61 résultats
1767CLL-471Paris, Ganeau, 1767 In-12 de VIII, 348 pp., (2) ff., veau blond, filets dorés sur les plats, dos à nerfs orné d'un décor à la grotesque doré, pièces de titre et de tomaison de maroquin rouge et vert, coupes et bordures décorées, tranches dorées (Niédrée).
173060026Lisboa Occidental, na Officina de Joseph Antonio da Sylva, 1730. Folio (29 x 195 mm). In recent green half calf with five raised bands and gilt lettering and ornamentation to spine. Title-page mounted and with repair to outer margin, no loss of text. Last leaf with repair to lower outer corner, also with no loss of text. First and least few leaves with brownspotting. Very light browning in margins throughout. Title printed in red and black, woodcut initials and head-pieces. A fine and clean copy. (14), 716 pp. (Here with the often missing half title, but wanting the final blank).
176338819Amsterdam: Chez Marc-Michel Rey 1763. 2 parts in 1 vol. Small 8vo 14x8 cmContemporary leather spine gilt faded with morocco title-label covers with loss of small pieces of leather marbled endpapers. xl128;ii189iii pp. First title soiled otherwise good copy. Barbier I171 mentions 2 editions: This first edition and Londres 1789 Chez Marc-Michel Rey hardcover
1784115565Dublin Neuch‰tel : de lÕImprimerie de Wilson Et se trouve ˆ Paris chez les Libraires qui vendent des NouveautÂŽs Samuel Fauche pÂre & fils 1784. 185x115mm. VIII - marque de la STN sur page de titre cartonnage de lՎpoque piÂce de titre au dos et filets dorÂŽs. Ex libris Ernest Gloor. Bon ÂŽtat.Barbier IV-954. Michel Schlup - Un imprimeur dans lÕEurope des LumiÂres Samuel Fauche 392. 215 de lÕImprimerie de Wilson, Et se trouve ˆ Paris, chez les Libraires qui vendent des NouveautÂŽs (Samuel Fauche pÂre & fils) unknown
178017626Amsterdam et Paris, Nyon, 1780 ; in-8, broché ; 52 pp. , 3 pp. d'Explication des planches, 2 planches hors-texte gravées sur cuivre et couverture.
175499011754 basane marbrée, dos lisse (coiffes arrasées). in-16, (2ff.), XVIIIpp., (3ff.), 346pp., Paris Ganeau 1754,
1774837471774 La Haye, Gosse, 1774, 2 tomes reliés en un volume in 12, demi-basane ancienne, dos lisse orné de filets dorés, XXIV-288 et 268 pages ; infimes frottis d'usage.
178446404421À Dublin, de l’Imprimerie de Wilson, et se trouve à Paris, chez les libraires qui vendent des nouveautés, 1784 ; in-8, broché, couverture bleue muette, non rogné. (brochage de l’époque) VIII pp., 216 pp.Une des éditions à la date de l’originale. Sur le titre, ce roman est attribué à Choderlos de Laclos. Le véritable auteur est le marquis de Luchet (Saintes 1740 - Paris 1792). D’abord officier de cavalerie, il quitte l’armée pour faire des affaires qui échouent et l’obligeront à se réfugier à Lausanne pour fuir ses créanciers. Grâce à Voltaire il devint bibliothécaire du landgrave de Hesse. En 1786, il passa au service du prince Henri de Prusse et ne revint en France qu’en 1788. Luchet a beaucoup produit. Ses livres qui se voulaient des mémoires de son temps étaient en réalité des romans satiriques. Drujon. Les livres à clefs II, 965 donne les clefs de celui-ci. On y trouve la ctesse et le cte de La Noue, le mis de Culan, Melle Arnould, Melle Dubois la première femme de Beaumarchais, le Mis de Villette, Beaumarchais, Linguet, Fréron, Boufflers, Vergennes... Lorsqu’on connaît cette clef, le roman devient assez piquant. “Les mémoires que nous publions aujourd’hui sont une fiction, si l’on veut : il n’y a cependant pas un fait dont le fonds ne soit vrai, pas un personnage qui n’existe ou n’ait existé. Tout ce que j’ai supprimé, c’est le merveilleux ; ce qui se passe est beaucoup plus incroyable que ce qu’on invente.”Mylne Martin 84,39. - Exemplaire à toutes marges, bel état intérieur, le brochage est un peu défraîchi.
17841664A Dublin, De l’imprimerie de Wilson, 1784. In-8 de VIII, 216 pages, demi-vélin, dos teinté en noir, étiquette de titre verte ornée. Non-rogné.
17899495(Paris), Imprimerie de Valleyre l'aîné, s.d. (circa 1789) ; in-8, broché ; 6 pp.
176188236London: Robert Horsfield 1761. First edition in English. Hardcover. 1761 First edition in English. 2 vols. 8vo. Main title printed in red & black part title with woodcut decoration. Uniformly bound by Glenn Malkin in modern speckled calf with geometric gilt design and blind-tooled roll & cogs decorations to covers spines with raised bands and gilt rules with contrasting leather title labels. Housed in leather-backed marbled board compartmentalised slipcase. A scarce imaginary voyage considered to be one of the earliest works of utopian science fiction. This work is also considered a cornerstone book in any collection of photographic literature and photography's first fictional work see Roosens & Salu <em>History of Photography</em> No. 10421. <br /><br />Originally published in France in 1760 as <em>Giphantie</em> an anagram of the author's name this work is credited with one of the earliest mentions of photography in Chapter 17: "That window that vast horizon those thick clouds that raging sea are all but a picture. Thou knowest that the ways of light reflected from different bodies make a picture and paint the bodies upon all polished surfaces on the retina of the eye for instance on water on glass. The elementary spirits have studied to fix these transient images; they have composed a most subtile matter very viscous and proper to harden and dry by the help of which a picture is made in the twinkle of an eye. the impression of the images is made the first instant they are received on the canvas which is immediately carried away into some dark place; an hour after the subtile matter dries and you have a picture so much the more valuable as it cannot be imitated by art nor damaged by time" pages 95-96.<br /><br />Glenn Malkin began binding professionally in 2008 and has since won numerous awards for his design bindings in national and international competitions. Some foxing and other marking all pages uncut; bindings and solander very good. ESTC T99917; Gernsheim History of Photography p. 26. No jacket Robert Horsfield hardcover
17603006485Babylone" in fact Paris: n.p. 1760. Octavo with four engraved plates by Cochin after Desfriches illustrating the second work "Mon Odyssée ou le Journal de Mon Retour de Saintonge"; contemporary mottled calfspine gilt with red label. <p><p>First edition: a marvellous imaginary work describing an utopian community and prefiguring the uses of photography television and the telephone.</p> <p>Tiphaigne de la Roche 1729-1774 was a physician polymath and much-published writer. In Giphantie an anagram of the author's name the protagonist is lifted semi-conscious and transported by air to a beautiful garden where a charming spirit guide shows him around a 'vaguely utopian society' Lewis. The book is a good example of the imaginary voyage genre using a quite plausible African setting but is more renowned for the fantastical series of technical advances that are discussed in striking detail including everything from prototype televisions to telephones. The discussion of the way in which the ruling spirits of the land have learnt to 'fix' the fleeting images formed by light is so detailed that the novel is considered a milestone in the pre-history of photography. A relevant passage in the subsequent English edition of 1761 is often quoted: 'You know that the rays of light reflected from different bodies form a picture and paint the image reflected on all polished surfaces for instance on the retina of the eye on water and on glass. The elementary spirits have sought to fix these fleeting images.'.</p> <p>This copy is bound together with Pierre Honoré Robbe de Beauveset's rococo poem in four verses Mon Odyssée ou le Journal de Mon Retour de Saintonge La Haye 1760 illustrated with four engraved plates. De Beauveset was an influential French writer known for his satires and erotic works.</p> </p> . n.p. unknown
1752771752 Broché - 17.5x21.5 - 12 pp - sans date - Parvillée, Paris - Album n°11.
1761006246London: Robert Horsfield 1761. The title in French Giphantieis an anagram of the author's name. The book is compared with Swift's Gulliver's Travels and is considered to be an early work of science fiction. It is also held to be predictive of television and also the photographic process describing the "fixing" of an image as held by a mirror. This volume consists of the two parts of Giphantia bound together in one book each with seperate paginations and seperate title pages dated 1761 part 1 and 1760 part 2.Original full calf with five raised bands gilt decorated compartments and red title compartment with title in gilt spelled "Gibhantia". Marbled endpapers two blank leaves then the title page dated 1761 2 page dedication from the translator to Honourable Miss Ross then two page contents or "Table of Chapters. Then Giphantia part the first 130 pages. Then the title page to part 2 dated 1760 contents to part two 2 pages part two126 pages one page of publishers ads with the verso blank then two blank leaves. 4 X 6.5 inches approx.Overall the book is quite good with the outer hinges cracking boards holding well Intenally all complete and in good order and quite clean throughout with no foxing etc. First Edition. Full-Leather. Good/No Jacket. Robert Horsfield Hardcover
176110491Dublin: G. Faulkner. Dublin G. Faulkner 1761. First edition first impression. Hardback. A good copy. First Dublin edition. An imaginary voyage ala Gulliver and a taproot for science fiction proto sf if you like. An important work presaging television and still photography in a manner; as important to the history of photography as to science fiction. An important book. There was a London edition too dated 1761 on the first part's title page and 1760 on the second part. The Dublin issue has 1761 on both title pages. That doesn't tell us much about which precedes. Contemporary calf heavily rubbed and worn. The endpaper has an inkstain with a collector's plate to the front pastedown. Prelims have some waterstaining but not too bad similar to the last few leaves. A nice copy overall. 10491 Hyraxia Books. . Good. Hardback. 1st Edition. 1761. G. Faulkner hardcover
179181561Paris: Chez Lecler 1791. Paperback. Very Good. 74p. Stitched pamphlet. 22cm. Light soiling. French text. <br/><br/> Chez Lecler paperback books
17864185Hambourg, Paris, Strasbourg, chez François FAUCHE, Imprimerie L. Cellot, 1786 5 vol. in-8 (210 x 135 mm.), vol. 1 : [J.-P.-L. de La Roche du Maine], Hambourg, chez François Fauche, 1786, 74 pp., vol. 2 : (Me Doillot, Avocat), Paris, L. Cellot, 1786, 109 pp., vol. 3 : Strasbourg, 1786, 83 pp., vol. 4 : (Me Doillot, Avocat), Paris, L. Cellot, 1786, 93 pp., vol. 5 : ( Me Doillot, Avocat), Paris, Cellot, 1786, 96 pp.Brochure d'attente sous papier bleu, non-rognée, vol. 1 : petite auréole en marge inf., vol. 2 : page de titre tachée (mouillure), vol. 3 : un feuillet déchiré et froissé en marge, vol. 4 : auréole de mouillure sur quelques feuillets, papiers d'attente défraîchis, dos absents.
1790671515 vol. à savoir 2 tomes en 4 vol. in-4 cartonnage d'origine, Chez Panckoucke, à Paris, 1790 et 1792, 2 ff., 376 pp. ; pp. 377-712 ; 2 ff., 400 pp. ; pp. 401-566 et 144 pp. et 1 vol. in-folio cartonnage d'origine, Chez Agasse, Paris, An VII [ 1798 - 1799 ], 1 f. et 112 planches hors texte (dont 3 doubles)
177825120Genève: Du Villard fils & Nouffer 1778. First edition 2 vols. 8vo pp. 272; 334; title within printed border; woodcut ornaments; contemporary full mottled calf red and black morocco labels on gilt-decorated spines; short crcaks in 2 joints else generally very good and sound. Quérard II p. 440. Du Villard fils & Nouffer unknown
177825120Genève: Du Villard fils & Nouffer 1778. First edition 2 vols. 8vo pp. 272; 334; title within printed border; woodcut ornaments; contemporary full mottled calf red and black morocco labels on gilt-decorated spines; short crcaks in 2 joints else generally very good and sound. Quérard II p. 440. <br/><br/> Du Villard fils & Nouffer unknown books
176821414Lyon, Aimé de la Roche, 1768 ; in-12, broché, 46 pp.
1749BCG 34706London: A. Miller 1749. Translated from the French with Notes; Polished calf gilt spine title & decorations raised bands all edges red & marbled endpapers/pastedown; A good copy with boards detached & small loss to head of spine; 198 pages Index. Size: 4"x6.5". Hardcover. A. Miller Hardcover
178466690S. n. | à Amsterdam 1784 | 9 x 14.7 cm | relié
178466690à Amsterdam: S. n. 1784. Fine. S. n. à Amsterdam 1784 9 x 14.7 cm relié Several editions appeared the same year in Paris London Berlin. Full brown flamed sheep binding late 19th century. Smooth spine richly decorated in Restoration style. Red morocco title label. Fine copy. Armorial bookplate engraved from a private library. Satirical and cynical description of Parisian life and customs. The author discusses theaters prisons fashions promenades the Tuileries. S. n. unknown