Nadar (Photogr)Biblio.com
212 résultats
105743165 x 11 cm Min gebräunt rückseitig kleiner Stemp. a. Fuss tadell. Unter Bild gedruckt: links: Nadar rechts: Atelieradresse: Rue d’Anjou St.Hré 51 Hòtel privé.Rückseitig: Medaille d’or Exposition universelle 1878. 010 unknown
105744165 x 11 cm Min gebräunt rückseitig kleiner Stemp. a. Fuss tadell. Unter Bild gedruckt: links: Nadar rechts: Atelieradresse: Rue d’Anjou St.Hré 51 Hòtel privé.Rückseitig: Medaille d’or Exposition universelle 1878. 010 unknown
189113261Paris: A l’Office Général de Photographie 1891-1892. Buono stato di conservazione nel complesso legatura un po' stanca e alcune delle tavole sono distaccate ma presenti; occasionali arrossamenti e fioriture. Copertine dei fascicoli omesse dal legatore; sul dorso del volume erroneamente indicato 1892-93 anziché 1891-92. Tredici fascicoli raccolti in un volume in mezza tela cm 25x18 pp 453 1 184 2 numerose tavole e figure in nero alcune fotografie applicate e tavole a colori. Buono stato di conservazione nel complesso legatura un po' stanca e alcune delle tavole sono distaccate ma presenti; occasionali arrossamenti e fioriture. Copertine dei fascicoli omesse dal legatore; sul dorso del volume erroneamente indicato 1892-93 anziché 1891-92. Rara serie dei primi fascicoli del periodico fondato e diretto dal figlio e successore di Nadar Paul che trasformò l’atelier del padre in una moderna impresa fotografica attiva anche nel campo editoriale e commerciale. La rivista nacque in seno all’Office Général de Photographie aperto a Parigi nel 1889 come studio rivendita di apparecchiature fotografiche e sede delle molteplici attività di Paul Nadar ed ebbe in questi primi anni Georges Aubry e Adrien Lefort segretari di redazione; ciascun fascicolo era illustrato da numerose figure nel testo e da tavole fuori testo in heliogravure o con cliché di serie di scatti di Nadar applicati. La rivista raccoglie articoli di Paul Nadar Auguste e Louis Lumière J. Marey A. Cornu H. Fortier J. Janssen E. Silas L. Vidal e molti altri che illustrano le più recenti innovazioni e ricerche in campo di chimica ottica e tecnica fotografica; presenti inoltre notizie di associazioni e congressi brevetti e aggiornamenti bibliografici; Nadar padre figura con numerosi Souvenirs d’un Atelier de Photographie; in ciascun numero tavole in heliogravure ritratti o illustrazioni delle tecniche descritte con alcune spettacolari immagini di fotografia astronomica curiose tavole di gusto lombrosiano di fotografia forense esempi di policromia… e una stampa fotografica applicata con serie di ritratti di personaggi dello spettacolo Sarah Bernhardt Mme Melba e molte altre attrici. Alla fine della prima annata completa dal numero 1 di aprile al 9 di dicembre copiosi indici dei nomi delle materie e delle tavole; seguono i primi 4 fascicoli del 1892 completando la serie del primo anno di vita della rivista. A l’Office Général de Photographie hardcover
1976Q-0394411064Alfred A. Knopf 1976-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Alfred A. Knopf hardcover
148780GONCOURT Edmond de. Portrait for La Galerie Contemporaine by Nadar. Woodburytype print with artist's information printed on mount matted and framed in polished dark wood. Paris: Nadar ND. A visually arresting portrait of Edmond de Goncourt by famed portrait photographer Nadar Gaspard-Felix Tournachon 1820-1910. "Nadar's notoriety in photography came after successful careers first in writing and publishing and then in caricature. Nadar's turn to portrait photography appears to be a natural progression from his work in caricature." "Galerie Contemporaine stands out due to its ambitious scope as well as for the quality of the photographic imagery it contained. Underpinned by a certain patriotic sentiment and a more sophisticated approach to celebrity the subtitle Litteraire Artistique declares the work's focus of interest to be high art. In fact Galerie Contemporaine evolved into the most impressive set of celebrity portraits published in nineteenth-century France forming a vital visual record of the leading figures who shaped public life in science and politics as well as the arts during the Second Empire and the emergent Third Republic." Hannavy John editor. Encyclopedia of Nineteenth-century Photography p. 971 and 567. unknown
188249432Paris: chés l'auctheur 1882. Fine. chés l'auctheur Paris s. d. 1882 14 x 19 cm relié first edition of this Rabelaisian style pamphlet directed against Gambetta one of 300 numbered copies on Holland paper. Binding to open bradel ivory wove smooth back red mesh coaching boards and boards painted in watercolor compositions centers: a bookplate and a monogram on the first front cover and Léon Gambetta embodying Christ crucified fragile parchment wrappers preserved and bound in contemporary binding signed Dodé. Nadar handwritten signature under the justification of the draw. In addition this copy is enriched with a handwritten correction Nadar pencil in The Passion p. 45 to orveitan sic. Book adorned the author of illustrations. Provenance: Library of Frederick Lachèvre bibliographer specialist in French poetry with its large bookplate engraved and painted emblem repeated in the first boardes. A book illustration is reproduced on the lower flat of each volume. Some light and light bites to bookbinding. chés l'auctheur hardcover
188249471Paris: chés l'auctheur 1882. Fine. chés l'auctheur Paris s. d. 1882 14 x 19 cm relié first edition of this Rabelaisian style pamphlet directed against Gambetta one of 300 numbered copies on paper of the Netherlands. Binding to open bradel ivory wove smooth back red mesh frame compositions painted boards and boards to centers: a bookplate and a monogram on the first front cover and Léon Gambetta dabbling in a bathtub on the second fragile parchment wrappers preserved and bound in contemporary binding signed Dodé. Nadar handwritten signature under the justification of the draw. Book adorned the author of illustrations. Provenance: Library of Frederick Lachèvre bibliographer specialist in French poetry with its large bookplate engraved and painted emblem repeated in the first boardes. A book illustration is reproduced on the lower flat of each volume. Some light and light bites to bookbinding. chés l'auctheur hardcover
187776745Paris: Georges Decaux 1877. Fine. Georges Decaux Paris s. d. 1877 11.50 x 18.50 cm relié First edition. Contemporary half bottle-green shagreen binding spine with five raised bands set with gilt fleurons some minor rubbing to spine without gravity marbled paper boards endpapers and pastedowns of pebbled paper contemporary binding. Some minor foxing without gravity a pencil library shelf mark on one endpaper. Autograph inscription dated and signed by Nadar: ""A M. Bertrand de main amie. Nadar. Nov"". Georges Decaux hardcover
019292Electa Editrice Portfolios 0 Book. Fine. No Binding. 1st Edition. Original black card portfolio with label mounted to front housed within a white gloss-laminated sleeve titled in orange together with the original plain cardboard outer packaging. A fine copy. 12 loose monochrome photographic prints with tissue guards together with printed introductory essay. Folio. Uncommon. Electa Editrice Portfolios 0 unknown
18805835Goupil Paris 1880; Large woodburytype photograph by Nadar Gaspard Felix Tournachon of French playwright and operatic librettist Edmond Gondinet 1828-1888 whose work includes the text for the Leo Delibes opera "Lakme." Photo measures 7 1/2" x 9 1/4" mounted on 11" x 14" card. Complete with the original two 11" x 14" leaves of background and analytical text by Gustave Goetschy. From the eminent French 19th century "Galerie Contemporaine" photographic collection of leading figures from the arts and sciences published by Goupil and issued in parts from 1876 to 1884. Fine condition. There is a miniscule 1/16" corner chip of the mounting card in the blank area at lower right and light to moderate foxing of the text pages. Text in French. Goupil unknown
41879Paris 1877. 2° 1 Doppelbl. m. montierter Orig.-Photogr. 12.5 x 8.5 cm a. erster Seite Im Falz tlw. durchgerieben etw. randrissig u. -knittrig m. kleinen Verlusten die Photogr. tadellos. Mit der «Camée artistique» zur Theaterschauspielerin Jane Hading - diese auch auf der Photographie bezeichnet mit «Cliché Nadar». Text frz. 010 Paris, 1877 unknown
41878Paris 1877. 2° 1 Doppelbl. m. montierter Orig.-Photogr. 12.5 x 8.5 cm a. erster Seite Im Falz tlw. durchgerieben etw. randrissig u. -knittrig die Photogr. tadellos. Mit der «Camée artistique» zu der Opernsängerin «Mlle. Sablairolles» - diese auch auf der Photographie bezeichnet mit «Cliché Nadar». Text frz. 010 Paris, 1877 unknown
18641408855Paris: E. Dentu 1864. Softcover. Octavo xx 1 22-439 pages. In Very Good condition. Rebacked with original front and rear covers preserved. Red label with black lettering to spine. General rubbing and wear to wraps. Inscribed by Nadar on half title page dated 1864. Interior pages clean. Text in French. Illustration loose but present in laid in rear. Shelved in Case 10. Gaspard-Félix Tournachon known by the mononymous pseudonym Nadar was a French photographer caricaturist journalist novelist balloonist and proponent of manned flight. In 1858 he became the first person to take aerial photographs. Le Géant The Giant inspired Jules Verne's Five Weeks in a Balloon. Nadar was the inspiration for the character of Michael Ardan in Verne's From the Earth to the Moon. Wikipedia<br /> <br> <br /> He launched the world’s largest gas balloon known as Le Géant Giant. The 196-foot-tall balloon had required more than 300 seamstresses to assemble its 22000 yards of silk and at the time was the most elaborate aerial vehicle ever devised. airspacemag. 1408855. Shelved Dupont Bookstore. E. Dentu unknown
189928857Paris: Ernest Flammarion 1899. First edition. Nadar. Small 8vo. viii 276 pp. table des matières. Bound in contemporary linen gilt-titled morocco label on spine and marbled endpapers. Leaves age-toned throughout. A very good copy. This is the true first edition first issue released without the final chapter "1830 et environs"; this first issue ends on p. 276 followed by the table of chapters. In the later issue there are 4 lines of text on p. 277 blank p. 279 "1830 et environs. Ernest Flammarion unknown
1860251330Paris: Chez Les Marchands des Nouveautés Artistiques 1860. 52 numbers in all each 8 pp. Profusely illustrated with woodcuts each number with a handcolored woodcut frontispiece by Alfred Grévin. 1 vols. 4to. Publisher's green pictorial paper over boards rebacked in tan buckram. 52 numbers in all each 8 pp. Profusely illustrated with woodcuts each number with a handcolored woodcut frontispiece by Alfred Grévin. 1 vols. 4to. "Grévin employé au chemin de fer de Lyon il entra au Journal Amusant et au Petit Journal pour Rire en 1859. Son succès fut très grand. Grévin mettait au bas de ses dessins des legendes pleines d'esprit." Benezit. Chez Les Marchands des Nouveautés Artistiques unknown
1868251331Paris: Chez Les Marchands des Nouveautés Artistiques 1868. 47 numbers in all each 8 pp. Profusely illustrated with woodcuts each number with a handcolored woodcut frontispiece by Alfred Grévin. 1 vols. 4to. Publisher's green pictorial paper over boards rebacked in tan buckram. 47 numbers in all each 8 pp. Profusely illustrated with woodcuts each number with a handcolored woodcut frontispiece by Alfred Grévin. 1 vols. 4to. "Grévin employé au chemin de fer de Lyon il entra au Journal Amusant et au Petit Journal pour Rire en 1859. Son succès fut très grand. Grévin mettait au bas de ses dessins des legendes pleines d'esprit." Benezit. Chez Les Marchands des Nouveautés Artistiques unknown
186638812Paris: E. Dentu 1866. First and only edition of this novel by Nadar. The frontispiece is A DELICATE MOUNTED ORIGINAL PHOTOGRAPH BY NADAR SIGNED WITH HIS BLINDSTAMP. 3 331 pp. Printed on good wove paper. 12mo. Bound in quarter contemporary calf and decorated boards. Binding somewhat worn but completely solid and joints not cracked. Occasional faint old internal staining in the margins. THE MOUNTED PHOTOGRAPH IS IN PERFECT CONDITION. EXTREMELY RARE: WorldCat cites only four copies. sxxi <br/><br/> E. Dentu hardcover
1864181176Paris.: Dentu. 1864. 1st Edition. 12mo. Contemporary quarter cloth over stippled boards gilt spine title marbled endpapers. Very good covers soiled light shelfwear contents tight and bright. 18x11x2.5 cm. French text. Scarce. Nadar was a pioneering photographer and balloonist who was the first to take photographs from a balloon. The “Geant†was a huge experimental balloon that crashed at the end of its second flight leading Nadar to become a proponent of heavier-than-air flight. weight: 1.0 lb. Introduction by Babinet. Dentu. hardcover
188047201Paris: E. Dentu Libraire de la Societe des Gens de Lettres 1880. Very Good-. Paris: E. Dentu Editeur Libraire de la Societe des Gens de Lettres 1880. First Edition. 12mo 18cm; publisher's pictorial wrappers; viii308pp. Moderate soil chipping and wear to wrapper margins spine cracked with evidence of glue repair interior clean and sound. About Very Good overall. Inscribed and signed on half title page "a mon brave et bon Schemborgh mon camarade De la Legion 1848 / mon excellent ami depuis 1880 / Nadar."<br /> <br /> A collection of impressionistic vignettes by the famed French photographer and air balloonist. The title references the fictitious and absurdist creature the Coquecigrue first coined by Rabelais in his novel "Pantagruel. E. Dentu, Libraire de la Societe des Gens de Lettres unknown
18805862Goupil Paris 1880; Large woodburytype photograph by Nadar Gaspard Felix Tournachon of French painter Isidore Pils 1813-1875. Photo measures approximately 3 1/2" x 5" mounted on the first of four 11" x 14" pages of illustrated biographical and critical text in French. Additionally laid-in is a large 7 1/2" x 9" photo of the Pils painting "Rouget De Lisle Chantant Pour La Premiere Fois La Marseillaise Chez Dietrich Maire De Strasbourg" mounted on 11" x 14" card. From the 19th century "Galerie Contemporaine" photographic collection of distinguished figures from the arts and sciences published in Paris by Goupil and issued in parts from 1876 to 1884. Fine condition. Goupil unknown
2021BN92059Regnum Books International 2021. 2021. Ecumenical Encounters with Desmond Mpilo Tutu <br/><br/>Ecumenical Encounters with Desmond Mpilo Tutu Maluleke Nadar Werner Kgabe Hinz Sarojini Tinyiko Dietrich Vicentia Rudolf Regnum Books International unknown
189327471Paris: Office général de la photographie 1893. Fine. Office général de la photographie Paris 28 Février 1893 18.50 x 27 cm broché First edition of this extremely rare scholarly journal founded and directed by Paul Nadar. Each copy contains at least two plates outside the text including a plate of photographic prints by Nadar and a photograph often reproduced in heliogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. ""We believe we are advancing progress by further engaging the public's interest in this entirely French discovery of Photography."". Thus did Paul Nadar conclude his introduction as a presentation of this precious journal containing a photograph by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe P. Nadar explains the absence of a luxurious photography journal in France contrary to the magnificent foreign publications. A handsome copy. Of exceptional rarity. Office général de la photographie unknown
189327468Paris: Office général de la photographie 1893. Fine. Office général de la photographie Paris 30 Juillet 1893 18.50 x 27 cm broché First edition of this extremely rare scholarly journal founded and directed by Paul Nadar. Each copy contains at least two plates including a sheet of Nadar's photographic prints and a photograph often reproduced in heliogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. ""We believe we are advancing progress by further engaging the public with this entirely French discovery of Photography."". Thus Paul Nadar concluded his introduction as a presentation of this precious journal containing a print by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe P. Nadar explains the absence of a luxurious photography journal in France contrary to the magnificent foreign publications. Handsome copy. Of remarkable rarity. Office général de la photographie unknown
189327467Paris: Office général de la photographie 1893. Fine. Office général de la photographie Paris 30 Avril 1893 18.50 x 27 cm broché First edition of this extremely rare scholarly journal founded and directed by Paul Nadar. Each copy contains at least two plates including a sheet of Nadar's photographic prints and a photograph often reproduced in heliogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. ""We believe we are advancing progress by further engaging the public with this entirely French discovery of Photography."". Thus Paul Nadar concluded his introduction as a presentation of this precious journal containing a print by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe P. Nadar explains the absence of a luxurious photography journal in France contrary to the magnificent foreign publications. Handsome copy. Of remarkable rarity. Office général de la photographie unknown
189327472Paris: Office général de la photographie 1893. Fine. Office général de la photographie Paris 30 Octobre 1893 18.50 x 27 cm broché First edition of this extremely rare scholarly journal founded and directed by Paul Nadar. Each copy contains at least two plates outside the text including a plate of photographic prints by Nadar and a photograph often reproduced in heliogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. ""We believe we are advancing progress by further engaging the public's interest in this entirely French discovery of Photography."". Thus did Paul Nadar conclude his introduction as a presentation of this precious journal containing a photograph by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe P. Nadar explains the absence of a luxurious photography journal in France contrary to the magnificent foreign publications. Small marginal tears at foot of first cover otherwise a handsome copy. Of exceptional rarity. Office général de la photographie unknown
