44 résultats
17542110502151105707Ogawa Yokuro 1754. Soft Cover. Fine. Number of books: 1 Ogawa Yokuro paperback
17462110502151103514Kara Bookstore Kichizaemon 1746. Soft Cover. Fine. Number of books: 2 Kara Bookstore Kichizaemon paperback
17842081402110004904Shushido Zura edition 1 volume with notes between the lines 1784. Soft Cover. Fine. Number of books: 3 Shushido Zura edition 1 volume with notes between the lines paperback
17503281750. Brownish black ink on dark cream handmade laid paper 8 1/4 x 10 1/4 inches 208 x 260 mm. Uniform age tone with several scattered unobtrusive spots of brown discoloration consistent with age. Right top corner loss evenly trimmed paper tape remnants at top left corner recto. With an unknown collector's stamp in blue ink "PRB" lower left corner recto. On the verso of this lovely drawing is a neoclassical graphite and brown ink study of a procession. The composition shows a woman being carried in a birthing sedan chair. The woman is seated backwards with putti and horn players leading her up an embankment across a river. In her wake we see a crowned man in mourning being comforted by his handservants. Perhaps an allegory to death during childbirth. unknown
1796Pa578London: J.S. Jordon 1796. 1st Edition . Paper. Fine. 8vo. . or a few words en passant: occasioned by his two letters on a regicide peace. From a tyro of his own school but of another Class.ii half-title 63 i pp. Dis-bound copy from a nonce volume. Printed 'A Tyro' at the end. Lacking covers. Rare item 4 copies only Copac. ESTC- T110091 <br/> <br/> J.S. Jordon unknown
17701201770. Steel engraving with hand coloring in brown ink on thick handmade laid paper. 150 x 104 mm; 6 x 4 1/8 inches full margins. Scattered light staining age tone light tone and light foxing.<br /> <br /> Appointed as Admiral of the Ottoman Navy in 1769 by 1770 Mandalzade Husamaddin Pasha had risen to the rank of High Admiral. On the heels of the longest period of peace with Europe 1747-1768 the first Russo-Turkish was raging and despite the fact that Husamaddin had inherited a weak and depleted Navy he was able to command his ships into a series of victories by capitalizing on Russia's deep financial strain. The forward progression wouldn't last long. Despite the fact that the Russian Navy had been in a lot of ways inferior to the Ottoman Navy and the Turkish forces had shorter supply lines and the ability to levy troops from their vassel state the Crimean Khanate the Russian Navy eventually opted to employ British officers to resolve their shortcomings. In addition relentless Russian destabilization of the area and brute action to undermine the government eventually destroyed the effectiveness of the Ottoman Navy. In 1774 the Ottoman Empire ceded two key seaports to Russia Azov and Kerch allowing the Russian Navy and merchant fleet direct access to the Black Sea. This war comprised but a small part of the continuous process of expansion of the Russian Empire which continued to bleed southwards and eastwards throughout the 18th and 19th centuries. unknown
17862092902141800516Osaka Bookstore Matabei 1786. Soft Cover. Fine. Number of books: 1 Osaka Bookstore Matabei paperback
17822091202133203456Kihei Kashiwaya and others 1782. Soft Cover. Fine. Number of books: 3 books in total Kihei Kashiwaya and others paperback
171144322Ratisponæ regensburg Joh. Z. Seidel 1711. 12mo.Contemp. full vellum. Light wear. Old name on titlepage. 3250610 pp. Internally clean. <br/><br/><em>Waller Nos 7810-48 but not this edition. - Wellcome IV pp. 493-94 but not this edition. The work includes the famous poem "Regimen Sanitatis." with commentaries. </em> hardcover
1765098733London: Printed for the Author 1765. Book measures 23 x 14.5 cm. Collation xxxix379pp. Bound in full period calf raised bands gilt lines and fluer-de-lis. Calf lightly rubbed top hinge joint split but board firmly attached some light fading. Anice clean attractive binding. Internally occasional light spotting. Pages in good clean condition. A very nice copy in a very nice period binding. . First Edition. Full Period Calf. Very Good. 8vo. Printed for the Author Hardcover
17412110502150907058Tokyo Printing Company Edition 1741. Soft Cover. Fine. Number of books: 7 Tokyo Printing Company Edition paperback
179138981791. 13 x 9 inches. Dark brown body colour on prepared paper. Inscribed "N.2.Stück" and "am 9ten Aprill 1791--nach der Natur gezeichnet von JEW" ink collector's stamp "Linel-Smlg. No." followed by pencilled number "1046" all on verso. Framed. Provenance: Linel ink collector's stamp on verso.<br/> <br/> A high quality image that clearly is drawn from life as the inscription claims. The artist's use of a dark prepared ground recalls the work of Barbara Regina Dietsch and her family. A search of Nissen's index of artists reveals one possible name: the Swiss artist Johann Emmanuel Wyss 1782-1837. However the maturity and assurance shown in the present drawing would seem to rule him out: he could have been no older than nine in April 1791. unknown
17508801750. Ink wash in gray and black with heightening in brown pen and ink on cream laid paper laid down to an archival matrix 9 3/4 x 7 inches 247 x 178 mm. In good condition with some minor surface soiling and slight attenuation especially visible in the areas with brown ink. Adhesive residue on the verso at the top corners and bottom center margin does not effect the recto. The name "Argentini." appears in ink on the recto in the lower right margin. unknown
17801481780. Graphite and ink on handmade watermarked C & I Honig laid paper 8 15/16 x 6 3/4 inches 226 x 170 mm. Signed illegibly in ink lower margin. Scattered light creasing and surface soiling minor areas of rubbing all consistent with age. unknown
18002841800. Graphite and grayish ink wash on bluish wove paper 7 x 10 1/2 inches 177 x 265 mm matrix. Scattered surface soiling adhesive residue dog-eared corners and scattered edge tears along left margin outside of image area. Paper is braced on the verso with two pages from a mid 19th century book with illustrations by C.Perrin. One image depicts a scene of a group of soldiers representing the Holy Roman Empire causing a ruckus in a tavern named for King Richard the Lionhearted. Soldiers in what appears to be 18th century uniform bicker one drawing his sword in defense a lady appearing at his side the other standing at the foot of an empty throne. Perhaps a then modern depiction of King Richard refusing to show deference to the Holy Roman Empire. unknown
179024991790. Brownish black ink and collage on cream wove paper 5 3/4 x 4 inches 146 x 102 mm the full sheet. In good condition with light toning. The matrix is adhered at each of the four corners to a sheet of non-archival wove paper. In the 18th century silhouettes were considered scientific tools for analyzing character. While the term "silhouette" named after the French finance minister Étienne de Silhouette eventually became the standard name in 18th-century Germany they were more commonly referred to as Schattenrisse literally "shadow-outlines". unknown
175024931750. Ink and wash on laid paper 3 3/8 x 2 1/4 inches 87 x 58 mm the full sheet. In very good condition adhered to a slip of archival paper at the top and bottom sheet edges. St. Anthony is seen here holding a spray of lilies representing purity and his struggle against temptation. unknown
175024971750. Ink and wash on laid paper laid down to a wove paper matrix 3 1/4 x 2 inches 83 x 50 mm the full sheet. In good condition with uniform toning that is consistent with age. St. Vincent is traditionally shown with wings because he was likened to the angel who flies through the heavens proclaiming the Last Judgment in Revelation 14:6. The figure's left hand is raised with a pointed finger a classic "Vincentian" gesture symbolizing his constant preaching and warning of the coming Judgment "Fear God and give Him honor.". unknown
179014061790. Pencil on cream laid paper 10 x 8 3/4 inches 254 x 222 mm. Uniform age tone scattered surface soiling and handling wear. One pea-sized area of skinning in the top-center sheet area. Repaired 3-inch horizontal edge tear at the right sheet edge mended on the verso with 19th century paper tape. Light horizontal fold across the sheet center and paper tape remnants on the verso. unknown
178025051780. Red crayon on cream laid Japon paper 6 3/4 x 3 7/8 inches 171 x 97 mm the full sheet. In very good condition with some light scattered surface soiling unobtrusive and consistent with age. unknown
180014101800. Graphite and pen and ink on bluish-gray laid paper 4 1/4 x 2 inches 118 x 50 mm. The ink is slightly attenuated and there is uniform age tone. The bottom two corners are adhered to a paper mount with archival adhesive. On the verso there is some gray ink wash spatter and several light pin-point sized spots of discoloration otherwise in good condition. unknown
17101320Paris 1710. Etching on cream laid paper with a heraldic watermark with a fleur-de-lys 5 7/8 x 3 1/4 inches 147 x 81 mm wide margins. On the verso is what appears to be a printed passage discussing Jean Barbeyrac Baron perhaps from De Pufendorf's 4 volume commentary on natural law The Law Of Nature And People 1712. unknown
170198971701. 180x282mm. 7x11". España primer tercio dle siglo XVIII. Pluma tinta y aguada sepia sobre papel ocre agarbanzado verjurado. 180 x 282mm. Inscrito en el verso "64" "000.Pasteles" ". Cordón" y "P. de uno Camaron". Referencias: "Dibujo español del Renacimiento a Goya. La colección de la reina MarÃa Cristina de Borbón" Zaragoza 2008 nº 42 pp. 182 y 183 unknown
180010251800. Ink and wash in black ink with pen in black ink on watermarked C & I Honig cream laid paper 14 7/8 x 12 1/4 inches 378 x 311 mm the full sheet. In very good condition with some minor areas of light brown spotting in the right-center sheet margin. An excellent drawing with fine detail. The ruins of the Temple of Vespasian and Titus are located in the Roman Forum in Rome. The temple is a marble ruin that honors the deified emperors Vespasian and Titus. Located near the Temple of Saturn all that remain standing are three Corinthian columns that formed part of the colonnade. The temple was also dedicated to the son of Vespasiano Titus. Construction started on this temple in 79 AD. unknown
178022271780. Engraving on lightweight laid paper with an small indiscernible alphabetic watermark 9 x 7 1/2 230 x 188 mm; sheet 11 1/4 x 8 1/2 inches 284 x 215 mm wide margins. In very good condition with some light inscriptions in pencil in the lower margin outside of the image area. unknown