882 résultats
1885GF58051885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie tirée en photoglyptie de 23 x 18,5 cms environ, contrecollée sur carton fort -
1885GF58281885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie tirée en photoglyptie de 23 x 18,5 cms environ, contrecollée sur carton fort -
1885GF58711885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie en noir tirée en photoglyptie de 11,5 x 8 cms environ, contrecollée sur papier (34 x26cm)-
GF31909Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie en noir tirée en photoglyptie de 11,5 x 8 cms environ, contrecollée sur papier (34 x26cm)-
1885GF58321885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie originale d'époque tirée en photoglyptie de 23 x 18,5 cms environ, contrecollée sur carton fort -
1989_202400993Paris, Jean de Bonnot, 1989 ; in-8 (144 x 211 mm), [36]-254-[10] pp. + 103 pl. non paginées, reliure d'éditeur plein cuir, coloris marron, dos orné lisse, pièces de titre noires, plats estampés avec un ensemble de filets noirs et un motif doré, tête dorée. Préface de Léon Daudet Nombreuses illustrations en noir et blanc.
Paris, A. Blaizot, 1911. In-8, broché, couverture imprimée et rempliée, 143 pp. ( Edition originale posthume. Quatre portraits charges hors-texte : Mme Baudelaire, Théodore de Banville, Champfleury et celui de Nadar en frontispice. Tirage limité à 271 exemplaires, celui-ci (n° 261) est un des 250 numérotés sur vélin d'Arches.
1994LFA00b0bN° 124 - Juin 1994 : Revue de 130 pages, format 285 x 220 mm, illustrée, brochée
11468Paris, Herscher, 1982. In-4, cartonné, jaquette.
1994LFA00b07N° 507 - Juin 1994 : Revue de 130 pages, format 285 x 215 mm, illustrée, brochée
188047201Paris: E. Dentu Libraire de la Societe des Gens de Lettres 1880. Very Good-. Paris: E. Dentu Editeur Libraire de la Societe des Gens de Lettres 1880. First Edition. 12mo 18cm; publisher's pictorial wrappers; viii308pp. Moderate soil chipping and wear to wrapper margins spine cracked with evidence of glue repair interior clean and sound. About Very Good overall. Inscribed and signed on half title page "a mon brave et bon Schemborgh mon camarade De la Legion 1848 / mon excellent ami depuis 1880 / Nadar."<br /> <br /> A collection of impressionistic vignettes by the famed French photographer and air balloonist. The title references the fictitious and absurdist creature the Coquecigrue first coined by Rabelais in his novel "Pantagruel. E. Dentu, Libraire de la Societe des Gens de Lettres unknown
1910Flo15<p><strong>FLAUBERT Paul NADAR 1856-1939</strong></p><p>Late print depicting Flaubert in bust<br />Paris c. 1910 cabinet format laminated on thick cardboard to the photographer's credit<br />Near fine condition except for a very slight defect on the right part of the portrait<br />"Flaubert" inscribed on verso by an unknown person<br />Stamp on verso: "E. Hautecœur – 35 avenue de l'Opéra – Paris"</p><p><strong>Very rare and legendary portrait of the writer by Nadar during the years of writing his novel <em>L'Éducation sentimentale</em> </strong></p><p>Flaubert's iconography is limited to say the least. Only four photographic portraits of the writer are known:<br />-Two portraits by Étienne Carjat in Italian format taken during two different sessions<br />-A portrait in profile by Giacomo Borelli probably taken during the Universal Exhibition of 1867 which Flaubert attended<br />-A portrait by Felix Nadar of bust in three quarters the one presented here</p><p>Paul Nadar son of Félix Nadar 1820-1910 had begun to collaborate with his father in 1886. This late print is therefore based on the one taken by Felix between 1865 and 1869.</p><p><u>Flaubert's photographic portraits even later prints are of great rarity.</u></p><p>When Flaubert died on May 8 1880 his face was unknown. He is an exception in a century where the face of the artist has multiplied through engraving and photography. The absence of an image results from the express will of the author: he refused consistently to "deliver" his head to the public.</p><p><u>Reference:</u><br /><em>Album Gustave Flaubert</em> éd. Yvan Leclerc Pléiade p. 184 n°147</p>
13447Photoglyptie sur papier fin contrecollé sur carton fort titré, tirée de l'ouvrage "La Galerie Contemporaine littéraire, artistique, Publication hebdomadaire formant album de luxe", Paris, 126 boulevard de Magenta, 1876.Photo Goupil & Cie - Cliché NADARDimensions de la photoglyptie : 24 x 19 cmDimensions du carton : 34 x 25,5 cmTrès bon état (marge inférieure massicotée de travers d'origine).On joint le texte qui accompagnait le cliché (biographie, reproduction autographe), 4 pages (petit manque en bas de l'onglet et petites rousseurs).
187318461873 Paris, Tresse, de 1873 à 1880, 16 vol. In-12 en demi-chagrin tabac, quelques défauts aux coiffes,les mors faibles sur certains volumes ce qui a provoqué le détachement de plats sur 4 volumes (renforts au papier japon). Il manque le second volume de "la comédie française".
1904Pro4<p><b>PROUST Jeanne WEIL 1849-1905</b></p><p>5th December 1904 original period film print. Round photography 159 cm diameter mounted on thick paper frame in the photographer's name.Tiny spot on lower margin of the mounting small stainStamp on verso from collection Suzy Mante-Proust collection</p><p><b>One of Jeanne Weil Proust's last portraits less than a year before her death</b></p><p>This portrait was taken on December 5th 1904. At this time aged 56 years old Proust's mother has been a widow for a year. The translation of his son's <i>The Bible of Amiens</i> was published that same year. She died of nephritis a year later on September 26 1905. Nadar did process her portrait and removed the shadows and various flaws on her face.</p><p>Michel Schneider notes that the narrator's mother in the <i>Search</i> is obviously inspired by the mother of the author himself. Jeanne Proust was born Jeanne Weil in 1849 from a Jewish family of the enlightened bourgeoisie. Much has been said about the intellectual complicity that united her with elder son. Marcel Proust who during his mother's lifetime wrote only <i>beautiful</i>things in the spirit of the time <i>Pleasures and Days</i> will not become the novelist of the <i>Search</i> until after the death his mother an event that has somehow freed his creation. In the novel the grief he felt at his death is shifted to that of the grandmother and that of Albertine. In the <i>Search</i> Mom doesn't die she is also mentioned more than 500 times.</p><p>Provenance:<br />-Proust Family<br />-Suzy Mante-Proust only daughter of Robert Proust by descent<br />-Patricia Mante-Proust granddaughter of Suzy Mante-Proust by descent</p><p><u>References:</u><br />Nadar repr. p. 32 in full. <br />Cattaui n° 59 repr. <br />Mauriac repr. p. 10.</p>
1882144801882 P., Passard, s.d. (1882), 1 vol. in-12 (192 x 115 mm) relié 1/2 toile rouge à la Bradel, titre et jeux de filets dorés au dos, plats de papier marbré rouge et bleu, couvertures jaunes conservées, de (4) ff. (faux-titre, portrait de l'auteur, titre et table) - 416 pp. - (4) ff. (catalogue de l'éditeur).Ancien ajout de papier en page de titre et en bas de la page 100 pour dissimuler un cachet, bel exemplaire par ailleurs.
58189P., Hubschmid, 1979, fort petit in 8° relié pleine toile brune de l'éditeur, jaquette illustrée, paginé 709 à 1299.
1854856021854 Paris, Gustave Havard, 1854, petit in 12 broché, 64 pages ; papier très légèrement bruni ; couverture effrangée.
35851Paris, André Barret (coll. "Trésors de la photographie"), 1975. In-4°, 155p. Reliure pleine toile d'éditeur, sous jaquette illustrée.
1980706071980 Paris, Flammarion, 1980, in 8° broché, 415 pages ; illustrations hors-texte ; couverture illustrée.
188892029Paul Nadar 1888. Fine. Paul Nadar s. d. 1888 - 1900 11 x 16.4 cm Autre Original anf fairly large cabinet card photograph. Maupassant was 38 years old when he sat before Nadar's lens in July 1888 though some sources give 1890 as the date. Two photographs are known from this sitting one showing his right profile and the other his left profile as with the present example. A photograph mounted on Nadar's studio card with his stamp below. The verso bears various advertisements relating to Nadar. Guy de Maupassant was always reluctant toward photography even hostile to the public dissemination of his image. Very few photographs of the writer exist as he rarely sat for photographs and generally only for private purposes but Félix Nadar was both an acquaintance and a friend within his circle. ""I made it an absolute rule not to let my image be published if I can help it"" Autograph manuscript note undated reproduced in the Pléiade album p.8. This portrait by Nadar has remained the writer's most celebrated photographic likeness. Photographs of the writer remain exceedingly rare on the market particularly in cabinet card format. Paul Nadar unknown
186771239Nadar | Paris s. d. [1867] | 6.60 x 10.40 cm | une photographie
188892029Paul Nadar | s. d. [1888 - 1900] | 11 x 16.4 cm | Autre
19794097Encre 1979 In-4 reliure éditeur, 77 pp. Illustrations en noir. Coiffe supérieure et cartonnage légèrement frotté.
198920497Genève, Saint-Gervais, 1989. Grand in-8 broché, couverture illustrée. Infimes frottements en bords. Nombreuses illustrations in-texte en noir.