-1906 was head of the Association of Musée des Photographies Documentaires which he founded and a professor of photography at the École des Arts Decoratifs. <br /> <br /> Roosens and Salu No. 11126. Gauthier-Villars unknown
187926947Paris: Gauthier-Villars 1879. First edition. Small 8vo. xiv 284 pp. frontispiece is a phototypie by Quinsac with tissue guard plus 3 full-page phototypie plates by C. Relvas other illustrations in text. Half morocco and marbled boards raised bands on spine with gilt title and rules t.e.g. Scattered foxing frontispiece and photo-plates loose and laid in. A very good copy. A well-illustrated manual covering phototypie a collotype process utilizing greasy-ink on a gelatin plate. We presume this to be Vidal's own copy as it bears his round ink stamp on an endpaper and contains an additional two plates not found in other copies which list only the frontis and another plate. <br /> <br /> Roosens and Salu No. 8290. Gauthier-Villars unknown
18593819EB1859. 3ième éd. Paris Victor Masson 1859. X 592 S. Pappband der Zeit mit aufgeklebten Rückentitel. In einwandfreiem Zustand. unknown
184644697HB1846. 5 Bände. Paris J.-B. Baillière 1846. 8°. 116 Abb. X 692 S. - 132 Abb. 2 Bl. 784 S. - 60 Abb. 2 Bl. 764 S. - 78 Abb. 2 Bl. 732 S. - 134 Abb. 1 Bl. 1079 S. Pappbände der Zeit mit Rückenvergoldung v.a. an den Kapitalen etwas beschabt. Durchgehend geringfügig fleckig oder gebräunt. Sonst alle Bände innen in schöner Erhaltung. SGC I: XV 736; Hirsch/H. V 750. - Vidal de Cassis 1803-56 Erfinder verschiedener operativer Verfahren scharfer Diagnostiker und medizin. Journalist 'begann 1838 die Herausgabe eines trefflichen chirurgischen sich bald in der ganzen Welt einbürgernden. Lehrbuches der Chirurgie' H./H. seines Hauptwerkes neben dem preisgekrönten 'Traité sur les maladies vénériennes.' unknown
185530039DB1855. Paris J.-B. Baillière 1855. 8°. Mit 603 Holzstichen im Text. Halblederbände der Zeit mit vergoldetem Rückentitel und Rückenvergoldung. Hirsch VI 106. - Eines der erfolgreichsten und verbreitetsten chirurgischen Lehrbücher seiner Zeit. Hier in der Ausgabe letzter Hand. Vidal war als Beobachter als Praktiker und als Schriftsteller gleich ausgezeichnet. Im höchsten Grade besass er die Eigenschaften eines Journalisten: er war lebhaft geistreich nach Bedarf beissend. Er erlangte nie eine Professur noch ist er Mitglied der französischen Akademie geworden nach Hirsch. - Stellenweise schwach stockfleckig. unknown
185129830Paris J.-B. Baillière 1851. 8vo. 5 cont. hcalf. Backs richly gilt. Lightly rubbed. ca. 4000 pp. illustrated by 575 woodengravings in the text. unknown
184627405Paris : J.-B. BailliÂre 1846. 215x135mm. X - 784 764Êpages cachet de bibliothÂque. demi-reliure basane verte plats papier marbrÂŽ. Titre auteur et tomaison dorÂŽs au dos. Dos frottÂŽ lÂŽgÂrement par endroits. Quelques rousseurs. 2400 J.-B. BailliÂre unknown
185125257Paris : J.-B. BailliÂre 1851. 215x130mm. demi-reliure parchemin plats cartonnÂŽs ÂŽtiquettes de titre au dos manuscrites. Quelques rousseurs. 4409 J.-B. BailliÂre unknown
181240122PALMA: En la Imprenta de Felipe Guasp 1812-1814. Primera edición.- 4º.- Moderna encuadernación lomera y puntas de piel lomera con texto florones y filetes dorados.- 4 volúmenes que abarcan desde el número 1 del jueves 30 de julio de 1812 al número 106 del jueves 28 de julio de 1814.- Colección completa a falta de dos números.- I: Portada.- 310 páginas.- 3 hojas ÃÂndice.- Númro 1 al número 25 del 14 de enero de 1813.- II: Portada.- 356 páginas con errores de paginación pero bien completo.- Números 26 de 21 de enero de 1813 al número 54 de 29 de julio de 1813. Más dos suplementos.- III: Portada.- Sigue la paginación al tomo anterior de la página 357 a la 758 con errores de paginación pero bien completo. A falta del nº 56 de 11 de agosto de 1813.- Del número 55 de 5 de agosto de 1813 al número 82 de 10 de febrero de 1814.- IV: Portada.- 301páginas.- Del número 83 de 17 de febrero de 1814 al número 94 de 4 de mayo de 1814. Al final de este tomo contiene la lista de los Suscriptores. El seminario Cristiano - Politico de Mallorca fundado y dirigido por el Franciscano Fr. Raimundo Strauch y Vidal nació para combatir las ideas y polÃÂticas liberales de la Aurora Patriótica Mallorquina dirigida por Isidoro MarÃÂa Antillón. Los extremos llegados por parte de Fr. Raimundo Strauch le constaron una larga prisión entre el 28 de julio de 1812 al 22 de mayo de 1814. Después de la Guerra de la Independencia fue numbrado el 12 de enero de 1817 Obispo de Vich. Fue vuelto a procesar en 1820 por sus máximas anti-constitucionales y preso otra vez en la Ciudadela de Barcelona. Cuando se le trasladaba a Tarragona fue asesinado en los campos de Vallirana cerca de Molins de Rey. Palau 322879 - Bover 1230 - XVI En la Imprenta de Felipe Guasp unknown
1877156La revista de cubaperiodico quincenal de cienciasderecholiteratura y bellas artes.fue una revista publicada en el siglo XIXy tuvo como director a jose antonio cortina.en ella colaboraron los mas destacadosescritorespoetas y periodistas cubanos del siglo XIXcomo enrique jose varonaantonio bachiller y moralesrosa krugeremilio blanchetantonio sellennicolas herediavidal morales y moralesantonio lopez prietoanselmo suarez y romeroy otrosd estacados escritoresla revista esta encuadernada.y en buen estadoes la primera edicionoriginal1877. imprenta militar de la viuda de soler hardcover
187353054Bruxelles: Bureau du Bulletin Belge de la Photographie 1873. First edition. 8vo. 51 pp. later cloth-backed marbled paper wrappers. The title page bears the stamp of a chemist as well as a manufacturer of photographic chemicals the later stamp also appears on 2 additional leaves. Occasional light foxing toning and moderate wear. A near very good copy. The Autotype Fine Art Company of London produced a unique form of collotype prints a carbon transfer process. This manual revises and enlarges the 1870 manual by J. R. Sawyer. <br /> <br /> Roosens and Salu No. 586. OCLC locates a single copy at the Getty Research Institute. Bureau du Bulletin Belge de la Photographie unknown
1890165249Paris : Arthur Rousseau 1890. First Edition. Hardback. Near fine copy in the original paper-labelled quarter-cloth over marble boards with marble end papers. Panel edges very slightly dust-toned as with age. Corners sharp with an overall tight bright and clean impression; 8vo 8"" - 9"" tall; 637 pages; Description: 637 p. ; 23 cm. Subjects: Punishment --Philosophy --Criminal law --Comparative law Paris : Arthur Rousseau hardcover
182025272Buenos Aires: Editorial Mitchell's English Book Store 1820`1944. Reprint Facsimile #1097 of 2000 copies. Hardcover. VG. Unique & genuine cowhide cover with trimmed hair and hand-sewn leather strapping to cover edges. Title on front cover from branding iron apparently -- the covers and binding are in fine condition. The lovely end--papers appears to be special wall paper utilized for this copy one of a kind. Tightly bound unmarked except for ink notations on one of the color plates. Removed sticker from title page with pen price and light toning; balance of pages are bright minor foxing to some of the plates. xxviii 115 pages 24 color plates some folded. A very unique copy in trimmed hair cowhide binding brown/off-white hair for the curious binding collector Argentina history buff or as a unique gift <br/><br/>Experienced full-time bookseller since 1994. Images may be added by request. Questions welcome. Editorial Mitchell's English Book Store hardcover
1820001307London: R. Ackermann 1820. xxviii 115pp 1; 24 plates. Handsomely rebound by Temple Bookbinders in full morocco raised flat bands spine in six panels title and author labels to second and fourth panels remaining panels gilt covers with double panel design inner panel with black onlay elaborate gilt borders gilt to inner edges with marbled endpapers. Internally some light soiling and offsetting some plates with faint offsetting from text but generally clean folding plates a little creased at outer edge plates with stab-holes to outer margins. Twenty-four colour aquatint plates by T.Sutherland G. Maile and J. Bluck after Vidal four folding. Housed in a modern morocco-backed cloth drop-back box with raised bands spine in six panels title in gilt to second panel author to third date to foot with silver flower device to fourth and fifth panels. "English interest in South America flourished after the capture of Buenos Aires by Commodore Sir Home Popham and Colonel Beresford in 1806 . Ackermann exploited the widespread and substantial interest in South American affairs that these events had aroused through a number of fine publications including these views" Thomson - The Exotic and the Beautiful.Tooley 495 the "only notable colour plate book dealing with the Argentine"; Abbey Travel 698; Thomson 31; Colas 3000; Brunet V:1182/83. First Edition. Hardback. Very Good. Folio. R. Ackermann Hardcover
1820318534London: Ackermann 1820. Facsimile done in October 1944 at Mitchell's English Bookstore. 8vo. Bound in three quarters red morocco and cloth sides a.e.g. by Truslove & Hanson Sloane St. Fine. Facsimile done in October 1944 at Mitchell's English Bookstore. 8vo. Ackermann unknown
182013762London: R. Ackermann 1820. 355x293mm. 14x11½". London R. Ackermann 1820. Ejemplar en gran papel en folio mayor 355 x 293mm. xxviii-115 pp. 24 finas láminas coloreadas en acuarela 4 de ellas a gran tamaño y plegadas. Encuadernación de principios del siglo veinte en marroquén verde estilo jansenista. Primera edición ejemplar en gran papel de esta apreciada publicación ilustrada con 24 bellas láminas grabadas y coloreadas a mano al aguatinta representando vistas de Argentina y Uruguay todas diseñadas por Emeric Essex Vidal 1778-1861. Cuatro de ellas plegadas a gran tamaño. Las láminas fueron ejecutadas por diferentes grabadores a partir de 1820 y distribuidas junto con el texto en seis entregas mensuales durante ese mismo año. La edición se limitó a 750 ejemplares. Se trata de una obra importante y la mejor de todas cuantas se habían realizado para ilustrar el paisaje argentino y las costumbres de sus habitantes. En 1820 empezaron una serie de publicaciones relativas a viajes y costumbres de diferentes países la primera de ellas fue <em>Picturesque Illustrations of Buenos Ayres and Monte Video</em> que resultó también ser la mejor. Muy buen ejemplar. R. Ackermann unknown
1820179207London: R. Ackermann 1820. Stunning views of South America First edition a desirable copy with pre-publication watermarks dated 1818 of "the only notable colour plate book in English dealing with the Argentine" Tooley. The hand-painted aquatints offer some of the finest depictions of early 19th-century life customs and architecture in the Río de la Plata region. The English sailor Vidal 1791-1861 joined the Royal Navy in 1808 serving as a purser for the next five decades. The plates in his book were based on drawings he made when he visited South America with HMS Hyacinth in 1816-8 as secretary to the admiral on the South American Station. They constitute "the main source of pictorial information about early Argentina" Speake p. 39 and "possess a subtle charm of their own apart from their historical and geographical value" Hardie. Some of the scenes included are "Monte Video" "Church of San Domingo" "Beggar on Horseback" "Pampa Indians" "General View of Buenos Ayres from the Plaza de Toros" "Balling Ostriches" "Guachos of Tucman" and "A Horse Race". Vidal depicts the inhabitants of the Pampas and Rio de la Plata Regions outdoor markets and plazas and buildings. "Through E. Vidal's watercolours. you get a sense of the city house facades Vidal never painted any interiors made not of rare stone but of baked adobe bricks called chorizos - sausages" Wilson p. 13. The work was first published in six monthly parts between May and October 1820. The early watermarks here suggest that this volume was possibly bound from the parts rather than from later book-form issues. Ackermann announced 750 small paper and 50 large paper copies. A comparison with the Abbey copy indicates that this example is from the smaller format. Large quarto 325 x 250 mm. With 24 hand-coloured aquatint plates 1 double-page 3 folding. Twentieth-century blue morocco to style spine with raised bands gilt lettering and decoration in compartments covers bordered with blind and gilt frames board edges and turn-ins elaborately gilt grey endpapers edges gilt. Light damp staining to margins of 3 folding plates tape repair on verso of "Buenos Ayres" plate offsetting to contents faintly toned but clean. A very good copy. Abbey Travel 698; Martin Hardie p. 107; Sabin 99460; Tooley 495. Jennifer Speake ed. Literature of Travel and Exploration An Encyclopedia 2014; Jason Wilson Buenos Aires: A Cultural and Literary Companion 1999. hardcover
182017039London 1820. Elephant 4to 36.5 x 30 cm. R. Ackermann printed by L. Harrison 20th-century gold-tooled black goatskin morocco sewn on 4 recessed cords but with 5 false bands on the spine each board with 2 frames of fillets the inner one with 4 fleur-de-lis cornerpieces marbled endpapers. With 24 unnumbered hand-coloured aquatint plates including 4 folding plate size: 30 x 25 & 32.5 x 50.5 cm; image size mostly: 26 x 20 & 26.5 x 47.5 cm all drawn by Vidal and executed by G. Maile T. Sutherland G. Bluck and D. Havell. XXVIII 115 pp. First printing of beautiful hand-coloured aquatint views of Argentina all conceived and drawn from life by Emeric Essex Vidal in the years 1816 to 1818 accompanied by descriptions of the scenery costumes and habits of the peoples and regions depicted. The plates were executed by various engravers between May and October 1820 and first issued in 6 monthly parts. 750 copies including the present were issued in Elephant 4to format. There was also an issue in Atlas folio and apparently a reprint in large and small 4to still dated 1820 not normally distinguished in the literature from the present first printing Palau and Sabin describe the work as a folio but the Elephant 4to is often described as a folio. Tooley notes "the importance of its subject" and describes this publication as "the only notable colour plate book in English dealing with the Argentine". With the red leather Beeleigh Abbey armorial bookplate of William Alfred Foyle 1885-1963. With two stitching holes from the previous binding in the margins. With old folds in some of the folding plates and occasional minor browning but still in very good condition and largely untrimmed with most deckles intact. With a tiny tear in the morocco of one corner but binding otherwise fine. First printing of beautiful views of life in Argentina in the period 1816 to 1818.l Abbey Travel 698; Palau 363371; Sabin 99460; Tooley 495. ABE CAT Anthropology & Ethnography hardcover
187053053Paris: Alfred Vibien 1870. First edition. 12mo. 61 1 pp. Publisher's original printed wrappers. Owner's neat signature on the blank flyleaf and small ink stamp on the title page. A fine copy. This is the second volume of a two volume work; however it is an independent work. Roosens and Salu Nos. 1609. Alfred Vibien unknown
