75 résultats
194639144Paris: Compagnie Française des Arts Graphiques 1946. Limited First edition. Softcover. g to vg. 1/355. Quarto. 61 5 loose pages as issued. Original glassine over illustrated dust-jacket and blind wrappers. The frontispiece is a striking color lithograph of Paris. "Réminiscences" is Louise Hervieu's charming recollection of her Parisian life at the turn of the century. It is composed of the following five essays: "Réminiscences" "La petite fille de Montsouris" "Le Parc Montsouris" "La Laitière de Montsouris et les pots cassés" and "Le Marchand d'oublies." This work is splendidly illustrated throughout with one color lithograph frontispiece 4 b/w lithographic plates and 5 b/w in-text lithographs. One of 355 copies on Velin pur fil of which this is No. 327. Glassine age-toned with tiny chipping and previous owner's inscription the author's name along upper spine and sticker at tail of spine. Text in French. Glassine in fair to good- dust-jacket wrappers and interior in overall very good condition. Compagnie Française des Arts Graphiques unknown
198447166Utrecht Holland: Sub Signo Libelli 1984. Near Fine. Utrecht Holland: Sub Signo Libelli 1984. First Edition Limited to 45 copies containing two original lithographs by Buursen of which this is no. 36. Small slim quarto; original reddish-orange morocco over paper-covered boards upper cover and spine lettered in gilt;12pp.; color lithographic frontispiece and one additional plate bound in rear. Light wear at corners else Near Fine. Both plates signed with limitation in pencil by the artist. Colophon in rear inscribed and signed by Purdy. Sub Signo Libelli unknown
198117285New York: The Limited Editions Club 1981. Limted Edition. Hardcover. Book condition is Very Good bound in 3/4 blue Fabriano Roma paper covered boards handmade in Italy and 1/4 black buckram cloth and gilt title ; housed in a Very Good- blue slipcase. Toning staining and edgewear to slipcase. Very minimal edgewear to book covers. Text is clean and unmarked illustrated with lithographs throughout. 168 pages. ; 8vo. 9 3/4"h x 6 1/2"2. <br /> <br /> This Limited edition of Rilke's Selected Poems is presented in a format planned by Katy Homans two thousand copies have been printed for the members of The Limited Eitions Club at the Press and Letterfoundry of Michael & Winifred Bixler in Boston Massachusetts. The lithogrpahs printed in New York by Burr Miller were drawn on the plate by Robert Kipniss this copy is number 1514. Signed by the illustrator Kipniss. The Limited Editions Club hardcover
1986D1098Guildford: Circle Press 1986. Fine. Heavy cardstock folder contains 6 loose 8-pp. gatherings with 40 hand-drawn litho illustrations16 in full-color; text printed letterpress. From a limited edition of 60 copies only 25 of which include a signed pen and ink drawing present here in a folder 7.5" x 11.5". All housed in a tied portfolio with full-color illustration on front cover. One of the Midland Mystery Plays of Noah's Flood. <br/><br/> Circle Press unknown
1971118161971. S.l. Paris Bibliophiles du Palais 1971. Un fort vol. in-4 331 x 267 mm de 87 pp. en feuilles sous couverture titrÂŽe ˆ rabats rempliÂŽs et ÂŽtui-chemise cartonnÂŽ safran dos lisse titre frappÂŽ long ˆ l'oser blanc. Tirage unique ˆ 200 exemplaires seulement. Celui-ci un des 180 nominatifs du tirage sur vÂŽlin d'Arches. L'ouvrage s'agrÂŽmente de lithographies in et hors-texte en couleurs de Georges Douking. ''Seule piÂce de thŽ‰tre d'Albert Cohen elle voit s'opposer deux hommes : EzÂŽchiel riche notable ˆ qui un messager JÂŽrÂŽmie qui a acceptÂŽ cette tache pour se tirer d'une mauvaise passe vient annoncer la mort de son fils.'' BÂŽnÂŽzit III Dictionnaire des peintres p. 657. Marge des plats et dos de la chemise lÂŽgÂrement insolÂŽs. Du reste trÂs belle condition. b42961 unknown
1929257271929. A Paris chez Fernand Mourlot 1929. Un vol. au format pt in-4 283 x 223 mm non paginÂŽ brochÂŽ sous couverture ˆ rabats rempliÂŽs et coffret cartonnÂŽ. Edition originale. Tirage unique ˆ 136 exemplaires seulement. Celui-ci comptant parmi les 13 numÂŽrotÂŽs du tirage sur Japon impÂŽrial. Il s'ouvre sur un poÂme autographe signÂŽ Philippe Chabaneix est en outre agrÂŽmentÂŽ d'un envoi autographe de ce dernier ainsi que de Pierre-EugÂne Clairin au colophon. Premier tirage des lithographies originales in et hors-texte de Clairin. ''En 1913 Clairin ÂŽtudie ˆ l'atelier Cormon ˆ Paris avant de rejoindre en 1919 l'AcadÂŽmie Ranson avec Paul SÂŽrusier qu'il suit ˆ Pont-Aven o il fait alors la connaissance de Vuillard et Maurice Denis .''. in BÂŽnÂŽzit. ''En 1919 Clairin travaille ˆ l'AcadÂŽmie Ranson o il rencontre SÂŽrusier qui le prÂŽsente ˆ Maurice Denis et Vuillard. Ce dernier surtout lui donnera des conseils pour la lithographie. DaragnÂs lui enseignera la gravure sur bois et imprimera ses planches''. Bailly-Herzberg Dictionnaire de l'estampe en France p. 70 - BÂŽnÂŽzit III Dictionnaire des peintres p. 47. Angles et coupes de l'ÂŽtui lÂŽgÂrement ÂŽlimÂŽs. Deux piqžres au premier plat. Du reste trÂs belle condition. La suite tirÂŽe en sanguine annoncÂŽe fait ici dÂŽfaut. b42961 unknown
1940293371940. A Paris et Bordeaux chez Henri Colas et chez Rousseau FrÂres s.d. circa 1940. Un vol. au format in-4 364 x 283 mm non paginÂŽ en feuilles sous chemise cartonnÂŽe ˆ lacets dos lisse et muet piÂce de titre contrecollÂŽe au premier plat. Edition originale. Tirage unique ˆ 120 exemplaires numÂŽrotÂŽs seulement. Celui-ci comptant parmi les 20 premiers exemplaires ; les seuls ˆ contenir une suite en sanguine en plus des 12 lithographies contenues dans l'ouvrage et marouflÂŽes sur papier fort. ''Natif de Bordeaux Jean Aufort fut l'ÂŽlÂve de E. Laurent P. Quinsac G. Colin et L. Roger. Il exposa aux Artistes franÂais entre 1925 et 1937 et aux IndÂŽpendants entre 1930 et 1940.'' in BÂŽnÂŽzit. L'ouvrage s'ouvre sur la reproduction en fac-similÂŽ d'un texte manuscrit de Francis Jammes ; ''pages poÂŽtiques en forme de tÂŽmoignage douloureux enchantÂŽes d'images que seul un peintre du talent et de la vision pÂŽnÂŽtrante de Jean Aufort pouvait rendre aussi ÂŽmouvantes''. BÂŽnÂŽzit I Dictionnaire des peintres p. 318. LÂŽgÂre oxydation affectant les deux feuillets liminaires. Du reste trÂs belle condition. Rare. b42961 unknown
194486033hLondon: Frederick Muller 1944. Book. Near Fine. Hardcover. 1st Edition. 8vo - over 7¾ - 9¾" tall. The second printing of the first edition from 1945. Illustrated paper boards hardcover in matching illustrated dust jacket. Moderate edge-wear and toning to jacket. Edges and endpapers toned. Otherwise clean tight and unmarked. Very neat -- a sound and handsome copy. Illustrated from lithographs by John Piper. Index. vi121pp. Frederick Muller Hardcover
1987056960The Limited Editions Club. A beautiful clean crisp softcover in fine condition. No DJ as issued. Includes clam shell box in very good condition with light foxing to cloth. No. 280/800 limited edition copies signed by the illustrator. . Fine. Soft cover. 1987. The Limited Editions Club paperback
194630106HBDJ 1946 ON TITLE & Copyright PAGE First Edition. 1st printing STATED 1ST PUBLISHED BY VIKING PRESS SEPT. 1946 BK IS NF-/ DJ GOOD AS-IS DJ HAS WEAR SCUFF ON DJ SPINE RUB EXTREMITIES TINY TEARS CHIPS BACK OF DJ ILLUSTRATION MISS HICKORY & 2 LARGE BLACK BIRDS AT THEIR NEST BEIGE & RED FLORAL Hard Cover color Pictorial cloth Binding COVER GOLD JOHN NEWBERRY ROUND STICKER FRONT OF DJ. 123 PGS STATED 1ST PUBLISHED BY VIKING PRESS SEPT. 1946 1947 NEWBERY MEDAL When great Granny Brown packed Up & Moved 2 the Women's City Club in boston Miss Hickory was faced with the Problem of Spending a Severe New Hampshire Winter Alone. This MITE NOT HAVE BEEN SO BAD IF SHE HAD NOT BEEN A COUNTRY WOMAN WHOSE BODY WAS APPLE-WOOD TWIG & whose Head was Hickory NUT ALSO IF HER HOUSE HAD BEEN BUILT OF STRONGER MATERIALS THAN CORNCOBS VIKING PRESS NEW YORK hardcover
1974052181Los Angeles: Dawson's Book Shop 1974. 1st Edition 1st Printing. Soft cover. Fine/As New. A Very Tiny New Edition Of The 1933 First Edition Including The Dj Stating "Inscriptions By Paul Claudel" But With The Claudel Text Replaced With The Verses By Charlot Originally Intended For The 1933 Edition. #229 Of 300 Copies Signed By Charlot And Initialed By Lynton R Kistler With 32 Original Lithographs By Charlot Signed In Color In The Plates And A Dj By Charlot. A Fine As New Example No Wear Or Damage No Browning Or Fraying In Fine Dj And Slipcase. <br/> <br/> Dawson's Book Shop paperback
1960173978Cambridge MA: Dept. of Printing and Graphic Arts Harvard College Library 1960. Limited to 600 copies in three formats this being No. 75 of copies 51 to 150 that contain an extra set of lithographs. Hardcover. VG/VG case showing very mninor wear to the leather at the base of the spine. pale bluish green printed paper-covered boards with black leather spine with gilt title. 61 pp. 13 mounted lithographs along with a complete extra set of the original lithographs contained in the book separately cased and enclosed with the book in a box case. all contained in a linen covered clamshell case with matching black leather spine with gilt title. Numbered 75 on the limitation page and also signed by the artist and the translator. From a total edition of 600 this is number 56 of 100 copies 51-150 signed by both artist and translator printed on hand-made paper and containing an extra suite of 13 loose lithographs each signed or initialed by Stein in pencil. Dept. of Printing and Graphic Arts, Harvard College Library hardcover
1975N5002Bantam Press: Poligrafa 1975. Orig.cloth with Dust-Jacket. Near Fine/Near Fine. Folio. Miro. 253pp Complete with all 11 lithographs. A VERY GOOD CLEAN AND FRESH COPY WITH THE ORIGINAL DUST JACKET. Spanish edition <br/> <br/> Poligrafa hardcover
1947535008London: Frederick Muller 1947. Hardcover. Very Good/Near Fine. First edition. Faint dampstain on bottom corner of the pages just registering at the edges of the margins else very good in near fine dust jacket. Anthology illustrated with attractive color lithographs. Because of the fragile binding copies are usually found with the binding cracked or signatures or plates loose. This is a tight and clean copy and is scarce thus. Frederick Muller hardcover
1947160841947. S.l. Manuel Bruker 1947. Un vol. au format in-4 343 x 265 mm de 70 pp. en feuilles sous couverture agrÂŽmentÂŽe au premier plat d'une lithographie et ÂŽtui-chemise de plein cartonnage crÂme dos lisse titre frappÂŽ ˆ l'oser brun. Tirage unique ˆ 150 exemplaires numÂŽrotÂŽs seulement ; tous sur vÂŽlin blanc pur-fil du Marais. L'exemplaire - outre les compositions figurant dans l'ouvrage - recÂle une suite ˆ part desdites compositions sous chemise muette. Cette suite a ÂŽtÂŽ tirÂŽe sur vÂŽlin le colophon ne mentionnant que la rÂŽalisation de vingt suite sur Japon uniquement. Par ailleurs une de ces lithographies est numÂŽrotÂŽe et signÂŽe ˆ la mine de plomb par Paul Colin. ''Natif de LunÂŽville Paul Colin fut sociÂŽtaire de la SociÂŽtÂŽ nationale des Beaux-Arts et du Salon d'Automne il a illustrÂŽ de nombreuses oeuvres littÂŽraire''. in BÂŽnÂŽzit. ''En 1867 le jeune Verlaine sÕoctroie un dÂŽrivatif frivole : composer une plaquette Les Amies qui contient six sonnets consacrÂŽs aux amours saphiques et qui para”tra alors clandestinement.'' BÂŽnÂŽzit III Dictionnaire des peintres p. 107. Marques d'usage ÂŽparses affectant l'ÂŽtui-chemise. Exemplaire quant ˆ lui parfaitement prÂŽservÂŽ. b42961 unknown
1932LD5773Les Bibliophiles Comtois 1932. Limited Edition. Hardcover. Near Fine. Loose gatherings in printed folder with glassine dust jacket; in chemise and slipcase; 4to; illustrated throughout. Number 7 from a limited edition of 105 copies distributed for members of the society this one for M. Julien Rozendaal. Total limitation of 140 copies. Chemise lightly rubbed along the edges; slipcase quite worn along the edges. But the book is very near fine with just some very light rubbing at spine tips and corners. <br/><br/> Les Bibliophiles Comtois hardcover
1950269432Barcelona: Editorial Juventud 1950. Quarter Leather. Very Good binding. A handsome production printed in Barcelona and in 2 volumes. Backed in green morocco over cream linen-covered boards. The spine have elaborate stamping. The colored illustrations by Jose Narro as well as the headpieces to each chapter are charming. There is some light soiling to the linen boards; but overall a clean copy without any marks. Mylar has been custom cut to protect the bindings. Very Good binding. Editorial Juventud unknown
1951295971951. S.l. Les Cent Bibliophiles 1951 1952 au colophon. Un vol. au format in-4 338 x 258 mm de vi - 188 pp. en feuilles sous chemise titrÂŽe ˆ rabats rempliÂŽs et ÂŽtui-chemise de plein cartonnage dos lisse titre imprimÂŽ en noir. Tirage unique ˆ 130 exemplaires numÂŽrotÂŽs seulement ; sur Arches. Exemplaire imprimÂŽ nominativement pour EugÂne CarrÂŽ. Il s'agrÂŽmente - ici en premier tirage - de nombreuses lithographies originales in et hors-texte par Jacques Camus. ''Jacques Camus s'efforce ici de recomposer un Cotentin traditionnel o abondent coiffes normandes et paysans en blouse sur fond de paysages ÂŽvanescents''. in Centorame. ''Dans une atmosphÂre de campagne barbare o interviennent des p‰tres jeteurs de sorts et des vieilles femmes hantÂŽes par le souvenir de leurs dÂŽbauches Jeanne Le Hardouey une aristocrate claudÂŽlienne mÂŽsalliÂŽe d'‰me et de corps ˆ un acquÂŽreur de biens nationaux est ÇensorcelÂŽeÈ par un prÂtre l'abbÂŽ de La Croix-Jugan qui a tentÂŽ de se suicider par dÂŽsespoir de la cause perdue et dont le visage monstrueux porte la trace des tortures que lui ont fait subir les Bleus. ÇJ'ai t‰chÂŽ disait Barbey de faire du Shakespeare dans un fossÂŽ du Contentin.È Centorame Les Illustrateurs de l'oeuvre de Barbey p. 54 - BÂŽnÂŽzit II Dictionnaire des peintres p. 490 - Monod I Manuel de l'amateur de livres illustrÂŽs modernes 961. Etui-chemise prÂŽsentant un ÂŽclat lÂŽgÂrement altÂŽrÂŽ. Plats de la couverture papier lÂŽgÂrement brunis. Du reste trÂs belle condition. b42961 unknown
1954227421954. Paris Editions Pierre de Tartas 1954. Un fort vol. au format in-4 318 x 257 mm de 117 pp. en feuilles sous couverture lithographiÂŽe ˆ rabats rempliÂŽs et ÂŽtui-chemise de plein cartonnage dos lisse titre frappÂŽ ˆ l'oser noir. Edition originale. Tirage unique ˆ 160 exemplaires seulement ; tous sur vÂŽlin de Rives. Celui-ci comptant parmi les 15 numÂŽrotÂŽs du tirage sur vÂŽlin de Rives. Outre l'ensemble des illustrations qu'il se doit de contenir le prÂŽsent exemplaire renferme une suite des planches en noir ainsi qu'une suite sur vÂŽlin de Rives ainsi qu'une aquarelle originale ayant servi ˆ l'illustration signÂŽ de RenÂŽ Aubert. L'ouvrage s'agrÂŽmente par ailleurs d'un envoi autographe signÂŽ de l'auteur ainsi que de l'illustrateur identitÂŽ du dÂŽdicataire effacÂŽ. ''RenÂŽ Aubert fut l'ÂŽlÂve de Lucien Simon ˆ l'Ecole des Beaux-Arts et exposa aux artistes franÂais de 1926 ˆ 1942''. in BÂŽnÂŽzit. BÂŽnÂŽzit I Dictionnaire des peintres p. 310. Dos de la chemise et marges de l'ÂŽtui lÂŽgÂrement passÂŽ. Du reste trÂs belle condition. b42961 unknown
1956023106Paris: Maurice Darantiere 1956. First Edition . Printed Heavy Wrappers. Fine/Fine Slipcase. Loose Fasciles In Heavy Paper Covers In Slipcase As Issued. #27 Of A Limited Edition Of 200 Copies. This Copy Inscribed To Wine Expert Robert L. Balzer On The Occasion Of His Visit To A Temple On 10 July 1957. Balzer Became A Buddhist Monk In The 1950'S But Continued His Active Career As A Wine Expert Teaching University Level Courses Into The 1980'S And 1990'S. Balzer's Buddhist Ordination And Travels Are Described In His Book "Beyond Conflict"1963. Monireth Prime Minister After The Japanese Occupation In Wwii Was Not Supported By The French As He Was Too Independent For Characteristically Retarded French Colonial Policy. <br/> <br/> Maurice Darantiere unknown
192059016Philadelphia New York & Minneapolis: Kayser & Allman 1522 Chestnut St. 1920. Oblong folio. 13.5 x 10.25 in. 19 leaves unnumbered. colour lithograph illustrations throughout primarily on glossy clay-sized paper stock. Textured & embossed oatmeal coloured wallpapers yapp fore-edges black printing & decorative border on front cover stapled at gutter margin wear chipping & minor tears to the wallpaper covers occasional light toning & soiling to interior leaves still VG- copy. First edition thus of this very uncommon wallpaper sample catalogue presenting the lithographic friezes drawn from eminent artists works for illustrating the interiors of post-World War I era homes. These pictorial friezes include “The River Rhine†which could cover up to 35 feet without repeating or those such as “Child World†of children playing ‘The Monks†available with extension or “The Bermudian†a tropical forest scene repeating every 10 feet. Along with forests and mountain scenes the catalogue also includes hand-painted decorative scenes in 29 in. wide sections including “Jerusalem†“Views of Japan†“Views of China†and “The Orient.†Kayser & Allman was initially founded in 1871 by M.M. Kayser at Vine St. in Philadelphia and by 1888 the firm had become Kayser & Allman and after several moves resided at the 1522 Chestnut St. address by 1907. Worldcat locates 2 copies of this date & collation Henry Ford Cleveland Public. Kayser & Allman, 1522 Chestnut St., unknown
197055528New York NY: Maecenas Press / Random House 1970. Book. Illus. by Levine Jack. Near Fine. Hardcover. Signed by Authors. Limited Edition. Elephant Folio. Limited Edition of 2500 Signed copies of which this is copy no.2062. SIGNED twice by James A. Michener and Jack Levine on the inside of the clam shell box and on the colophon page leaf. Includes two portfolios: I. Text by James A. Michener original lithographs and woodcuts by Jack Levine. II. Sketchbook by Jack Levine. The four original lithographs signed in stone by the artist were pulled on Rives Paper. The text hand-set in Caslon de Corps 24 and the original woodcuts were printed on Arches Paper. The original "Hors-Texte" woodcut was pulled on Kawanaka Japanese Vellum paper. The fifty-four watercolors gouaches and drawings from the sketchbook by Jack Levine were printed by Phototypie and Pochoir processes on Ingres Paper. Minor shelfwear. Clamshell Box remains housed in original white carboard boxcase. Volume is in Near Fine condition. Maecenas Press / Random House Hardcover
1952008730New York: Printed at The Spiral Press 1952. First edition. Paperback. This original Robert Frost 1952 Christmas Card is the first published appearance of this poem and is twice signed by Frost. 3875 copies were printed for 14 different names. This is one of 475 printed for the poet himself. And this particular copy is signed twice by Frost. On the title page in two lines directly below his printed name Frost wrote: Robert Frost your subject. A printed laid-in slip reads This Christmas poem though not isolationist is so dangerously near isolationist it was thought better to send it out for Independence Day instead of Christmas. Just below this print in two lines Frost initialed R. F. and dated July 4 53. <br /> <br />The binding is beige laid paper wrappers with flaps folded over thin card beneath fastened to the contents by two staples at the center fold. The covers feature a dark green printed underwater scene with six fishes invertebrates and plants. The contents printed in black and gray-green feature a frontispiece lithograph of ocean waves and a half-page lithograph of sea birds on rocks. Condition approaches near fine the binding clean tight and sharp cornered the binding staples intact and uncorroded the wraps showing just a few faint creases emanating from the spine. The contents are clean with no spotting or soiling. <br /> <br />With the permission of Frost and his publishers in 1929 The Spiral Press began printing an annual Robert Frost Christmas Card featuring one of his poems. The tradition continued until 1962 Frost's final Christmas. Each annual Christmas poem publication was printed with varying names on the title page to accommodate their being sent by various Frost publishers artists and important friends. This copy is one of those printed for Frost himself the imprint Holiday Greetings from Robert Frost printed on the title page. <br /> <br />By a full decade this is the first publication of the poem Does No One But Me at All Ever Feel This Way in the Least. The poem was not published in a Frost collection until his last In The Clearing published in 1962 when Frost was nearly 90 years old. Does No One But Me is seven stanzas of six lines each in iambic pentameter. It is a complaint about the lost possibilities of the sea exacerbated by American homesickness to function as a protective boundary that could have defined and ensured the promise of greatness of a New World. What comes across most powerfully in this poem is the coalition of forces both human and natural conspiring to prevent newness. <br /> <br />By late 1952 when this poem first appeared in his annual Christmas card and he inscribed this copy Robert Frost 1874-1963 was entering the final decade of his life as the most highly esteemed American poet of the twentieth century with an accumulating hoard of academic and civic honors. Nearly a decade had passed since he had won his still-to-this-day-unrivalled fourth Pulitzer Prize for Poetry. This is all the more remarkable given that he did not publish his first volume of poetry until he was nearly 40 years old. He would continue writing publishing and barding around his term until his end. Two years before his death he became the first poet to read in the program of a U.S. Presidential inauguration Kennedy January 1961. <br /> <br />References: Crane B24; Tuten and Zubizarreta; ANB <br/><br/> Printed at The Spiral Press paperback
192038647München Munich: Georg Müller Verlag 1920. A gorgeous edition of Ovid's Art of Love and Remedy of Love in German translation illustrated with TEN ORIGINAL FULL-PAGE HORS-TEXTE LITHOGRAPHS and five vignettes BY HANS GÖTT. 2300 copies were printed: 2000 copies for the trade edition and 300 numbered copies printed by hand for the deluxe edition. Of those 300 copies only 30 were signed by Gött in the colophon. THIS IS AN EXTRAORDINARY COPY SIGNED BY GÖTT IN THE COLOPHON AND WITH EACH OF THE TEN LITHOGRAPHS INDIVIDUALLY SIGNED BY GÖTT. Printed on fine laid paper with the lithographs on fine wove paper. 4to. Bound in publisher's vellum and boards used only for the deluxe edition. Top edge gilt other edges uncut. A bit of wear to extremities of binding internally FINE AND BRIGHT. Extremely rare if not unique in this state. <br/><br/> Georg Müller Verlag hardcover
196343686Monte Carlo: Andre Sauret 1963. Limited first edition. Softcover. vg- to near fine. 1/4125. Small folio. 12.5x9.5". 183pp. 5. Tan paper-covered slipcase housing a softcover binding with a lithographically illustrated dust jacket over stiff white cardstock wrappers. Dj protected by mylar. This is #3838 from a total limited edition of 4125 copies. The publication is a complete catalogue raisonné of George Braque's lithographs containing 3 original lithographs covers frontispiece and title page and 146 lithographic reproductions in color and b/w. The lithograph's are arranged chronologically and date from 1921-1962. Each of the reproductions is protected by a coated waxpaper guard and contains physical and historical information about the work on the opposite page. Detailed list of works at the back of the book. Text in French. Slipcase with with some light rubbing to extremities and some light stains scratches and smudges. Dj with very minor foxing. Mylar with some small chips at corners. Interior with minor sporadic foxing to a few pages with images almost entirely unaffected clean and bright. Slipcase in very good- covers and interior in overall very good to near fine. Andre Sauret unknown
