75 résultats
193568043E-170: Equinox Cooperative Press. Very Good in Good dust jacket. 1935. First Edition; First Printing. Hardcover. Hardcover. 8vo. Published by Equinox Cooperative Press New York 1935. 33 leaves. Illustrated with 30 full page lithographs by Lynd Ward. First Edition/First Printing. DJ has shelf-wear present to the DJ extremities DJ is chipped and worn to the top edge of the front and rear panel of the DJ; DJ Is faded and browned. Bound in cloth boards with titles present to the spine. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. Notable short biographical study of the American progressive and avant-garde poet/statesman 1887-1920 with characteristic Ward lithographic illustrations. John Reed 1887-1920 was an American journalist poet and Communist activist. He gained prominence as a war correspondent during World War 1 and is best known for his coverage of the October Revolution in Russia about which his book "Ten Days That Shook The World" was written. He became a hero of the generation of radical intellectuals. He died at age 33 in Moscow of spotted typhus. EB; 8vo 8" - 9" tall; 33 pages . Equinox Cooperative Press hardcover
1961314203PARIS: IMPRIMERIE NATIONALE. 1961. First Edition. Publisher's prospectus for the six volumes in-quarto 21 X 27 Showcases 6 original color lithographs by Francesco Bores Jules Cavailles Alexandre Garbell Paul Guiramand Orlando Pelayo & Andre Masson. Selections accompanying the original artwork are sample excerpts from Camus' writings which include "La Peste" "Les Mythe De Sisyphe" "L'Homme Revolte" "Actuelles II". Text in French. Fine in oversize printed wrappers protected by plain tissue overlay. Chip at base of front cover in unprinted tissue with tears to tissue on inside flap. Handsomely produced prospectus. Not the complete six-volume production. B . IMPRIMERIE NATIONALE. unknown
1960173978Cambridge MA: Dept. of Printing and Graphic Arts Harvard College Library 1960. Limited to 600 copies in three formats this being No. 75 of copies 51 to 150 that contain an extra set of lithographs. Hardcover. VG/VG case showing very mninor wear to the leather at the base of the spine. pale bluish green printed paper-covered boards with black leather spine with gilt title. 61 pp. 13 mounted lithographs along with a complete extra set of the original lithographs contained in the book separately cased and enclosed with the book in a box case. all contained in a linen covered clamshell case with matching black leather spine with gilt title. Numbered 75 on the limitation page and also signed by the artist and the translator. From a total edition of 600 this is number 56 of 100 copies 51-150 signed by both artist and translator printed on hand-made paper and containing an extra suite of 13 loose lithographs each signed or initialed by Stein in pencil. Dept. of Printing and Graphic Arts, Harvard College Library hardcover
1991TN231459Folio Press London 1991. 1st Edition Thus. HARDCOVER. 8vo in blue cloth paper covered boards to a design by Beck 63pp on Magnani mould-made paper top edge gilt line illustrations in text plus 6 full page and 1 double-page duotone lithographs by Beck __CONDITION : An extremely well preserved AS NEW unread and unmarked copy in the original clear plastic jacket. . __We always ship in PROTECTIVE CARD PARCELS Folio Press, London hardcover
19911400680London: The Folio Press 1991. Hardcover. Octavo 63 pages. In Very Good condition. Bound in publisher's quarter blue cloth and light blue and white paper boards. Mild general shelf wear. Top edge of textblock gilt. Fore edge of textblock deckled. Interior pages clean. Shelved Folio Society. Folio Society. 1400680. Shelved Dupont Bookstore. The Folio Press hardcover
194339461Saigon Vietnam now Ho Chi Minh City: SILI Société des Imprimeries et Librairies Indochinoises 1943. Saint-Maur. ONE OF ONLY 70 COPIES PRINTED ON VIETNAMESE PAPER OF THIS EXTREMELY RARE LIVRE D'ARTISTE PRINTED IN VIETNAM DURING THE SECOND WORLD WAR. X 11-78 pp. FOUR FULL-PAGE HORS-TEXTE ORIGINAL LITHOGRAPHS BY SAINT-MAUR. From a total edition of 570 numbered copies this is ONE OF ONLY 70 COPIES PRINTED ON EXTREMELY FINE HANDMADE VIETNAMESE PAPER. Each leaf is printed on one side only tipped onto thick rustic handmade paper. Folio. FINE AND BRIGHT in the original cloth chemise and paper-covered board slipcase. A MOST UNUSUAL SURVIVAL: OF THE GREATEST RARITY. <br/><br/> SILI (Société des Imprimeries et Librairies Indochinoises) hardcover
1946D1373New York: The Viking Press 1946. First Edition. Hardcover. Near Fine/Very Good. Gannett Ruth. Red cloth over boards illustration on upper board orange lettering on spine orange topstain bright illustrated endpapers; illustrated dust jacket; pp. 123. First edition. Dust jacket fully intact and not price-clipped0 is slightly spine faded and with light wear but still a very nice copy of this winner of the Newbery Medal. <br/><br/> The Viking Press hardcover
194630106HBDJ 1946 ON TITLE & Copyright PAGE First Edition. 1st printing STATED 1ST PUBLISHED BY VIKING PRESS SEPT. 1946 BK IS NF-/ DJ GOOD AS-IS DJ HAS WEAR SCUFF ON DJ SPINE RUB EXTREMITIES TINY TEARS CHIPS BACK OF DJ ILLUSTRATION MISS HICKORY & 2 LARGE BLACK BIRDS AT THEIR NEST BEIGE & RED FLORAL Hard Cover color Pictorial cloth Binding COVER GOLD JOHN NEWBERRY ROUND STICKER FRONT OF DJ. 123 PGS STATED 1ST PUBLISHED BY VIKING PRESS SEPT. 1946 1947 NEWBERY MEDAL When great Granny Brown packed Up & Moved 2 the Women's City Club in boston Miss Hickory was faced with the Problem of Spending a Severe New Hampshire Winter Alone. This MITE NOT HAVE BEEN SO BAD IF SHE HAD NOT BEEN A COUNTRY WOMAN WHOSE BODY WAS APPLE-WOOD TWIG & whose Head was Hickory NUT ALSO IF HER HOUSE HAD BEEN BUILT OF STRONGER MATERIALS THAN CORNCOBS VIKING PRESS NEW YORK hardcover
1975321681975. Paris / BiÂvres Pierre de Tartas 1975. Un vol. au format in-folio 372 x 281 mm de 92 pp. en feuille sous couverture lithographiÂŽe ˆ rabats rempliÂŽs et coffret de pleine percaline satinÂŽe marine dos lisse titre dorÂŽ. Un des 12 exemplaires du tirage numÂŽrotÂŽ sur Japon nacrÂŽ. L'ouvrage est occupÂŽ en couverture par une lithographie originale en couleurs de Jean-Baptiste ValadiÂŽ et est revÂtu des signatures autographes de l'artiste ainsi que de l'ÂŽditeur. L'exemplaire comporte par ailleurs 23 lithographies originales : dont deux signÂŽes par l'artiste ˆ la mine de plomb. Outre les lithographies en couleurs qu'il se doit de contenir il recÂle sous chemise sÂŽparÂŽe une dÂŽcomposition de deux planches alors qu'il ne devrait en figurer qu'une. Mais dÂŽpourvu de la ''composition originale d'un dÂŽpart ou d'un in-texte planche double signÂŽe'' annoncÂŽe au colophon ainsi que de la ''suite de toutes les planches doubles en couleurs sur grand vÂŽlin d'Arches''. ÇJe vous conterai l'histoire du Cygne et de la petite nymphe qui vivait sur les bords du fleuve Eurotas. C'est ˆ la louange des bienheureuses tÂŽnÂbres.È Monod II Manuel de l'amateur de livres illustrÂŽs modernes 7418. TrÂs belle condition. b42961 unknown
1954227421954. Paris Editions Pierre de Tartas 1954. Un fort vol. au format in-4 318 x 257 mm de 117 pp. en feuilles sous couverture lithographiÂŽe ˆ rabats rempliÂŽs et ÂŽtui-chemise de plein cartonnage dos lisse titre frappÂŽ ˆ l'oser noir. Edition originale. Tirage unique ˆ 160 exemplaires seulement ; tous sur vÂŽlin de Rives. Celui-ci comptant parmi les 15 numÂŽrotÂŽs du tirage sur vÂŽlin de Rives. Outre l'ensemble des illustrations qu'il se doit de contenir le prÂŽsent exemplaire renferme une suite des planches en noir ainsi qu'une suite sur vÂŽlin de Rives ainsi qu'une aquarelle originale ayant servi ˆ l'illustration signÂŽ de RenÂŽ Aubert. L'ouvrage s'agrÂŽmente par ailleurs d'un envoi autographe signÂŽ de l'auteur ainsi que de l'illustrateur identitÂŽ du dÂŽdicataire effacÂŽ. ''RenÂŽ Aubert fut l'ÂŽlÂve de Lucien Simon ˆ l'Ecole des Beaux-Arts et exposa aux artistes franÂais de 1926 ˆ 1942''. in BÂŽnÂŽzit. BÂŽnÂŽzit I Dictionnaire des peintres p. 310. Dos de la chemise et marges de l'ÂŽtui lÂŽgÂrement passÂŽ. Du reste trÂs belle condition. b42961 unknown
1975N5002Bantam Press: Poligrafa 1975. Orig.cloth with Dust-Jacket. Near Fine/Near Fine. Folio. Miro. 253pp Complete with all 11 lithographs. A VERY GOOD CLEAN AND FRESH COPY WITH THE ORIGINAL DUST JACKET. Spanish edition <br/> <br/> Poligrafa hardcover
192059016Philadelphia New York & Minneapolis: Kayser & Allman 1522 Chestnut St. 1920. Oblong folio. 13.5 x 10.25 in. 19 leaves unnumbered. colour lithograph illustrations throughout primarily on glossy clay-sized paper stock. Textured & embossed oatmeal coloured wallpapers yapp fore-edges black printing & decorative border on front cover stapled at gutter margin wear chipping & minor tears to the wallpaper covers occasional light toning & soiling to interior leaves still VG- copy. First edition thus of this very uncommon wallpaper sample catalogue presenting the lithographic friezes drawn from eminent artists works for illustrating the interiors of post-World War I era homes. These pictorial friezes include “The River Rhine†which could cover up to 35 feet without repeating or those such as “Child World†of children playing ‘The Monks†available with extension or “The Bermudian†a tropical forest scene repeating every 10 feet. Along with forests and mountain scenes the catalogue also includes hand-painted decorative scenes in 29 in. wide sections including “Jerusalem†“Views of Japan†“Views of China†and “The Orient.†Kayser & Allman was initially founded in 1871 by M.M. Kayser at Vine St. in Philadelphia and by 1888 the firm had become Kayser & Allman and after several moves resided at the 1522 Chestnut St. address by 1907. Worldcat locates 2 copies of this date & collation Henry Ford Cleveland Public. Kayser & Allman, 1522 Chestnut St., unknown
1953182631953. Paris Scripta & Picta 1953. Un fort vol. au forma tin-folio 383 x 289 mm de xxx - 126 pp. en feuilles sous couverture titrÂŽe et ÂŽtui-chemise cartonnÂŽ dos lisse titre dorÂŽ en long. Edition originale. Tirage unique ˆ 269 exemplaires seulement. Celui-ci comptant parmi les 245 numÂŽrotÂŽs du tirage sur vÂŽlin d'Arches second papier aprÂs seulement les 24 de tÂte sur Japon nacrÂŽ. Il s'agrÂŽmente - ici en premier tirage - des superbes compositions originales en couleurs de Jacques Villon lithographiÂŽes sur les presses de Mourlot FrÂre. ''L'oeuvre gravÂŽe de Jacques Villon marque une date dans l'histoire de cette technique. L'importance accordÂŽe ˆ la lumiÂre le sens de la construction et de l'unitÂŽ de l'espace n'ont cessÂŽ de prÂŽoccuper l'artiste tout au long de sa carriÂre. in Bailly-Herzberg citant la prÂŽsente contribution de l'artiste. En 1913 Villon crÂŽe ses chefs dÕÃuvre cubistes sept grandes pointes sÂches o les formes se cassent en plans pyramidaux obscurcis. La mÂme annÂŽe il expose au cÂŽlÂbre Armory Show de New York qui contribue ˆ introduire l'art moderne aux ƒtats-Unis. Ses Ãuvres connaissent une grande popularitÂŽ et se vendent sans peine. Sa notoriÂŽtÂŽ grandit tellement que dÂs les annÂŽes 1930 il est mieux connu aux ƒtats-Unis quÕen Europe. La galerie Louis CarrÂŽ organise une exposition de son Ãuvre ˆ Paris en 1944 ˆ la suite de quoi il reÂoit des rÂŽcompenses dans un certain nombre dÕexpositions internationales. En 1950 il reÂoit le prix Carnegie et en 1954 il est nommÂŽ commandeur de la LÂŽgion d'honneur. L'annÂŽe suivante il reÂoit la commande des vitraux de la cathÂŽdrale ˆ Metz La France. En 1956 le grand prix de la Biennale de Venise lui est dÂŽcernÂŽ ˆ lÕexposition. Les plus grandes rÂŽalisations de Villon en gravure sont sa crÂŽation dÕune langue purement graphique pour le cubisme une rÂŽalisation dont aucun autre graveur y compris ses camarades cubistes Picasso ou Braque ne pourrait se vanter. Un caractÂre Didot a spÂŽcialement ÂŽtÂŽ fondu pour cette ÂŽdition par la Fonderie Peignot. ''Il m'a ÂŽtÂŽ demandÂŽ par un de mes amis au nom de quelques personnes qui veulent en faire un beau livre de traduire ˆ ma faÂon Les Bucoliques .''. BÂŽnÂŽzit X Dictionnaire des peintres p. 517 - Bailly-Herzberg Dictionnaire de l'estampe en France p. 335. Petite fente affectant une coupe du coffret. Dont les plats prÂŽsentent par ailleurs d'infimes frottements. Quelques serpentes effrangÂŽes. Nonobstant trÂs belle condition. b42961 unknown
1947160841947. S.l. Manuel Bruker 1947. Un vol. au format in-4 343 x 265 mm de 70 pp. en feuilles sous couverture agrÂŽmentÂŽe au premier plat d'une lithographie et ÂŽtui-chemise de plein cartonnage crÂme dos lisse titre frappÂŽ ˆ l'oser brun. Tirage unique ˆ 150 exemplaires numÂŽrotÂŽs seulement ; tous sur vÂŽlin blanc pur-fil du Marais. L'exemplaire - outre les compositions figurant dans l'ouvrage - recÂle une suite ˆ part desdites compositions sous chemise muette. Cette suite a ÂŽtÂŽ tirÂŽe sur vÂŽlin le colophon ne mentionnant que la rÂŽalisation de vingt suite sur Japon uniquement. Par ailleurs une de ces lithographies est numÂŽrotÂŽe et signÂŽe ˆ la mine de plomb par Paul Colin. ''Natif de LunÂŽville Paul Colin fut sociÂŽtaire de la SociÂŽtÂŽ nationale des Beaux-Arts et du Salon d'Automne il a illustrÂŽ de nombreuses oeuvres littÂŽraire''. in BÂŽnÂŽzit. ''En 1867 le jeune Verlaine sÕoctroie un dÂŽrivatif frivole : composer une plaquette Les Amies qui contient six sonnets consacrÂŽs aux amours saphiques et qui para”tra alors clandestinement.'' BÂŽnÂŽzit III Dictionnaire des peintres p. 107. Marques d'usage ÂŽparses affectant l'ÂŽtui-chemise. Exemplaire quant ˆ lui parfaitement prÂŽservÂŽ. b42961 unknown
19943115950New York: Limited EDITIONS CLUB. Fine with no dust jacket. 1994. First Edition; First Printing. Hardcover in Slipcase. Limited edition. Copy number 3 out of 300 SIGNED by Cartier-Bresson on colophon. Illustrated with 7 original Lithographs and a Photogravure by Henri Cartier-Bresson. The Lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock. Folio 12 x 16 inches. Laid-into grey-green silk slip case with interior felt linin. Book and slipcase are fine. The Photogravure frontispiece by Henri Cartier-Bresson is a portrait of writer Louis Aragon. A lovely production. ; 12" x 16" . Limited EDITIONS CLUB hardcover
1924298781924. S.l. aux dÂŽpens de la SociÂŽtÂŽ Hippocrate et ses amis 1930. Un fort vol. au format pt in-folio 336 x 254 mm de 250 pp. brochÂŽ sous couverture titrÂŽe ˆ rabats rempliÂŽs et ÂŽtui-chemise cartonnÂŽ gardes de pleine suÂŽdine vert-bronze dos lisse piÂce de titre contrecollÂŽe. Tirage unique ˆ 120 exemplaires dont 20 hors-commerce ; tous sur Arches. ''Edition estimÂŽe''. in Carteret. L'ouvrage s'agrÂŽmente - en premier tirage - de 37 lithographies originales par AndrÂŽ Mare. Exemplaire ici truffÂŽ de 20 dessins originaux de l'artiste prÂŽparatoires ˆ l'illustration d'une suite en feuilles sur Japon de l'ensemble des compositions figurant dans l'ouvrage d'une correspondance entre l'ÂŽditeur et l'artiste comportant 4 lettres manuscrites signÂŽes de ce dernier enfin d'un menu - agrÂŽmentÂŽ d'une grande lithographie d'AndrÂŽ Mare signÂŽe ˆ la mine de plomb figurant un portrait en pied de Barbey - de la sociÂŽtÂŽ ÂŽditrice pour cÂŽlÂŽbrer la publication du prÂŽsent ouvrage. Lequel est en outre ici bien complet d'un fac-similÂŽ d'une lettre de Barbey ; ici reproduite en lithographie. ''Il existe 20 suites de lithographies sur Japon''. in Carteret. ''Natif d'Argentan en 1885 AndrÂŽ Mare exposa aux Salons des IndÂŽpendants et d'Automne o il exposa avec le groupe cubiste en 1912 et 1913 et prÂŽsenta avec Duchamp-Villon la Maison cubiste. A partir de 1920 il appliqua certains principes stylistiques du cubisme aux arts appliquÂŽ le style Arts dÂŽcoratifs 1925 ; en rÂŽfÂŽrence ˆ la trÂs importante exposition internationale.'' in BÂŽnÂŽzit. Un jour de dÂŽcembre quelques annÂŽes avant la rÂŽvolution de 1830 dans une petite ville du Cotentin plusieurs amis se rÂŽunissent pour leur causerie du soir et trÂs vite l'un d'entre eux ÂŽvoque la rencontre qu'il vient de faire : celle du chevalier Des Touches ci-devant hÂŽros de la chouannerie. Mais le chevalier n'est-il pas mort Ce soir-lˆ on remonte le passÂŽ et devant ses amis mademoiselle de Percy qui y participait raconte l'expÂŽdition des Douze : l'enlÂvement de Des Touches prisonnier ˆ Coutances par ses compagnons d'armes. De cette soirÂŽe de dÂŽcembre un enfant silencieux avait ÂŽtÂŽ tÂŽmoin et c'est l'auteur lui-mÂme qui en fait la matiÂre de ce roman. Peu importe que Des Touches y devienne un hÂŽros plus glorieux qu'il ne le fut en rÂŽalitÂŽ. L'essentiel est ailleurs : c'est que si les chouans vers 1799 au moment de ce rÂŽcit mÂnent encore la guerre ils l'ont dÂŽjˆ perdue. Un royalisme dÂŽsenchantÂŽ teinte ainsi tout le roman sans en attÂŽnuer la vigueur et bien plus tard Anatole France ÂŽvoquera l'"impression trÂs forte" que lui auront laissÂŽe ces "figures ˆ la fois hÂŽro•ques et brutales" : "Ce livre dira-t-il me donna le frisson." Monod I Dictionnaire des illustrateurs 943 - BÂŽnÂŽzit VII Dictionnaire des peintres p. 7 - Carteret IV Le TrÂŽsor du bibliophile / IllustrÂŽs modernes p. 57. Quelques altÂŽrations superficielles ÂŽparses affectant l'ÂŽtui-chemise. Exemplaire quant ˆ lui parfaitement conservÂŽ ; sinon que le feuillet de Table prÂŽsente de discrÂtes rousseurs. b42961 unknown
1965002863Paris: Aux depens d'un amateur 1965. Book. Fine. Soft cover. Signed by Illustrators. Loose sheets in lithographed wrappers. In grey cloth clamshell box with white lettering. Illustrated with 22 original lithographs in color including wrappers by Leonor Fini. Text in French translated by Andre du Bouchet. Printed on Grand Velin de Rives with BFK watermark. One of 50 copies with an extra suite of the lithographs on Grand Velin de Rives. This is number 83 of a limited edition of 200 copies hand signed by Leonor Fini and Andre du Bouchet on the limitation page. All lithographs protected by tissue guards. The clamshell box is in very good condition with a few vague stains The contents are in mint condition. Sheets measure 40 x 30 cm. . Aux depens d'un amateur paperback
1965002853Paris: Aux depens d'un amateur 1965. Book. Fine. Soft cover. Signed by Illustrators. Loose sheets in lithographed wrappers. In grey cloth clamshell box with white lettering. Illustrated with 22 original lithographs in color including wrappers by Leonor Fini. Text in French translated by Andre du Bouchet. Printed on Grand Velin de Rives with BFK watermark. One of 50 copies with an extra suite of the lithographs on Grand Velin de Rives. This is number 83 of a limited edition of 200 copies hand signed by Leonor Fini and Andre du Bouchet on the limitation page. All lithographs protected by tissue guards. The clamshell box is in very good condition with a few vague stains The contents are in mint condition. Sheets measure 40 x 30 cm. . Aux depens d'un amateur Paperback
1932LD5773Les Bibliophiles Comtois 1932. Limited Edition. Hardcover. Near Fine. Loose gatherings in printed folder with glassine dust jacket; in chemise and slipcase; 4to; illustrated throughout. Number 7 from a limited edition of 105 copies distributed for members of the society this one for M. Julien Rozendaal. Total limitation of 140 copies. Chemise lightly rubbed along the edges; slipcase quite worn along the edges. But the book is very near fine with just some very light rubbing at spine tips and corners. <br/><br/> Les Bibliophiles Comtois hardcover
1938LD5809Paris: Editions Lidis 1938-1949. Limited Edition. Paperback. Very Good. Printed wraps; 4to; with full-color original lithographs by Walter Spitzer. From a limited edition of 4000 copies "sur velin vercors" with the watermarked signature of Jean-Paul Sartre. Only the first volume is numbered 4887. Complete limitation with variations is 5012 copies. Covers faintly rubbed; spine tips and corners gently bumped; VG presents nicely in clear acetate dust jackets. Internally bright and clean. <br/><br/> Editions Lidis paperback
1974321021974. Paris / BiÂvres Pierre de Tartas 1974. Un vol. au format in-folio 378 x 278 mm non paginÂŽ en feuilles sous couverture lithographiÂŽe ˆ rabats rempliÂŽs et coffret en plexiglass titrÂŽe or sur une des tranches. Tirage unique ˆ 250 exemplaires seulement. Celui-ci un des 150 exemplaires du tirage numÂŽrotÂŽ sur grand vÂŽlin d'Arches comportant ˆ ce titre ''l'ÂŽtat dÂŽfinitif des illustrations ; dont quatre planches doubles en couleurs signÂŽes par l'artiste''. Exemplaire agrÂŽmentÂŽ au colophon des signatures autographes de l'ÂŽditeur ainsi que de l'artiste.Superbe rÂŽalisation elle comporte 28 lithographies en couleurs d'Alain Bonnefoit ; dont 4 sur double-page revÂtues de la signature autographe d'Alain Bonnefoit ˆ la mine de plomb. "Peintre des VÂŽnus" selon HervÂŽ Bazin Alain Bonnefoit est aujourd'hui avec plus de 200 expositions personnelles ˆ travers le monde un des plus illustres reprÂŽsentants de lՃcole de Paris un artiste aux talents multiplesÊdessinateur peintre graveur lithographe sculpteur et de renommÂŽe mondiale pour la qualitÂŽ et le raffinement de ses Ãuvres sur son thÂme favoriÊ: le nu fÂŽminin. Il ne se lasse effet pas des courbes pleines et dÂŽliÂŽes que lui offre le corps fÂŽmininÊsans jamais dÂŽvoiler ses secrets et cÂŽlÂbre ainsi la Femme le Nu la BeautÂŽ et la VoluptÂŽ avec un tel talent qu'il en est devenu la rÂŽfÂŽrence depuis quarante ans.Ê ''Ces vers me font l'effet d'avoir ÂŽtÂŽ ÂŽcrits par un autre moi-mÂme que je rencontre encore de temps en temps dans certains quartiers de Paris o il m'arrive d'errer en quÂte de ma jeunesse perdue''. TrÂs belle condition. b42961 unknown
199038913Firenze Florence: The Artist 1990. A portfolio of 34 PENCIL-SIGNED HAND-COLORED LITHOGRAPHS BY GIANFRANCO RONTANI PRINTED ON FINE THICK WOVE PAPER. Edition limited to 50 copies. Large 4to. Loose as issued. Housed in original cloth folding case. FINE AND BRIGHT WITH NO DEFECTS. Complete sets are of the greatest rarity. Not in WorldCat. <br/><br/> The Artist hardcover
1951295971951. S.l. Les Cent Bibliophiles 1951 1952 au colophon. Un vol. au format in-4 338 x 258 mm de vi - 188 pp. en feuilles sous chemise titrÂŽe ˆ rabats rempliÂŽs et ÂŽtui-chemise de plein cartonnage dos lisse titre imprimÂŽ en noir. Tirage unique ˆ 130 exemplaires numÂŽrotÂŽs seulement ; sur Arches. Exemplaire imprimÂŽ nominativement pour EugÂne CarrÂŽ. Il s'agrÂŽmente - ici en premier tirage - de nombreuses lithographies originales in et hors-texte par Jacques Camus. ''Jacques Camus s'efforce ici de recomposer un Cotentin traditionnel o abondent coiffes normandes et paysans en blouse sur fond de paysages ÂŽvanescents''. in Centorame. ''Dans une atmosphÂre de campagne barbare o interviennent des p‰tres jeteurs de sorts et des vieilles femmes hantÂŽes par le souvenir de leurs dÂŽbauches Jeanne Le Hardouey une aristocrate claudÂŽlienne mÂŽsalliÂŽe d'‰me et de corps ˆ un acquÂŽreur de biens nationaux est ÇensorcelÂŽeÈ par un prÂtre l'abbÂŽ de La Croix-Jugan qui a tentÂŽ de se suicider par dÂŽsespoir de la cause perdue et dont le visage monstrueux porte la trace des tortures que lui ont fait subir les Bleus. ÇJ'ai t‰chÂŽ disait Barbey de faire du Shakespeare dans un fossÂŽ du Contentin.È Centorame Les Illustrateurs de l'oeuvre de Barbey p. 54 - BÂŽnÂŽzit II Dictionnaire des peintres p. 490 - Monod I Manuel de l'amateur de livres illustrÂŽs modernes 961. Etui-chemise prÂŽsentant un ÂŽclat lÂŽgÂrement altÂŽrÂŽ. Plats de la couverture papier lÂŽgÂrement brunis. Du reste trÂs belle condition. b42961 unknown
1927005871Praze Prague: V. Neubert 1927. First Edition . Illustrated Wrappers. Very Good. 11 7/8" Tall. First Edition. 32 Pp Of Stunning Full-Color Lithographs Including Covers Endpapers Title Page Etc. Every Side Of Covers And Every Side Of Every Page Is So Illustrated. Apparently The Translator's Copy For The 1929 New York Edition In English As Translations For Each Page Are Laid In Loosely. A Bright Clean Copy. Three Small Chips Along Bottom Of Front Cover Spine Partially Split And All Pages And Cover Have A 3/4" Closed Tear Along The Bottom Edge. <br/> <br/> V. Neubert unknown
191643931Berlin: Dietrich Reimer Ernst Vohsen 1916. Limited First edition. Hardcover. g- to vg. 1/50. Folio 19 1/2 x 13 1/2". 6 28pp Booklet 100 loose leaves Plates as issued. Original full vellum portfolio with lettering and publisher's logo in gilt to front cover. Booklet's front cover gold-lettered numbered and hand-signed by the artist Hermann Struck. The plates are housed in their stiff paper chemise as issued with printed title to front cover.<br /> <br /> In this spectacular monograph artist Hermann Struck who was serving in the Imperial German army as a translator liaison officer and military artist sketched the faces of one hundred prisoners of war in the German camps. <br /> <br /> Among the French British Belgian and Russian inmates were also included soldiers from the British Empire mostly from India as well as the French Empire Algeria Tunisia Morocco and Senegal.<br /> <br /> The prisoners' age range from 12 Anton Matyszewski a volunteer from Lomza Russian Poland to 56 Mohammed ben Ahmed Spahi from Djelfa French Algeria. <br /> <br /> It is interesting to note that the Jewish prisoners were identified first by their religion then by the place they came from exemple: Chacus Krasikow Jew from Lubin Russian Poland; Isaak Chotoran Jew from Kiev Ukraine; Bomblatt David Polish Jew from Warsaw etc. Bomblatt David is sketched twice: After Struck drew his face he added a second sketch depicting the prisoner reading the Talmud. <br /> <br /> Each plate is handsigned in pencil by the artist.<br /> <br /> The booklet contains a foreword and an essay on ethnology in the World War by Prof. Dr. Felix von Luschan 1854-1924 an Austrian doctor anthropologist explorer archaeologist and ethnographer who joined the German Society for Racial Hygiene in 1908. The society was an eugenic organization whose goal was "for society to return to a healthy and blooming strong and beautiful life." As Alfred Ploetz its founder put it the Nordic race was supposed to regain its "purity" through selective reproduction and sterilization. The society ceased to exist after WWI.<br /> <br /> One of 50 numbered copies of which this is No. 30.<br /> <br /> Some foxing to portfolio with strings missing. Minor age-toning and foxing to wrappers of booklet. 5" closed tear at lower front joint of chemise. Only plates 4 and 5 are foxed along edges not affecting illustrations. Text in German Gothic script Booklet captions of plates in German. Portfolio in overall fair to good booklet in very good chemise in fair to good- plates in very good condition. Hermann Struck 1876-1944 was a German Jewish artist known for his etchings. A fervent Zionist and Jewish activist Struck visited the Land of Israel in 1903 displayed his art at the Fifth Zionist Congress and was a founder of the Mizrachi Religious Zionist movement. At the same time he was a German patriot and volunteered for military service in World War I serving as a translator liaison officer and military artist. Hermann Struck was awarded the Iron Cross 1st Class and promoted to an officer for bravery in 1917 he became the referent for Jewish affairs at the German Eastern Front High Command. Struck immigrated to Palestine in 1922 taught at Bezalel Academy and helped establish the Tel Aviv Museum of Art. He visited Berlin every summer until the Nazis rose to power.<br /> <br /> From the beginning of the war the German authorities found themselves confronted with an unexpected influx of prisoners. In September 1914 125050 French soldiers and 94000 Russian ones were held captive. Before 1915 conditions of detention in Germany were very harsh and marked by temporary lodging and the absence of infrastructure. The prisoners slept in hangars or tents where they dug holes to keep warm. The humid forts requisitioned to serve as places of detention led to numerous cases of pulmonary illness. The German authorities also commandeered schools barns and various other types of shelters. Camps were established in the countryside as well as near the towns which had consequences when epidemics of cholera or typhus threatened to spread to the civilian population. Not all the camps were situated on German territory; a certain number were built in occupied territories notably in northern and eastern France. They began to be developed starting in 1915 when the number of prisoners being held captive in Germany reached 652000. According to official directives each prisoner had to have use of 26.9 square foot 2.5 m². The camps mixed a large number of nationalities sharing the same quarters: French Russian British American Canadian Belgian Italian Romanian Serbian Montenegrin Portuguese and Japanese prisoners were found there as well as Greeks and Brazilians. Equally soldiers of various social origins rubbed elbows: workers peasants bureaucrats and intellectuals were among those held. The number of prisoners rose very quickly. From February to August 1915 it went from 652000 to 1045232. In August 1916 it reached 1625000 jumping to 2415000 by October 1918. For more information see: Uta Hinz's "Gefangen im Großen Krieg: Kriegsgefangenschaft in Deutschland 1914-1921" in German. Essen Klartext Verlag 2006. Dietrich Reimer (Ernst Vohsen) hardcover