117 résultats
1852134163New York: John Wiley 1852. Second American edition from the Third London Edition. Hardbound. Good solid for the most part clean but with minor loss to the top and bottom of the spine. Publishers olive cloth with gilt artist's pallete on cover. A nice copy overall with the large and bold signature of George P. Tiffany on the front fly-leaf dated August 1952. This Tiffany was a mill owner and Industrialist of the Baltimore MD region and later served on the Board of the Peobody Institute. John Wiley hardcover
18505590Oxford: John Henry Parker 1850. First edition. Hardcover. Recased in modern green cloth. Fine. Approx. 100 pages. Study of three Counties bound in one volume. Alphabetical Indices for each County. An attempt to list all the architectural antiquities large and small in the counties studied; Oxford assumes the predominant portion of the text. John Henry Parker hardcover
1892300562Arthur Hinds & Co 1892. Maroon binding with faded gilt lettering. While the contents are clean the pages of the first third of the book are rippled although there is no dampstain evident.~Quite an interesting family history.~~Rare. Good. Arthur Hinds & Co unknown
184921610NY: Stanford and Swords. Good. 1849. First Edition. Hardcover. The spine has been taped with black tape. Usual xlib marks. Happily the very fragile folding map is in "fine" condition with moderate foxing as is the later folding plate. ; Ex-Library; Small 8vo 7½" - 8" tall; 357 pages . Stanford and Swords hardcover
1881631096The Builder London 1881. Unframed Print. Very Good Condition. A single sheet print image area approx. 18 x 26 cms. The illustrations found in leading architectural journals of the nineteenth and early twentieth centuries such as The Builder Building News and The Architect are masterpieces of visual craftsmanship. These illustrations capture the elegance intricacy and stylistic flair of the periodÔÇÖs architecture. Rich in ornamental detail and atmospheric depth they reflect not only the buildings themselves but the artistic sensibilities and design discourse of their age. THIS IS AN ORIGINAL PAGEáFROM THE JOURNAL PRINTED AT THE DATE SHOWN IN THE TITLE NOT A REPRINT OR COPY. Category: Builder & Building News; Vintage Prints; Unframed Prints : Old. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. The Builder unknown
1889632455Building News London 1889. Unframed Print. Very Good Condition. A double sheet print image area approx. 28 x 38 cms. The illustrations found in leading architectural journals of the nineteenth and early twentieth centuries such as The Builder Building News and The Architect are masterpieces of visual craftsmanship. These illustrations capture the elegance intricacy and stylistic flair of the period's architecture. Rich in ornamental detail and atmospheric depth they reflect not only the buildings themselves but the artistic sensibilities and design discourse of their age. THIS IS AN ORIGINAL PAGE FROM THE JOURNAL PRINTED AT THE DATE SHOWN IN THE TITLE NOT A REPRINT OR COPY. Category: Builder & Building News; Unframed Prints : Old; Vintage Prints. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. Building News unknown
1894519199B.T. Batsford London 1894. 1st Edition. Unframed Photograph Print. Very Good Condition. Bodleian Library's entrance in the Court of the Schools dates to 1610; part of Thomas Bodley's restoration of Oxford's university library. Charles Latham was one of the most influential architectural photographers of the late Victorian and Edwardian periods renowned for his evocative images of country houses and formal gardens across Britain and Italy. His work helped define the visual language of architectural publishing and preservation. His first major commission was for J. Alfred Gotch's Architecture of the Renaissance in England 1894 from which this photograph is taken where his collotype plates captured the texture and grandeur of Elizabethan and Jacobean houses with remarkable clarity. Latham later helped shape the visual identity of Country Life magazine which we always have in stock photographing both historic estates and newly built homes. His images became central to the magazine's appeal combining editorial elegance with technical innovation in print reproduction. Each of Charles Latham's architectural photographs captures a singular moment of craftsmanship patronage or domestic ambition from heraldic chimney-pieces to formal garden fronts. Whether collegiate civic or aristocratic these buildings speak to the stylistic confidence of their age. Many remain inhabited studied or preserved today making each image not just a historical record but a quietly resonant portrait of continuity. Published in 1894 this fine Victorian-period image has been carefully removed from Gotch's monumental work. Printed in Leipzig Germany by Sinsel & Co. on thick cream-coloured paper this image reflects the firm's hallmark clarity and tonal depth featuring the building's name in sepia ink below a ruled border with Latham's beautifully composed black-and-white photograph taking centre place. POSTED ROLLED. Size: 34 x 47 cms. Category: Architecture; English Country House Photographs; J. Alfred Gotch's Architecture; Charles Latham Photographs. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. B.T. Batsford unknown
1894519202B.T. Batsford London 1894. 1st Edition. Unframed Photograph Print. Very Good Condition. Merton College Library built 1371-78 retains its 1502 timber roof and metal bosses; England's first stalled library. Charles Latham was one of the most influential architectural photographers of the late Victorian and Edwardian periods renowned for his evocative images of country houses and formal gardens across Britain and Italy. His work helped define the visual language of architectural publishing and preservation. His first major commission was for J. Alfred Gotch's Architecture of the Renaissance in England 1894 from which this photograph is taken where his collotype plates captured the texture and grandeur of Elizabethan and Jacobean houses with remarkable clarity. Latham later helped shape the visual identity of Country Life magazine which we always have in stock photographing both historic estates and newly built homes. His images became central to the magazine's appeal combining editorial elegance with technical innovation in print reproduction. Each of Charles Latham's architectural photographs captures a singular moment of craftsmanship patronage or domestic ambition from heraldic chimney-pieces to formal garden fronts. Whether collegiate civic or aristocratic these buildings speak to the stylistic confidence of their age. Many remain inhabited studied or preserved today making each image not just a historical record but a quietly resonant portrait of continuity. Published in 1894 this fine Victorian-period image has been carefully removed from Gotch's monumental work. Printed in Leipzig Germany by Sinsel & Co. on thick cream-coloured paper this image reflects the firm's hallmark clarity and tonal depth featuring the building's name in sepia ink below a ruled border with Latham's beautifully composed black-and-white photograph taking centre place. POSTED ROLLED. Size: 34 x 47 cms. Category: Architecture; English Country House Photographs; J. Alfred Gotch's Architecture; Charles Latham Photographs. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. B.T. Batsford unknown
1894519205B.T. Batsford London 1894. 1st Edition. Unframed Photograph Print. Very Good Condition. St John's College garden front overlooks the Fellows' Garden; laid out in the 17th century and praised by George III in 1785. Charles Latham was one of the most influential architectural photographers of the late Victorian and Edwardian periods renowned for his evocative images of country houses and formal gardens across Britain and Italy. His work helped define the visual language of architectural publishing and preservation. His first major commission was for J. Alfred Gotch's Architecture of the Renaissance in England 1894 from which this photograph is taken where his collotype plates captured the texture and grandeur of Elizabethan and Jacobean houses with remarkable clarity. Latham later helped shape the visual identity of Country Life magazine which we always have in stock photographing both historic estates and newly built homes. His images became central to the magazine's appeal combining editorial elegance with technical innovation in print reproduction. Each of Charles Latham's architectural photographs captures a singular moment of craftsmanship patronage or domestic ambition from heraldic chimney-pieces to formal garden fronts. Whether collegiate civic or aristocratic these buildings speak to the stylistic confidence of their age. Many remain inhabited studied or preserved today making each image not just a historical record but a quietly resonant portrait of continuity. Published in 1894 this fine Victorian-period image has been carefully removed from Gotch's monumental work. Printed in Leipzig Germany by Sinsel & Co. on thick cream-coloured paper this image reflects the firm's hallmark clarity and tonal depth featuring the building's name in sepia ink below a ruled border with Latham's beautifully composed black-and-white photograph taking centre place. POSTED ROLLED. Size: 34 x 47 cms. Category: Architecture; English Country House Photographs; J. Alfred Gotch's Architecture; Charles Latham Photographs. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. B.T. Batsford unknown
1886S53552Oxford: B.H. Blackwell 1886. xi 144 frontis. . HB. 8vo orig. quarter mock vellum soiled lightly scuffed blue cloth boards gt title to spine and front board teg other edges uncut endpapers foxed. Related newspaper cuttings pasted to rear endpaper. Vg. Signature of T. Herbert Warren 1853-1830 Magdalen College Oxford to endpaper and bookplate of John S. Gayner. First edition. 500 copies printed. William Warde Fowler 1847-1921 was an English historian and ornithologist. In this work he describes his experience of bird watching in the city of Oxford the Alps and in a midland village.Mullens & Swann p. 220. B.H. Blackwell hardcover
1853CC117Oxford: Frances Macpherson 1853. Hardcover. Fine. small 8vo. viii 174pp. Attactive pub. blind dec. pebble-grained cloth binding with gilt tiles to the spine. Printed by Charles Whittingham. Nocely engraved heading and intials.Armorial bookplate of Francis Markham. Signed by W. Rice Markham 1803-1877 <br/> <br/> Frances Macpherson hardcover
1824010416Oxford: At the University Press for the author 1824 Book. Good. Disbound. viii 72 pages. Disbound pamphlet without covers. At the University Press for the author unknown
1898133077London : METHUEN & CO. 1898 Publisher's crimson cloth boards with gilt blocked titles to spine 230x155mm. xvi 668 pp xxiv plates being Maps Plans and illustrations all as called for. Set out in VIII Books I being- The Transition from Roman to Medieval Forms of War to VIII - The Longbow in France and Spain 1337-1370. First Edition 1898. Please see our images of the actual book offered for sale for Further Details and condition. Very Good Book-mild to moderate general shelf wear and soiling to cloth gilt titles dulled corners rounded a little offset browning to free end papers no previous owner name or insc. No other notable defects. METHUEN & CO. hardcover
1877W121771877. First edition hardback. The spine is browning and the hinges are a touch weak the text itself is well bound together. The endpapers have an owner's bookplate and inscription. The first and last few leaves have some foxing everything else is clean. hardcover
1851DOG155081851. Foulkes E. S. Rev. Leather bound hardback xxvii 443 pages. The book is bound in half morocco there is some slight rubbing and the boards have some light marks the binding is sound. The endpapers are browning and have Dr. Bray's library stamps. The title page has neat library stamps; the texts are clean and crisp throughout. hardcover
1839NT147611839. Burton Edward Hardbacks. Ex. Library with bookplates on the endpapers a spine label and embossed stamps on the title pages. Bound in printers boards the boards have some foxing the spines are fading the bindings are sound. There is some edge foxing throughout with the first and last few pages more extensively affected. hardcover
1853053566London: 227 Strand Robson Levey and Franklyn Firm printer 1853. Second Edition . Hardcover. Very Good Plus. 8vo. Illustrations; map; plans; portraits; Slader Alfred G. fl. 1854-1858. wood-engraver Jarman R. active 1853 cartographer. LONDON : 1853. First published the previous year. Hardback. Illustrations maps plans portraits. Illustrated with numerous wood-engravings. Title-page vignette signed by A. Slader. Maps all signed by R. Jarman. List of maps and illustrations on p. vi. Five portraits-frontispiece. Original publisher's cloth binding. Green ribbed cloth; gilt lettered spine and cover. Blind-stamped decoration to cover. Original yellow end-papers. A tight bright and clean copy. Neat copper-plate name to end-paper dated 1864. Minor wear only. VERY GOOD. x 140 pages. 8vo. Will be well-packed for posting/shipping. Rosley Books for Antiquarian books CHS Cumberland Everyman GKC Inklings Keswick Literature MacDonald Rarities Theology and History. . SCARCE. <br/> <br/> 227 Strand Robson, Levey, and Franklyn (Firm) [printer] hardcover
19004771C1900. Oxford: Alden & Co Ltd. 1900. ca. 155 x 21 cm. 34 S. Original-Leinwandeinband mit goldgeprägtem und reliefgeschmücktem Deckeltitel. Einband etwas berieben. Vorsätze leicht gegilbt. Leichte Gebrauchsspuren. Sonst guter Zustand. Mit 32 schönen Abbildungen von Stadtansichten Oxfords. unknown
183312436Philadelphia PA: Carey Lea & Blanchard 1833. First American Edition. Good. First American edition 1933. Original cloth covered boards with paper label on spine. Good. Label rubbed and lightly chipped. Contemporary bookplate John W. Scott Oxford Ohio and later pencil signature of I. F. Keller. Light foxing throughout text. Binding is sturdy and square. A classic contribution to "The Bridgewater Treatises on the Power Wisdom and Goodness of God as Manifested in the Creation".Kidd was an English physician chemist and geologist. Carey, Lea & Blanchard hardcover
1841003777Oxford UK: Henry Slatter. Bound in olive cloth with blind-stamped abstract design to both boards and slightly faded gilt lettering to spine this hardcover First Thus Edition is "Good". Text in English. 1V/220pp with addition of The Four Orations of Cicero against Catiline. Author not stated. Corners bumped top of spine chipped tiny white marks to boards otherwise VG . Good. Hardcover. First Thus Edition. 1841. Henry Slatter hardcover
1846GT583Oxford: John Henry Parker 1846. third edition . Hardback. Vg. small 8vo. 354pp index of first lines. BOUND BY REEVE OF LEMINGTON. a full leather binding with a tight and clean text block. Extremities rubbed to the spine. <br/> <br/> John Henry Parker hardcover
1900mon0000999453Oxford .1900. Hardcover. Very Good. in x in x in. 2.1 by 1.8 inches. All edges gilt. Pages clean and bright no markings light wear to edges. Binding tight. Publishers plain burgundy morocco binding. Oxford hardcover
1836119927Oxford: Printed At the University Press By Samuel Collingwood and Co. . Good with no dust jacket. 1836. Reprint. Hardcover. A Macro-Miniature copy 3.5" Long x 2.0" Wide x 1.5" Deep. Dark ox blood coloured full leather boards raised bands with embossed decorated compartments and title in gilt to the spine. Simple blind stamped foliage decoration to the front and rear boards. Corners rubbed more so to the top two corners o/w tight and clean. Gilt decorated inner dentelles. All edges gilt - showing some wear/rubbing. Internally the front endpapers are marked stained and have a former owner's name in the ffep. The second free endpaper has been glued to the first free endpaper for some reason in the past. The title page and the rest of the text block is clean and tight complete with the Gunpowder Treason section removed mid-century. Includes an Integral ribbon bookmark a bit 'rolled'. An attractive early Victorian near miniature copy. Good Plus to VG Minus. See Images. ; 64mo 3" - 4½" tall . Printed At the University Press, By Samuel Collingwood and Co. , hardcover
185617111Oxonii e Typographeo Academico 1856. 8vo. text in Latin and English neat contemporary signature on front free endpaper; contemporary full roan sides with double frame border in blind back with six flat bands brown top hinges starting but binding entirely sound a very good clean copy. A scarce edition of the 'Oxford Statutes' designed for the use of schools and academies. Whilst the extracts themselves are given in the original Latin some sections outlining the several scholarships and prizes are presented in English. A nice copy of a mid-Victorian edition of a compilation originally promulgated in 1671. See Cordeaux & Merry 1089. Oxonii, e Typographeo Academico, unknown
1840213329New York: Charles Henry 1840. Hardcover. Good. Good Hinges cracked but binding still fairly tight cloth on spine ends and panel corners torn panels and spine soiled and worn panel corners bumped brown spotting on pages various pages show outer edge roughly cut former owners name in ink on front end page Volume 3 only. Charles Henry hardcover