108 920 résultats
197154569Tokyo: Shueisha 集英社 1971. New edition. Hardcover. vg to near fine. Large oblong folio. 15x21". Unpaginated. All content housed inside the publisher's original cardboard shipping box with printed label pasted on the front. Binding protected in original a white cloth portfolio with red lettering on the front cover and lavishly decorated interior flaps. Black suede-covered boards with mutli-colored illustration mounted on the front cover. Decorative endpapers. Engraved stainless-steel plate showing Mishima's face mounted on black paper preceding the title page.<br /> <br /> The deluxe and lavishly printed new bilingual edition of the acclaimed and eroticly-charged work also know as "Killed by Roses" by Japanese photographer Eikoh Hosoe b.1933. It gained notoriety and elicited controversy when it was originally released in 1963 and won the Japan Photo Critics Association's writer award. The main photographic subject of the book the acclaimed and controversial writer Yukio Mishima 1925-1970 wrote the preface to the original edition and also writes the preface for this new edition both are included here. Mishima's acclaimed works include the famous and controversial novels "Confessions of a Mask" 1949 and "The Temple of the Golden Pavilion" 1956. Hosoe's striking high-contrast b/w photographs are all printed in high-quality photogravure retaining all the power and atmosphere of his original images. In comparison with the first version of the work this edition features the content having been noticeably re-edited with one image added a few others removed. The images have been thematically re-organized into five new chapters with the names "Sea & Eyes" "Eyes & Sins" "Sins & Dreams" "Dreams & Death" and "Death" respectively. Influential artist and graphic designer Tadanori Yokoo b. 1936 oversaw all of the design and layout aspects of the book and also created its additional illustrated elements most of which comprise the first chapter of this new edition.<br /> <br /> While Hosoe was still completing work to prepare this new edition of "Ordeal by Roses" the notorious "Mishima Incident" occurred November 25th 1970 which culminated in the ritual suicide of Yukio Mishima by seppuku. The incident shocked the nation and in its wake the photographer was quite unsure of how to proceed regarding the publication of the book. Not wanting to seem like an opportunist taking advantage of the controversy and the publicity surround Mishima's death he contemplated shelving the project but was later persuaded by Mishima's widow Yoko who said that her husband would have wanted it to be released. It was finally release only a few months later on January 30th 1971.<br /> <br /> Text in Japanese and English throughout.<br /> <br /> Portfolio with light foxing and sunning to the white cloth of the front cover very minor foxing and smudges to the flaps. Interior of portfolio with minor smudging to the cloth joints but the illustrations on the flaps are still clean. Suede binding clean. Minor foxing to the verso of the front endpaper. Interior with all pages and images clean and vibrant save for a few sporadic instances of the most minor stains or smudges on the blank versos a few pages. Portfolio in very good binding and interior in very good to near fine condition overall. Alternate title: 細江英公写真作å“. Shueisha (集英社) hardcover
50199Tokyo: Shueisha 集英社 1971. New edition. Hardcover. vg- to near fine. Large oblong folio. 15x21". Unpaginated. All content housed inside the publisher's original cardboard shipping box with printed label pasted on the front. Binding protected in original a white cloth portfolio with red lettering on the front cover and lavishly decorated interior flaps. Black suede-covered boards with mutli-colored illustration mounted on the front cover. Decorative endpapers. Engraved stainless-steel plate showing Mishima's face mounted on black paper preceding the title page.<br /> <br /> The deluxe and lavishly printed new bilingual edition of the acclaimed and eroticly-charged work also know as "Killed by Roses" by Japanese photographer Eikoh Hosoe b.1933. It gained notoriety and elicited controversy when it was originally released in 1963 and won the Japan Photo Critics Association's writer award. The main photographic subject of the book the acclaimed and controversial writer Yukio Mishima 1925-1970 wrote the preface to the original edition and also writes the preface for this new edition both are included here. Mishima's acclaimed works include the famous and controversial novels "Confessions of a Mask" 1949 and "The Temple of the Golden Pavilion" 1956. Hosoe's striking high-contrast b/w photographs are all printed in high-quality photogravure retaining all the power and atmosphere of his original images. In comparison with the first version of the work this edition features the content having been noticeably re-edited with one image added a few others removed. The images have been thematically re-organized into five new chapters with the names "Sea & Eyes" "Eyes & Sins" "Sins & Dreams" "Dreams & Death" and "Death" respectively. Influential artist and graphic designer Tadanori Yokoo b. 1936 oversaw all of the design and layout aspects of the book and also created its additional illustrated elements most of which comprise the first chapter of this new edition.<br /> <br /> While Hosoe was still completing work to prepare this new edition of "Ordeal by Roses" the notorious "Mishima Incident" occurred November 25th 1970 which culminated in the ritual suicide of Yukio Mishima by seppuku. The incident shocked the nation and in its wake the photographer was quite unsure of how to proceed regarding the publication of the book. Not wanting to seem like an opportunist taking advantage of the controversy and the publicity surround Mishima's death he contemplated shelving the project but was later persuaded by Mishima's widow Yoko who said that her husband would have wanted it to be released. It was finally release only a few months later on January 30th 1971.<br /> <br /> Text in Japanese and English throughout.<br /> <br /> Portfolio with foxing to the white cloth including the front cover and the interior but the illustrations on the flaps are still clean. Suede binding clean and protected in modern mylar. Light foxing to the edges of the book block. Interior with all pages and images clean and vibrant save for a few sporadic instances of the most minor stains or smudges on the blank versos a few pages. The verso of the final photographic plate and the page opposite have a bit more foxing. Portfolio in very good- binding and interior in very good to near fine condition overall. Alternate title: 細江英公写真作å“. Shueisha (集英社) hardcover
1930218616Japan. Circa1930. 79 black and white photographs 43pp 18.2 x 25.5cm bound in a black velvet covered photograph album with string ties bearing what is likely a class insignia. Three photographs are loosely inserted a few have been removed some photographs are attached using photo corners most laid down some browning fading or wear but generally the photographs are in good to very good condition. Some of the planes depicted are identifiable as early models of biplanes. A group photograph of military officers at Onohara Airstrip likely in Kyushu is dated July 1904. These biplanes were primarily operated by the Imperial Japanese Army. The album also includes two striking photographs of a plane flying over the crater of Mount Fuji as well as scenes of what appears to be the Yalu River Liaoyang and an industrial plant in Manchuria. <br> <br>Additionally there are images of a Ryan NYP-type plane with the identification number J-BACC. This particular aircraft was purchased by the Mainichi Newspaper Company in 1927 for promotional purposes inspired by Charles Lindbergh's historic transatlantic flight in the same type of plane. Also included is a photograph of a Dornier Do J Wal in Deutsche Luft Hansa livery. The final photograph features a diagram of a Zenith carburettor adding a technical dimension to this fascinating collection. <br> <br>This album not only captures the early days of aviation in Japan but also reflects the personal passion of its owner offering a unique glimpse into the intersection of personal history and technological progress during the early 20th century. . unknown
19886061988 - broché - Peking University Press - 1988 - In-12 (18 x 11 cm) broché, couverture à rabats - 241 pages - Illustrations et photographies en noir et blanc - Quelques cartes dépliantes - ISBN : 7-301-00453-2 - Traduction de Wang Mingzhu & Meg Gallagher - Textes en anglais et en chinois - ENGLISH: Peking University Press - 1988 - In-12 (18 × 11 cm) softcover with flaps - 241 pages - Black-and-white illustrations and photographs - Includes some fold-out maps - ISBN: 7-301-00453-2 - Translated by Wang Mingzhu & Meg Gallagher - Texts in English and Chinese - 中文:北京大学出版社 — 1988年 — 12开(18 × 11厘米)平装折口封面 — 241页 — 黑白插图及照片 — 附若干折叠地图 — ISBN 7-301-00453-2 — 译者:王明珠、Meg Gallagher — 中英文对照
20151001200432015 1 pages in4. 2015. Cartonné. 1 pages.
192153936Kyoto 京都: Kyoto City Hall 京都市役所 1921. First edition. Hardcover. vg- to vg. Oblong quarto. 30 loose plates. Housed in a yellow cloth portfolio with bone fasteners. White label with text in Japanese and English in black lettering pasted on the front cover. Silver-speckled interior flaps<br /> <br /> This extremely scarce undated Taisho-era photographic collection was created by the government of the City of Kyoto for promotional purposes and was never for sale. The portfolio is comprised of 30 loose plates of beautiful high quality b/w collotype images showing famous sites from around the Kyoto area each measuring 11x 14 1/4". Each image is protected by a tissue guard with printed bilingual text in Japanese and English including a title number and a short single-paragraph description. <br /> <br /> Places shown include the Imperial Palace 京都御所 Fushimi Inari-taisha ä¼è¦‹ç¨²è·å¤§ç¤¾ Sanjusangen-do 三åä¸‰é–“å ‚ Temple of thirty-three bays Toyokuni Shrine 豊国神社 Kiyomizu-dera 清水寺 Yasaka Shrine å…«å‚神社 Sanjo Ohashi bridge 三æ¡å¤§æ©‹ Cherry blossoms at Maruyama Park 円山公園 Ginkaku-ji 銀閣寺 "Temple of the Silver Pavilion" Kinkaku-ji 金閣寺'Temple of the Golden Pavilion' Shimogamo Shrine 下鴨神社 the Arashiyama district åµå±± the rapids on the The Hozu River ä¿æ´¥å· Hozugawa and many others. Also shown are gatherings for festivals such as the Aoi Matsuri è‘µç¥ Jidai Matsuri æ™‚ä»£ç¥ and the Gion Matsuri ç¥‡åœ’ç¥ as well as images showing the Miyako Odori 都をã©ã‚Š.<br /> <br /> The interior right flap contains a bilingual table of contents and the interior middle flap contains publication information in Japanese.<br /> <br /> Portfolio with light rubbing to extremities as well as some minor scratches smudges and/or stains. Interior clean. Minor age toning to the very edges of a few plates with images unaffected clean and vibrant throughout. The captioned tissue guard for the first plate is torn but still holding. The tissue guard for plate 26 is detached but present with text unaffected. Portfolio in very good- interior in very good condition overall. Photography here is credited to Hori Masumi. This means the images here were likely taken by an unnamed photographer or group of photographers from the studio of the deceased Meiji-era Kyoto photographer Hori Masumi 1826-1880. The name of Hori Masumi continued to be credited for photography into at least the first decades of the 20th century including much documentary photography work on behalf the city government of Kyoto.<br /> <br /> Although undated it was published sometime in the Taisho era 1912-1926. Kyoto City Hall (京都市役所) hardcover
1984117388Inconnu 1984 Livre en japonais. In-12 broché 17,5 cm sur 11. 253 pages. Photographies en noir et blanc et en couleurs. Jaquette en bon état. Bon état d’occasion.
Brossura illustrata e leggermente ingiallita dal tempo presentante lievi segni di usura da scaffale ai margini e da sfregamento ai piatti. Pagine fruibili anche se lievemente ingiallite dal tempo con illustrazioni in b/n. testo in tedesco. Numero pagine 111. USATO
In 16°, br. edit. ill., pp. 146,XLV,(1), con ricca parte iconografica b.n.; ottimo es.. (z013bis/d)
In-8° gr. carrè pp. 300 circa completamente di foto, alcune a doppia pag. Bross. edit. ill.
Firenze, IGM, 1976, 8vo stralcio con copertina posticcia muta, pp. 1071/1080 con grafici in nero e 7 illustrazioni fotografiche a colori. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo, completo in se, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perché ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “extract” or “excerpt” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
Stampa fotografica vintage. CON DEDICA Didascalia, firma e luogo autografe dell’artista verso. Interventi manuali recto. Ottime condizioni. Proveniente dall’archivio del futurista B.G. Sanzin. Bello scatto in prospettiva, molto contrastato, su fondo nero, del modellino di una vetrina di negozio di «F o T o». Rarissima: probabilmente esemplare unico. Esposta alla mostra «Ugo Carà: Arte architettura design 1926-1963», Trieste: Museo Revoltella, 26 novembre 2003 - 29 febbraio 2004, curata da Maria Masau Dan e Lorenzo Michelli, con didascalia: «Plastico per negozio di fotografia, 1928». Masau Dan & Michelli, Ugo Carà: Arte architettura design 1926-1963, p. 75
Bologna, Quinlan, 2009, 8vo album cartonato con copertina illustrata a colori, pp. 127 completamente illustrato da fotografie in nero e a colori. Catalogo della Mostra, Accademia di Belle Ari, Bologna.
Stampa fotografica vintage. CON DEDICA Lunga didascalia autografa firmata dell’artista recto: rarissima firmata dall’artista. Segno di doppia piega all’angolo basso di sinistra, per il resto in ottime condizioni. Proveniente dall’archivio del futurista B.G. Sanzin. Bello scatto della sala, nel formato grande, particolarmente raro. La sala quarta alla Mostra della Rivoluzione fascista «dedicata all’Agricoltura, ai Trasporti marittimi ed aerei, ai Trasporti terrestri, alla Navigazione interna, ecc., è stata ideata e realizzata dal pittore Gerardo Dottori, che ha cercato di inquadrare i dati statistici in una rappresentazione sintetica decorativa [...]. Per ciò che riguarda il concetto architettonico della Sala, l’artista si è preoccupato, date le limitate dimensioni, di non invaderla troppo di volumi, che ha cercato di ottenere, più che con rilievi, con giochi di chiaroscuro e aerando l’ambiente mediante un sereno ricorrere di colori sulle pareti» (dalla scheda relativa nel catalogo della mostra, che riproduce il presente scatto a pagina 250). Mostra della Rivoluzione fascista: guida storica (Roma 1933), p. 250 (riprodotto in NAF I, 1932/20, p. 498)
199340086Gina Keyahoff 1993 In-4 broché couv. rempliée illustrée. Etat correct d’occasion.
23702Textes et documents choisis et présentés par Michel Giroud. P., Chêne, 1976, grand in-8, reliure de l’éditeur, jaquette illustrée, 158 p. 1er (et seul) tirage. Nombreuses reproductions in et hors texte en noir et en couleur. Feuillet d’erratum joint.
Roma, 1957 dicembre 22, copertina illustrata a colori in fascicolo originale completo di pp. 32 de "La Tribuna illustrata" .
20051034412005 Paris, Actes Sud, 2005, 190x125mm, 142p, broche couverture photographique à rabats.Texte et photographies en noir et blanc de Sloban Klavdij. Regard sur l’univers carcéral.Envoi autographe signé: «A Marc et les siens, Un cri d’amitié, Klavdij». (103441)
Stampa fotografica vintage. CON DEDICA Lunga iscrizione autografa dell’artista verso, che spiega l’opera. Data da timbro blu verso. Didascalia a stampa del fotografo recto. Timbro del fotografo verso. In ottime condizioni; proveniente dall’archivio del futurista B.G. Sanzin. Rara fotografia originale in formato grande.
Stampa fotografica vintage. CON DEDICA Didascalia e firma autografa dell’artista. Fotografia applicata al bordo alto su leggero cartoncino di supporto, 435 x 322 mm, che ospita l’autografo. Minima lacerazione (1 mm) al piede della fotografia, senza mancanze; qualche contenuta lacerazione ai bordi del supporto, lontano dall’autografo. Più che buone condizioni. Notevole scatto in grande formato. La fotografia documenta la prima versione del quadro ‘Autoritratti (Io e mia moglie)’, di proprietà del collezionista Gianni Mattioli e notevolmente rimaneggiato dall’autore nel dopoguerra. Un esemplare della fotografia (senza autografo) è conservato al Mart di Rovereto. Il quadro è ancora nella collezione Mattioli.
In -8°oblungo formato album, cart. edit. con sovracop. Ill.- pag. 132 - firma autografa del fotografo (Pontiggia) - numerose foto a colori - buono stato
128915aafParis, M.-J., Callamel, 1948, in-4to, env. 65 p., richement ill. par des photographies n./b. de Jean Roubier. brochure originale.
HIST6088Mлениздат, 1969. In-4 relié pleine toile avec jaquette illustrée. Non paginé (150 pages environ). Photos en noir. in-4 полная ткань в твердом переплете с иллюстрированной суперобложкой. Без пагинации (около 150 страниц). Картины в черном цвете.
FO062Αθήνα, Ελλ. φωτογρ. εταιρεία, 1954-7. Τα 4 πρώτα χρόνια της έκδοσης, σχ. 4ο, με εκατοντάδες φωτογρ. και διαφημίσεις (Στουρνάρας, Χαρισιάδης, Β. Παπαιωάννου.. κ.ά.) Πάνινη βιβλιοδ. με το σήμα της Ε.Φ.Ε. Σπάνια συλλογή.
193049764Prague: Nakladatelstvi E. Beaufort A. S. 1930. First edition. Hardcover. Very good condition. Quarto. 14pp. 1 46 1 plates. Original orange cloth with printed paper label affixed to cover in facsimile yellow photo-illustrated dustjacket. Textured endpapers. Title page printed in brown. Rights reserved and printed by E. Beaufort A. S.<br /> <br /> This work is Drtikol's seminal collection of nude studies. "Although influenced early in his career while studying photography in Munich by the decorative trend of Jugendstil or Art Nouveau Drtikol moved with Žena ve Světle into his own modernist style of photography that prefigured and influenced the emerging Bauhaus aesthetic. He built sets and props out of plywood and used an arc lamp to cast strong shadows. The graphic presentation of the book is striking with the gum prints on thin paper one to a page set off by large page numbers. By 1935 Drtikol was creating wholly abstract works in which the nudes were replaced by figurines or geometric shapes made from painted plywood. At age 52 at the peak of his international fame Drtikol abandoned photography altogether to concentrate on painting meditation and oriental philosophy until his death in 1961." Andrew Roth The Book of 101 Books page 64ff. Parr/Badger Vol. 1 page 79<br /> <br /> Text in Czech. Facsimile dustjacket with minor wear and rubbing. Very light wear along edges of binding and lightly rubbed. Nakladatelstvi E. Beaufort A. S. hardcover