Nadar (Photogr)Biblio.com
212 résultats
41879Paris 1877. 2° 1 Doppelbl. m. montierter Orig.-Photogr. 12.5 x 8.5 cm a. erster Seite Im Falz tlw. durchgerieben etw. randrissig u. -knittrig m. kleinen Verlusten die Photogr. tadellos. Mit der «Camée artistique» zur Theaterschauspielerin Jane Hading - diese auch auf der Photographie bezeichnet mit «Cliché Nadar». Text frz. 010 Paris, 1877 unknown
41878Paris 1877. 2° 1 Doppelbl. m. montierter Orig.-Photogr. 12.5 x 8.5 cm a. erster Seite Im Falz tlw. durchgerieben etw. randrissig u. -knittrig die Photogr. tadellos. Mit der «Camée artistique» zu der Opernsängerin «Mlle. Sablairolles» - diese auch auf der Photographie bezeichnet mit «Cliché Nadar». Text frz. 010 Paris, 1877 unknown
18805835Goupil Paris 1880; Large woodburytype photograph by Nadar Gaspard Felix Tournachon of French playwright and operatic librettist Edmond Gondinet 1828-1888 whose work includes the text for the Leo Delibes opera "Lakme." Photo measures 7 1/2" x 9 1/4" mounted on 11" x 14" card. Complete with the original two 11" x 14" leaves of background and analytical text by Gustave Goetschy. From the eminent French 19th century "Galerie Contemporaine" photographic collection of leading figures from the arts and sciences published by Goupil and issued in parts from 1876 to 1884. Fine condition. There is a miniscule 1/16" corner chip of the mounting card in the blank area at lower right and light to moderate foxing of the text pages. Text in French. Goupil unknown
019292Electa Editrice Portfolios 0 Book. Fine. No Binding. 1st Edition. Original black card portfolio with label mounted to front housed within a white gloss-laminated sleeve titled in orange together with the original plain cardboard outer packaging. A fine copy. 12 loose monochrome photographic prints with tissue guards together with printed introductory essay. Folio. Uncommon. Electa Editrice Portfolios 0 unknown
187776745Paris: Georges Decaux 1877. Fine. Georges Decaux Paris s. d. 1877 11.50 x 18.50 cm relié First edition. Contemporary half bottle-green shagreen binding spine with five raised bands set with gilt fleurons some minor rubbing to spine without gravity marbled paper boards endpapers and pastedowns of pebbled paper contemporary binding. Some minor foxing without gravity a pencil library shelf mark on one endpaper. Autograph inscription dated and signed by Nadar: ""A M. Bertrand de main amie. Nadar. Nov"". Georges Decaux hardcover
188249432Paris: chés l'auctheur 1882. Fine. chés l'auctheur Paris s. d. 1882 14 x 19 cm relié first edition of this Rabelaisian style pamphlet directed against Gambetta one of 300 numbered copies on Holland paper. Binding to open bradel ivory wove smooth back red mesh coaching boards and boards painted in watercolor compositions centers: a bookplate and a monogram on the first front cover and Léon Gambetta embodying Christ crucified fragile parchment wrappers preserved and bound in contemporary binding signed Dodé. Nadar handwritten signature under the justification of the draw. In addition this copy is enriched with a handwritten correction Nadar pencil in The Passion p. 45 to orveitan sic. Book adorned the author of illustrations. Provenance: Library of Frederick Lachèvre bibliographer specialist in French poetry with its large bookplate engraved and painted emblem repeated in the first boardes. A book illustration is reproduced on the lower flat of each volume. Some light and light bites to bookbinding. chés l'auctheur hardcover
188249471Paris: chés l'auctheur 1882. Fine. chés l'auctheur Paris s. d. 1882 14 x 19 cm relié first edition of this Rabelaisian style pamphlet directed against Gambetta one of 300 numbered copies on paper of the Netherlands. Binding to open bradel ivory wove smooth back red mesh frame compositions painted boards and boards to centers: a bookplate and a monogram on the first front cover and Léon Gambetta dabbling in a bathtub on the second fragile parchment wrappers preserved and bound in contemporary binding signed Dodé. Nadar handwritten signature under the justification of the draw. Book adorned the author of illustrations. Provenance: Library of Frederick Lachèvre bibliographer specialist in French poetry with its large bookplate engraved and painted emblem repeated in the first boardes. A book illustration is reproduced on the lower flat of each volume. Some light and light bites to bookbinding. chés l'auctheur hardcover
148780GONCOURT Edmond de. Portrait for La Galerie Contemporaine by Nadar. Woodburytype print with artist's information printed on mount matted and framed in polished dark wood. Paris: Nadar ND. A visually arresting portrait of Edmond de Goncourt by famed portrait photographer Nadar Gaspard-Felix Tournachon 1820-1910. "Nadar's notoriety in photography came after successful careers first in writing and publishing and then in caricature. Nadar's turn to portrait photography appears to be a natural progression from his work in caricature." "Galerie Contemporaine stands out due to its ambitious scope as well as for the quality of the photographic imagery it contained. Underpinned by a certain patriotic sentiment and a more sophisticated approach to celebrity the subtitle Litteraire Artistique declares the work's focus of interest to be high art. In fact Galerie Contemporaine evolved into the most impressive set of celebrity portraits published in nineteenth-century France forming a vital visual record of the leading figures who shaped public life in science and politics as well as the arts during the Second Empire and the emergent Third Republic." Hannavy John editor. Encyclopedia of Nineteenth-century Photography p. 971 and 567. unknown
1976Q-0394411064Alfred A. Knopf 1976-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Alfred A. Knopf hardcover
189113261Paris: A l’Office Général de Photographie 1891-1892. Buono stato di conservazione nel complesso legatura un po' stanca e alcune delle tavole sono distaccate ma presenti; occasionali arrossamenti e fioriture. Copertine dei fascicoli omesse dal legatore; sul dorso del volume erroneamente indicato 1892-93 anziché 1891-92. Tredici fascicoli raccolti in un volume in mezza tela cm 25x18 pp 453 1 184 2 numerose tavole e figure in nero alcune fotografie applicate e tavole a colori. Buono stato di conservazione nel complesso legatura un po' stanca e alcune delle tavole sono distaccate ma presenti; occasionali arrossamenti e fioriture. Copertine dei fascicoli omesse dal legatore; sul dorso del volume erroneamente indicato 1892-93 anziché 1891-92. Rara serie dei primi fascicoli del periodico fondato e diretto dal figlio e successore di Nadar Paul che trasformò l’atelier del padre in una moderna impresa fotografica attiva anche nel campo editoriale e commerciale. La rivista nacque in seno all’Office Général de Photographie aperto a Parigi nel 1889 come studio rivendita di apparecchiature fotografiche e sede delle molteplici attività di Paul Nadar ed ebbe in questi primi anni Georges Aubry e Adrien Lefort segretari di redazione; ciascun fascicolo era illustrato da numerose figure nel testo e da tavole fuori testo in heliogravure o con cliché di serie di scatti di Nadar applicati. La rivista raccoglie articoli di Paul Nadar Auguste e Louis Lumière J. Marey A. Cornu H. Fortier J. Janssen E. Silas L. Vidal e molti altri che illustrano le più recenti innovazioni e ricerche in campo di chimica ottica e tecnica fotografica; presenti inoltre notizie di associazioni e congressi brevetti e aggiornamenti bibliografici; Nadar padre figura con numerosi Souvenirs d’un Atelier de Photographie; in ciascun numero tavole in heliogravure ritratti o illustrazioni delle tecniche descritte con alcune spettacolari immagini di fotografia astronomica curiose tavole di gusto lombrosiano di fotografia forense esempi di policromia… e una stampa fotografica applicata con serie di ritratti di personaggi dello spettacolo Sarah Bernhardt Mme Melba e molte altre attrici. Alla fine della prima annata completa dal numero 1 di aprile al 9 di dicembre copiosi indici dei nomi delle materie e delle tavole; seguono i primi 4 fascicoli del 1892 completando la serie del primo anno di vita della rivista. A l’Office Général de Photographie hardcover
105743165 x 11 cm Min gebräunt rückseitig kleiner Stemp. a. Fuss tadell. Unter Bild gedruckt: links: Nadar rechts: Atelieradresse: Rue d’Anjou St.Hré 51 Hòtel privé.Rückseitig: Medaille d’or Exposition universelle 1878. 010 unknown
105744165 x 11 cm Min gebräunt rückseitig kleiner Stemp. a. Fuss tadell. Unter Bild gedruckt: links: Nadar rechts: Atelieradresse: Rue d’Anjou St.Hré 51 Hòtel privé.Rückseitig: Medaille d’or Exposition universelle 1878. 010 unknown
185629403Paris : Aux Bureaux du Journal Amusant du MusÂŽe FranÂais-Anglais et des Modes Parisiennes sans date vers 1856-1880. 310x215mm. reliure demi-basane. Titre et filets dorÂŽs au dos cuir par endroits frottÂŽ reliure de lՎpoque. Les numÂŽros comportent 8 pages ˆ partir du numÂŽro 32 de la premiÂre sÂŽrie la premiÂre page est coloriÂŽe. 14050 Aux Bureaux du Journal Amusant, du MusÂŽe FranÂais-Anglais et des Modes Parisiennes unknown
188071647Paris: Goupil & Cie 1880. Fine. Goupil & Cie Paris 1880 24 x 33 cm une feuille Photoglypty from the Galerie contemporaine. Portrait of Edmond Goncourt. Mounted sheet on which a photoglypty of 19x24cm has been laid down. Caption at the bottom of the mount: Galerie Contemporaine 126 boulevard de Magenta. Phot. Goupil et Cie. Cliché Nadar 51 rue d'Anjou-St-Honoré. Superb condition. Handsome portrait of the writer seated with a fixed and fierce gaze a cigarette in his right hand his elbow resting on attributes that represent him. Close to a carbon print by its warm and deep tones photoglypty is a complex photomechanical process of photographic reproduction which the publishing industry used for about 20 years from 1875 to 1895. Seeking an ideal and aesthetic image of famous men the plates were always retouched and repainted to erase an unsightly wrinkle or too troublesome defect to polish the hair etc. Thus photography and printmaking converge in a new representation. The Galerie Contemporaine became a publishing house that sold images of contemporary men these images were assembled into 8 folio volumes by Paul de Lacroix but continued to be sold separately at the headquarters of the Galerie Contemporaine. Goupil & Cie unknown
43283saying that "Vieusseux wants to put Villemessant's portrait in the Exhibition. I need not remind you that we agreed to the portrait in question being exhibited and Vieusseux expects that at least there he will have due satisfaction. As he wants to have the portrait back and touch it up a bit before sending it in let me know as soon as possible if we can take it directly from the owner." 1 side 8vo. 51 Rue d'Anjou St Honoré Paris with his red printed letterhead 25th February Nadar was a proponent of heavier-than-air flight. In 1858 he became the first person to take aerial photographs. Photographic portraits by Nadar are held by many of the great national collections of photographs. His son Paul Nadar 18561939 continued the studio after his death. The correspondent is possibly Philippe GILLE 1831-1901 who was a French dramatist and opera librettist who was born and died in Paris. He was photographed by Nadar in the 1870s. He is probably referring to Hippolyte de VILLEMESSANT 1810-1879 who was a Conservative French Journalist and was also photographed by him. Emile VIEUSSEUX 1824-1890 was a Florentine painter who worked in Nadar's studio in Paris. Transcription PHOTOGRAPHIE NADAR SPÉCIALITÉ D'AGRANDISSEMENTS NOIRS ET PEINTS 51 rue d'Anjou St. Honoré 51. Hôtel privé. Paris le 25 fevrier 1878 Mon cher Gille Vieusseux désire envoyer à l'Exposition le portrait de Villemessant. Je ne te rappelle pas que l'Exposition de ce portrait était convenue et Vieusseux compte qu'au moins là il aura satisfaction due. Comme il veut revoir et reprendre un peu ce portrait avant l'envoi au Salon réponds-nous le plus vite possible si nous pouvons le fair prendre chez le propriétaire. Respects affectueux à Madame Gilles et à Madame Massé. Ton. Nadar Translation NADAR PHOTOGRAPHY SPECIALISING IN BLACK AND WHITE COLOURED ENLARGEMENTS 51 rue d'Anjou St. Honoré 51. private residence. Paris 25th February 1878 Dear Gille Vieusseux wants to put Villemessant's portrait in the Exhibition. I need not remind you that we agreed to the portrait in question being exhibited and Vieusseux expects that at least there he will have due satisfaction. As he wants to have the portrait back and touch it up a bit before sending it in let me know as soon as possible if we can take it directly from the owner. Please remember me to your wife and Mrs Massé. Yours. Nadar. unknown
00236905Paris Plon Freres/Philipon Fils n.a. Softcover. Good. Loose episodes as issued. Present are no 2 cover missing 3 4 5 6 7 8 9 13 14 16 17 18 20 21 22 23 24 26 27 28 29 30 31 32 33 34 35 36 38 39 40 43 44 45 47 50 51 52 53 54 55 56 57 63 64 66 69 71 72 73 74 75 76 77 78 80 82 back cover missing 83 84; All episodes worn some with loose cover. No 2. Cover missing; no. 82 back cover missing; no. 84 loose pages unclear how it should be. Paris, Plon Freres/Philipon Fils paperback
105745165 x 11 cm Min gebräunt rückseitig kleiner Stemp. a. Fuss tadell. Rückseitig von der berühmten Schauspielerin 1844–1923 signiert.Unter Bild gedruckt: links: Nadar rechts: Atelieradresse: Rue d’Anjou St.Hré 51 Hòtel privé.Rückseitig: Medaille d’or Exposition universelle 1878. 010 unknown
185740580Paris: Michel Lévy 1857. Fine. Michel Lévy Paris 1857 11.50 x 18 cm relié Second edition published one year after the first edition. Half fir green shagreen binding with corners spine with five raised bands set with black fillets decorated with double black compartments embellished with gilt fleurons slight scratches without any gravity on one joint marbled paper boards marbled endpapers and pastedowns all edges gilt. Autograph inscription signed by Nadar to Madame Dufay. Handsome copy. Michel Lévy hardcover
1864410203Paris: E. Dentu 1864. 8vo. i-xvi; I-XX; 21-439 1 . Text in French. Publisher's pictorial wrappers largely unopened slight lean to spine tear at edge of front cover moderate creases wear and soiling moderate foxing to bulked edges and front and rear pages. First edition. A superior copy and quite scarce in the original wrappers. Nadar in addition to being the most famous French photographer of his time was also a caricaturist who relished his own celebrity. He had an enormous hot air balloon Le Geant which came with a gondola and a photographic studio a print room two cabins a storeroom and a lavatory. The present work describes its brief but glorious career including the not-so glorious crash in Hanover in 1863 that seriously injured his wife. E. Dentu unknown
42285saying he "could not ask for work to go better or faster - and one day I shall endeavour to return your kindness which I have done nothing to deserve. I am enclosing a note for Perdiguier please could you put on the address if he was responsible for the very kind words on the heading. Try and avoid colliding with Villemessant here on Monday." 1 side 8vo. no place but with his red Monogram "N" with "Quand Meme" at the head no date circa Nadar was a proponent of heavier-than-air flight. In 1858 he became the first person to take aerial photographs. Photographic portraits by Nadar are held by many of the great national collections of photographs. His son Paul Nadar 18561939 continued the studio after his death. The correspondent is possibly Philippe GILLE 1831-1901 who was a French dramatist and opera librettist who was born and died in Paris. He was photographed by Nadar in the 1870s. He is probably referring to Hippolyte de VILLEMESSANT 1810-1879 who was a Conservative French Journalist and was also photographed by him. Transcription Il n'est réellement pas possible mon Gille de faire mieux et plus vite et je tâcherai de te rendre quelque jour cette si bonne amitié que je n'ai rien fait pour mériter. Ci-joint un mot pour Perdiguier tu mettras l'adresse si c'est lui qui a fait la petite note d'entête vraiment trop obligeante. Arrange-toi pour ne pas venir lundi avec Villemessant. Mardi bon ! Ton Nadar Tanslation Dear Gille I could not ask for work to go better or faster - and one day I shall endeavour to return your kindness which I have done nothing to deserve. I am enclosing a note for Perdiguier please could you put on the address if he was responsible for the very kind words on the heading. Try and avoid colliding with Villemessant here on Monday. Perhaps Tuesday would be possible. Yours Nadar unknown
185673025Paris: Nadar 1856. Fine. Nadar Paris s. d. 1856 6.50 x 10.20 cm une photographie Original albumen print photograph depicting Alphonse de Lamartine in carte-de-visite format mounted on studio card from Nadar ""35 boulevart des Capucines"". This photograph taken in 1856 was marketed between 1862 and 1871 as evidenced by the photographer's address on the back of the card. Pen annotation on the reverse of the photograph. Nadar unknown
188073633Paris: Nadar 1880. Fine. Nadar Paris 1880 10.70 x 16.60 cm une photographie Original albumen photograph in cabinet card format mounted on cardboard. At the bottom of the photograph: Aimé dupont 574 fifth Avenue New-York. Portrait of the actress taken in New-York during the great American tour of 1880-1881 256 performances in 50 cities. Sarah Bernhardt poses in elegant Parisian attire her gaze turned skyward. Signed in the plate: Copyright by A. Dupont. Good overall condition one dark stain on the right of the photograph near the margin. Aimé Dupont was a Belgian photographer first active in Brussels then in Paris. He settled in New-York with his American wife Etta Greer herself a photographer. Already in Paris the photographer had specialized in photographs of actors and singers from the Opera and he renewed this specialty for the New-York opera and all the French artists who came to the USA. It is therefore not surprising that Sarah Bernhardt visited his studio to create a recent photograph dedicated to her American tour. Nadar unknown
186771239Paris: Nadar 1867. Fine. Nadar Paris s. d. 1867 6.60 x 10.40 cm une photographie Nadar Paris N.D. but 1867 66x10.4 cm photograph Original photograph on albumin paper in a visiting card format laid down on card by Nadar initialed and with a red border. Doré poses with his arm on a fringed chair the same as in the portraits of Théophile Gautier Edouard Manet and Alexandre Dumas. Manuscript annotation to verso. We have not been able to find any copies of this photograph in any of the international public collections. Nadar unknown
57953Aux Bureaux du Journal Amusant du Musee Francais-Anglais et des Modes Parisiennes 1856 4 volumes In-4 3200pp. illustr. nombreuses gravures couvertures colorisees reliures demi-cuir de l'époque dos plats ornes usures d'usage sur les reliures tete de collection complete des 400 premiers numeros details et photos sur demande Nb-0271 unknown
199556787Harry N Abrams Inc. New. 1995. Hardcover. 0810964899 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- - 272 pages; 211 illustrations 99 in full color 112 duotones -- with a bonus offer-- . Harry N Abrams Inc hardcover
