883 résultats
68-6412Paris France: Theatre De La Porte Saint-Martin 1888. B&W Photograph mounted on white card stock. Overall size: 23.5 x 31.5 cm. Photo size: 10.3 x 14.5 cm. Very Good. Details penned in black ink to lower left corner En Francais. Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Paris, France: Theatre De La Porte Saint-Martin, [1888]. unknown
68-6411Paris France: Theatre De La Porte Saint-Martin 1887. B&W Photograph mounted on white card stock. Overall size: 23.5 x 31.5 cm. Photo size: 10.3 x 14.5 cm. Very Good. Details penned in black ink to lower left corner En Francais. Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Paris, France: Theatre De La Porte Saint-Martin, [1887]. unknown
2209JS310<p>Préface de Jean-François Bory. Introduction aux photographies et rédaction des notices par Philippe Néagu por les Arts et la Musique et Jean-Jacques Poulet-Allamagny pour les Lettres et les Activités diverses. Introductions notes et commentaires par Jean-François Bory. Bookking International. Paris. 1994.</p>_x000d_<p>2 Volumes de 215x15 cm. Com 1298 iii págs. com numeração contínua. Encadernações do editor com as pastas flexíveis e acondicionadas em pasta de cartão. Incluiem fitas marcadoras em tecido. Ilustrado a preto e branco.</p>_x000d_<p>Exemplar apresenta desgaste na caixa de protecção.</p>_x000d_<p>Contém antologia dos textos atinentes a fotografia glossário e índice onomástico.</p>_x000d_<p> </p>_x000d_<p> </p> I-121-G-3 hardcover
1976177293New York: Alfred A. Knopf 1976. Hardcover. Good/Good foxing to text block pages are otherwise clean corners bumpered light shelfwear to boards and dust jacket. Black cloth boards with gilt lettering on spine black and white illustrated dust jacket with bronze lettering 298 pp profusely illustrated with 359 photographs. "359 classic photographs reproduced in most cases from original negatives a pantheon of nineteenth-century Paris by France's greatest pioneer photographer." -dust jacket. Alfred A. Knopf hardcover books
1976180375New York: Knopf : Distributed by Random House 1976. Hardcover. VG/G- dj is worn and has small tears. Covers slightly bumped. Pages clean and tight. Illustratred dj; black cloth covers gilt lettering. 298 pages : illustrations. ".the most striking figures of that extraordinary world of art intellect and culure recorded by the camera of France's greatest pioneer photographer Felix Nadar." ~ Nigel Gosling. Knopf : Distributed by Random House hardcover books
1860251330Paris: Chez Les Marchands des Nouveautés Artistiques 1860. 52 numbers in all each 8 pp. Profusely illustrated with woodcuts each number with a handcolored woodcut frontispiece by Alfred Grévin. 1 vols. 4to. Publisher's green pictorial paper over boards rebacked in tan buckram. 52 numbers in all each 8 pp. Profusely illustrated with woodcuts each number with a handcolored woodcut frontispiece by Alfred Grévin. 1 vols. 4to. "Grévin employé au chemin de fer de Lyon il entra au Journal Amusant et au Petit Journal pour Rire en 1859. Son succès fut très grand. Grévin mettait au bas de ses dessins des legendes pleines d'esprit." Benezit. Chez Les Marchands des Nouveautés Artistiques unknown books
1868251331Paris: Chez Les Marchands des Nouveautés Artistiques 1868. 47 numbers in all each 8 pp. Profusely illustrated with woodcuts each number with a handcolored woodcut frontispiece by Alfred Grévin. 1 vols. 4to. Publisher's green pictorial paper over boards rebacked in tan buckram. 47 numbers in all each 8 pp. Profusely illustrated with woodcuts each number with a handcolored woodcut frontispiece by Alfred Grévin. 1 vols. 4to. "Grévin employé au chemin de fer de Lyon il entra au Journal Amusant et au Petit Journal pour Rire en 1859. Son succès fut très grand. Grévin mettait au bas de ses dessins des legendes pleines d'esprit." Benezit. Chez Les Marchands des Nouveautés Artistiques unknown books
1864181176Paris.: Dentu. 1864. 1st Edition. 12mo. Contemporary quarter cloth over stippled boards gilt spine title marbled endpapers. Very good covers soiled light shelfwear contents tight and bright. 18x11x2.5 cm. French text. Scarce. Nadar was a pioneering photographer and balloonist who was the first to take photographs from a balloon. The “Geant†was a huge experimental balloon that crashed at the end of its second flight leading Nadar to become a proponent of heavier-than-air flight. weight: 1.0 lb. Introduction by Babinet. Dentu. hardcover
42285saying he "could not ask for work to go better or faster - and one day I shall endeavour to return your kindness which I have done nothing to deserve. I am enclosing a note for Perdiguier please could you put on the address if he was responsible for the very kind words on the heading. Try and avoid colliding with Villemessant here on Monday." 1 side 8vo. no place but with his red Monogram "N" with "Quand Meme" at the head no date circa Nadar was a proponent of heavier-than-air flight. In 1858 he became the first person to take aerial photographs. Photographic portraits by Nadar are held by many of the great national collections of photographs. His son Paul Nadar 18561939 continued the studio after his death. The correspondent is possibly Philippe GILLE 1831-1901 who was a French dramatist and opera librettist who was born and died in Paris. He was photographed by Nadar in the 1870s. He is probably referring to Hippolyte de VILLEMESSANT 1810-1879 who was a Conservative French Journalist and was also photographed by him. Transcription Il n'est réellement pas possible mon Gille de faire mieux et plus vite et je tâcherai de te rendre quelque jour cette si bonne amitié que je n'ai rien fait pour mériter. Ci-joint un mot pour Perdiguier tu mettras l'adresse si c'est lui qui a fait la petite note d'entête vraiment trop obligeante. Arrange-toi pour ne pas venir lundi avec Villemessant. Mardi bon ! Ton Nadar Tanslation Dear Gille I could not ask for work to go better or faster - and one day I shall endeavour to return your kindness which I have done nothing to deserve. I am enclosing a note for Perdiguier please could you put on the address if he was responsible for the very kind words on the heading. Try and avoid colliding with Villemessant here on Monday. Perhaps Tuesday would be possible. Yours Nadar unknown
43283saying that "Vieusseux wants to put Villemessant's portrait in the Exhibition. I need not remind you that we agreed to the portrait in question being exhibited and Vieusseux expects that at least there he will have due satisfaction. As he wants to have the portrait back and touch it up a bit before sending it in let me know as soon as possible if we can take it directly from the owner." 1 side 8vo. 51 Rue d'Anjou St Honoré Paris with his red printed letterhead 25th February Nadar was a proponent of heavier-than-air flight. In 1858 he became the first person to take aerial photographs. Photographic portraits by Nadar are held by many of the great national collections of photographs. His son Paul Nadar 18561939 continued the studio after his death. The correspondent is possibly Philippe GILLE 1831-1901 who was a French dramatist and opera librettist who was born and died in Paris. He was photographed by Nadar in the 1870s. He is probably referring to Hippolyte de VILLEMESSANT 1810-1879 who was a Conservative French Journalist and was also photographed by him. Emile VIEUSSEUX 1824-1890 was a Florentine painter who worked in Nadar's studio in Paris. Transcription PHOTOGRAPHIE NADAR SPÉCIALITÉ D'AGRANDISSEMENTS NOIRS ET PEINTS 51 rue d'Anjou St. Honoré 51. Hôtel privé. Paris le 25 fevrier 1878 Mon cher Gille Vieusseux désire envoyer à l'Exposition le portrait de Villemessant. Je ne te rappelle pas que l'Exposition de ce portrait était convenue et Vieusseux compte qu'au moins là il aura satisfaction due. Comme il veut revoir et reprendre un peu ce portrait avant l'envoi au Salon réponds-nous le plus vite possible si nous pouvons le fair prendre chez le propriétaire. Respects affectueux à Madame Gilles et à Madame Massé. Ton. Nadar Translation NADAR PHOTOGRAPHY SPECIALISING IN BLACK AND WHITE COLOURED ENLARGEMENTS 51 rue d'Anjou St. Honoré 51. private residence. Paris 25th February 1878 Dear Gille Vieusseux wants to put Villemessant's portrait in the Exhibition. I need not remind you that we agreed to the portrait in question being exhibited and Vieusseux expects that at least there he will have due satisfaction. As he wants to have the portrait back and touch it up a bit before sending it in let me know as soon as possible if we can take it directly from the owner. Please remember me to your wife and Mrs Massé. Yours. Nadar. unknown
287711Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century April 1862. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
287710Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century April 1862. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
287712Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century April 1862. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
287713Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century April 1862. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
199868839Nmes : Jacqueline Chambon 1998. 225x155mm. broch. 564 Jacqueline Chambon unknown
17-3523Paris : B&S Lyon 1900-1940s. B&W postcard 5.5 x 3.5 inches. Very Good. Minor toning on verso. Scarce. Paris : B&S Lyon, [1900-1940s?]. unknown
296486Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1860. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
296487Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1860. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
296488Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1860. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
296485Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1860. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
283526Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1856–58 printed ca. 1900. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
283527Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1856–58 printed ca. 1900. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
283524Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1856–58 printed ca. 1900. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
283525Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1856–58 printed ca. 1900. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
287413Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century ca. 1856. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown