155 résultats
1929ARC93326The Cresset Press London 1929. Book. Very Good. Hardcover. 1st Edition. First edition printed at the Curwen Press and limited to 450 numbered copies on mould-made paper plus a further thirty deluxe copies this one of the 450 examples but un-numbered. Large 4to. 406pp. Bound in full brown buckram with two red leather spine labels lettered and bordered in gold this binding unusual as the 'correct' binding should be white vellum; the fact that this example is un-numbered may suggest that it was intended as a trial or proof copy or perhaps a file copy. Fore- and bottom edges untrimmed. A touch of very light spotting to the edges and endpapers and to very occasional leaf margins. Backstrip ends very gently rubbed. A very good copy of an uncommon and quite delightful production: a tour-de-force collaboration featuring some of the finest wood engravers of the post-Great War period each one tackling one of the fourteen books classified as apocryphal by the King James Bible. The Cresset Press, London Hardcover
194535382London: The Golden Cockerel Press 1945. Limited edition. Hardcover. Very Good. Limited edition of 100 bound in 1/4 white morocco with this being number 44 1945. SIGNED by O'Connor and Whitfield on colophon. Stamp "Bound by S & S London" inside front cover Sangorski & Sutcliffe were binders to Cockerel Press. A Very Good copy. 8vo. 109 pp. bound in 1/4 white morocco and marbled cloth with title in gilt on spine top edge gilt. Very minor soiling to morocco with slight rubbing at base of spine. Text is unmarked engravings are clean and bright. A beautiful book. The Golden Cockerel Press hardcover
195936103Durham North Carolina: Duke University Press 1959. 2nd printing. Cloth. Very Good/Fair. Mixed printings Vol.1 2 3 -2nd printings 1959; Vol.4 5 6 7 printed in '57 '62 '61 '64 respectively. A Very Good set in Poor Fair & Good dust jackets. 8vos. each volume approximately 650 pages. illustrated with b&w wood engravings and frontispieces. Uniformly bound in tan cloth with tan dust jackets. The dust jackets have browned spines with most of the volumes having missing/detached areas on the spine. Several volumes are detached along the spine and now held in place with the mylar sleeve. Duke University Press unknown
200012345Lewisburg PA: The Press of Appletree Alley 2000. Limited Edition. Hardcover. Near fine. Large octavo 69pp. illustrated. From The Bucknell University Fine Editions: A Series in Contemporary Poetry edited by Cynthia Hogue. A near fine copy in the publisher's abstract paste paper boards. Boards just a tinge warped in the same direction and the spine a tinge cocked; else lovely. The colophon reads: "This book was hand-set in 14 pt. Spectrum monotype with titling in Open Kapitalen both Van Krimpen types. Designed and set by Jason Urban and Juanita Bishop this edition was printed by Barnard Taylor and Juanita Bishop in Rives lightweight mouldmade paper with a Vandercook No. 4 press. The wood engravings were printed directly from the blocks. Each book has been hand-bound by Don Rash in cloth and paper over boards using an original abstract paste paper." This is number 35 of 125 limited copies each of which is SIGNED by Weaver and Richards on the colophon. A striking production. Laid-in is a letter from the previous owner to the publisher enclosing a check for his copy and lamenting the then-imminent demise of the press. The Press of Appletree Alley hardcover
1952066330London Great Britain: The Queen Anne Press 1952. Book. Very Good. Hardcover. 38 pages 8vo. Limited Edition of 950 numbered copies. This is copy 917. Shelfwear to DJ: scuffing along edges and covers tanned covers and spine some light foxing and smudge marks. DJ in mylar. Fading along cloth board edges. Tight binding no marks. Volume is in Very Good condition. The Queen Anne Press Hardcover
19095980Brandon Manitoba Canada: W. Warner Publishers Brandon Manitoba Printed by Der Nordwestern Publishing Co. Ltd. N.D. Circa 1909. First Edition First Printing. Card Covers. Unpaginated pp. 44. Oblong 4to. measuring 26 x 31 cm. Illustrated bay card-covers bearing bright gilt lettering to the centre and held with its original string binding. Wonderfully illustrated with striking black-and-white period photographs of the young city of only 7250 persons. Includes views of its many notable landmarks including its City Hall various houses of worship agricultural scenes and vignettes its banking and centres of commerce one stunning full-page plate depicting Indigenous leader Light Feather many views of Brandon-area grain elevators and much else. Light chips along the edges of the covers faint foxing to the preliminary pages and rear endpaper else leaves quite well-preserved. Overall very good. Exceedingly rare in commerce. See Peel #3349 also corresponds to OCLC #224912573. <br/><br/> W. Warner, Publishers (Brandon, Manitoba) | Printed by Der Nordwestern Publishing Co. Ltd. unknown
1984297106Marlborough Wilts England: Paulinus Press 1984. Limited Edition. Hard Cover. Fine binding. Large 8vo.; in the publisher’s pink silk bonding with a cream label to the spine lettered in gilt with slipcase; 55 pages with illustrations and a set of proofs; signed by the author Walter Shewring; the engraver Simon Brett the engraver; Christopher Skelton the printer; and Clare Skelton the binder.~~This edition limited to twenty-five special copies printed on Zerkall mould-made paper with additional pages bearing impressions of the engravings printed direct from the wood blocks; in the rear of the book is a loose set of proofs of the engravings on japon printed and signed by the artist.~~This special edition is signed by the author the engraver the printer and the binder “in recognition of its being the last book produced at Skelton’s Press under Christopher Skelton’s ownershipâ€. Fine binding. Paulinus Press unknown
193032214London: Faber & Faber Limited 1930. Hardcover. First Edition: Limited to 300 numbered copies signed by the author. This copy being No. 18 and signed by the author on the Limitation Page. 6 x 9.25in. xi. 331pp. Publisher's cloth boards with gilt decoration and titling. FINE/AS NEW. Flawless. As pictured. Faber & Faber Limited hardcover
193235365Berkshire: The Golden Cockerel Press 1932. Limited. Hardcover. Very Good. Lynton Lamb. Limited edition of 500 with this being hand numbered 245 1932. A Very Good book. SIGNED by Walpole on dedication page. 8vo. 73 pp. bound in publishers red leather backed patterned cloth boards top edge gilt. Spine is lightly faded. Very minor rubbing to tips and edges. Very small spot at top of FFEP that fades through to dedication page. Text is clean and unmarked engravings are crisp. A SCARCE title. "This is a fabulous account of Hugh Walpole's early life and a must read if you are a fan of his work." review. The Golden Cockerel Press hardcover
198228363Salisbury Wiltshire: Michael Russell 1982. Near Fine/Very Good. Salisbury Wiltshire: Michael Russell 1982. First Edition Limited to 150 signed copies of which this is no. 28. Slim 12mo; publisher's green cloth pictorial paste-on to upper cover in original glassine dust jacket; 48pp.; woodcut frontispiece illus. throughout. A hint of shelf wear glassine a bit wrinkled else a Fine example. Signed by Pritchett and Theroux on limitation page. Michael Russell unknown
192988417Paris: Librairie Hachette 1929. Reprint originally published in 1872. Octavo 27cm; red cloth-covered boards with titling and decorations stamped in gilt and black on spine and front cover and decoration blind stamped to rear cover; gilt topstain; iv12-2042pp; black-and-white vignettes to frontispiece and throughout. Text in French. La Grande Librairie sticker to lower rear pastedown. Lightly spine-faded with light oxidation to spine titling slight spine lean shelf-wear and faint tanning to page margins; Very Good. <br /> <br /> "From the 1870s on JV's work tended to repeat itself in gradually darkening hues though he never lost the sense of the fundamental usableness of science and technology a sense vital to 20-century sf science fiction where - as with JV - usableness tends to serve as its own justification" see Clute & Nicholls The Encycopedia of Science Fiction p.1277. CLUTE & NICHOLLS p. 1277. 88417. Librairie Hachette unknown
1929518Paris: Éditions du Scarabée 1929. First Edition. Near fine. Large 8vo 11 7/8 x 9 3/4 inches 302 x 250 mm; 45 pp. with 4 etchings by Gio Colucci. Edition limited to 115 numbered copies on white Arches paper with Jenson type of which this is copy no. 50 as printed on the limitation page. Loose as issued in portfolio with original paper cover with flaps printed in red and black with beautiful typography and with its original glassine wrapper. There is some toning and slight wear to the glassine and cover and offset to pages facing the etchings but the portfolio is in excellent condition and the impressions strong and powerful.<br /> Inscribed and dated in pencil by artist on the half title. <br /> BNF31506565. This play by François Turpin was created on the stage of the Atelier in Paris by the Athéna theater on February 1 1928 <br /> <br /> Gio COLUCCI 1892-1974 Painter sculptor ceramist was born in Florence. Éditions du Scarabée unknown
19777560Norwalk CT: The Easton Press 1977. Collector's Edition. Leather Bound. pp. x 234. Royal 8vo. Bound in full textured black leather over boards with elaborate gilt lettering rules and ornamentation to the spine and boards; four raised bands to spine five compartments textured terracotta silk moire endpapers like silk ribbon-marker all edges gilt. Black-and-whte illustrated frontispiece of Turgenev of Melville accompanied by many additional full-page black-and-white illustrated plates. No detectable flaws contents bright clean and unmarked with tight sound binding; near fine. Appears unread; as new. <br/><br/> The Easton Press hardcover
1991T1903103Pembridge Design Studio London 1991. 1st Edition Thus. HARDCOVER. Story from the author of Mary Poppins illustrated with 19th centure engravings by Bewick specially printed in a small edition by Pembridge Design Studio. 4to in brown buckram covered boards tan marbled paper end-papers matching the paper used for the dust jacket 48pp printed in brown ink on very pale tan rag-paper leaves. Pembridge Design Studio was a small private press in London c. 1980 - 1992 who typically made books in very small editions. No limitation is stated but probably fewer than 100 copies of this book were made __CONDITION : An extremely well preserved AS NEW unmarked copy merest hint of tanning to page-block edges in an AS NEW complete Dust Jacket. An excellent copy. . __We always ship in PROTECTIVE CARD PARCELS Pembridge Design Studio, London hardcover
199720559Granville Ohio: Limekiln Press 1997. First Edition limited. Hardcover. Near Fine/Without dust jacket none issue. #31 of 100 limited edition printed by hand by Paul Evans Holbrook at The King Library Press wood engravings by Siri Beckman at her press in Maine. Octavo 9 2/3" tall ix 81 pages handmade paper sewn binding marbled orange paper over boards with paper title label. Errata sheet laid in with two addition poems. A near fine clean neat hard cover with light shelf wear soft handmade paper outer layer has rubbed through to inner boards at one corner tip and picked up some very slight soiling interior fine hinges and binding tight paper cream white. Limekiln Press hardcover
1950C45548London: The Dropmore Press 1950. Hardcover Hardcover. Very Good. Number 46 of 300 copies. Slight wear and lean otherwise very good indeed. The Dropmore Press, hardcover
1979JC6303Michael Russell 1979. Limited Edition. Hardcover. Fine/Very Good. Black-and-white patterned cloth black cloth backstrip gilt-stamped lettering on spine; glassine dust jacket. Number 159 from a limited edition of 450 copies signed by the author and illustrator on the limitation page. Book is fine in VG dust jacket with large chip out of bottom edge of front panel. <br/><br/> Michael Russell hardcover
1963003294CThe Stone Wal Press Iowa City 1963. 1st Edition. Hardcover. Fine/Near Fine. A very fine hardcover copy in a near fine slipcase. Limited Edition of 300 no. copies. This is copy no. 112. Owner's signature appears on front endpaper with additional info "sent me from the publishers at the request of Beatrice Roethke." Slipcase is very sound with just a touch of rubbing. A nice copy. The Stone Wal Press, Iowa City hardcover
198138169Norwalk CT: Heritage Press 1981. 1st edition. Hardback in variegated cloth boards in cardboard cream slipcase. New in New slipcase. Deluxe special edition of this nature classic illustrated with numerous engravings made at Walden Pond. Latd-in is Sandglass descriptive folder. Perfect unread copy. <br/><br/>5-1/2 x 8-1/4 335 pp b/w engravings - many full-page. Heritage Press hardcover
1990059927Lincoln Nebraska: University of Nebraska Press 1990. Book. Illus. by Moser Barry. Very Good. Hardcover. Signed by Illustrators. 157 pages 12mo. SIGNED and inscribed by the illustrator Barry Moser on title page. Foreword by Joyce Carol Oates. Shelfwear to DJ: light scuffing along edges a few small tears along top edge of front cover and top edge of spine moderate spine fade. DJ in mylar. Tightly bound no marks. Volume is in Very Good condition. University of Nebraska Press Hardcover
19281409751Reading: Golden Cockerel Press 1928. Limited Edition #285/500. Hardcover. Octavo 151 pages. In Very Good minus condition with a Very Good dust jacket. Spine red with black lettering. Bound in publisher's red fabric. Dust jacket protected with mylar covering. Top edge of text block gilt. Mild shelf wear to dust jacket small closed tears on spine. Three spots of discoloration on front dust jacket. Mild wear and rubbing front and back boards. Shelved in Case 9. Golden Cockerel Press is a curated private press started in 1920 in the Caxtonian tradition of editor-printer-publishers. 1409751. Shelved Dupont Bookstore. Golden Cockerel Press hardcover
1902127907Boston / London: James H. Stark Publisher 1902. Hardcover. Very Good. 12mo 6.75 - 7.75'' tall. Hardcover. Book Condition: Very Good. James H. Stark Publisher Boston / London 1902. Ads 158 pages. Nice Firm Clean copy ! Light general wear. With a lovely folding map! Size: 12mo 6.75 - 7.75'' tall. Travel::Antique History::Localities Maps 6272 6272 James H. Stark Publisher hardcover
196536968Sao Paulo Brasil Brazil: difusão nacional do livro 1965. Paperback. Very Good. Paperback. In Portuguese. Elephant Folio. One of 3000 copies. In this Portuguse language reproduction of illustrated historical documents from 1557 Hans Staden 1525 - 1576 a Europen explorer and soldier describes his experiences as a prisoner living among cannibals of Brazil. Issued unbound in 10 gigantic folded leaves with horrifying engravings of cannibalism. The pages are all housed inside a paper stiff white illustrated paper folder which is housed inside of a large stiff paper slipcase with olive green spine panel titled in white and black and white illustrated side panels. The pages are clean and bright. Minor browning to spine panel and edges of folder along with a few scuff marks to front panel. Wear rubbing chipping and short tears to edges of slipcase. Browning to edges of panels of slipcase. A fascinating piece that can be appreciated for the images alone even if one is unable to read the text. 40 pages. Size: about 23 x 15 inches. SOAMER/122623. difusão nacional do livro paperback
1993TOB217-32095-A-0.50The Folio Society. Good with no dust jacket. 1993. Folio Society. Hardcover. Import; No slipcover included. No writing or major blemishes. Light foxing to the exterior edge of pages only. ; - We're committed to your satisfaction. We offer free returns and respond promptly to all inquiries. Your item will be carefully wrapped in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence. . The Folio Society hardcover
1939SPENDERS007080Atelier 17 Paris & New York. March 1939. First edition. Octavo. Spender's poem ''Fall of a City'' and Louis Aragon's translation ''Chute d'une Cit�'' together with nine engravings loose within wrappers. The engravings were printed by Atelier 17 and Henri Hecht and include one with aquatint and roulette one with soft ground etching one drypoint and one etching. All are on Montval handmade paper with deckle-edges. Held within the original plain board chemise but lacking the slipcase which had a Hayter titling-piece pasted onto the front. Stanley Hayter founded Atelier 17 in Paris in 1927 and it continues to this day in Rue Didot albeit with the name changed to Atelier Contrepoint. This production was his contribution to the raising of funds to help children orphaned by the Spanish Civil War.101 numbered copies were printed for sale and 12 for the contributors. This copy is unnumbered and hors commerce marked ''h.c'' on the limitation page. Each copy including this one was signed by Spender and Aragon at their respective contribution and by each artist in the lower margin of the etched sheet.Fine in custom burgundy morocco box with ''FRATERNITY'' in gilt on the lid. Very scarce with all nine loose etchings as most sets have been broken up for piecemeal sale. Atelier 17, Paris & New York. March, unknown