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1719179451大阪. Osaka.: 株式会社大阪毎日新聞社. Kabushiki Kaisha Ōsaka Mainichi Shinbunsha. Showa 17 1942. Well illustrated with many striking black and white photographic illustrations throughout small map of Singapore in text 23pp 36.5 x 26cm. Original pictorial stapled wrappers. Evenly browned throughout. A good copy Focussing on the fall of Singapore this issue reports on the Japanese campaign to take the island and the British surrender in detail with numerous photographic illustrations. <br> <br>Other news includes Malaya and Dutch East Indies campaigns and Japanese support for independence movements in Burma. Reports on New Britain and Kavieng which fell to the Japanese troops in January 1942 are also included. <br> <br>This illustrated journal was published on 8 March 1942 and shows General Terauchi Hisaichi on the cover. . 株式会社大阪毎日新聞社. [Kabushiki Kaisha Ōsaka Mainichi unknown
1729196806Gravenhage: de Wed. E Boucquet H. Scheurleer F. Boucquet en J. De Jongh 1729. Hardcover. SOLD AS IS Boards are detached; spine strip is almost completely missing; interior is toned/foxed; bookplates ifc and ffep; marginalia in pencil in a few places. Half-leather and red marbled boards; marbled textblock edges; 412 pp.; richly illustrated. Text in Dutch. de Wed. E Boucquet, H. Scheurleer, F. Boucquet, en J. De Jongh hardcover
172520852Amsterdam: Gedrukt Voor de Auteur 1725. Hardcover. Very Good. Two volumes in one both published 1725 lacking the final 3rd volume published 1728. Recently rebound cased copy in full calf leather gilt stamping to spine new end pages retains original front and rear blank binder leaves. Contents generally very good light soiling to a few pages age toning variations to paper generally bright although bottom blank margin edges show general toning; with undulation to the leaves. Title pages in black and red. Two full page copperplate engravings: by #1 I. Folkema and #2 portrait of the author by J. Houbraken after C. Troost each with minro foxing. 1# 24 370 8 pp. / 2# 40 371 1 blank <br /> <br/><br/>Experienced full-time bookseller since 1994 selling online since 1998. Images may be added by request. Questions welcome. Gedrukt Voor de Auteur hardcover
172918113<p><b>1729 ART 1ed Lives of DUTCH Painters by Weyerman Erasmus PP Rubens Brugghen</b></p><p>Jacob Campo Weyerman was an 18th-century Dutch painter who is known for his writings and histories of Dutch art. His most important work was '<i>Lives of Dutch Painters'</i> in which he collected and published numerous biographical sketches. This volume was published in 1729 in The Hague and includes portrait engravings to accompany many of the articles. Notable artists featured in this volume include:</p><p>· Paul Peter Rubens</p><p>· <b><u>Erasmus of Rotterdam</u></b></p><p>· Frans and Dirck Hals</p><p>· Hendrick ter Brugghen</p><p>· And many many others</p><p>Item number: #18113</p><p>Price: $750</p><p>WEYERMAN Jacob Campo</p><p><b><i>De levens-beschryvingen der Nederlandsche konst-schilders en konst-schilderessen met een uytbreyding over de schilder-konst der ouden</i></b></p><p>Gravenhage : de wed. E. Boucquet H. Scheurleer F. Boucquet en J. de Jongh 1729.</p><p><u>Details</u>: </p><p>· Collation: Complete with all pages; </p><p>o 12 412 6</p><p>o 11 full-page plates 1 folding plate plus engraved title page</p><p>· Provenance: Handwritten – <i>L. Goodyer</i></p><p>· Language: Dutch</p><p>· Binding: Vellum; tight and secure</p><p>· Size: ~8.25in X 6.5in 21cm x 17cm</p><p>Our Guarantee:</p><p>Very Fast. Very Safe. Free Shipping Worldwide.</p><p>Customer satisfaction is our priority! Notify us with 7 days of receiving and we will offer a full refund without reservation!</p><p>18113</p><p><br /></p><p>Photos available upon request.</p> E. Boucquet, H. Scheurleer, F. Boucquet, en J. de Jongh hardcover
179114525Campo de Gibraltar 1791. 214x153mm. 8½x6". Manuscritos Campo de Gibraltar varios lugares 1791-1789. En 4º 214 x 153. 118 hojas. La mayorÃa de las cartas y minutas con la firma autógrafa de Francisco Jaubert. InteresantÃsimo archivo de Francisco Jaubert dirigido a Enrique Luis de Lontzen comandante general del Campo de Gibraltar Cádiz. Contiene entre otros: - Catálogo del coste que tendrán las baterÃas provisionales y dos hornos de reverbero. Enero de 1797. - Estado de las obras y reparación de edificios. Enero de 1797. - Aprobación de los gastos de la baterÃa de Manilva. Enero de 1797. - Reparación de las torres de vigÃas. Mayo de 1797. - Verificación de las reparaciones en las torres de poniente. Abril de 1797. - Reparaciones en la punta del Carnero. Abril de 1797. - Cercas inmediatas a las vigÃas Cartonera y Pedrera. Mayo de 1797. - Abono de gastos de la torre vigÃa. Mayo de 1797. - Abono de gastos de la torre de poniente. Junio de 1797. - Pliego de condiciones para la subasta de piquetes nuevos necesarios para unas baterÃas. Noviembre de 1796. - Minuta a Jaubert para la construcción de nuevas baterÃas. Noviembre de 1791. - Composición de las torres en Veger y Conil. Junio de 1797. - Tocante a la mala construcción de 3.600 para la baterÃa de Cachón de Jimena. Julio de 1797. - Remisión de material al director de ingenieros. Julio 1797. - Carta de Francisco Jaubert a Enrique Lontzen sobre el mal estado de algunas fortificaciones. Dada en san Roque a 20 de agosto de 1797. - Carta de Manuel MartÃnez a Enrique Lontzen sobre el mal estado de algunas fortificaciones. Dada en Torre Pedrera a 22 de agosto de 1797. - Reparos previos en el castillo de Barbate y Torre de Roch con observaciones sobre el deterioro de otras torres vigÃas de la costa. Agosto de 1797. - Carta de Francisco Jaubert a Enrique Lontzen con un oficio del comisario de guerra relativo a la fortificación de la Torre de Calahonda. Septiembre 1797. - Abono de gastos en la limpieza de arenas de la baterÃa de EntrerÃos. Enero de 1798. - Obras de la torre vigÃa de Veger. Marzo de 1798. - Carta de Francisco Jaubert al Sr. Domingo Izquierdo informándole la falta que hay de reparar las torres de Miranda y Marides. Febrero de 1799. unknown
172914238s'Gravenhage u. Dordrecht vol. 4 Bouequet Scheurleer Blussé en Zoon 1729-69. 4to. Bound in 4 contemporary half calf. Gilt backs. Engraved frontispiece 2 engraved folded portraits 41 fine engraved plates by Houbraken. Numerous engraved vignettes and other engravings in the text R. Vinkeles B. Picart etc. Printed on good thick paper. <br/><br/><em>This fine work exhibits the roccocco-style in all is aspects both by is portraits by Houbraken but also in its numerous vignettes and textengravings by other famous artists. </em> unknown
1729ABC_45605The Hague widow of E. Boucquet H. Scheurleer F. Boucquet J. de Jongh 1729 vols. 1-3; 1729. 4to. Dordrecht Ab Blussé & son 1769 vol. 4. Contemporary blind-tooled vellum with manuscript titles on spines. Sprinkled edges. With an engraved frontispiece title pages in red and black and with engraved vignettes a folding portrait of Willem Karel Hendrik Friso 1711-1751 Prince of Orange and from 1747 hereditary Stadtholder Willem IV a portrait of the author 40 engraved plates by Houbraken with multiple portraits of artists on each plate 1 plate with a night scene 1 mezzotint and 118 engraved vignettes. 4 volumes. 16 412 6; 4 412 6 4 446 4. First edition of richly illustrated biographies of more than 100 Dutch painters male and female still of interest for the history of Dutch art. The author Jacob Campo Weyerman 1677-1747 was one of the foremost Dutch authors of the Enlightenment and was known for his merry style. For this history of Dutch art he leans on Houbraken's De groote schouburgh der Neder-lantsche konstschilders en schilderessen 1718-1721.The first three parts were all published in 1729; the fourth - 40 years later - is mainly devoted to the painters from the Art Academy at The Hague. All 40 plates with artists' portraits the frontispiece 2 other portraits and the night scene are in the first 3 volumes the later volume 4 has no plates. The lavish vignettes throughout the volumes are worth mentioning as well mostly executed by Picart and apparently made for the present publication.The plates seem to be from a rare early state avant la lettre: all other copies we have seen have lettering on the plates but the present copy has the information written on the plates in ink. The title-page lettering seems to be very slightly moved compared to other copies but positions of the quire signatures all match. Perhaps this was a first impression or proof.From the library of Belgian artist/curator Philippe Jacques van Brée 1786-1871 with his owner's inscription on the front paste-down of each volume: "P.J. van Bréé". He was curator of the Royal Museum of Fine Art in Brussels from 1831-1861.With a few neat annotations in pencil in the margins of the plates and a small tear in the foot margin of a text page. Vellum slightly thumbed. Otherwise in very good condition.l Kunst op schrift 243-245; Arntzen/ Rainwater H129. ABE CAT Art History hardcover
1746M2HB4ES5PXB4The Hague: Pieter de Hondt 1746. Contemporary richly gold-tooled dark red morocco by the so-called Van Damme bindery in Amsterdam sewn on 7 supports each board with Van Dammes typical hourglass- or vase- or flask-shaped central cartouche with a starry sky on a black ground here showing a short-stemmed chalice or goblet with fire or flame-like leaves like a snake plant Dracaena trifasciata in the cartouche and a basket of flowers topping the cartouche the whole in an elaborate frame built up from hundreds of impressions of numerous small tools the spine-title in gold on a black ground in the 2nd of 8 compartments each of the other 7 with flowers other decorations and a small flower in a pot gilt edges. With a tissue guard-leaf before each plate. Large folio 42 x 27 cm. Title in red and black with an engraved vignette Quixote and the windmill and 31 engraved illustration plates all coloured by a contemporary hand heightened with gold and set in in a gilt frame. Further with large woodcut initials and tailpieces and each text page in an ornamental frame built up from typographic ornaments the frames not in the 4to issue. Very rare large-paper copy of the first and only edition of a "free and joyous" Dutch translation of Cervantes's Don Quixote with 31 rococo style plates in spectacular contemporary hand colouring and with gold highlights. The plates have been engraved by leading Dutch artists Bernard Picart 12 Jacob van der Schley 13 Pierre Tanjé 5 and Simon Fokke 1 after paintings by leading French artists Antoine Coypel 25 Charles-Nicolas Cochin 2 Pierre-Charles Trémolières 2 François Boucher 1 and Jacques-Philippe le Bas 1. The impressions are crisp and the hand colouring is bright and of the highest quality with subtly graded tones and highlights in gold. Antoine Coypel 1694-1752 responsible for the design of most of the illustrations was one of the most important French history painters of the early 18th century. His Don Quixote paintings are highlights in his oeuvre and can be found in several museum collections.The Dutch edition was translated by Jacob Campo Weyerman 1677-1747 one of the foremost Dutch authors of the Enlightenment who was known for his merry style. He added to this edition a Dutch translation of the biography of Cervantes by Gregorio Mayans 1737 and explanatory texts to the plates. De Hondt issued the present edition in at least three formats: 4to folio on ordinary paper and folio on large paper. The present copy is the large-paper folio issue which is indeed very rare: several libraries have folio editions on ordinary paper usually about 35 cm tall but we have not located a copy of the large folio issue in any library. The only other large-paper copy we have been able to trace is slightly smaller.Cervantes's Don Quixote first published in Spanish 1605-1615 was first translated into Dutch in the early 17th century and went through several editions until 1732. Engraved prints after Coypel's famous Don Quixote paintings started circulating in 1734. De Hondt took this opportunity to publish a new Dutch translation with the Coypel illustrations and some others. He asked Weyerman who was already a famous writer but was imprisoned for slander to translate the text. He also commissioned new plates after Coypels paintings from the leading Dutch engravers. This came together in what became a masterpiece of rococo book production and the present hand-coloured copy of the large folio issue is the outstanding result.The Van Damme bindery was the "most important Amsterdam workshop of the 18th century" and is praised for the "high quality of its work" Storm van Leeuwen: 89 bindings are attributed to it. Although its earliest dated binding is from 1747 the present work and two others in similar Van Damme bindings in the British Library were printed in 1746 so these bindings may be among Van Dammes earliest work made in or soon after that year. Three of the six Van Damme bindings in the British Library as well as several examples in Storm van Leeuwen have a similar cartouche with a black interior but none includes the present vase or goblet of flames or flame-like leaves: we have not identified the patron.The boards are very slightly rubbed the corners and head and foot of the spine have been reinforced. A few small spots in the foot margin of the title page and slight browning of the paper of 2 quires. Otherwise in very good condition.l Arents Cervantes in het Nederlands 27: "Kneppelhout nr. 2587 gr. fol. rood verg. marok. verg. op sn. Zeer fraai ex. op gr. papier. Het titelvignet en de 30 prtn. allen alleruitmuntendst uit de hand gekl. en met goud afgezet. In oud-Holl. prachtbd. van rood marokyn. De rug verg. in afdeel. De platten met een zeer breed verguldsel randwerk en verg. middenfig. op zwart leder. Verg. op sn. Gekocht door Hr. Elte voor fl. 420."; Cohen & De Ricci 216 "superbes illustrations; livre tres recherche"; Van Gorp pp. 161-162; Mededelingen van de Stichting Jacob Campo Weyerman 18 1995 passim; Rius I 806; STCN 197115810 8 copies; Marleen de Vries Aanzet tot een bibliografie van Jacob Campo Weyerman 1990; cf. for the binding: Storm van Leeuwen I pp. 460-499. Pieter de Hondt, unknown
