109 résultats
1895WRCAM54582New Jersey; n.p.: Underwood & Underwood; n.p. 1895. Two stereoviews on card each 3 1/2 x 7 inches. Minor edge wear. Very good. A pair of stereoviews featuring African- American subjects. The first was published by Underwood & Underwood in New Jersey and features several men women and children picking cotton in Georgia. The caption reads "Cotton is King - Plantation Scene Georgia" and is copyrighted 1895. The second image is a color-printed stereoview showing seven African-American men posing with sugar cane. This image is captioned "Native Cane Grinders in Sunny Florida." It is no. 299 of a series though the maker is not identified. A nice pair of stereo cards featuring African-American laborers in the American South. Underwood & Underwood; [n.p.] unknown books
1900D11287Brooklyn c. 1900. Hardcover. Near Fine. Contemporary bright green morocco gilt-stamped lettering and ornament in spine compartments 5 raised bands; 2 volumes 12mo 128 x 183 mm; volume 1 contains 15 portraits of a husband and wife and their baby volume 2 contains 8 portraits of a mustachioed man in a 3-piece suit. No duplicates. Poses differ as do the tightness of the portrait from headshot to full-body. Tissue-guarded silver prints 97 x 139 mm mounted to recto only of grey heavy cardstock leaves with studio's name stamped in the bottom margin. Some very light scuffing at spine tips and corners otherwise bindings are fine. Off-setting of photograph onto tissue-guards creating some wonderful ghosts. The family photographs are particularly sweet. <br/><br/> hardcover books
186927068Newport R.I.: J.A. Williams 1869. Titles of each view are handwritten on the back of each mount within the studio's imprint. J.A. Williams was extent as a photographer in Newport c. 1850s- 1880; the Getty site offers this dates for these two images. The views approx. 4" x 7" size. Some edge tips wear & soiling to mounts; in very good condition. Stereoview Photographs. Not Bound. Very Good. J.A. Williams paperback books
1860CAT0175American 1860. 3 ½ x 2 ¼ inches uncased. A striking image featured on p. 79 of David Deitcher's Dear Friends: Photographs of Men Together 1840-1918. Images of men together from the nineteenth century do not necessarily suggest a sexual relationship as Deitcher explains in his book but rather a show of intimacy within the very separated realms of the sexes. From the Jim Graham collection. unknown books
1900D11289Brooklyn c. 1900. Hardcover. Very Good. Contemporary green morocco gilt-stamped lettering and ornament in spine compartments 5 raised bands; 3 volumes 120 x 190 mm; containing a total of 37 silver prints 92 x 140 mm mounted to the recto only of grey heavy cardstock leaves with the name of the studio blindstamped in the lower right corner of the mount. Features one mustachioed gentleman "trying on" different postures identities and costumes in the studio including businessman's attire tuxedos ethnic costume sombrero! swimming costume behold the Speedo!. He flexes his biceps he smokes a cigar -- he WORKS IT for the camera. Spine somewhat sunned; some light scuffing along edges of boards. One leaf detached otherwise internally bright and clean. <br/><br/> hardcover books
186610471Ithaca NY: Spence Spencer 1866. 1st edition Johnson B2061; Sabin 89381. Terra-cotta cloth binding with gilt stamped spine lettering. VG lt soil & wear to cloth. 153 pp. Illustrated with woodcuts & 20 tipped-in contemporaneous photographs. 4 1/2" x 6 3/4" <br/><br/> Spence Spencer hardcover books
186129188Cape Town: Saul Solomon 1861. Quarto. xii 180 pp. plus photographically illustrated titlepage and sixteen mounted albumen photographs. Modern three-quarter calf and marbled boards spine gilt with leather label. Light scattered foxing occasional faint offsetting from images. Photographs generally clean. Very good.<br/> <br/>With some of the earliest photographic images from South Africa with a striking portrait of a Basuto Chief.<br/> <br/>An early photographically illustrated book and the first such book printed on the African continent. The volume was made to commemorate the visit of Alfred Duke of Saxe-Coburg and Gotha one of Queen Victoria's sons. The book was designed to showcase the colony which had hitherto been viewed in a less than positive light by the general British public. Prince Alfred was well-received by the colonists in South Africa and the volume contains many positive facts about the colony's usefulness to the British Empire. The book includes seventeen images by photographer Joseph Kirkman who was active in South Africa from 1859 to 1870. Some of the images in this volume are photographs of drawings or other artwork but others do capture live scenes along the Prince's route including a grand portrait of the African chief Moshesh and his advisors. The chief is pictured seated in the center of the image dressed in a top hat and suit holding a cane. The man seated next to him glowers at the camera and is draped in an animal pelt and holds a spear. Four men all in Western dress stand arrayed behind them. The images taken from life during the Prince's progress are as follows: Untitled image on the titlepage showing several men next to a rail car full of large rocks. In 1860 Kirkman and Frederick York were employed by the Government and the Harbour Board to photograph the tilting of the first truck of stone off the Breakwater by Prince Alfred. This is presumably an image from that scene. Graham's Town from the West The Reception of the Prince by a Burgher Escort near Queenstown The Prince's Interview with the Tambookies Moshesh and His Counsellors The Prince and His First Wildebeeste The Prince's Travelling Equipage A rare and interesting work and notable for being the first photographically illustrated book produced in Africa.<br/> <br/>Not in The Truthful Lens. Saul Solomon unknown books
1861WRCAM49581ACape Town: Saul Solomon 1861. xii180pp. plus photographically illustrated titlepage and sixteen mounted albumen photographs. Quarto. Original publisher's gilt cloth rebacked with most of original spine laid down. Corners lightly worn. Contemporary ownership inscription on front fly leaf. Light foxing and toning heavier in some places. Most images clean though one or two with some light foxing at the edges. Very good. An early photographically illustrated book and the first such book printed on the African continent. The volume was made to commemorate the visit of Alfred Duke of Saxe- Coburg and Gotha one of Queen Victoria's sons. The book was designed to showcase the colony which had hitherto been viewed in a less than positive light by the general British public. Prince Alfred was well- received by the colonists in South Africa and the volume contains many positive facts about the colony's usefulness to the British Empire. <br> <br> The book includes seventeen images by photographer Joseph Kirkman who was active in South Africa from 1859 to 1870. Some of the images in this volume are photographs of drawings or other artwork but others do capture live scenes along the Prince's route including a grand portrait of the African chief Moshesh and his advisors. The chief is pictured seated in the center of the image dressed in a top hat and suit holding a cane. The man seated next to him glowers at the camera and is draped in an animal pelt and holds a spear. Four men all in Western dress stand arrayed behind them. The images taken from life during the Prince's progress are as follows: <br> <br> 1 Untitled image on the titlepage showing several men next to a rail car full of large rocks. In 1860 Kirkman and Frederick York were employed by the government and the Harbour Board to photograph the tilting of the first truck of stone off the Breakwater by Prince Alfred. This is presumably an image from that scene. <br> <br> 2 "Graham's Town from the West" <br> <br> 3 "The Reception of the Prince by a Burgher Escort near Queenstown" <br> <br> 4 "The Prince's Interview with the Tambookies" <br> <br> 5 "Moshesh and His Counsellors" <br> <br> 6 "The Prince and His First Wildebeeste" <br> <br> 7 "The Prince's Travelling Equipage" <br> <br> Not in THE TRUTHFUL LENS. A rare and interesting work and notable for being the first photographically illustrated book produced in Africa. Saul Solomon hardcover books
1861WRCAM49581Cape Town: Saul Solomon 1861. xii180pp. plus photographically illustrated titlepage and sixteen mounted albumen photographs. Quarto. Modern three-quarter calf and marbled boards spine gilt leather label. Light scattered foxing occasional faint offsetting from images. Photographs generally clean. Very good. An early photographically illustrated book and the first such book printed on the African continent. The volume was produced to commemorate the visit of Alfred Duke of Saxe-Coburg and Gotha one of Queen Victoria's sons. It was designed to showcase the colony which had hitherto been viewed in a less than positive light by the general British public. Prince Alfred was well received by the colonists in South Africa and the volume contains many positive facts about the colony's usefulness to the British Empire. <br> <br> The book includes seventeen images by photographer Joseph Kirkman who was active in South Africa from 1859 to 1870. Some of the images in this volume are photographs of drawings or other artwork but others capture live scenes along the Prince's route including a grand portrait of African chief Moshesh and his advisors. The chief is pictured seated in the center dressed in a top hat and suit holding a cane. The man seated next to him glowers at the camera and is draped in an animal pelt and holds a spear. Four men all in Western dress stand arrayed behind them. The images taken from life during the Prince's progress are as follows: <br> <br> Untitled image on the titlepage showing several men next to a rail car full of large rocks. In 1860 Kirkman and Frederick York were employed by the government and the Harbour Board to photograph the tilting of the first truck of stone off the Breakwater by Prince Alfred. This is presumably an image from that scene. <br> <br> "Graham's Town from the West" <br> <br> "The Reception of the Prince by a Burgher Escort near Queenstown" <br> <br> "The Prince's Interview with the Tambookies" <br> <br> "Moshesh and His Counsellors" <br> <br> "The Prince and His First Wildebeeste" <br> <br> "The Prince's Travelling Equipage" <br> <br> Not in THE TRUTHFUL LENS. A rare and interesting work and notable for being the first photographically illustrated book produced in Africa. Saul Solomon hardcover books
190018328New York and London: Tennant & Ward and Dawbard & Ward 1900. First Edition. Hardcover. Very good. Bound volume of six complete issues with original wrappers and ads bound in. Photographically illustrated. Simple red buckram binding somewhat rubbed a few pages with penciled lines in the margine all else very good or better. Each issue covers a single topic. In this volume: Photographing Flowers and Trees; Street Photography; Intensification and Reduction; Bromide Printing and Enlarging; the Carbon Process; Chemical Notions for Photographers. Tennant & Ward and Dawbard & Ward hardcover books
186715802Philadelphia: Bennerman & Wilson 1867. Illustrated with 12 mounted photographs by various photographers Wm. Notman J.C. Browne N. Sarony Wenderoth Taylor & Brown F.S. Keeler J. Carbutt Wm. Bell J.H. Kent Lœscher & Petsch. 1 vols. 8vo. Contemporary half brown morocco worn endpapers stained text and plates generally very good signed Morris Moses at bottom of spine. Illustrated with 12 mounted photographs by various photographers Wm. Notman J.C. Browne N. Sarony Wenderoth Taylor & Brown F.S. Keeler J. Carbutt Wm. Bell J.H. Kent Lœscher & Petsch. 1 vols. 8vo. With 12 Mounted Photographs. Fourth year of this famous and outstanding early photographic journal.<br/><br/>In Part 48 December 1867 is A MOUNTED PHOTOGRAPH OF A LADY ICE-SKATING BY THE RENOWNED CANADIAN PHOTOGRAPHER WILLIAM NOTMAN OF MONTREAL <br/><br/>"Through the efforts of Wilson this journal achieved an outstanding place in the photographic literature of the times. For many years it was the foremost publication of its kind in this country . " - Taft Photography and the American Scene p. 205. Bennerman & Wilson unknown books
188036818New York: E. & H. T. Anthony & Co 1880. 1st US edition. Original publisher's mustard yellow cloth binding with black stamping. Modest shelfwear. PO address label to ffep. A Very Good copy. viii 9 - 108 42 pp. 40 pages of photography adverts at rear. Frontispiece. 4 inserted plates. The occasional cut. 8vo. 8-3/8" x 5-3/4" <br/><br/> E. & H. T. Anthony & Co hardcover books
189621706Chicago: Mrs. T.M. Starr 1896. Softcover. Very good. Fourth edition. 48 pp. 6.5 x 5 inches in original stapled wrappers. A very good copy with some chipping to the spine ownership signature on front cover. Title continues: Including Concise Instructions for Coloring with Transparent Oil Colors and for Enameling Over Colors Mounting on Glass Coloring Lantern Slides Fabric Painting etc. etc. Mrs. Starr the publisher was manager of the Acme Water Color Co. As promised the book offers tips on how to select and apply color to diffrerent parts of an image e.g. hair flesh backgrounds and to photographs of different types. Just one copy of any edition located in OCLC. Mrs. T.M. Starr unknown books
189813631Meadville PA: Keystone 1898. Identified on front as Number 9335 of this series; good strong image of the town from a height showing streets buildings etc; more information about Portland on back of card ".in the center of a region with unlimited agricultural resources and opportunities for commerce and manufacture.in proportion to population the wealthiest city in the United States. Pop. 58000"; some light wear to mount a little soil in image; very good condition. Very Good. Keystone unknown books
1860CAT0177American 1860. 2 ⅜ x 3 ⅜ inches uncased. An arresting and uncommon image of a girl bathing her dolls in a formal studio setting. Some discoloration at margins image area in excellent condition. unknown books
189022210Washington DC: Various ca. 1890s-1910s. Very good. Six late 19th- and early 20th-century mounted studio portraits. One portrait with handwritten name and date on reverse "EB Williams /1877; others undated. Four cards gilt-edged in very good condition with some foxing and moderate wear to edges and card backs. Corners of one card chipped; mounted photograph unaffected. Final card shows more signs of wear with some damage spots and chipping to cardstock back. Mounted photograph affected at outer edge only. Collection in very good condition overall. Individual portrait details follow: 1 4.25'' by 6.5'' approx. Standing man wearing several medals and a sword otherwise in civilian dress. Identified on reverse as "EB Williams / 1877." Taken at Johnson Bros. 2 4.25'' by 6.5'' approx. Seated woman in armchair holding a book. No studio name. Card heavily chipped along edges with some discolored spots and staining to back. 3 3'' by 4.25'' photograph mounted on 5'' by 7.5'' cardstock. Infant in elaborate gown seated on chair taken by the Spurlock Studio. Undated but no earlier than 1904 the year of the studio's founding. 4 Standing young woman in late 19th. century dress undated. Taken at the Rice Studio. One corner creased. Negative number written on back in pencil. 5 Standing young woman in late 19th or early 20th c. dress undated. Taken at J.D. Merritt. 6 Group of five men apparently related but not identified. Taken at Paul Tralles Studio. <br/><br/>Six cabinet cards of African-American subjects photographed at various Washington D.C. studios. Includes one card from the Scurlock studio undated but most likely from the early 1900s. Addison Scurlock arrived in D.C. from North Carolina in 1900 and opened his own business four years later after an apprenticeship with white photographer Moses P. Rice whose studio is also represented here. Scurlock specialized in portraiture and became the premier African American photographer to Washington's black middle-class in the early 20th century. Two other studios represented in the collection J.D. Merritt and Johnson Bros. both located on Pennsylvania Avenue's "photographer's row" where a number of white studio owners employed African-American photographers some of whom like Scurlock eventually established their own businesses "Picturing the Promise: The Scurlock Studio and Black Washington". An early portrait from an important African American photographer together with several other studio portraits from both the Washington African American and photographic communities. [Various] unknown books
18694152Paris France: Ledot Jeune Editeur 1869. CDV photograph of a painted image of the Rue de Rivoli; Ledot Jeune Editeur 168 Rue de Rivoli Paris Photographie Taupin 45 Rue du Port St. Ouen Paris Batignolles studio imprint on back of mount; not dated circa 1869. Approx. 2 ½" x 4" overall size. Light edge tips wear and darkening to card mount old mounting tape residue on back; in very good condition. Photography. Very Good. Ledot Jeune Editeur unknown books
1900309837V.p. in Europe chiefly Germany France Switzerland & Italy 1900. 92 vintage albumen and gelatin silver prints many hand-colored mounted to album leaves photos measure from approximately 6-1/2 x 4-3/4 inches to 10-1/2 x 8 inches. 4to. Full contemporary padded morocco with brass clasp a.e.g. Fine. 92 vintage albumen and gelatin silver prints many hand-colored mounted to album leaves photos measure from approximately 6-1/2 x 4-3/4 inches to 10-1/2 x 8 inches. 4to. Album of professional photographs of European travel destinations including the Midi Monte Carlo Stockholm Brussels London Capri Innsbruck Jena Paris Venice and St. Moritz. Many of the images are hand-colored; a few of the photographers are named including C. Hertel Sommer Naples and C. Naya Venice. The front cover title translates to "Memories of Travel unknown books
189046773Washington DC: Mathew Brady or an assistant 1890. For a similar photograph see plate 411 in Mathew Brady Historian with a Camera by James Horan NY 1955. "Copyright Secured" in image slightly faded in places but very good. <br/><br/> Mathew Brady or an assistant] unknown books
1898009914St Louis MO: Published By the Author 1898. First Edition. Hardcover. Very Good. 8vo publishers olive cloth blind double-ruled boards gilt titles front patterned endpapers 57pp 7pp ads. A combination instructional manual for other professional photographers plus trade catalog for this St. Louis commercial photographer. The book presents 38 examples in b&w available for purchase from Geurin's studio and in the back has 7 pages of advertsiemnst for products and services by others in the photography commercial trade. Fine all around. scarce OCLC identifies only 6 libraries with a copy. Published By the Author hardcover books
1840196571840. 1 vols. 1 3/4"x2" image in gold frame. 1 vols. 1 3/4"x2" image in gold frame. unknown books
189310736NY ALERTYPE 1893 1893. GILT STIFF RED WRAPPERS FIRST EDITION GOOD-VERY GOOD. F. Soft cover. NY, ALERTYPE, 1893 paperback books
1856309210London 1856. First edition. With Nine tippedin photographic illustrations by J. A. Spencer. vi 54 pp. designed by Wyatt and printed lithographically by Standige & Co is also of note. 4to. Original printed illustrative boards black modern cloth spine and new endpapers. Very Good. First edition. With Nine tippedin photographic illustrations by J. A. Spencer. vi 54 pp. designed by Wyatt and printed lithographically by Standige & Co is also of note. 4to. Early photographically illustrated book. The preface comments on how time-consuming the photographic process was. Yanul Photographically illustrated books before 1860 typescript p. 20;Gernsheim Incunabula 51; Bulletin N.Y.P.L. 20a 20b. Masterpieces of Victorian Photography Arts Council 1951 cat. no. 424 unknown books
187315780Stamford Conn: St. john's Church Press 1873. With two photographic frontispiece portraits of the author at age 43 and at age 86 both albumen prints. 1 vols. 12mo. Original green cloth front cover badly stained interior fine. With two photographic frontispiece portraits of the author at age 43 and at age 86 both albumen prints. 1 vols. 12mo. St. john's Church Press unknown books
1890536821890. Photograph 7 x 4 1/2 inches affixed to larger mount picturing in the foreground an obelisk on which are engraved the names of the victims a grove of trees to the rear. The monument actually memorialized those killed at the 19 May 1858 "Marais des Cygnes Massacre" the "last significant act of violence" in the "Bleeding Kansas" conflict; on that day a group of marauders from Missouri kidnapped 11 unarmed free-staters and killed five of them an act widely condemned in the national press and used by John G. Whittier as the subject of a poem. Mount browned and chipped image quite faded in the lower left corner small chip in the left edge. Still a good example. <br/><br/> unknown books