388 résultats
196355997Pierre Bettencourt | Saint-Maurice-d'Ételan 1963 | 13 x 21.50 cm | broché
1966ART12400MOuvrage édité chez Denoël en 1966, Grand in-quarto, 109 pages. Orné d'environ 90 illustrations en pleine page pour la plupart, cartonnage toilé rose de l'éditeur, jaquette illustrée. Edition originale, qui sera réimprimée en 1973 mais sans les contreplats en feutre noir. Légers accrocs sur les bords supérieur de la jaquette. Hormis cela, ouvrage en excellent état.
195471627Jean-Jacques Pauvert | Sceaux 1954 | 12 x 19 cm | broché
195480495Jean-Jacques Pauvert | Sceaux 1954 | 12 x 19 cm | broché
500354071Sans date.
195084621Paris 31 décembre 1950 | 20.80 x 27 cm | deux pages sur deux feuillets, enveloppe jointe
19832013Paris: Galerie Francois Petit 1983. Original Wraps. Collectible; Fine. Uncommon 1983 catalogue of the exhibit at Galerie Andre-Francois Petit Boulevard Saint-Germain Paris. Bright and Near Fine in its stapled wrappers. Octavo 8 Bellmer photographs plus accompanying text taken from his own writings. <br/><br/> Galerie Francois Petit paperback books
198350031983 Paris, Filipacchi, Centre Georges Pompidou, 1983, 21.5x31cm. Reliure en pleine toile noir, sous couverture repliée illustrée rose. Édition originale publié à l'occasion de l'exposition Hans Bellmer. Richement illustré de photographies en noir et en couleur. Très bel état, envoi de photographies sur demande.
2008R260133420EDITIONS ALLIA. 2008. In-16. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 78 pages. Premier plat illustré en noir et blanc. Couverture rempliée. Quelques illustrations en noir et blanc hors texte.. . . . Classification Dewey : 150-Psychologie
195084621Paris 1950. Fine. ""Bref je suis terrifié ne sachant pas que faire pour survivre"" ""In short I am terrified not knowing what to do to survive"" Paris 31 décembre 1950 20.80 x 27 cm deux pages sur deux feuillets enveloppe jointe Autograph letter by Hans Bellmer signed ""H.B"" addressed to Claude Richard dated by the author December 31 1950. Two pages in black ink on two sheets of fine pink paper with autograph envelope enclosed. Discrete fold marks inherent to the sending of the letter. Exceptional lament of a cursed artist sacrificing his life to his art. Endangering his health Bellmer carefully supervises the printing of the first retrospective catalogue of his works Vingt-cinq reproductions of which he had received the first copies ""le soir de la Noël"" ""on Christmas evening"". He addresses his Bordeaux collector-patron Claude Richard from his modest Latin Quarter studio which had seen the birth a year earlier of his masterpiece Les Jeux de la Poupée. Bellmer takes up his pen and transcribes his malaise onto these two old rose pages similar to the color covering some of his Doll photographs as well as to that of the band surrounding the collection of this famous suite of photographs. The words themselves finely chiseled with pen strokes disarticulate in the image of his works; the letters come undone and reveal the extreme distress of the artist at the end of his strength and resources: ""Excusez je vous prie cette lettre décousue mais je ne vais pas très bien"" ""Please excuse this rambling letter but I am not very well"" . ""ma vie est redevenue très très dure"" ""my life has become very very hard again"" . ""vous ai-je remercié des 16000 que vous avez eu l'amitié de m'envoyer il y a deux semaines environ - Cela m'a permis d'activer la fabrication du recueil une fois de plus"" ""did I thank you for the 16000 that you were kind enough to send me about two weeks ago - This allowed me to accelerate the production of the collection once again"" This concerns a work laid out by his own hand bringing together twenty-five of his works accompanied by texts by Nora Mitrani Gisèle Prassinos Jehan Mayoux Jean Brun André Pieyre de Mandiargues Jacques de Caso and Yves Bonnefoy. Bellmer had received the first copies a few days earlier: ""J'y avais mis un effort affreux ; depuis trois semaines je traîne une grippe qui par le froid glacial de la rue Mouffetard et de l'atelier d'impression chez Larrive a pris depuis 10 jours un tour dangereux. Pour l'instant je ne tiens plus debout mais pour ne pas me déclarer vaincu je suis obligé de courrir sans cesse pour trouver le minimum d'argent nécessaire pour ne pas mourir de faim"" ""I had put a terrible effort into it; for three weeks I have been dragging around the flu which due to the freezing cold of rue Mouffetard and the printing workshop at Larrive's has taken a dangerous turn for the past 10 days. At the moment I can no longer stand up but so as not to declare myself defeated I am obliged to run constantly to find the minimum amount of money necessary so as not to die of hunger"". The manuscript also contains a beautiful passage on the artist's relationship with his patron and also mentions Cocteau as well as his partnership with the Hugo Gallery in New York directed since 1944 by former dancer Alexandre Jolas: 1907-1987: ""Quant à l'encadrement de mon tableau c.à.d le vôtre je m'en occuperai avec plaisir car c'est très important pour la mise en valeur de la chose. Je connais bien un des meilleurs encadreurs il a encadré les choses que Cocteau et Morihien m'avaient achetées il y a quelques années que la Hugo-gallery m'a pris cette année. Il ne doit peut-être trop bien marché sic. Dès que je trouverai deux tickets de métro je vous dirai le prix qu'il demanderait. Ces jours-ci j'ai pu récupérer un expl. de tête de mon Album de Revel sous emboîtage avec un dessin original. Le prix est de 6000. Si vous le voulez je peux vous l'envoyer de unknown
19832013Paris: Galerie Francois Petit 1983. Original Wraps. Collectible; Fine. Uncommon 1983 catalogue of the exhibit at Galerie Andre-Francois Petit Boulevard Saint-Germain Paris. Bright and Near Fine in its stapled wrappers. Octavo 8 Bellmer photographs plus accompanying text taken from his own writings. Galerie Francois Petit unknown
1945Bellmer1BELLMER Hans 1902-1945Autograph letter signed " HB " to Joë BousquetRevel Tuesday 11 September 1945 1 p. in-4° on pink paperSome tiny spotsBellmer is moved to find his Doll six years after being separated from her during the Second World WarThe artist is also much enthusiastic about the project in common with the poet on an amplified version of the "justification of sodomy"" Mon très cher ami !Dès le moment où je vous ai quitté l'autre jour avant la fin de ma lettre précédente ma vie a été sens dessus dessous : pensez ce que c'est d'être de nouveau après six ans de séparation parmi mes affaires : photos en couleurs immenses livres qui me sont chers notes dessins tableaux objets la Poupée vêtements d'elle et d'autres lettres souvenirs choses impondérables et émouvantes.J'ai dû passer trois jours à Castres. Et avec tout cela je suis accroché avec obstination au texte de L'Anatomie pour que cela se termine finalement. Mais quelle difficulté mon français raide et artificiel. Tant pis faisons une vertu de cette faiblesse me dis-je pour ne pas désespérer.Quand j'ai reçu et lu votre texte exquis qui inaugure la Justification de la Sodomie j'avais de quoi nourrir mon désespoir individuel : oui c'est comme cela qu'il faut que la pensée se pense et le mot s'écrive aisément. Moi j'écris comme une poupée articulée.C'est un grand enthousiasme et je suis heureux que vous voulez me confier la publication de la "Justification" amplifiée. Ce sera un document de premier ordre et d'une portée encore mal calculable. J'aimerais vous dire : négligez tout le reste en faveur de cet ouvrage-confession-expérimentale. La poésie est un fait.Aujourd'hui je ne vous parlerai pas en détail de vos pages. La question "musculature et vision" est d'une importance première et sera à contrôler très froidement.Je tâcherai de trouver un moyen portrait de continuer à vous voir à Carcassonne. Un de vos collègues d'école homme d'affaires exubérant Mr Marcel-Yves Toulzet m'a demandé assez sympathiquement de faire le portrait de sa femme et de sa fille. – Voilà donc de nouveau un début à Carcassonne !Ce mot est trop court ! Il faut que je me mette au labeur !Affectueusement votreHB "The Second World War was not easy for Bellmer. Residing in Paris since 1938 he was arrested as a German national and therefore a suspect in the eyes of the authorities. Imprisoned in the Camp des Milles near Aix-en-Provence alongside Max Ernst he ended up taking refuge in hiding. The artist had created his Doll in 1934 and it is therefore not without emotion that he expresses here his reunion with his most famous artwork. He also evoked to Bousquet his desire to continue his illustrated project on L'Anatomie which later became his famous illustrated book Anatomie de l'image published in 1957.Bellmer and Bousquet have known each other for a short time but the mutual understanding between the two surrealists was already at its height. The artist unreservedly approves the poet's text on his "justification of sodomy" a pathetic but very real consequence of the wound on the sexuality of Joë Bousquet bedridden since the Great War. He does not hide his enthusiasm to be entrusted by the poet with a common on the "amplified justification" of the text which however remained in the embryonic state and was not published.
200017434VF as new copy in paperback oversized 4to French text as issued cover of back wrap has a small fold not affecting any pages or plates. No markings or cracks unread very large oversized book on Bellmer. Idea Books Amsterdam paperback
1983105989Filipacchi / Centre Georges Pompidou 1983. Hardcover. Fine/Fine. In French. Filipacchi / Centre Georges Pompidou hardcover
17-3799Urbana-Champaign IL University Of Illinois 1991. 8vo. 48 pp. Soft Covers. Oblong. Very Good. Mostly B&W Photos. Urbana-Champaign, IL, University Of Illinois, 1991. paperback
17-4011Paris: Petit Palais Gallery. 1992. 8vo. 48 pp. Softcovers. Very Good. Black and Some Color Plates. Text in French and English. Paris: Petit Palais Gallery. 1992 paperback
1969c01128Denoël 1969. Hardcover. Very Good. 8vo - over 7¾ - 9¾" tall. Neat ink inscription on first page. <br/> <br/> Denoël hardcover
1969mon0000038789Deno�l 1969-01-01. Unknown Binding. Good. in x in x in. Ex-library book usual markings. Hardback in good condition. Clean copy sound binding. Deno�l unknown
19692092902140500200Donoeru 1969. Soft Cover. Fine. Number of pages: 96 pages Number of books: 1 Donoeru paperback
199717438Mint copy in decorative hardbound wraps prisitine copy! Editions Treville hardcover
195471627Sceaux: Jean-Jacques Pauvert 1954. Fine. Masterpiece of Eroticism with a capital O Jean-Jacques Pauvert Sceaux 1954 12 x 19 cm broché First edition one of 480 numbered copies on laid paper only grands papiers deluxe copies besides 20 Arches and 100 service de presse advance copies on laid paper. Our copy is complete with the rare vignette etching drawn and engraved by Hans Bellmer printed 'en sanguine' present in only around 200 copies. Preface by Jean Paulhan. Spine very lightly faded. A beautiful copy of this masterpiece of erotic literature. Jean-Jacques Pauvert unknown
195480495Sceaux: Jean-Jacques Pauvert 1954. Fine. Jean-Jacques Pauvert Sceaux 1954 12 x 19 cm broché Histoire d'O Story of O Jean-Jacques Pauvert Sceaux 1954 12 x 19 cm original wrappers First edition one of 480 numbered copies on Vergé paper ours being one of the few ""hors commerce"" advance copies the only deluxe paper after 20 copies on Arches and 100 others on Vergé for the press. Our copy is complete with the rare vignette drawn and engraved by Hans Bellmer in sanguine and present on about 200 copies only. Preface by Jean Paulhan. Beautiful copy of this masterpiece of erotic literature. Jean-Jacques Pauvert unknown
19752110502150200593Kawade Shobo Shinsha 1975. Soft Cover. Fine. Volume: 1 Kawade Shobo Shinsha paperback
19752110502150309324Kawade Shobo Shinsha 1975. Soft Cover. Fine. Volume: 1 Kawade Shobo Shinsha paperback
196574766<p>BELLMER Hans 1902-1975 -- BATAILLE Georges 1897-1962. Madame Edwarda. Paris: Georges Visat 1965.</p><p>12 copper engravings by Hans Bellmer including the frontispiece and a vignette in the colophon all signed in pencil by Bellmer.<br />In sheets in the original white card covers spine printed in black <br />original lilac moiré silk chemise and slipcase the spine titled in gilt and a little water stains.</p><p>FIRST EDITION ILLUSTRATED BY BELLMER with twelve engravings signed by the artist. Bellmer's remarkable images are drawn 'with the sharpness of a scalpel. they crystalize exceed and exude Bataille's text whose realism derives from its lyrical brilliance rather than its precision of detail. It is this very difference in approach this unique vision that makes the artist the equal of the author rather than a mere illustrator' Eros invaincu.</p><p>One of 167 copies only this one number 118. <br />Eros invaincu 102; Pia Enfer 852.</p> hardcover